Poems in this topic
Others
Edgar Allan Poe
A Dream Within A Dream
A Dream Within A Dream
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avowYou
are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sandHow
few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avowYou
are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sandHow
few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
281
Edgar Albert Guest
Ideals
Ideals
Better than land or gold or trade
Are a high ideal and a purpose true;
Better than all of the wealth we've made
Is the work for others that now we do.
For Rome grew rich and she turned to song
And danced to music and drank her wine,
But she sapped the strength of her fibres strong
And a gilded shroud was her splendor fine.
The Rome of old with its wealth and wine
Was the handiwork of a sturdy race;
They builded well and they made it fine
And they dreamed of it as their children's place.
They thought the joys they had won to give,
And which seemed so certain and fixed and sure,
To the end of time in the world would live
And the Rome they'd fashioned would long endure.
They passed to their children the hoarded gold,
Their marble halls and their fertile fields!
But not the spirit of Rome of old,
Nor the Roman courage that never yields.
They left them the wealth that their hands had won,
But they failed to leave them a purpose true.
They left them thinking life's work all done,
And Rome went down and was lost to view.
We must guard ourselves lest we follow Rome.
We must leave our children the finer things.
We must teach them love of the spot called home
And the lasting joy that a purpose brings.
For vain are our Flag and our battles won,
And vain are our lands and our stores of gold,
If our children feel that life's work is done.
We must give them a high ideal to hold.
Better than land or gold or trade
Are a high ideal and a purpose true;
Better than all of the wealth we've made
Is the work for others that now we do.
For Rome grew rich and she turned to song
And danced to music and drank her wine,
But she sapped the strength of her fibres strong
And a gilded shroud was her splendor fine.
The Rome of old with its wealth and wine
Was the handiwork of a sturdy race;
They builded well and they made it fine
And they dreamed of it as their children's place.
They thought the joys they had won to give,
And which seemed so certain and fixed and sure,
To the end of time in the world would live
And the Rome they'd fashioned would long endure.
They passed to their children the hoarded gold,
Their marble halls and their fertile fields!
But not the spirit of Rome of old,
Nor the Roman courage that never yields.
They left them the wealth that their hands had won,
But they failed to leave them a purpose true.
They left them thinking life's work all done,
And Rome went down and was lost to view.
We must guard ourselves lest we follow Rome.
We must leave our children the finer things.
We must teach them love of the spot called home
And the lasting joy that a purpose brings.
For vain are our Flag and our battles won,
And vain are our lands and our stores of gold,
If our children feel that life's work is done.
We must give them a high ideal to hold.
737
Edgar Albert Guest
Grace At Evening
Grace At Evening
For all the beauties of the day,
The innocence of childhood’s play,
For health and strength and laughter sweet,
Dear Lord, our thanks we now repeat.
For this our daily gift of food
We offer now our gratitude,
For all the blessings we have known
Our debt of gratefulness we own.
Here at the table now we pray,
Keep us together down the way;
May this, our family circle, be
Held fast by love and unity.
Grant, when the shades of night shall fall,
Sweet be the dreams of one and all;
And when another day shall break
Unto Thy service may we wake.
For all the beauties of the day,
The innocence of childhood’s play,
For health and strength and laughter sweet,
Dear Lord, our thanks we now repeat.
For this our daily gift of food
We offer now our gratitude,
For all the blessings we have known
Our debt of gratefulness we own.
Here at the table now we pray,
Keep us together down the way;
May this, our family circle, be
Held fast by love and unity.
Grant, when the shades of night shall fall,
Sweet be the dreams of one and all;
And when another day shall break
Unto Thy service may we wake.
553
Dylan Thomas
When, Like a Running Grave
When, Like a Running Grave
When, like a running grave, time tracks you down,
Your calm and cuddled is a scythe of hairs,
Love in her gear is slowly through the house,
Up naked stairs, a turtle in a hearse,
Hauled to the dome,
Comes, like a scissors stalking, tailor age,
Deliver me who timid in my tribe,
Of love am barer than Cadaver's trap
Robbed of the foxy tongue, his footed tape
Of the bone inch
Deliver me, my masters, head and heart,
Heart of Cadaver's candle waxes thin,
When blood, spade-handed, and the logic time
Drive children up like bruises to the thumb,
From maid and head,
For, sunday faced, with dusters in my glove,
Chaste and the chaser, man with the cockshut eye,
I, that time's jacket or the coat of ice
May fail to fasten with a virgin o
In the straight grave,
Stride through Cadaver's country in my force,
My pickbrain masters morsing on the stone
Despair of blood faith in the maiden's slime,
Halt among eunuchs, and the nitric stain
On fork and face.
Time is a foolish fancy, time and fool.
No, no, you lover skull, descending hammer
Descends, my masters, on the entered honour.
You hero skull, Cadaver in the hangar
Tells the stick, 'fail.'
Joy is no knocking nation, sir and madam,
The cancer's fashion, or the summer feather
Lit on the cuddled tree, the cross of fever,
Not city tar and subway bored to foster
Man through macadam.
I dump the waxlights in your tower dome.
Joy is the knock of dust, Cadaver's shoot
Of bud of Adam through his boxy shift,
Love's twilit nation and the skull of state,
Sir, is your doom.
Everything ends, the tower ending and,
(Have with the house of wind), the leaning scene,
Ball of the foot depending from the sun,
(Give, summer, over), the cemented skin,
The actions' end.
All, men my madmen, the unwholesome wind
With whistler's cough contages, time on track
Shapes in a cinder death; love for his trick,
Happy Cadaver's hunger as you take
The kissproof world.
When, like a running grave, time tracks you down,
Your calm and cuddled is a scythe of hairs,
Love in her gear is slowly through the house,
Up naked stairs, a turtle in a hearse,
Hauled to the dome,
Comes, like a scissors stalking, tailor age,
Deliver me who timid in my tribe,
Of love am barer than Cadaver's trap
Robbed of the foxy tongue, his footed tape
Of the bone inch
Deliver me, my masters, head and heart,
Heart of Cadaver's candle waxes thin,
When blood, spade-handed, and the logic time
Drive children up like bruises to the thumb,
From maid and head,
For, sunday faced, with dusters in my glove,
Chaste and the chaser, man with the cockshut eye,
I, that time's jacket or the coat of ice
May fail to fasten with a virgin o
In the straight grave,
Stride through Cadaver's country in my force,
My pickbrain masters morsing on the stone
Despair of blood faith in the maiden's slime,
Halt among eunuchs, and the nitric stain
On fork and face.
