Poems in this topic
Others
Gwendolyn Brooks
A Sunset of the City
A Sunset of the City
Already I am no longer looked at with lechery or love.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.
It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.
It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.
It is a real chill out. The fall crisp comes
I am aware there is winter to heed.
There is no warm house
That is fitted with my need.
I am cold in this cold house this house
Whose washed echoes are tremulous down lost halls.
I am a woman, and dusty, standing among new affairs.
I am a woman who hurries through her prayers.
Tin intimations of a quiet core to be my
Desert and my dear relief
Come: there shall be such islanding from grief,
And small communion with the master shore.
Twang they. And I incline this ear to tin,
Consult a dual dilemma. Whether to dry
In humming pallor or to leap and die.
Somebody muffed it?? Somebody wanted to joke.
Already I am no longer looked at with lechery or love.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.
It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.
It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.
It is a real chill out. The fall crisp comes
I am aware there is winter to heed.
There is no warm house
That is fitted with my need.
I am cold in this cold house this house
Whose washed echoes are tremulous down lost halls.
I am a woman, and dusty, standing among new affairs.
I am a woman who hurries through her prayers.
Tin intimations of a quiet core to be my
Desert and my dear relief
Come: there shall be such islanding from grief,
And small communion with the master shore.
Twang they. And I incline this ear to tin,
Consult a dual dilemma. Whether to dry
In humming pallor or to leap and die.
Somebody muffed it?? Somebody wanted to joke.
263
Guillaume Apollinaire
Vitam Impendere Amori
Vitam Impendere Amori
(Vitam Impendere Amori: To Threaten Life for Love)
Love is dead within your arms
Do you remember his encounter
He’s dead you restore the charms
He returns at your encounter
Another spring of springs gone past
I think of all its tenderness
Farewell season done at last
You’ll return as tenderly
****
In the evening light that’s faded
Where our several loves brush by
Your memory lies enchained
Far from our shades that die
O hands bound by memory
Burning like a funeral pyre
Where the last black Phoenix
Perfection comes to respire
Link by link the chain wears thin
Deriding us your memory
Flies ah hear it you who rail
I kneel again at your feet
****
You’ve not surprised my secret yet
Already the cortège moves on
But left to us is the regret
of there being no connivance none
The rose floats at the water’s edge
The maskers have passed by in crowds
It trembles in me like a bell
This heavy secret you ask now
****
Evening falls and in the garden
Women tell their histories
to Night that not without disdain
spills their dark hair’s mysteries
Little children little children
Your wings have flown away
But you rose that defend yourself
Throw your unrivalled scents away
For now’s the hour of petty theft
Of plumes of flowers and of tresses
Gather the fountain jets so free
Of whom the roses are mistresses
****
You descended through the water clear
I drowned my self so in your glance
The soldier passes she leans down
Turns and breaks away a branch
You float on nocturnal waves
The flame is my own heart reversed
Coloured as that comb’s tortoiseshell
The wave that bathes you mirrors well
****
O my abandoned youth is dead
Like a garland faded
Here the season comes again
Of suspicion and disdain
The landscape’s formed of canvasses
A false stream of blood flows down
And under the tree the stars glow fresh
The only passer by’s a clown
The glass in the frame has cracked
An air defined uncertainly
Hovers between sound and thought
Between ‘to be’ and memory
O my abandoned youth is dead
Like a garland faded
Here the season comes again
Of suspicion and disdain
(Vitam Impendere Amori: To Threaten Life for Love)
Love is dead within your arms
Do you remember his encounter
He’s dead you restore the charms
He returns at your encounter
Another spring of springs gone past
I think of all its tenderness
Farewell season done at last
You’ll return as tenderly
****
In the evening light that’s faded
Where our several loves brush by
Your memory lies enchained
Far from our shades that die
O hands bound by memory
Burning like a funeral pyre
Where the last black Phoenix
Perfection comes to respire
Link by link the chain wears thin
Deriding us your memory
Flies ah hear it you who rail
I kneel again at your feet
****
You’ve not surprised my secret yet
Already the cortège moves on
But left to us is the regret
of there being no connivance none
The rose floats at the water’s edge
The maskers have passed by in crowds
It trembles in me like a bell
This heavy secret you ask now
****
Evening falls and in the garden
Women tell their histories
to Night that not without disdain
spills their dark hair’s mysteries
Little children little children
Your wings have flown away
But you rose that defend yourself
Throw your unrivalled scents away
For now’s the hour of petty theft
Of plumes of flowers and of tresses
Gather the fountain jets so free
Of whom the roses are mistresses
****
You descended through the water clear
I drowned my self so in your glance
The soldier passes she leans down
Turns and breaks away a branch
You float on nocturnal waves
The flame is my own heart reversed
Coloured as that comb’s tortoiseshell
The wave that bathes you mirrors well
****
O my abandoned youth is dead
Like a garland faded
Here the season comes again
Of suspicion and disdain
The landscape’s formed of canvasses
A false stream of blood flows down
And under the tree the stars glow fresh
The only passer by’s a clown
The glass in the frame has cracked
An air defined uncertainly
Hovers between sound and thought
Between ‘to be’ and memory
O my abandoned youth is dead
Like a garland faded
Here the season comes again
Of suspicion and disdain
1,465
Guillaume Apollinaire
The Bestiary: or Orpheus’s Procession
The Bestiary: or Orpheus’s Procession
(Le Bestiaire ou Cortège d’Orphée)
Orpheus
Admire the vital power
And nobility of line:
It’s the voice that the light made us understand here
That Hermes Trismegistus writes of in Pimander.
The Tortoise
From magic Thrace, O delerium!
My sure fingers sound the strings.
The creatures pass to the sounds
Of my tortoise, and the songs I sing.
