Poems in this topic
Others
Safo
Although they are
Although they are
Although they are
only breath, words
which I command
are immortal
Although they are
only breath, words
which I command
are immortal
599
Safo
Although they are
Although they are
Although they are
only breath, words
which I command
are immortal
Although they are
only breath, words
which I command
are immortal
599
Rupert Brooke
Wagner
Wagner
Creeps in half wanton, half asleep,
One with a fat wide hairless face.
He likes love-music that is cheap;
Likes women in a crowded place;
And wants to hear the noise they're making.
His heavy eyelids droop half-over,
Great pouches swing beneath his eyes.
He listens, thinks himself the lover,
Heaves from his stomach wheezy sighs;
He likes to feel his heart's a-breaking.
The music swells. His gross legs quiver.
His little lips are bright with slime.
The music swells. The women shiver.
And all the while, in perfect time,
His pendulous stomach hangs a-shaking.
Creeps in half wanton, half asleep,
One with a fat wide hairless face.
He likes love-music that is cheap;
Likes women in a crowded place;
And wants to hear the noise they're making.
His heavy eyelids droop half-over,
Great pouches swing beneath his eyes.
He listens, thinks himself the lover,
Heaves from his stomach wheezy sighs;
He likes to feel his heart's a-breaking.
The music swells. His gross legs quiver.
His little lips are bright with slime.
The music swells. The women shiver.
And all the while, in perfect time,
His pendulous stomach hangs a-shaking.
231
Rupert Brooke
Vision Of The Archangels, The
Vision Of The Archangels, The
Slowly up silent peaks, the white edge of the world,
Trod four archangels, clear against the unheeding sky,
Bearing, with quiet even steps, and great wings furled,
A little dingy coffin; where a child must lie,
It was so tiny. (Yet, you had fancied, God could never
Have bidden a child turn from the spring and the sunlight,
And shut him in that lonely shell, to drop for ever
Into the emptiness and silence, into the night. . . .)
They then from the sheer summit cast, and watched it fall,
Through unknown glooms, that frail black coffin -- and therein
God's little pitiful Body lying, worn and thin,
And curled up like some crumpled, lonely flower-petal --
Till it was no more visible; then turned again
With sorrowful quiet faces downward to the plain.
Slowly up silent peaks, the white edge of the world,
Trod four archangels, clear against the unheeding sky,
Bearing, with quiet even steps, and great wings furled,
A little dingy coffin; where a child must lie,
It was so tiny. (Yet, you had fancied, God could never
Have bidden a child turn from the spring and the sunlight,
And shut him in that lonely shell, to drop for ever
Into the emptiness and silence, into the night. . . .)
They then from the sheer summit cast, and watched it fall,
Through unknown glooms, that frail black coffin -- and therein
God's little pitiful Body lying, worn and thin,
And curled up like some crumpled, lonely flower-petal --
Till it was no more visible; then turned again
With sorrowful quiet faces downward to the plain.
233
Rupert Brooke
Treasure, The
Treasure, The
When colour goes home into the eyes,
And lights that shine are shut again
With dancing girls and sweet birds' cries
Behind the gateways of the brain;
And that no-place which gave them birth, shall close
The rainbow and the rose: --
Still may Time hold some golden space
Where I'll unpack that scented store
Of song and flower and sky and face,
And count, and touch, and turn them o'er,
Musing upon them; as a mother, who
Has watched her children all the rich day through
Sits, quiet-handed, in the fading light,
When children sleep, ere night.
When colour goes home into the eyes,
And lights that shine are shut again
With dancing girls and sweet birds' cries
Behind the gateways of the brain;
And that no-place which gave them birth, shall close
The rainbow and the rose: --
Still may Time hold some golden space
Where I'll unpack that scented store
Of song and flower and sky and face,
And count, and touch, and turn them o'er,
Musing upon them; as a mother, who
Has watched her children all the rich day through
Sits, quiet-handed, in the fading light,
When children sleep, ere night.
204
Rupert Brooke
Treasure, The
Treasure, The
When colour goes home into the eyes,
And lights that shine are shut again
With dancing girls and sweet birds' cries
Behind the gateways of the brain;
And that no-place which gave them birth, shall close
The rainbow and the rose: --
Still may Time hold some golden space
Where I'll unpack that scented store
Of song and flower and sky and face,
And count, and touch, and turn them o'er,
Musing upon them; as a mother, who
Has watched her children all the rich day through
Sits, quiet-handed, in the fading light,
When children sleep, ere night.