Time is a foolish fancy, time and fool.
No, no, you lover skull, descending hammer
Descends, my masters, on the entered honour.
You hero skull, Cadaver in the hangar
Tells the stick, 'fail.'
Joy is no knocking nation, sir and madam,
The cancer's fashion, or the summer feather
Lit on the cuddled tree, the cross of fever,
Not city tar and subway bored to foster
Man through macadam.
I dump the waxlights in your tower dome.
Joy is the knock of dust, Cadaver's shoot
Of bud of Adam through his boxy shift,
Love's twilit nation and the skull of state,
Sir, is your doom.
Everything ends, the tower ending and,
(Have with the house of wind), the leaning scene,
Ball of the foot depending from the sun,
(Give, summer, over), the cemented skin,
The actions' end.
All, men my madmen, the unwholesome wind
With whistler's cough contages, time on track
Shapes in a cinder death; love for his trick,
Happy Cadaver's hunger as you take
The kissproof world.
445
Dylan Thomas
We Lying By Seasand
We Lying By Seasand
We lying by seasand, watching yellow
And the grave sea, mock who deride
Who follow the red rivers, hollow
Alcove of words out of cicada shade,
For in this yellow grave of sand and sea
A calling for colour calls with the wind
That's grave and gay as grave and sea
Sleeping on either hand.
The lunar silences, the silent tide
Lapping the still canals, the dry tide-master
Ribbed between desert and water storm,
Should cure our ills of the water
With a one-coloured calm;
The heavenly music over the sand
Sounds with the grains as they hurry
Hiding the golden mountains and mansions
Of the grave, gay, seaside land.
Bound by a sovereign strip, we lie,
Watch yellow, wish for wind to blow away
The strata of the shore and drown red rock;
But wishes breed not, neither
Can we fend off rock arrival,
Lie watching yellow until the golden weather
Breaks, O my heart's blood, like a heart and hill.
We lying by seasand, watching yellow
And the grave sea, mock who deride
Who follow the red rivers, hollow
Alcove of words out of cicada shade,
For in this yellow grave of sand and sea
A calling for colour calls with the wind
That's grave and gay as grave and sea
Sleeping on either hand.
The lunar silences, the silent tide
Lapping the still canals, the dry tide-master
Ribbed between desert and water storm,
Should cure our ills of the water
With a one-coloured calm;
The heavenly music over the sand
Sounds with the grains as they hurry
Hiding the golden mountains and mansions
Of the grave, gay, seaside land.
Bound by a sovereign strip, we lie,
Watch yellow, wish for wind to blow away
The strata of the shore and drown red rock;
But wishes breed not, neither
Can we fend off rock arrival,
Lie watching yellow until the golden weather
Breaks, O my heart's blood, like a heart and hill.
639
Dylan Thomas
When I Woke
When I Woke
When I woke, the town spoke.
Birds and clocks and cross bells
Dinned aside the coiling crowd,
The reptile profligates in a flame,
Spoilers and pokers of sleep,
The next-door sea dispelled
Frogs and satans and woman-luck,
While a man outside with a billhook,
Up to his head in his blood,
Cutting the morning off,
The warm-veined double of Time
And his scarving beard from a book,
Slashed down the last snake as though
It were a wand or subtle bough,
Its tongue peeled in the wrap of a leaf.
Every morning I make,
God in bed, good and bad,
After a water-face walk,
The death-stagged scatter-breath
Mammoth and sparrowfall
Everybody's earth.
Where birds ride like leaves and boats like ducks
I heard, this morning, waking,
Crossly out of the town noises
A voice in the erected air,
No prophet-progeny of mine,
Cry my sea town was breaking.
No Time, spoke the clocks, no God, rang the bells,
I drew the white sheet over the islands
And the coins on my eyelids sang like shells.
When I woke, the town spoke.
Birds and clocks and cross bells
Dinned aside the coiling crowd,
The reptile profligates in a flame,
Spoilers and pokers of sleep,
The next-door sea dispelled
Frogs and satans and woman-luck,
While a man outside with a billhook,
Up to his head in his blood,
Cutting the morning off,
The warm-veined double of Time
And his scarving beard from a book,
Slashed down the last snake as though
It were a wand or subtle bough,
Its tongue peeled in the wrap of a leaf.
Every morning I make,
God in bed, good and bad,
After a water-face walk,
The death-stagged scatter-breath
Mammoth and sparrowfall
Everybody's earth.
Where birds ride like leaves and boats like ducks
I heard, this morning, waking,
Crossly out of the town noises
A voice in the erected air,
No prophet-progeny of mine,
Cry my sea town was breaking.
No Time, spoke the clocks, no God, rang the bells,
I drew the white sheet over the islands
And the coins on my eyelids sang like shells.
425
Dylan Thomas
Prologue
Prologue
This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away
From the cities of nine
Days' night whose towers will catch
In the religious wind
Like stalks of tall, dry straw,
At poor peace I sing
To you strangers (though song
Is a burning and crested act,
The fire of birds in
The world's turning wood,
For my swan, splay sounds),
Out of these seathumbed leaves
That will fly and fall
Like leaves of trees and as soon
Crumble and undie
Into the dogdayed night.
Seaward the salmon, sucked sun slips,
And the dumb swans drub blue
My dabbed bay's dusk, as I hack
This rumpus of shapes
For you to know
How I, a spining man,
Glory also this star, bird
Roared, sea born, man torn, blood blest.
Hark: I trumpet the place,
From fish to jumping hill! Look:
I build my bellowing ark
To the best of my love
As the flood begins,
Out of the fountainhead
Of fear, rage read, manalive,
Molten and mountainous to stream
Over the wound asleep
Sheep white hollow farms
To Wales in my arms.
Hoo, there, in castle keep,
You king singsong owls, who moonbeam
The flickering runs and dive
The dingle furred deer dead!
Huloo, on plumbed bryns,
O my ruffled ring dove
in the hooting, nearly dark
With Welsh and reverent rook,
Coo rooning the woods' praise,
who moons her blue notes from her nest
Down to the curlew herd!
Ho, hullaballoing clan
Agape, with woe
In your beaks, on the gabbing capes!