The Horse
My harsh dreams knew the riding of you
My gold-charioted fate will be your lovely car
That for reins will hold tight to frenzy,
My verses, the patterns of all poetry.
The Tibetan Goat
The fleece of this goat and even
That gold one which cost such pain
To Jason’s not worth a sou towards
The tresses with which I’m taken.
The Serpent
You set yourself against beauty.
And how many women have been
victims of your cruelty!
Eve, Eurydice, Cleopatra:
I know three or four more after.
The Cat
I wish there to be in my house:
A woman possessing reason,
A cat among books passing by,
Friends for every season
Lacking whom I’m barely alive.
The Lion
O lion, miserable image
Of kings lamentably chosen,
Now you’re only born in a cage
In Hamburg, among the Germans.
The Hare
Don’t be fearful and lascivious
Like the hare and the amorous.
But always let your brain weave
The full form that conceives.
The Rabbit
There’s another cony I remember
That I’d so like to take alive.
Its haunt is there among the thyme
In the valleys of the Land of Tender.
The Dromedary
With his four dromedaries
Don Pedro of Alfaroubeira
Travels the world and admires her.
He does what I would rather
If I’d those four dromedaries.
The Mouse
Sweet days, the mice of time,
You gnaw my life, moon by moon.
God! I’ve twenty eight years soon,
and badly spent ones I imagine.
The Elephant
I carry treasure in my mouth,
As an elephant his ivory.
At the price of flowing words,
Purple death!…I buy my glory.
Orpheus
Look at this pestilential tribe
Its thousand feet, its hundred eyes:
Beetles, insects, lice
And microbes more amazing
Than the world’s seventh wonder
And the palace of Rosamunde!
The Caterpillar
Work leads us to riches.
Poor poets, work on!
The caterpillar’s endless sigh
Becomes the lovely butterfly.
The Fly
The songs that our flies know
Were taught to them in Norway
By flies who are they say
Divinities of snow.
The Flea
Fleas, friends, lovers too,
How cruel are those who love us!
All our blood pours out for them.
The well-beloved are wretched then.
The Grasshopper
Here’s the slender grasshopper
The food that fed Saint John.
May my verse be similar,
A treat for the best of men.
Orpheus
His heart was the bait: the heavens were the pond!
For, fisherman, what fresh or seawater catch
equals him, either in form or savour,
that lovely divine fish, Jesus, My Saviour?
The Dolphin
Dolphins, playing in the sea
The wave is bitter gruel.
Does my joy sometimes erupt?
Yet life is still so cruel.
The Octopus
Hurling his ink at skies above,
Sucking the blood of what he loves
And finding it delicious,
Is myself the monster, vicious.
The Jellyfish
Medusas, miserable heads
With hairs of violet
You enjoy the hurricane
And I enjoy the very same.
The Lobster
Uncertainty, O my delights
You and I we go
As lobsters travel onwards, quite
Backwards, Backwards, O.
The Carp
In your pools, and in your ponds,
Carp, you indeed live long!
Is it that death forgets to free
You fishes of melancholy?
Orpheus
The female of the Halcyon,
Love, the seductive Sirens,
All know the fatal songs
Dangerous and inhuman.
Don’t listen to those cursed birds
But Paradisial Angels’ words.
The Sirens
Do I know where your ennui’s from, Sirens,
When you grieve so widely under the stars?
Sea, I am like you, filled with broken voices,
And my ships, singing, give a name to the years.
The Dove
Dove, both love and spirit
Who engendered Jesus Christ,
Like you I love a Mary.
And so with her I marry.
The Peacock
In spreading out his fan, this bird,
Whose plumage drags on earth, I fear,
Appears more lovely than before,
But makes his derrière appear.
The Owl
My poor heart’s an owl
One woos, un-woos, re-woos.
Of blood, of ardour, he’s the fowl.
I praise those who love me, too.
Ibis
Yes, I’ll pass fearful shadows
O certain death, let it be so!
Latin mortal dreadful word,
Ibis, Nile’s native bird.
The Ox
This cherubim sings the praises
Of Paradise where, with Angels,
We’ll live once more, dear friends,
When the good God intends.
(Le Bestiaire ou Cortège d’Orphée)
Orpheus
Admire the vital power
And nobility of line:
It’s the voice that the light made us understand here
That Hermes Trismegistus writes of in Pimander.
The Tortoise
From magic Thrace, O delerium!
My sure fingers sound the strings.
The creatures pass to the sounds
Of my tortoise, and the songs I sing.
The Horse
My harsh dreams knew the riding of you
My gold-charioted fate will be your lovely car
That for reins will hold tight to frenzy,
My verses, the patterns of all poetry.
The Tibetan Goat
The fleece of this goat and even
That gold one which cost such pain
To Jason’s not worth a sou towards
The tresses with which I’m taken.
The Serpent
You set yourself against beauty.
And how many women have been
victims of your cruelty!
Eve, Eurydice, Cleopatra:
I know three or four more after.
The Cat
I wish there to be in my house:
A woman possessing reason,
A cat among books passing by,
Friends for every season
Lacking whom I’m barely alive.
The Lion
O lion, miserable image
Of kings lamentably chosen,
Now you’re only born in a cage
In Hamburg, among the Germans.
The Hare
Don’t be fearful and lascivious
Like the hare and the amorous.
But always let your brain weave
The full form that conceives.
The Rabbit
There’s another cony I remember
That I’d so like to take alive.
Its haunt is there among the thyme
In the valleys of the Land of Tender.
The Dromedary
With his four dromedaries
Don Pedro of Alfaroubeira
Travels the world and admires her.
He does what I would rather
If I’d those four dromedaries.
The Mouse
Sweet days, the mice of time,
You gnaw my life, moon by moon.