When colour goes home into the eyes,
And lights that shine are shut again
With dancing girls and sweet birds' cries
Behind the gateways of the brain;
And that no-place which gave them birth, shall close
The rainbow and the rose: --
Still may Time hold some golden space
Where I'll unpack that scented store
Of song and flower and sky and face,
And count, and touch, and turn them o'er,
Musing upon them; as a mother, who
Has watched her children all the rich day through
Sits, quiet-handed, in the fading light,
When children sleep, ere night.
204
Rupert Brooke
V. The Soldier
V. The Soldier
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
220
Rupert Brooke
There's Wisdom In Women
There's Wisdom In Women
"Oh love is fair, and love is rare;" my dear one she said,
"But love goes lightly over." I bowed her foolish head,
And kissed her hair and laughed at her. Such a child was she;
So new to love, so true to love, and she spoke so bitterly.
But there's wisdom in women, of more than they have known,
And thoughts go blowing through them, are wiser than their own,
Or how should my dear one, being ignorant and young,
Have cried on love so bitterly, with so true a tongue?
"Oh love is fair, and love is rare;" my dear one she said,
"But love goes lightly over." I bowed her foolish head,
And kissed her hair and laughed at her. Such a child was she;
So new to love, so true to love, and she spoke so bitterly.
But there's wisdom in women, of more than they have known,
And thoughts go blowing through them, are wiser than their own,
Or how should my dear one, being ignorant and young,
Have cried on love so bitterly, with so true a tongue?
232
Rupert Brooke
There's Wisdom In Women
There's Wisdom In Women
"Oh love is fair, and love is rare;" my dear one she said,
"But love goes lightly over." I bowed her foolish head,
And kissed her hair and laughed at her. Such a child was she;
So new to love, so true to love, and she spoke so bitterly.
But there's wisdom in women, of more than they have known,
And thoughts go blowing through them, are wiser than their own,
Or how should my dear one, being ignorant and young,
Have cried on love so bitterly, with so true a tongue?
"Oh love is fair, and love is rare;" my dear one she said,
"But love goes lightly over." I bowed her foolish head,
And kissed her hair and laughed at her. Such a child was she;
So new to love, so true to love, and she spoke so bitterly.
But there's wisdom in women, of more than they have known,
And thoughts go blowing through them, are wiser than their own,
Or how should my dear one, being ignorant and young,
Have cried on love so bitterly, with so true a tongue?
232
Rupert Brooke
Tiare Tahiti
Tiare Tahiti
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
Papeete, February
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
Papeete, February
235
Rupert Brooke
Tiare Tahiti
Tiare Tahiti
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
Papeete, February
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
Papeete, February
235
Rupert Brooke
The Way That Lovers Use
The Way That Lovers Use
The Way that lovers use is this;
They bow, catch hands, with never a word,
And their lips meet, and they do kiss,
—So I have heard.
They queerly find some healing so,
And strange attainment in the touch;
There is a secret lovers know,
—I have read as much.
And theirs no longer joy nor smart,
Changing or ending, night or day;
But mouth to mouth, and heart on heart,
—So lovers say.
The Way that lovers use is this;
They bow, catch hands, with never a word,
And their lips meet, and they do kiss,
—So I have heard.
They queerly find some healing so,
And strange attainment in the touch;
There is a secret lovers know,
—I have read as much.
And theirs no longer joy nor smart,
Changing or ending, night or day;
But mouth to mouth, and heart on heart,
—So lovers say.
205
Rupert Brooke
The Vision of the Archangels
The Vision of the Archangels
Slowly up silent peaks, the white edge of the world,
Trod four archangels, clear against the unheeding sky,
Bearing, with quiet even steps, and great wings furled,
A little dingy coffin; where a child must lie,
It was so tiny. (Yet, you had fancied, God could never
Have bidden a child turn from the spring and the sunlight,
And shut him in that lonely shell, to drop for ever
Into the emptiness and silence, into the night.…)
They then from the sheer summit cast, and watched it fall,
Through unknown glooms, that frail black coffin—and therein
God’s little pitiful Body lying, worn and thin,
And curled up like some crumpled, lonely flower petal—
Till it was no more visible; then turned again
With sorrowful quiet faces downward to the plain.
Slowly up silent peaks, the white edge of the world,
Trod four archangels, clear against the unheeding sky,
Bearing, with quiet even steps, and great wings furled,
A little dingy coffin; where a child must lie,
It was so tiny. (Yet, you had fancied, God could never
Have bidden a child turn from the spring and the sunlight,
And shut him in that lonely shell, to drop for ever
Into the emptiness and silence, into the night.…)
They then from the sheer summit cast, and watched it fall,
Through unknown glooms, that frail black coffin—and therein
God’s little pitiful Body lying, worn and thin,
And curled up like some crumpled, lonely flower petal—
Till it was no more visible; then turned again
With sorrowful quiet faces downward to the plain.