Heigh, on horseback hill, jack
Whisking hare! who
Hears, there, this fox light, my flood ship's
Clangour as I hew and smite
(A clash of anvils for my
Hubbub and fiddle, this tune
On a toungued puffball)
But animals thick as theives
On God's rough tumbling grounds
(Hail to His beasthood!).
Beasts who sleep good and thin,
Hist, in hogback woods! The haystacked
Hollow farms in a throng
Of waters cluck and cling,
And barnroofs cockcrow war!
O kingdom of neighbors finned
Felled and quilled, flash to my patch
Work ark and the moonshine
Drinking Noah of the bay,
With pelt, and scale, and fleece:
Only the drowned deep bells
Of sheep and churches noise
Poor peace as the sun sets
And dark shoals every holy field.
We will ride out alone then,
Under the stars of Wales,
Cry, multitudes of arks! Across
The water lidded lands,
Manned with their loves they'll move
Like wooden islands, hill to hill.
Hulloo, my prowed dove with a flute!
Ahoy, old, sea-legged fox,
Tom tit and Dai mouse!
My ark sings in the sun
At God speeded summer's end
And the flood flowers now.
This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away
From the cities of nine
Days' night whose towers will catch
In the religious wind
Like stalks of tall, dry straw,
At poor peace I sing
To you strangers (though song
Is a burning and crested act,
The fire of birds in
The world's turning wood,
For my swan, splay sounds),
Out of these seathumbed leaves
That will fly and fall
Like leaves of trees and as soon
Crumble and undie
Into the dogdayed night.
Seaward the salmon, sucked sun slips,
And the dumb swans drub blue
My dabbed bay's dusk, as I hack
This rumpus of shapes
For you to know
How I, a spining man,
Glory also this star, bird
Roared, sea born, man torn, blood blest.
Hark: I trumpet the place,
From fish to jumping hill! Look:
I build my bellowing ark
To the best of my love
As the flood begins,
Out of the fountainhead
Of fear, rage read, manalive,
Molten and mountainous to stream
Over the wound asleep
Sheep white hollow farms
To Wales in my arms.
Hoo, there, in castle keep,
You king singsong owls, who moonbeam
The flickering runs and dive
The dingle furred deer dead!
Huloo, on plumbed bryns,
O my ruffled ring dove
in the hooting, nearly dark
With Welsh and reverent rook,
Coo rooning the woods' praise,
who moons her blue notes from her nest
Down to the curlew herd!
Ho, hullaballoing clan
Agape, with woe
In your beaks, on the gabbing capes!
Heigh, on horseback hill, jack
Whisking hare! who
Hears, there, this fox light, my flood ship's
Clangour as I hew and smite
(A clash of anvils for my
Hubbub and fiddle, this tune
On a toungued puffball)
But animals thick as theives
On God's rough tumbling grounds
(Hail to His beasthood!).
Beasts who sleep good and thin,
Hist, in hogback woods! The haystacked
Hollow farms in a throng
Of waters cluck and cling,
And barnroofs cockcrow war!
O kingdom of neighbors finned
Felled and quilled, flash to my patch
Work ark and the moonshine
Drinking Noah of the bay,
With pelt, and scale, and fleece:
Only the drowned deep bells
Of sheep and churches noise
Poor peace as the sun sets
And dark shoals every holy field.
We will ride out alone then,
Under the stars of Wales,
Cry, multitudes of arks! Across
The water lidded lands,
Manned with their loves they'll move
Like wooden islands, hill to hill.
Hulloo, my prowed dove with a flute!
Ahoy, old, sea-legged fox,
Tom tit and Dai mouse!
My ark sings in the sun
At God speeded summer's end
And the flood flowers now.
297
Dylan Thomas
Out Of The Sighs
Out Of The Sighs
Out of the sighs a little comes,
But not of grief, for I have knocked down that
Before the agony; the spirit grows,
Forgets, and cries;
A little comes, is tasted and found good;
All could not disappoint;
There must, be praised, some certainty,
If not of loving well, then not,
And that is true after perpetual defeat.
After such fighting as the weakest know,
There's more than dying;
Lose the great pains or stuff the wound,
He'll ache too long
Through no regret of leaving woman waiting
For her soldier stained with spilt words
That spill such acrid blood.
Were that enough, enough to ease the pain,
Feeling regret when this is wasted
That made me happy in the sun,
How much was happy while it lasted,
Were vagueness enough and the sweet lies plenty,
The hollow words could bear all suffering
And cure me of ills.
Were that enough, bone, blood, and sinew,
The twisted brain, the fair-formed loin,
Groping for matter under the dog's plate,
Man should be cured of distemper.
For all there is to give I offer:
Crumbs, barn, and halter.
Out of the sighs a little comes,
But not of grief, for I have knocked down that
Before the agony; the spirit grows,
Forgets, and cries;
A little comes, is tasted and found good;
All could not disappoint;
There must, be praised, some certainty,
If not of loving well, then not,
And that is true after perpetual defeat.
After such fighting as the weakest know,
There's more than dying;
Lose the great pains or stuff the wound,
He'll ache too long
Through no regret of leaving woman waiting
For her soldier stained with spilt words
That spill such acrid blood.
Were that enough, enough to ease the pain,
Feeling regret when this is wasted
That made me happy in the sun,
How much was happy while it lasted,
Were vagueness enough and the sweet lies plenty,
The hollow words could bear all suffering
And cure me of ills.
Were that enough, bone, blood, and sinew,
The twisted brain, the fair-formed loin,
Groping for matter under the dog's plate,
Man should be cured of distemper.
For all there is to give I offer:
Crumbs, barn, and halter.
275
Dylan Thomas
Poem In October
Poem In October
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart's truth
Still be sung
On this high hill in a year's turning.
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart's truth
Still be sung
On this high hill in a year's turning.
356
Dylan Thomas
On The Marriage Of A Virgin
On The Marriage Of A Virgin
Waking alone in a multitude of loves when morning's light
Surprised in the opening of her nightlong eyes
His golden yesterday asleep upon the iris
And this day's sun leapt up the sky out of her thighs
Was miraculous virginity old as loaves and fishes,
Though the moment of a miracle is unending lightning
And the shipyards of Galilee's footprints hide a navy of doves.