God! I’ve twenty eight years soon,
and badly spent ones I imagine.
The Elephant
I carry treasure in my mouth,
As an elephant his ivory.
At the price of flowing words,
Purple death!…I buy my glory.
Orpheus
Look at this pestilential tribe
Its thousand feet, its hundred eyes:
Beetles, insects, lice
And microbes more amazing
Than the world’s seventh wonder
And the palace of Rosamunde!
The Caterpillar
Work leads us to riches.
Poor poets, work on!
The caterpillar’s endless sigh
Becomes the lovely butterfly.
The Fly
The songs that our flies know
Were taught to them in Norway
By flies who are they say
Divinities of snow.
The Flea
Fleas, friends, lovers too,
How cruel are those who love us!
All our blood pours out for them.
The well-beloved are wretched then.
The Grasshopper
Here’s the slender grasshopper
The food that fed Saint John.
May my verse be similar,
A treat for the best of men.
Orpheus
His heart was the bait: the heavens were the pond!
For, fisherman, what fresh or seawater catch
equals him, either in form or savour,
that lovely divine fish, Jesus, My Saviour?
The Dolphin
Dolphins, playing in the sea
The wave is bitter gruel.
Does my joy sometimes erupt?
Yet life is still so cruel.
The Octopus
Hurling his ink at skies above,
Sucking the blood of what he loves
And finding it delicious,
Is myself the monster, vicious.
The Jellyfish
Medusas, miserable heads
With hairs of violet
You enjoy the hurricane
And I enjoy the very same.
The Lobster
Uncertainty, O my delights
You and I we go
As lobsters travel onwards, quite
Backwards, Backwards, O.
The Carp
In your pools, and in your ponds,
Carp, you indeed live long!
Is it that death forgets to free
You fishes of melancholy?
Orpheus
The female of the Halcyon,
Love, the seductive Sirens,
All know the fatal songs
Dangerous and inhuman.
Don’t listen to those cursed birds
But Paradisial Angels’ words.
The Sirens
Do I know where your ennui’s from, Sirens,
When you grieve so widely under the stars?
Sea, I am like you, filled with broken voices,
And my ships, singing, give a name to the years.
The Dove
Dove, both love and spirit
Who engendered Jesus Christ,
Like you I love a Mary.
And so with her I marry.
The Peacock
In spreading out his fan, this bird,
Whose plumage drags on earth, I fear,
Appears more lovely than before,
But makes his derrière appear.
The Owl
My poor heart’s an owl
One woos, un-woos, re-woos.
Of blood, of ardour, he’s the fowl.
I praise those who love me, too.
Ibis
Yes, I’ll pass fearful shadows
O certain death, let it be so!
Latin mortal dreadful word,
Ibis, Nile’s native bird.
The Ox
This cherubim sings the praises
Of Paradise where, with Angels,
We’ll live once more, dear friends,
When the good God intends.
931
Guillaume Apollinaire
Palace
Palace
In deepest dream towards Rosemonde's palace
My barefoot brain inclined for the evening
Like a naked king the walls are waking
Beaten flesh and fresh-cut roses
You can see my thoughts immersed in roses
Smiling at the concert of the toads
They are in the mood for cypress bedposts
The sun is a broken mirror of the rose
What badly wounded bowman opened
Stigmata of palms on the windowpane
At the white lamb's love-feast I have tasted
Resins that bitter the Cyprian wine
On the jagged lap of the lascivious king
In the May-time of her age and finest frock
Mysterious Madame Rosemonde rolls
Her little round eyes like a Hun
Lady of my thoughts your pearly asshole
Is unrivalled by anything Oriental
For whom are you waiting
Deepest dreams en route to the Orient
Are my loveliest neighbors
Knock knock Come into the forecourt night is coming
In shadow the night-light is toasted tinsel
Hang your heads by the hair on the hat-rack
The evening sky is aglimmer with pins
We entered the dining room our noses
Caught a whiff of grease and mucus
Of twenty soup bowls three were urine
The king ate two poached eggs in bouillon
And then the scullions brought in the meat dishes
A standing roast of thoughts deceased in my brain
My lovely still-born dreams in slices still bloody
And gamy little meatballs of memory
Dead for millennia now these thoughts
Had a flavorless taste of frozen mammoth
Bones or visionaries danced out of ossuaries
The dance of death in the folds of my brain
And all those meats pronounced revelations
But Holy Christ!
A famished belly has no hearing
The guests continued their best mastications
Ah Holy Christ! cried out the rib-eyes
The huge pâtes the marrow and hot-pots
Tongues of fire o where is the pentecost
Of my thoughts for all places nations and times
In deepest dream towards Rosemonde's palace
My barefoot brain inclined for the evening
Like a naked king the walls are waking
Beaten flesh and fresh-cut roses
You can see my thoughts immersed in roses
Smiling at the concert of the toads
They are in the mood for cypress bedposts
The sun is a broken mirror of the rose
What badly wounded bowman opened
Stigmata of palms on the windowpane
At the white lamb's love-feast I have tasted
Resins that bitter the Cyprian wine
On the jagged lap of the lascivious king
In the May-time of her age and finest frock
Mysterious Madame Rosemonde rolls
Her little round eyes like a Hun
Lady of my thoughts your pearly asshole
Is unrivalled by anything Oriental
For whom are you waiting
Deepest dreams en route to the Orient
Are my loveliest neighbors
Knock knock Come into the forecourt night is coming
In shadow the night-light is toasted tinsel
Hang your heads by the hair on the hat-rack
The evening sky is aglimmer with pins
We entered the dining room our noses
Caught a whiff of grease and mucus
Of twenty soup bowls three were urine
The king ate two poached eggs in bouillon
And then the scullions brought in the meat dishes
A standing roast of thoughts deceased in my brain
My lovely still-born dreams in slices still bloody
And gamy little meatballs of memory
Dead for millennia now these thoughts
Had a flavorless taste of frozen mammoth
Bones or visionaries danced out of ossuaries
The dance of death in the folds of my brain
And all those meats pronounced revelations
But Holy Christ!