183
Rupert Brooke
The Soldier
The Soldier
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave once her flowers to love, her ways to roam;
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave once her flowers to love, her ways to roam;
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
205
Rupert Brooke
The Song of the Pilgrims
The Song of the Pilgrims
(Halted around the fire by night, after moon-set, they sing this beneath the
trees.)
What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find?…
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire.…
Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers.…
Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning!…
The fires we left are always burning
On the old shrines of home. Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death...
O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing—to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.
(Halted around the fire by night, after moon-set, they sing this beneath the
trees.)
What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find?…
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire.…
Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers.…
Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning!…
The fires we left are always burning
On the old shrines of home. Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death...
O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing—to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.
214
Rupert Brooke
The Old Vicarage, Grantchester
The Old Vicarage, Grantchester
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow . . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
-- Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe . . .
`Du lieber Gott!'
Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll German Jews
Drink beer around; -- and THERE the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten's not verboten.
ei'qe genoi mhn . . . would I were
In Grantchester, in Grantchester! --
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad's reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird's drowsy calls,
The falling house that never falls.
epsilon-iota'-theta-epsilon gamma-epsilon-nu-omicron-iota -mu-eta-nu
God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there's none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton's full of nameless crimes,
And things are done you'd not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St. Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There's peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I'm told) . . .
Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow . . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
-- Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe . . .
`Du lieber Gott!'
Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll German Jews
Drink beer around; -- and THERE the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten's not verboten.
ei'qe genoi mhn . . . would I were
In Grantchester, in Grantchester! --
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad's reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird's drowsy calls,
The falling house that never falls.
epsilon-iota'-theta-epsilon gamma-epsilon-nu-omicron-iota -mu-eta-nu
God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there's none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton's full of nameless crimes,
And things are done you'd not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St. Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There's peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I'm told) . . .
Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?
235
Rupert Brooke
The Night Journey
The Night Journey
Hands and lit faces eddy to a line;
The dazed last minutes click; the clamour dies.
Beyond the great-swung arc o’ the roof, divine,
Night, smoky-scarv’d, with thousand coloured eyes
Glares the imperious mystery of the way.
Thirsty for dark, you feel the long-limbed train
Throb, stretch, thrill motion, slide, pull out and sway,
Strain for the far, pause, draw to strength again.…
As a man, caught by some great hour, will rise,
Slow-limbed, to meet the light or find his love;
And, breathing long, with staring sightless eyes,
Hands out, head back, agape and silent, move
Sure as a flood, smooth as a vast wind blowing;
And, gathering power and purpose as he goes,
Unstumbling, unreluctant, strong, unknowing,
Borne by a will not his, that lifts, that grows,
Sweep out to darkness, triumphing in his goal,
Out of the fire, out of the little room.…
—There is an end appointed, O my soul!
Crimson and green the signals burn; the gloom
Is hung with steam’s far-blowing livid streamers.
Lost into God, as lights in light, we fly,
Grown one with will, end-drunken huddled dreamers.
The white lights roar. The sounds of the world die.
And lips and laughter are forgotten things.
Speed sharpens; grows. Into the night, and on,
The strength and splendour of our purpose swings.
The lamps fade; and the stars. We are alone.
Hands and lit faces eddy to a line;
The dazed last minutes click; the clamour dies.
Beyond the great-swung arc o’ the roof, divine,
Night, smoky-scarv’d, with thousand coloured eyes
Glares the imperious mystery of the way.
Thirsty for dark, you feel the long-limbed train
Throb, stretch, thrill motion, slide, pull out and sway,
Strain for the far, pause, draw to strength again.…
As a man, caught by some great hour, will rise,
Slow-limbed, to meet the light or find his love;
And, breathing long, with staring sightless eyes,
Hands out, head back, agape and silent, move
Sure as a flood, smooth as a vast wind blowing;
And, gathering power and purpose as he goes,
Unstumbling, unreluctant, strong, unknowing,
Borne by a will not his, that lifts, that grows,
Sweep out to darkness, triumphing in his goal,
Out of the fire, out of the little room.…
—There is an end appointed, O my soul!
Crimson and green the signals burn; the gloom
Is hung with steam’s far-blowing livid streamers.
Lost into God, as lights in light, we fly,
Grown one with will, end-drunken huddled dreamers.
The white lights roar. The sounds of the world die.
And lips and laughter are forgotten things.
Speed sharpens; grows. Into the night, and on,
The strength and splendour of our purpose swings.
The lamps fade; and the stars. We are alone.