No longer will the vibrations of the sun desire on
Her deepsea pillow where once she married alone,
Her heart all ears and eyes, lips catching the avalanche
Of the golden ghost who ringed with his streams her mercury bone,
Who under the lids of her windows hoisted his golden luggage,
For a man sleeps where fire leapt down and she learns through his arm
That other sun, the jealous coursing of the unrivalled blood.
Waking alone in a multitude of loves when morning's light
Surprised in the opening of her nightlong eyes
His golden yesterday asleep upon the iris
And this day's sun leapt up the sky out of her thighs
Was miraculous virginity old as loaves and fishes,
Though the moment of a miracle is unending lightning
And the shipyards of Galilee's footprints hide a navy of doves.
No longer will the vibrations of the sun desire on
Her deepsea pillow where once she married alone,
Her heart all ears and eyes, lips catching the avalanche
Of the golden ghost who ringed with his streams her mercury bone,
Who under the lids of her windows hoisted his golden luggage,
For a man sleeps where fire leapt down and she learns through his arm
That other sun, the jealous coursing of the unrivalled blood.
243
Dylan Thomas
My Hero Bares His Nerves
My Hero Bares His Nerves
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.
And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.
My hero bares my side and sees his heart
Tread; like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.
He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls that chain, the cistern moves.
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.
And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.
My hero bares my side and sees his heart
Tread; like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.
He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls that chain, the cistern moves.
275
Dylan Thomas
Lie Still, Sleep Becalmed
Lie Still, Sleep Becalmed
Lie still, sleep becalmed, sufferer with the wound
In the throat, burning and turning. All night afloat
On the silent sea we have heard the sound
That came from the wound wrapped in the salt sheet.
Under the mile off moon we trembled listening
To the sea sound flowing like blood from the loud wound
And when the salt sheet broke in a storm of singing
The voices of all the drowned swam on the wind.
Open a pathway through the slow sad sail,
Throw wide to the wind the gates of the wandering boat
For my voyage to begin to the end of my wound,
We heard the sea sound sing, we saw the salt sheet tell.
Lie still, sleep becalmed, hide the mouth in the throat,
Or we shall obey, and ride with you through the drowned.
Lie still, sleep becalmed, sufferer with the wound
In the throat, burning and turning. All night afloat
On the silent sea we have heard the sound
That came from the wound wrapped in the salt sheet.
Under the mile off moon we trembled listening
To the sea sound flowing like blood from the loud wound
And when the salt sheet broke in a storm of singing
The voices of all the drowned swam on the wind.
Open a pathway through the slow sad sail,
Throw wide to the wind the gates of the wandering boat
For my voyage to begin to the end of my wound,
We heard the sea sound sing, we saw the salt sheet tell.
Lie still, sleep becalmed, hide the mouth in the throat,
Or we shall obey, and ride with you through the drowned.
283
Dylan Thomas
January 1939
January 1939
Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms,
An enamoured man alone by the twigs of his eyes, two fires,
Camped in the drug-white shower of nerves and food,
Savours the lick of the times through a deadly wood of hair
In a wind that plucked a goose,
Nor ever, as the wild tongue breaks its tombs,
Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city,
That frozen wife whose juices drift like a fixed sea
Secretly in statuary,
Shall I, struck on the hot and rocking street,
Not spin to stare at an old year
Toppling and burning in the muddle of towers and galleries
Like the mauled pictures of boys?
The salt person and blasted place
I furnish with the meat of a fable.
If the dead starve, their stomachs turn to tumble
An upright man in the antipodes
Or spray-based and rock-chested sea:
Over the past table I repeat this present grace.
Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms,
An enamoured man alone by the twigs of his eyes, two fires,
Camped in the drug-white shower of nerves and food,
Savours the lick of the times through a deadly wood of hair
In a wind that plucked a goose,
Nor ever, as the wild tongue breaks its tombs,
Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city,
That frozen wife whose juices drift like a fixed sea
Secretly in statuary,
Shall I, struck on the hot and rocking street,
Not spin to stare at an old year
Toppling and burning in the muddle of towers and galleries
Like the mauled pictures of boys?
The salt person and blasted place
I furnish with the meat of a fable.
If the dead starve, their stomachs turn to tumble
An upright man in the antipodes
Or spray-based and rock-chested sea:
Over the past table I repeat this present grace.
301
Dylan Thomas
Into Her Lying Down Head
Into Her Lying Down Head
I
Into her lying down head
His enemies entered bed,
Under the encumbered eyelid,
Through the rippled drum of the hair-buried ear;
And Noah's rekindled now unkind dove
Flew man-bearing there.
Last night in a raping wave
Whales unreined from the green grave
In fountains of origin gave up their love,
Along her innocence glided
Jaun aflame and savagely young King Lear,
Queen Catherine howling bare
And Samson drowned in his hair,
The colossal intimacies of silent
Once seen strangers or shades on a stair;
There the dark blade and wanton sighing her down
To a haycock couch and the scythes of his arms
Rode and whistled a hundred times
Before the crowing morning climbed;
Man was the burning England she was sleep-walking, and the enamouring island
Made her limbs blind by luminous charms,
Sleep to a newborn sleep in a swaddling loin-leaf stroked and sang
And his runaway beloved childlike laid in the acorned sand.
II
There where a numberless tongue
Wound their room with a male moan,
His faith around her flew undone
And darkness hung the walls with baskets of snakes,
A furnace-nostrilled column-membered
Super-or-near man
Resembling to her dulled sense
The thief of adolescence,
Early imaginary half remembered
Oceanic lover alone
Jealousy cannot forget for all her sakes,
Made his bad bed in her good
Night, and enjoyed as he would.
Crying, white gowned, from the middle moonlit stages
Out to the tiered and hearing tide,
Close and far she announced the theft of the heart
In the taken body at many ages,
Trespasser and broken bride
Celebrating at her side
All blood-signed assailing and vanished marriages in which he had no lovely part
Nor could share, for his pride, to the least
Mutter and foul wingbeat of the solemnizing nightpriest
Her holy unholy hours with the always anonymous beast.
III
Two sand grains together in bed,
Head to heaven-circling head,
Singly lie with the whole wide shore,
The covering sea their nightfall with no names;
And out of every domed and soil-based shell
One voice in chains declaims
The female, deadly, and male
Libidinous betrayal,
Golden dissolving under the water veil.