A famished belly has no hearing
The guests continued their best mastications
Ah Holy Christ! cried out the rib-eyes
The huge pâtes the marrow and hot-pots
Tongues of fire o where is the pentecost
Of my thoughts for all places nations and times
1,115
Guillaume Apollinaire
Moonlight
Moonlight
Mellifluent moon on the lips of the maddened
The orchards and towns are greedy tonight
The stars appear like the image of bees
Of this luminous honey that offends the vines
For now all sweet in their fall from the sky
Each ray of moonlight’s a ray of honey
Now hid I conceive the sweetest adventure
I fear stings of fire from this Polar bee
that sets these deceptive rays in my hands
And takes its moon-honey to the rose of the winds
Mellifluent moon on the lips of the maddened
The orchards and towns are greedy tonight
The stars appear like the image of bees
Of this luminous honey that offends the vines
For now all sweet in their fall from the sky
Each ray of moonlight’s a ray of honey
Now hid I conceive the sweetest adventure
I fear stings of fire from this Polar bee
that sets these deceptive rays in my hands
And takes its moon-honey to the rose of the winds
867
Guillaume Apollinaire
Moonlight
Moonlight
Mellifluent moon on the lips of the maddened
The orchards and towns are greedy tonight
The stars appear like the image of bees
Of this luminous honey that offends the vines
For now all sweet in their fall from the sky
Each ray of moonlight’s a ray of honey
Now hid I conceive the sweetest adventure
I fear stings of fire from this Polar bee
that sets these deceptive rays in my hands
And takes its moon-honey to the rose of the winds
Mellifluent moon on the lips of the maddened
The orchards and towns are greedy tonight
The stars appear like the image of bees
Of this luminous honey that offends the vines
For now all sweet in their fall from the sky
Each ray of moonlight’s a ray of honey
Now hid I conceive the sweetest adventure
I fear stings of fire from this Polar bee
that sets these deceptive rays in my hands
And takes its moon-honey to the rose of the winds
867
Guillaume Apollinaire
Les Colchiques
Les Colchiques
Le pré est vénéneux mais joli en automne
Les vaches y paissant
Lentement s'empoisonnent
Le colchique couleur de cerne et de lilas
Y fleurit tes yeux sont comme cette fleur-la
Violatres comme leur cerne et comme cet automne
Et ma vie pour tes yeux lentement s'empoisonne
Les enfants de l'école viennent avec fracas
Vêtus de hoquetons et jouant de l'harmonica
Ils cueillent les colchiques qui sont comme des mères
Filles de leurs filles et sont couleur de tes paupières
Qui battent comme les fleurs battent au vent dément
Le gardien du troupeau chante tout doucement
Tandis que lentes et meuglant les vaches abandonnent
Pour toujours ce grand pré mal fleuri par l'automne
Le pré est vénéneux mais joli en automne
Les vaches y paissant
Lentement s'empoisonnent
Le colchique couleur de cerne et de lilas
Y fleurit tes yeux sont comme cette fleur-la
Violatres comme leur cerne et comme cet automne
Et ma vie pour tes yeux lentement s'empoisonne
Les enfants de l'école viennent avec fracas
Vêtus de hoquetons et jouant de l'harmonica
Ils cueillent les colchiques qui sont comme des mères
Filles de leurs filles et sont couleur de tes paupières
Qui battent comme les fleurs battent au vent dément
Le gardien du troupeau chante tout doucement
Tandis que lentes et meuglant les vaches abandonnent
Pour toujours ce grand pré mal fleuri par l'automne
838
Guillaume Apollinaire
Mareye
Mareye
Mareye était très douce étourdie et charmante
Moi je l'aimais d'Amour m'aimait-elle, qui sait?
Je revois parfois à la lueur tremblotante
Des lointains souvenirs cet Amour trépassé.
Sur ma bouche je sens celle de mon amante
Je sens ses petites mains sur mon front glacé
Ses mains dont doucement elle me caressait
Ses rares mains de sainte pâle ou bien d'infante
Mon amante d'antant dans quels bras t'endors-tu
Pendant l'hiver saison d'amour où les vents pleurent
Où les amants ont froid où les passants se meurent
Sous les tristes sapins meurent en écoutant
Les elfes rire au vent et corner aux rafales?
Songes-tu quelquefois quand les nuits sont bien pâles
Que telles nos amours sont mortes les étoiles?
Mareye était très douce étourdie et charmante
Moi je l'aimais d'Amour m'aimait-elle, qui sait?
Je revois parfois à la lueur tremblotante
Des lointains souvenirs cet Amour trépassé.
Sur ma bouche je sens celle de mon amante
Je sens ses petites mains sur mon front glacé
Ses mains dont doucement elle me caressait
Ses rares mains de sainte pâle ou bien d'infante
Mon amante d'antant dans quels bras t'endors-tu
Pendant l'hiver saison d'amour où les vents pleurent
Où les amants ont froid où les passants se meurent
Sous les tristes sapins meurent en écoutant
Les elfes rire au vent et corner aux rafales?
Songes-tu quelquefois quand les nuits sont bien pâles
Que telles nos amours sont mortes les étoiles?