213
Rupert Brooke
The Life Beyond
The Life Beyond
He wakes, who never thought to wake again,
Who held the end was Death. He opens eyes
Slowly, to one long livid oozing plain
Closed down by the strange eyeless heavens.
He lies;
And waits; and once in timeless sick surmise
Through the dead air heaves up an unknown hand,
Like a dry branch. No life is in that land,
Himself not lives, but is a thing that cries;
An unmeaning point upon the mud; a speck
Of moveless horror; an Immortal One
Cleansed of the world, sentient and dead; a fly
Fast-stuck in grey sweat on a corpse’s neck.
I though when love for you died, I should die.
It’s dead. Alone, most strangely, I live on.
He wakes, who never thought to wake again,
Who held the end was Death. He opens eyes
Slowly, to one long livid oozing plain
Closed down by the strange eyeless heavens.
He lies;
And waits; and once in timeless sick surmise
Through the dead air heaves up an unknown hand,
Like a dry branch. No life is in that land,
Himself not lives, but is a thing that cries;
An unmeaning point upon the mud; a speck
Of moveless horror; an Immortal One
Cleansed of the world, sentient and dead; a fly
Fast-stuck in grey sweat on a corpse’s neck.
I though when love for you died, I should die.
It’s dead. Alone, most strangely, I live on.
205
Rupert Brooke
The Goddess in the Wood
The Goddess in the Wood
In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died.… She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height.…
Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.
In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died.… She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height.…
Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.
202
Rupert Brooke
The Fish
The Fish
In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o’ the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes—
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness!…
And all’s one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only—grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud—
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.
O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above—
You know the sigh, the song of love!
But there the night is close, and there
Darkness is cold and strange and bare;
And the seered deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.
In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o’ the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes—
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness!…
And all’s one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only—grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud—
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.
O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above—
You know the sigh, the song of love!
But there the night is close, and there
Darkness is cold and strange and bare;
And the seered deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.
238
Rupert Brooke
The Charm
The Charm
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
189
Rupert Brooke
The Charm
The Charm
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
189
Rupert Brooke
The Busy Heart
The Busy Heart
Now that we’ve done our best and worst, and parted,
I would fill my mind with thoughts that will not rend.
(O heart, I do not dare go empty-hearted)
I’ll think of Love in books, Love without end;
Women with child, content; and old men sleeping;
And wet strong ploughlands, scarred for certain grain;
And babes that weep, and so forget their weeping;
And the young heavens, forgetful after rain;
And evening hush, broken by homing wings;
And Song’s nobility, and Wisdom holy,
That live, we dead. I would think of a thousand things,
Lovely and durable, and taste them slowly,
One after one, like tasting a sweet food.
I have need to busy my heart with quietude.
Now that we’ve done our best and worst, and parted,
I would fill my mind with thoughts that will not rend.
(O heart, I do not dare go empty-hearted)
I’ll think of Love in books, Love without end;
Women with child, content; and old men sleeping;
And wet strong ploughlands, scarred for certain grain;
And babes that weep, and so forget their weeping;
And the young heavens, forgetful after rain;
And evening hush, broken by homing wings;
And Song’s nobility, and Wisdom holy,
That live, we dead. I would think of a thousand things,
Lovely and durable, and taste them slowly,
One after one, like tasting a sweet food.
I have need to busy my heart with quietude.
188
Rupert Brooke
The Busy Heart
The Busy Heart
Now that we’ve done our best and worst, and parted,
I would fill my mind with thoughts that will not rend.
(O heart, I do not dare go empty-hearted)
I’ll think of Love in books, Love without end;
Women with child, content; and old men sleeping;
And wet strong ploughlands, scarred for certain grain;
And babes that weep, and so forget their weeping;
And the young heavens, forgetful after rain;
And evening hush, broken by homing wings;
And Song’s nobility, and Wisdom holy,
That live, we dead. I would think of a thousand things,
Lovely and durable, and taste them slowly,
One after one, like tasting a sweet food.
I have need to busy my heart with quietude.
Now that we’ve done our best and worst, and parted,
I would fill my mind with thoughts that will not rend.
(O heart, I do not dare go empty-hearted)
I’ll think of Love in books, Love without end;
Women with child, content; and old men sleeping;
And wet strong ploughlands, scarred for certain grain;
And babes that weep, and so forget their weeping;
And the young heavens, forgetful after rain;
And evening hush, broken by homing wings;
And Song’s nobility, and Wisdom holy,
That live, we dead. I would think of a thousand things,
Lovely and durable, and taste them slowly,
One after one, like tasting a sweet food.
I have need to busy my heart with quietude.
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