A she bird sleeping brittle by
Her lover's wings that fold to-morrow's flight,
Within the nested treefork
Sings to the treading hawk
Carrion, paradise, chirrup my bright yolk.
A blade of grass longs with the meadow,
A stone lies lost and locked in the lark-high hill.
Open as to the air to the naked shadow
O she lies alone and still,
Innocent between two wars,
With the incestuous secret brother in the seconds to perpetuate the stars,
A man torn up mourns in the sole night.
And the second comers, the severers, the enemies from the deep
Forgotten dark, rest their pulse and bury their dead in her faithless sleep.
I
Into her lying down head
His enemies entered bed,
Under the encumbered eyelid,
Through the rippled drum of the hair-buried ear;
And Noah's rekindled now unkind dove
Flew man-bearing there.
Last night in a raping wave
Whales unreined from the green grave
In fountains of origin gave up their love,
Along her innocence glided
Jaun aflame and savagely young King Lear,
Queen Catherine howling bare
And Samson drowned in his hair,
The colossal intimacies of silent
Once seen strangers or shades on a stair;
There the dark blade and wanton sighing her down
To a haycock couch and the scythes of his arms
Rode and whistled a hundred times
Before the crowing morning climbed;
Man was the burning England she was sleep-walking, and the enamouring island
Made her limbs blind by luminous charms,
Sleep to a newborn sleep in a swaddling loin-leaf stroked and sang
And his runaway beloved childlike laid in the acorned sand.
II
There where a numberless tongue
Wound their room with a male moan,
His faith around her flew undone
And darkness hung the walls with baskets of snakes,
A furnace-nostrilled column-membered
Super-or-near man
Resembling to her dulled sense
The thief of adolescence,
Early imaginary half remembered
Oceanic lover alone
Jealousy cannot forget for all her sakes,
Made his bad bed in her good
Night, and enjoyed as he would.
Crying, white gowned, from the middle moonlit stages
Out to the tiered and hearing tide,
Close and far she announced the theft of the heart
In the taken body at many ages,
Trespasser and broken bride
Celebrating at her side
All blood-signed assailing and vanished marriages in which he had no lovely part
Nor could share, for his pride, to the least
Mutter and foul wingbeat of the solemnizing nightpriest
Her holy unholy hours with the always anonymous beast.
III
Two sand grains together in bed,
Head to heaven-circling head,
Singly lie with the whole wide shore,
The covering sea their nightfall with no names;
And out of every domed and soil-based shell
One voice in chains declaims
The female, deadly, and male
Libidinous betrayal,
Golden dissolving under the water veil.
A she bird sleeping brittle by
Her lover's wings that fold to-morrow's flight,
Within the nested treefork
Sings to the treading hawk
Carrion, paradise, chirrup my bright yolk.
A blade of grass longs with the meadow,
A stone lies lost and locked in the lark-high hill.
Open as to the air to the naked shadow
O she lies alone and still,
Innocent between two wars,
With the incestuous secret brother in the seconds to perpetuate the stars,
A man torn up mourns in the sole night.
And the second comers, the severers, the enemies from the deep
Forgotten dark, rest their pulse and bury their dead in her faithless sleep.
282
Dylan Thomas
In The White Giant's Thigh
In The White Giant's Thigh
Through throats where many rivers meet, the curlews cry,
Under the conceiving moon, on the high chalk hill,
And there this night I walk in the white giant's thigh
Where barren as boulders women lie longing still
To labour and love though they lay down long ago.
Through throats where many many rivers meet, the women pray,
Pleading in the waded bay for the seed to flow
Though the names on their weed grown stones are rained away,
And alone in the night's eternal, curving act
They yearn with tongues of curlews for the unconceived
And immemorial sons of the cudgelling, hacked
Hill. Who once in gooseskin winter loved all ice leaved
In the courters' lanes, or twined in the ox roasting sun
In the wains tonned so high that the wisps of the hay
Clung to the pitching clouds, or gay with any one
Young as they in the after milking moonlight lay
Under the lighted shapes of faith and their moonshade
Petticoats galed high, or shy with the rough riding boys,
Now clasp me to their grains in the gigantic glade,
Who once, green countries since, were a hedgerow of joys.
Time by, their dust was flesh the swineherd rooted sly,
Flared in the reek of the wiving sty with the rush
Light of his thighs, spreadeagle to the dunghill sky,
Or with their orchard man in the core of the sun's bush
Rough as cows' tongues and thrashed with brambles their buttermilk
Manes, under the quenchless summer barbed gold to the bone,
Or rippling soft in the spinney moon as the silk
And ducked and draked white lake that harps to a hail stone.
Who once were a bloom of wayside brides in the hawed house
And heard the lewd, wooed field flow to the coming frost,
The scurrying, furred small friars squeal, in the dowse
Of day, in the thistle aisles, till the white owl crossed
Their breast, the vaulting does roister, the horned bucks climb
Quick in the wood at love, where a torch of foxes foams,
All birds and beasts of the linked night uproar and chime
And the mole snout blunt under his pilgrimage of domes,
Or, butter fat goosegirls, bounced in a gambo bed,
Their breasts full of honey, under their gander king
Trounced by his wings in the hissing shippen, long dead
And gone that barley dark where their clogs danced in the spring,
And their firefly hairpins flew, and the ricks ran round-
(But nothing bore, no mouthing babe to the veined hives
Hugged, and barren and bare on Mother Goose's ground
They with the simple Jacks were a boulder of wives)--
Now curlew cry me down to kiss the mouths of their dust.
The dust of their kettles and clocks swings to and fro
Where the hay rides now or the bracken kitchens rust
As the arc of the billhooks that flashed the hedges low
And cut the birds' boughs that the minstrel sap ran red.
They from houses where the harvest kneels, hold me hard,
Who heard the tall bell sail down the Sundays of the dead
And the rain wring out its tongues on the faded yard,
Teach me the love that is evergreen after the fall leaved
Grave, after Belovéd on the grass gulfed cross is scrubbed
Off by the sun and Daughters no longer grieved
Save by their long desires in the fox cubbed
Streets or hungering in the crumbled wood: to these
Hale dead and deathless do the women of the hill
Love for ever meridian through the courters' trees
And the daughters of darkness flame like Fawkes fires still.
Through throats where many rivers meet, the curlews cry,
Under the conceiving moon, on the high chalk hill,
And there this night I walk in the white giant's thigh
Where barren as boulders women lie longing still
To labour and love though they lay down long ago.