807
Guillaume Apollinaire
L'Adieu
L'Adieu
J'ai cueilli ce brin de bruyère
L'automne est morte souviens-t'en
Nous ne nous verrons plus sur terre
Odeur du temps Brin de bruyère
Et souviens-toi que je t'attends
J'ai cueilli ce brin de bruyère
L'automne est morte souviens-t'en
Nous ne nous verrons plus sur terre
Odeur du temps Brin de bruyère
Et souviens-toi que je t'attends
826
Guillaume Apollinaire
La Chanson Du Malaime
La Chanson Du Malaime
Un soir de demi-brume à Londres
Un voyou qui ressemblait à
Mon amour vint à ma rencontre
Et le regard qu'il me jeta
Me fit baisser les yeux de honte
Je suivis ce mauvais garçon
Qui sifflotait mains dans les poches
Nous semblions entre les maisons
Onde ouverte de la mer Rouge
Lui les Hébreux moi Pharaon
Qui tombent ces vagues de briques
Si tu ne fus pas bien aimée
Je suis le souverain d'Egypte
Sa soeur-épouse son armée
Si tu n'es pas l'amour unique.
Un soir de demi-brume à Londres
Un voyou qui ressemblait à
Mon amour vint à ma rencontre
Et le regard qu'il me jeta
Me fit baisser les yeux de honte
Je suivis ce mauvais garçon
Qui sifflotait mains dans les poches
Nous semblions entre les maisons
Onde ouverte de la mer Rouge
Lui les Hébreux moi Pharaon
Qui tombent ces vagues de briques
Si tu ne fus pas bien aimée
Je suis le souverain d'Egypte
Sa soeur-épouse son armée
Si tu n'es pas l'amour unique.
848
Guillaume Apollinaire
Hotels
Hotels
The room is free
Each for himself
A new arrival
Pays by the month
The boss is doubtful
Whether you’ll pay
Like a top
I spin on the way
The traffic noise
My neighbour gross
Who puffs an acrid
English smoke
O La Vallière
Who limps and smiles
In my prayers
The bedside table
And all the company
in this hotel
know the languages
of Babel
Let’s shut our doors
With a double lock
And each adore
his lonely love
The room is free
Each for himself
A new arrival
Pays by the month
The boss is doubtful
Whether you’ll pay
Like a top
I spin on the way
The traffic noise
My neighbour gross
Who puffs an acrid
English smoke
O La Vallière
Who limps and smiles
In my prayers
The bedside table
And all the company
in this hotel
know the languages
of Babel
Let’s shut our doors
With a double lock
And each adore
his lonely love
738
Guillaume Apollinaire
In the Sante
In the Sante
I
Before I got into my cell
I had to strip my body bare
I heard an ominous voice say Well
Guillaume what are you doing here
Lazarus steps into the ground
Not out of it as he was bid
Adieu Adieu O singing round
Of years and girls the life I led
II
I'm no longer myself in here
I know
I'm number fifteen in the eleventh
Row
The sunlight filters downward through
The panes
And on these lines bright clowns alight
Like stains
They dance under my eyes while my
Ears follow
The feet of one whose feet above
Sound hollow
III
In a bear-pit like a bear
Every morning round I tramp
Round and round and round and round
The sky is like an iron clamp
In a bear-pit like a bear
Every morning round I tramp
In the next cell at the sink
Someone lets the water run
With his bunch of keys that clink
Let the goaler go and come
In the next cell at the sink
Someone lets the water run
IV
How bored I am between bare wall and wall
Whose colour pales and pines
A fly on the paper with extremely small
Steps runs across these lines
What will become of me O God Who know
My pain Who gave it me
Have pity on my dry eyes and my pallor
My chair which creaks and is not free
And all these poor hearts beating in this prison
And Love beside me seated
Pity above all my unstable reason
And this despair which threatens to defeat it
V
How long these hours take to go
As long as a whole funeral
You'll mourn the time you mourned you know
It will be gone too soon like all
Time past
too fast too long ago
VI
I hear the noises of the city
In the turning world beyond me
I see a sky which has no pity
And bare prison walls around me
The daylight disappears and now
A lamp is lit within the prison
We're all alone here in my cell
Beautiful light Beloved reason
I
Before I got into my cell
I had to strip my body bare
I heard an ominous voice say Well
Guillaume what are you doing here
Lazarus steps into the ground
Not out of it as he was bid
Adieu Adieu O singing round
Of years and girls the life I led
II
I'm no longer myself in here
I know
I'm number fifteen in the eleventh
Row
The sunlight filters downward through
The panes
And on these lines bright clowns alight
Like stains
They dance under my eyes while my
Ears follow
The feet of one whose feet above
Sound hollow
III
In a bear-pit like a bear
Every morning round I tramp
Round and round and round and round
The sky is like an iron clamp
In a bear-pit like a bear
Every morning round I tramp
In the next cell at the sink
Someone lets the water run
With his bunch of keys that clink
Let the goaler go and come
In the next cell at the sink
Someone lets the water run
IV
How bored I am between bare wall and wall
Whose colour pales and pines
A fly on the paper with extremely small
Steps runs across these lines
What will become of me O God Who know
My pain Who gave it me
Have pity on my dry eyes and my pallor
My chair which creaks and is not free
And all these poor hearts beating in this prison
And Love beside me seated
Pity above all my unstable reason
And this despair which threatens to defeat it
V
How long these hours take to go
As long as a whole funeral
You'll mourn the time you mourned you know
It will be gone too soon like all
Time past
too fast too long ago
VI
I hear the noises of the city
In the turning world beyond me
I see a sky which has no pity
And bare prison walls around me
The daylight disappears and now
A lamp is lit within the prison
We're all alone here in my cell
Beautiful light Beloved reason
909
George Herbert
Virtue
Virtue
Sweet day, so cool, so calm, so bright
The bridal of the earth and sky:
The dew shall weep thy fall tonight,
For thou must die.
Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eyes:
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie:
My music shows ye have your closes,
And all must die.