Through throats where many many rivers meet, the women pray,
Pleading in the waded bay for the seed to flow
Though the names on their weed grown stones are rained away,
And alone in the night's eternal, curving act
They yearn with tongues of curlews for the unconceived
And immemorial sons of the cudgelling, hacked
Hill. Who once in gooseskin winter loved all ice leaved
In the courters' lanes, or twined in the ox roasting sun
In the wains tonned so high that the wisps of the hay
Clung to the pitching clouds, or gay with any one
Young as they in the after milking moonlight lay
Under the lighted shapes of faith and their moonshade
Petticoats galed high, or shy with the rough riding boys,
Now clasp me to their grains in the gigantic glade,
Who once, green countries since, were a hedgerow of joys.
Time by, their dust was flesh the swineherd rooted sly,
Flared in the reek of the wiving sty with the rush
Light of his thighs, spreadeagle to the dunghill sky,
Or with their orchard man in the core of the sun's bush
Rough as cows' tongues and thrashed with brambles their buttermilk
Manes, under the quenchless summer barbed gold to the bone,
Or rippling soft in the spinney moon as the silk
And ducked and draked white lake that harps to a hail stone.
Who once were a bloom of wayside brides in the hawed house
And heard the lewd, wooed field flow to the coming frost,
The scurrying, furred small friars squeal, in the dowse
Of day, in the thistle aisles, till the white owl crossed
Their breast, the vaulting does roister, the horned bucks climb
Quick in the wood at love, where a torch of foxes foams,
All birds and beasts of the linked night uproar and chime
And the mole snout blunt under his pilgrimage of domes,
Or, butter fat goosegirls, bounced in a gambo bed,
Their breasts full of honey, under their gander king
Trounced by his wings in the hissing shippen, long dead
And gone that barley dark where their clogs danced in the spring,
And their firefly hairpins flew, and the ricks ran round-
(But nothing bore, no mouthing babe to the veined hives
Hugged, and barren and bare on Mother Goose's ground
They with the simple Jacks were a boulder of wives)--
Now curlew cry me down to kiss the mouths of their dust.
The dust of their kettles and clocks swings to and fro
Where the hay rides now or the bracken kitchens rust
As the arc of the billhooks that flashed the hedges low
And cut the birds' boughs that the minstrel sap ran red.
They from houses where the harvest kneels, hold me hard,
Who heard the tall bell sail down the Sundays of the dead
And the rain wring out its tongues on the faded yard,
Teach me the love that is evergreen after the fall leaved
Grave, after Belovéd on the grass gulfed cross is scrubbed
Off by the sun and Daughters no longer grieved
Save by their long desires in the fox cubbed
Streets or hungering in the crumbled wood: to these
Hale dead and deathless do the women of the hill
Love for ever meridian through the courters' trees
And the daughters of darkness flame like Fawkes fires still.
474
Dylan Thomas
In My Craft or Sullen Art
In My Craft or Sullen Art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
325
Dylan Thomas
In My Craft or Sullen Art
In My Craft or Sullen Art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
325
Dylan Thomas
In My Craft or Sullen Art
In My Craft or Sullen Art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
325
Dylan Thomas
If my head hurt a hair's foot
If my head hurt a hair's foot
'If my head hurt a hair's foot
Pack back the downed bone. If the unpricked ball of my breath
Bump on a spout let the bubbles jump out.
Sooner drop with the worm of the ropes round my throat
Than bully ill love in the clouted scene.
'All game phrases fit your ring of a cockfight:
I'll comb the snared woods with a glove on a lamp,
Peck, sprint, dance on fountains and duck time
Before I rush in a crouch the ghost with a hammer, air,
Strike light, and bloody a loud room.
'If my bunched, monkey coming is cruel
Rage me back to the making house. My hand unravel
When you sew the deep door. The bed is a cross place.
Bend, if my journey ache, direction like an arc or make
A limp and riderless shape to leap nine thinning months.'
'No. Not for Christ's dazzling bed
Or a nacreous sleep among soft particles and charms
My dear would I change my tears or your iron head.
Thrust, my daughter or son, to escape, there is none, none, none,
Nor when all ponderous heaven's host of waters breaks.
'Now to awake husked of gestures and my joy like a cave
To the anguish and carrion, to the infant forever unfree,
O my lost love bounced from a good home;
The grain that hurries this way from the rim of the grave
Has a voice and a house, and there and here you must couch and cry.
'Rest beyond choice in the dust-appointed grain,
At the breast stored with seas. No return
Through the waves of the fat streets nor the skeleton's thin ways.
The grave and my calm body are shut to your coming as stone,
And the endless beginning of prodigies suffers open.'
'If my head hurt a hair's foot
Pack back the downed bone. If the unpricked ball of my breath
Bump on a spout let the bubbles jump out.
Sooner drop with the worm of the ropes round my throat
Than bully ill love in the clouted scene.
'All game phrases fit your ring of a cockfight:
I'll comb the snared woods with a glove on a lamp,
Peck, sprint, dance on fountains and duck time
Before I rush in a crouch the ghost with a hammer, air,
Strike light, and bloody a loud room.
'If my bunched, monkey coming is cruel
Rage me back to the making house. My hand unravel
When you sew the deep door. The bed is a cross place.
Bend, if my journey ache, direction like an arc or make
A limp and riderless shape to leap nine thinning months.'
'No. Not for Christ's dazzling bed
Or a nacreous sleep among soft particles and charms
My dear would I change my tears or your iron head.
Thrust, my daughter or son, to escape, there is none, none, none,
Nor when all ponderous heaven's host of waters breaks.
'Now to awake husked of gestures and my joy like a cave
To the anguish and carrion, to the infant forever unfree,
O my lost love bounced from a good home;
The grain that hurries this way from the rim of the grave
Has a voice and a house, and there and here you must couch and cry.
'Rest beyond choice in the dust-appointed grain,
At the breast stored with seas. No return
Through the waves of the fat streets nor the skeleton's thin ways.
The grave and my calm body are shut to your coming as stone,
And the endless beginning of prodigies suffers open.'
330
Dylan Thomas
I, In My Intricate Image
I, In My Intricate Image
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
260
Dylan Thomas
I Fellowed Sleep
I Fellowed Sleep
I fellowed sleep who kissed me in the brain,
Let fall the tear of time; the sleeper's eye,
Shifting to light, turned on me like a moon.
So, planning-heeled, I flew along my man
And dropped on dreaming and the upward sky.
I fled the earth and, naked, climbed the weather,
Reaching a second ground far from the stars;
And there we wept I and a ghostly other,
My mothers-eyed, upon the tops of trees;
I fled that ground as lightly as a feather.
'My fathers' globe knocks on its nave and sings.'
'This that we tread was, too, your father's land.'
'But this we tread bears the angelic gangs
Sweet are their fathered faces in their wings.'
'These are but dreaming men. Breathe, and they fade.'
Faded my elbow ghost, the mothers-eyed,
As, blowing on the angels, I was lost
On that cloud coast to each grave-grabbing shade;
I blew the dreaming fellows to their bed
Where still they sleep unknowing of their ghost.
Then all the matter of the living air
Raised up a voice, and, climbing on the words,
I spelt my vision with a hand and hair,
How light the sleeping on this soily star,
How deep the waking in the worlded clouds.
There grows the hours' ladder to the sun,
Each rung a love or losing to the last,
The inches monkeyed by the blood of man.
And old, mad man still climbing in his ghost,
My fathers' ghost is climbing in the rain.
I fellowed sleep who kissed me in the brain,
Let fall the tear of time; the sleeper's eye,
Shifting to light, turned on me like a moon.
So, planning-heeled, I flew along my man
And dropped on dreaming and the upward sky.
I fled the earth and, naked, climbed the weather,
Reaching a second ground far from the stars;
And there we wept I and a ghostly other,
My mothers-eyed, upon the tops of trees;
I fled that ground as lightly as a feather.
'My fathers' globe knocks on its nave and sings.'
'This that we tread was, too, your father's land.'
'But this we tread bears the angelic gangs
Sweet are their fathered faces in their wings.'
'These are but dreaming men. Breathe, and they fade.'
Faded my elbow ghost, the mothers-eyed,
As, blowing on the angels, I was lost
On that cloud coast to each grave-grabbing shade;
I blew the dreaming fellows to their bed
Where still they sleep unknowing of their ghost.
Then all the matter of the living air
Raised up a voice, and, climbing on the words,
I spelt my vision with a hand and hair,
How light the sleeping on this soily star,
How deep the waking in the worlded clouds.
There grows the hours' ladder to the sun,
Each rung a love or losing to the last,
The inches monkeyed by the blood of man.
And old, mad man still climbing in his ghost,
My fathers' ghost is climbing in the rain.
284
Dylan Thomas
I Make This In A Warring Absence
I Make This In A Warring Absence
I make this in a warring absence when
Each ancient, stone-necked minute of love's season
Harbours my anchored tongue, slips the quaystone,
When, praise is blessed, her pride in mast and fountain
Sailed and set dazzling by the handshaped ocean,
In that proud sailing tree with branches driven
Through the last vault and vegetable groyne,
And this weak house to marrow-columned heaven,
Is corner-cast, breath's rag, scrawled weed, a vain
And opium head, crow stalk, puffed, cut, and blown,
Or like the tide-looped breastknot reefed again
Or rent ancestrally the roped sea-hymen,
And, pride is last, is like a child alone
By magnet winds to her blind mother drawn,
Bread and milk mansion in a toothless town.
She makes for me a nettle's innocence
And a silk pigeon's guilt in her proud absence,
In the molested rocks the shell of virgins,
The frank, closed pearl, the sea-girls' lineaments
Glint in the staved and siren-printed caverns,
Is maiden in the shameful oak, omens
Whalebed and bulldance, the gold bush of lions,
Proud as a sucked stone and huge as sandgrains.
These are her contraries: the beast who follows
With priest's grave foot and hand of five assassins
Her molten flight up cinder-nesting columns,
Calls the starved fire herd, is cast in ice,
Lost in a limp-treed and uneating silence,
Who scales a hailing hill in her cold flintsteps
Falls on a ring of summers and locked noons.
I make a weapon of an ass's skeleton
And walk the warring sands by the dead town.
Cudgel great air, wreck east, and topple sundown,
Storm her sped heart, hang with beheaded veins
Its wringing shell, and let her eyelids fasten.
Destruction, picked by birds, brays through the jaw-bone,
And, for that murder's sake, dark with contagion
Like an approaching wave I sprawl to ruin.
Ruin, the room of errors, one rood dropped
Down the stacked sea and water-pillared shade,
Weighed in rock shroud, is my proud pyramid;
Where, wound in emerald linen and sharp wind,
The hero's head lies scraped of every legend,
Comes love's anatomist with sun-gloved hand
Who picks the live heart on a diamond.
'His mother's womb had a tongue that lapped up mud,'
Cried the topless, inchtaped lips from hank and hood
In that bright anchorground where I lay linened,
'A lizard darting with black venom's thread
Doubled, to fork him back, through the lockjaw bed
And the breath-white, curtained mouth of seed.'
'See,' drummed the taut masks, 'how the dead ascend:
In the groin's endless coil a man is tangled.'
These once-blind eyes have breathed a wind of visions,
The cauldron's root through this once-rindless hand
Fumed like a tree, and tossed a burning bird;
With loud, torn tooth and tail and cobweb drum
The crumpled packs fled past this ghost in bloom,
And, mild as pardon from a cloud of pride,
The terrible world my brother bares his skin.
Now in the cloud's big breast lie quiet countries,
Delivered seas my love from her proud place
Walks with no wound, nor lightning in her face,
A calm wind blows that raised the trees like hair
Once where the soft snow's blood was turned to ice.
And though my love pulls the pale, nippled air,
Prides of to-morrow suckling in her eyes,
Yet this I make in a forgiving presence.
I make this in a warring absence when
Each ancient, stone-necked minute of love's season
Harbours my anchored tongue, slips the quaystone,
When, praise is blessed, her pride in mast and fountain
Sailed and set dazzling by the handshaped ocean,
In that proud sailing tree with branches driven
Through the last vault and vegetable groyne,
And this weak house to marrow-columned heaven,
Is corner-cast, breath's rag, scrawled weed, a vain
And opium head, crow stalk, puffed, cut, and blown,
Or like the tide-looped breastknot reefed again
Or rent ancestrally the roped sea-hymen,
And, pride is last, is like a child alone
By magnet winds to her blind mother drawn,
Bread and milk mansion in a toothless town.