Only a sweet and virtuous soul,
LIke seasoned timber, never gives;
But though the whole world turn to coal.
Then chiefly lives.
Sweet day, so cool, so calm, so bright
The bridal of the earth and sky:
The dew shall weep thy fall tonight,
For thou must die.
Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eyes:
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie:
My music shows ye have your closes,
And all must die.
Only a sweet and virtuous soul,
LIke seasoned timber, never gives;
But though the whole world turn to coal.
Then chiefly lives.
369
George Herbert
Virtue
Virtue
Sweet day, so cool, so calm, so bright
The bridal of the earth and sky:
The dew shall weep thy fall tonight,
For thou must die.
Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eyes:
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie:
My music shows ye have your closes,
And all must die.
Only a sweet and virtuous soul,
LIke seasoned timber, never gives;
But though the whole world turn to coal.
Then chiefly lives.
Sweet day, so cool, so calm, so bright
The bridal of the earth and sky:
The dew shall weep thy fall tonight,
For thou must die.
Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eyes:
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie:
My music shows ye have your closes,
And all must die.
Only a sweet and virtuous soul,
LIke seasoned timber, never gives;
But though the whole world turn to coal.
Then chiefly lives.
369
George Herbert
The Temper
The Temper
How should I praise thee, Lord! how should my rhymes
Gladly engrave thy love in steel,
If what my soul doth feel sometimes
My soul might ever feel!
Although there were some forty heav'ns, or more,
Sometimes I peer above them all;
Sometimes I hardly reach a score,
Sometimes to hell I fall.
O rack me not to such a vast extent;
Those distances belong to thee:
The world's too little for thy tent,
A grave too big for me.
Wilt thou meet arms with man, that thou dost stretch
A crum of dust from heav'n to hell?
Will great God measure with a wretch?
Shall he thy stature spell?
O let me, when thy roof my soul hath hid,
O let me roost and nestle there:
Then of a sinner thou art rid,
And I of hope and fear.
Yet take thy way; for sure thy way is best:
Stretch or contract me, thy poor debtor:
This is but tuning of my breast,
To make the music better.
Whether I fly with angels, fall with dust,
Thy hands made both, and I am there:
Thy power and love, my love and trust
Make one place ev'ry where.
How should I praise thee, Lord! how should my rhymes
Gladly engrave thy love in steel,
If what my soul doth feel sometimes
My soul might ever feel!
Although there were some forty heav'ns, or more,
Sometimes I peer above them all;
Sometimes I hardly reach a score,
Sometimes to hell I fall.
O rack me not to such a vast extent;
Those distances belong to thee:
The world's too little for thy tent,
A grave too big for me.
Wilt thou meet arms with man, that thou dost stretch
A crum of dust from heav'n to hell?
Will great God measure with a wretch?
Shall he thy stature spell?
O let me, when thy roof my soul hath hid,
O let me roost and nestle there:
Then of a sinner thou art rid,
And I of hope and fear.
Yet take thy way; for sure thy way is best:
Stretch or contract me, thy poor debtor:
This is but tuning of my breast,
To make the music better.
Whether I fly with angels, fall with dust,
Thy hands made both, and I am there:
Thy power and love, my love and trust
Make one place ev'ry where.
267
George Herbert
The Sinner
The Sinner
Lord, how I am all ague, when I seek
What I have treasur'd in my memory!
Since, if my soul make even with the week,
Each seventh note by right is due to thee.
I find there quarries of pil'd vanities,
But shreds of holiness, that dare not venture
To show their face, since cross to thy decrees:
There the circumference earth is, heav'n the centre.
In so much dregs the quintessence is small:
The spirit and good extract of my heart
Comes to about the many hundredth part.
Yet Lord restore thine image, hear my call:
And though my hard heart scarce to thee can groan,
Remember that thou once didst write in stone.
Lord, how I am all ague, when I seek
What I have treasur'd in my memory!
Since, if my soul make even with the week,
Each seventh note by right is due to thee.
I find there quarries of pil'd vanities,
But shreds of holiness, that dare not venture
To show their face, since cross to thy decrees:
There the circumference earth is, heav'n the centre.
In so much dregs the quintessence is small:
The spirit and good extract of my heart
Comes to about the many hundredth part.
Yet Lord restore thine image, hear my call:
And though my hard heart scarce to thee can groan,
Remember that thou once didst write in stone.
367
George Herbert
The Pearl
The Pearl
The Kingdom of heaven is like unto a merchant man,
seeking goodly pearls; who, when he had found one,
sold all that he had and bought it.-Matthew 13.45
I know the ways of Learning; both the head
And pipes that feed the press, and make it run;
What reason hath from nature borrowed,
Or of itself, like a good huswife, spun
In laws and policy; what the stars conspire,
What willing nature speaks, what forced by fire;
Both th' old discoveries, and the new-found seas,
The stock and surplus, cause and history:
All these stand open, or I have the keys:
Yet I love thee.
I know the ways of Honour, what maintains
The quick returns of courtesy and wit:
In vies of favours whether party gains,
When glory swells the heart, and moldeth it
To all expressions both of hand and eye,
Which on the world a true-love-knot may tie,
And bear the bundle, wheresoe'er it goes:
How many drams of spirit there must be
To sell my life unto my friends or foes:
Yet I love thee.
I know the ways of Pleasure, the sweet strains,
The lullings and the relishes of it;
The propositions of hot blood and brains;
What mirth and music mean; what love and wit
Have done these twenty hundred years, and more:
I know the projects of unbridled store:
My stuff is flesh, not brass; my senses live,
And grumble oft, that they have more in me
Than he that curbs them, being but one to five:
Yet I love thee.