She makes for me a nettle's innocence
And a silk pigeon's guilt in her proud absence,
In the molested rocks the shell of virgins,
The frank, closed pearl, the sea-girls' lineaments
Glint in the staved and siren-printed caverns,
Is maiden in the shameful oak, omens
Whalebed and bulldance, the gold bush of lions,
Proud as a sucked stone and huge as sandgrains.
These are her contraries: the beast who follows
With priest's grave foot and hand of five assassins
Her molten flight up cinder-nesting columns,
Calls the starved fire herd, is cast in ice,
Lost in a limp-treed and uneating silence,
Who scales a hailing hill in her cold flintsteps
Falls on a ring of summers and locked noons.
I make a weapon of an ass's skeleton
And walk the warring sands by the dead town.
Cudgel great air, wreck east, and topple sundown,
Storm her sped heart, hang with beheaded veins
Its wringing shell, and let her eyelids fasten.
Destruction, picked by birds, brays through the jaw-bone,
And, for that murder's sake, dark with contagion
Like an approaching wave I sprawl to ruin.
Ruin, the room of errors, one rood dropped
Down the stacked sea and water-pillared shade,
Weighed in rock shroud, is my proud pyramid;
Where, wound in emerald linen and sharp wind,
The hero's head lies scraped of every legend,
Comes love's anatomist with sun-gloved hand
Who picks the live heart on a diamond.
'His mother's womb had a tongue that lapped up mud,'
Cried the topless, inchtaped lips from hank and hood
In that bright anchorground where I lay linened,
'A lizard darting with black venom's thread
Doubled, to fork him back, through the lockjaw bed
And the breath-white, curtained mouth of seed.'
'See,' drummed the taut masks, 'how the dead ascend:
In the groin's endless coil a man is tangled.'
These once-blind eyes have breathed a wind of visions,
The cauldron's root through this once-rindless hand
Fumed like a tree, and tossed a burning bird;
With loud, torn tooth and tail and cobweb drum
The crumpled packs fled past this ghost in bloom,
And, mild as pardon from a cloud of pride,
The terrible world my brother bares his skin.
Now in the cloud's big breast lie quiet countries,
Delivered seas my love from her proud place
Walks with no wound, nor lightning in her face,
A calm wind blows that raised the trees like hair
Once where the soft snow's blood was turned to ice.
And though my love pulls the pale, nippled air,
Prides of to-morrow suckling in her eyes,
Yet this I make in a forgiving presence.
261
Dylan Thomas
How Soon The Servant Sun
How Soon The Servant Sun
How soon the servant sun,
(Sir morrow mark),
Can time unriddle, and the cupboard stone,
(Fog has a bone
He'll trumpet into meat),
Unshelve that all my gristles have a gown
And the naked egg stand straight,
Sir morrow at his sponge,
(The wound records),
The nurse of giants by the cut sea basin,
(Fog by his spring
Soaks up the sewing tides),
Tells you and you, my masters, as his strange
Man morrow blows through food.
All nerves to serve the sun,
The rite of light,
A claw I question from the mouse's bone,
The long-tailed stone
Trap I with coil and sheet,
Let the soil squeal I am the biting man
And the velvet dead inch out.
How soon my level, lord,
(Sir morrow stamps
Two heels of water on the floor of seed),
Shall raise a lamp
Or spirit up a cloud,
Erect a walking centre in the shroud,
Invisible on the stump
A leg as long as trees,
This inward sir,
Mister and master, darkness for his eyes,
The womb-eyed, cries,
And all sweet hell, deaf as an hour's ear,
Blasts back the trumpet voice.
How soon the servant sun,
(Sir morrow mark),
Can time unriddle, and the cupboard stone,
(Fog has a bone
He'll trumpet into meat),
Unshelve that all my gristles have a gown
And the naked egg stand straight,
Sir morrow at his sponge,
(The wound records),
The nurse of giants by the cut sea basin,
(Fog by his spring
Soaks up the sewing tides),
Tells you and you, my masters, as his strange
Man morrow blows through food.
All nerves to serve the sun,
The rite of light,
A claw I question from the mouse's bone,
The long-tailed stone
Trap I with coil and sheet,
Let the soil squeal I am the biting man
And the velvet dead inch out.
How soon my level, lord,
(Sir morrow stamps
Two heels of water on the floor of seed),
Shall raise a lamp
Or spirit up a cloud,
Erect a walking centre in the shroud,
Invisible on the stump
A leg as long as trees,
This inward sir,
Mister and master, darkness for his eyes,
The womb-eyed, cries,
And all sweet hell, deaf as an hour's ear,
Blasts back the trumpet voice.
353
Dylan Thomas
Holy Spring
Holy Spring
O
Out of a bed of love
When that immortal hospital made one more moove to soothe
The curless counted body,
And ruin and his causes
Over the barbed and shooting sea assumed an army
And swept into our wounds and houses,
I climb to greet the war in which I have no heart but only
That one dark I owe my light,
Call for confessor and wiser mirror but there is none
To glow after the god stoning night
And I am struck as lonely as a holy marker by the sun
No
Praise that the spring time is all
Gabriel and radiant shrubbery as the morning grows joyful
Out of the woebegone pyre
And the multitude's sultry tear turns cool on the weeping wall,
My arising prodgidal
Sun the father his quiver full of the infants of pure fire,
But blessed be hail and upheaval
That uncalm still it is sure alone to stand and sing
Alone in the husk of man's home
And the mother and toppling house of the holy spring,
If only for a last time.
O
Out of a bed of love
When that immortal hospital made one more moove to soothe
The curless counted body,
And ruin and his causes
Over the barbed and shooting sea assumed an army
And swept into our wounds and houses,
I climb to greet the war in which I have no heart but only
That one dark I owe my light,
Call for confessor and wiser mirror but there is none
To glow after the god stoning night
And I am struck as lonely as a holy marker by the sun
No
Praise that the spring time is all
Gabriel and radiant shrubbery as the morning grows joyful
Out of the woebegone pyre
And the multitude's sultry tear turns cool on the weeping wall,
My arising prodgidal
Sun the father his quiver full of the infants of pure fire,
But blessed be hail and upheaval
That uncalm still it is sure alone to stand and sing
Alone in the husk of man's home
And the mother and toppling house of the holy spring,
If only for a last time.
344