I know all these, and have them in my hand:
Therefore not sealed, but with open eyes
I fly to thee, and fully understand
Both the main sale, and the commodities;
And at what rate and price I have thy love;
With all the circumstances that may move:
Yet through these labyrinths, not my grovelling wit,
But thy silk twist let down from heav'n to me,
Did both conduct and teach me, how by it
To climb to thee.
The Kingdom of heaven is like unto a merchant man,
seeking goodly pearls; who, when he had found one,
sold all that he had and bought it.-Matthew 13.45
I know the ways of Learning; both the head
And pipes that feed the press, and make it run;
What reason hath from nature borrowed,
Or of itself, like a good huswife, spun
In laws and policy; what the stars conspire,
What willing nature speaks, what forced by fire;
Both th' old discoveries, and the new-found seas,
The stock and surplus, cause and history:
All these stand open, or I have the keys:
Yet I love thee.
I know the ways of Honour, what maintains
The quick returns of courtesy and wit:
In vies of favours whether party gains,
When glory swells the heart, and moldeth it
To all expressions both of hand and eye,
Which on the world a true-love-knot may tie,
And bear the bundle, wheresoe'er it goes:
How many drams of spirit there must be
To sell my life unto my friends or foes:
Yet I love thee.
I know the ways of Pleasure, the sweet strains,
The lullings and the relishes of it;
The propositions of hot blood and brains;
What mirth and music mean; what love and wit
Have done these twenty hundred years, and more:
I know the projects of unbridled store:
My stuff is flesh, not brass; my senses live,
And grumble oft, that they have more in me
Than he that curbs them, being but one to five:
Yet I love thee.
I know all these, and have them in my hand:
Therefore not sealed, but with open eyes
I fly to thee, and fully understand
Both the main sale, and the commodities;
And at what rate and price I have thy love;
With all the circumstances that may move:
Yet through these labyrinths, not my grovelling wit,
But thy silk twist let down from heav'n to me,
Did both conduct and teach me, how by it
To climb to thee.
279
George Herbert
The Holdfast
The Holdfast
I threatened to observe the strict decree
Of my deare God with all my power and might:
But I was told by one, `It could not be;
Yet I might trust in God to be my light.'
`Then will I trust,' said I, `in Him alone.'
`Nay, ev'n to trust in Him, was also His:
We must confesse that nothing is our own.'
`Then I confesse that He my succour is.'
`But to have nought is ours, not to confesse
That we have nought.' I stood amaz'd at this,
Much troubled, till I heard a friend expresse
That all things were more ours by being His:
What Adam had, and forfeited for all,
Christ keepeth now, Who cannot fail or fall.
I threatened to observe the strict decree
Of my deare God with all my power and might:
But I was told by one, `It could not be;
Yet I might trust in God to be my light.'
`Then will I trust,' said I, `in Him alone.'
`Nay, ev'n to trust in Him, was also His:
We must confesse that nothing is our own.'
`Then I confesse that He my succour is.'
`But to have nought is ours, not to confesse
That we have nought.' I stood amaz'd at this,
Much troubled, till I heard a friend expresse
That all things were more ours by being His:
What Adam had, and forfeited for all,
Christ keepeth now, Who cannot fail or fall.
296
George Herbert
The H. Communion
The H. Communion
Not in rich furniture, or fine array,
Nor in a wedge of gold,
Thou, who from me wast sold,
To me dost now thy self convey;
For so thou should'st without me still have been,
Leaving within me sin:
But by the way of nourishment and strength
Thou creep'st into my breast;
Making thy way my rest,
And thy small quantities my length;
Which spread their forces into every part,
Meeting sin's force and art.
Yet can these not get over to my soul,
Leaping the wall that parts
Our souls, and fleshly hearts;
But as th'outworks, they may control
My rebel-flesh, and carrying thy name,
Affright both sin and shame.
Only thy grace, which with these elements comes,
Knoweth the ready way,
And hath the privy key,
Op'ning the soul's most subtle rooms;
While those to spirits refin'd, at door attend
Dispatches from their friend.
Give me my captive soul, or take
My body also thither,
Another lift like this will make
Them both to be together.
Before that sin turn'd flesh into stone,
And all our lump to leaven,
A fervent sigh might well have blown
Our innocent earth to heaven.
For sure when Adam did not know
To sin, or sin to smother;
He might to heav'n from Paradise go,
As from one room t'another.
Thou hast restor'd to us this ease
By this thy heav'nly blood;
Which I can go to, when I please,
And leave th'earth to their food.
Not in rich furniture, or fine array,
Nor in a wedge of gold,
Thou, who from me wast sold,
To me dost now thy self convey;
For so thou should'st without me still have been,
Leaving within me sin:
But by the way of nourishment and strength
Thou creep'st into my breast;
Making thy way my rest,
And thy small quantities my length;
Which spread their forces into every part,
Meeting sin's force and art.
Yet can these not get over to my soul,
Leaping the wall that parts
Our souls, and fleshly hearts;
But as th'outworks, they may control
My rebel-flesh, and carrying thy name,
Affright both sin and shame.
Only thy grace, which with these elements comes,
Knoweth the ready way,
And hath the privy key,
Op'ning the soul's most subtle rooms;
While those to spirits refin'd, at door attend
Dispatches from their friend.
Give me my captive soul, or take
My body also thither,
Another lift like this will make
Them both to be together.
Before that sin turn'd flesh into stone,
And all our lump to leaven,
A fervent sigh might well have blown
Our innocent earth to heaven.
For sure when Adam did not know
To sin, or sin to smother;
He might to heav'n from Paradise go,
As from one room t'another.
Thou hast restor'd to us this ease
By this thy heav'nly blood;
Which I can go to, when I please,
And leave th'earth to their food.
244
George Herbert
The Flower
The Flower
How fresh, O Lord, how sweet and clean
Are thy returns! ev'n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Who would have thought my shrivl'd heart
Could have recover'd greenness? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather
Dead to the world, keep house unknown.
These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an hour;
Making a chiming of a passing-bell.
We say amiss,
This or that is:
Thy word is all, if we could spell.
O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Off'ring at heav'n, growing and groaning thither:
Nor doth my flower
Want a spring-shower,
My sins and I joining together:
But while I grow in a straight line,
Still upwards bent, as if heav'n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?
And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am her
On whom thy tempests fell all night.
These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can find and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.
How fresh, O Lord, how sweet and clean
Are thy returns! ev'n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Who would have thought my shrivl'd heart
Could have recover'd greenness? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather
Dead to the world, keep house unknown.
These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an hour;
Making a chiming of a passing-bell.
We say amiss,
This or that is:
Thy word is all, if we could spell.
O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Off'ring at heav'n, growing and groaning thither:
Nor doth my flower
Want a spring-shower,
My sins and I joining together:
But while I grow in a straight line,
Still upwards bent, as if heav'n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?
And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am her
On whom thy tempests fell all night.
These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can find and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.
271
George Herbert
The Flower
The Flower
How fresh, O Lord, how sweet and clean
Are thy returns! ev'n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Who would have thought my shrivl'd heart
Could have recover'd greenness? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather
Dead to the world, keep house unknown.
These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an hour;
Making a chiming of a passing-bell.
We say amiss,
This or that is:
Thy word is all, if we could spell.
O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Off'ring at heav'n, growing and groaning thither:
Nor doth my flower
Want a spring-shower,
My sins and I joining together:
But while I grow in a straight line,
Still upwards bent, as if heav'n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?
And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am her
On whom thy tempests fell all night.
These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can find and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.
How fresh, O Lord, how sweet and clean
Are thy returns! ev'n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Who would have thought my shrivl'd heart
Could have recover'd greenness? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather
Dead to the world, keep house unknown.
These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an hour;
Making a chiming of a passing-bell.
We say amiss,
This or that is:
Thy word is all, if we could spell.
O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Off'ring at heav'n, growing and groaning thither:
Nor doth my flower
Want a spring-shower,
My sins and I joining together:
But while I grow in a straight line,
Still upwards bent, as if heav'n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?
And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am her
On whom thy tempests fell all night.
These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can find and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.
271
George Herbert
The Dawning
The Dawning
Awake, sad heart, whom sorrow ever drowns ;
Take up thine eyes, which feed on earth ;
Unfold thy forehead, gathered into frowns ;
Thy Saviour comes, and with Him mirth :
Awake, awake,
And with a thankful heart His comforts take.
But thou dost still lament, and pine, and cry,
And feel His death, but not His victory.
Arise, sad heart ; if thou dost not withstand,
Christ's resurrection thine may be ;
Do not by hanging down break from the hand
Which, as it riseth, raiseth thee :
Arise, Arise;
And with His burial linen drie thine eyes.
Christ left His grave-clothes, that we might, when grief
Draws tears or blood, not want a handkerchief.
Awake, sad heart, whom sorrow ever drowns ;
Take up thine eyes, which feed on earth ;
Unfold thy forehead, gathered into frowns ;
Thy Saviour comes, and with Him mirth :
Awake, awake,
And with a thankful heart His comforts take.
But thou dost still lament, and pine, and cry,
And feel His death, but not His victory.
Arise, sad heart ; if thou dost not withstand,
Christ's resurrection thine may be ;
Do not by hanging down break from the hand
Which, as it riseth, raiseth thee :
Arise, Arise;
And with His burial linen drie thine eyes.
Christ left His grave-clothes, that we might, when grief
Draws tears or blood, not want a handkerchief.
264
George Herbert
The Call
The Call
Come, my Way, my Truth, my Life :
Such a Way, as gives us breath :
Such a Truth, as ends all strife :
And such a Life, as killeth death.
Come, my Light, my Feast, my Strength :
Such a Light, as shows a feast :
Such a Feast, as mends in length :
Such a Strength, as makes his guest.
Come, my Joy, my Love, my Heart :
Such a Joy, as none can move :
Such a Love, as none can part :
Such a Heart, as joyes in love.
Come, my Way, my Truth, my Life :
Such a Way, as gives us breath :
Such a Truth, as ends all strife :
And such a Life, as killeth death.
Come, my Light, my Feast, my Strength :
Such a Light, as shows a feast :
Such a Feast, as mends in length :
Such a Strength, as makes his guest.
Come, my Joy, my Love, my Heart :
Such a Joy, as none can move :
Such a Love, as none can part :
Such a Heart, as joyes in love.
246
George Herbert
The Altar
The Altar
A broken ALTAR, Lord, thy servant rears,
Made of a heart and cemented with tears;
Whose parts are as thy hand did frame;
No workman's tool hath touch'd the same.
A HEART alone
Is such a stone,
As nothing but
Thy pow'r doth cut.
Wherefore each part
Of my hard heart
Meets in this frame
To praise thy name.
That if I chance to hold my peace,
These stones to praise thee may not cease.
Oh, let thy blessed SACRIFICE be mine,
And sanctify this ALTAR to be thine.
A broken ALTAR, Lord, thy servant rears,
Made of a heart and cemented with tears;
Whose parts are as thy hand did frame;
No workman's tool hath touch'd the same.
A HEART alone
Is such a stone,
As nothing but
Thy pow'r doth cut.
Wherefore each part
Of my hard heart
Meets in this frame
To praise thy name.
That if I chance to hold my peace,
These stones to praise thee may not cease.
Oh, let thy blessed SACRIFICE be mine,
And sanctify this ALTAR to be thine.
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