Others

Sinister Sooth

You say I am the slave of Fate
Bound by unalterable laws.
I harken, but your words I hate,
Your damnable Effect and Cause.
If there's no hope for happy Chance
Give me the bliss of ignorance.


You say my life ends with the tomb;
This brain, my mind machine, will rot;
Its many million cells that room
My personality and thought
Will in the Dark Destroyer's term
Provide a banquet for the worm.


You say--yet though your wisdom wells,
To it I am unreconciled;
My mind admits, my heart rebels . . .
O let me listen like a child
To Him who spoke with blessed breath
From bench of toil in Nazareth!

Shakespeare And Cervantes

Obit 23rd April 1616

Is it not strange that on this common date,
Two titans of their age, aye of all Time,
Together should renounce this mortal state,
And rise like gods, unsullied and sublime?
Should mutually render up the ghost,
And hand n hand join Jove's celestial host?


What wondrous welcome from the scribes on high!
Homer and Virgil would be waiting there;
Plato and Aristotle standing nigh;
Petrarch and Dante greet the peerless pair:
And as in harmony they make their bow,
Horace might quip: "Great timing, you'll allow."


Imagine this transcendant team arrive
At some hilarious banquet of the gods!
Their nations battled when they were alive,
And they were bitter foes - but what's the odd?
Actor and soldier, happy hand in hand,
By death close-linked, like loving brothers stand.


But how diverse! Our Will had gold and gear,
Chattels and land, the starshine of success;
The bleak Castilian fought with casque and spear,
Passing his life in prisons - more or less.
The Bard of Avon was accounted rich;
Cervantes often bedded in a ditch.


Yet when I slough this flesh, if I could meet
By sweet, fantastic fate one of these two,
In languorous Elysian retreat,
Which would I choose? Fair reader, which would you?
Well, though our William more divinely wrote,
By gad! the lousy Spaniard has my vote.

Silence


When I was cub reporter I
Would interview the Great,
And sometimes they would make reply,
And sometimes hesitate;
But often they would sharply say,
With bushy eyebrows bent:
"Young man, your answer for to-day


Is - No Comment."

Nigh sixty years have called the tune,
And silver is my pate;
No longer do I importune
Important men of state;
But time has made me wise, and so
When button-holed I shake
My head and say: "To-day, I've no

Comment to make."

Oh, silence is a mighty shield,
Verbosity is vain;
let others wordy warfare wield,
From arguments abstain;
When faced with dialectic foes
Just shrug and turn away:
Be sure your wisest words are those


You do not say.

Yea, Silence is a gleaming sword
Whose wounds are hard to heal;
Its quiet stuns the spoken word
More than a thunder peal;
Against it there is no defense,
For like the grave-yard sod
Its hush is Heaven's eloquence,


The VOICE OF GOD.

Silence


When I was cub reporter I
Would interview the Great,
And sometimes they would make reply,
And sometimes hesitate;
But often they would sharply say,
With bushy eyebrows bent:
"Young man, your answer for to-day


Is - No Comment."

Nigh sixty years have called the tune,
And silver is my pate;
No longer do I importune
Important men of state;
But time has made me wise, and so
When button-holed I shake
My head and say: "To-day, I've no

Comment to make."

Oh, silence is a mighty shield,
Verbosity is vain;
let others wordy warfare wield,
From arguments abstain;
When faced with dialectic foes
Just shrug and turn away:
Be sure your wisest words are those


You do not say.

Yea, Silence is a gleaming sword
Whose wounds are hard to heal;
Its quiet stuns the spoken word
More than a thunder peal;
Against it there is no defense,
For like the grave-yard sod
Its hush is Heaven's eloquence,


The VOICE OF GOD.

Sensibility


I

Once, when a boy, I killed a cat.
I guess it's just because of that
A cat evokes my tenderness,
And takes so kindly my caress.
For with a rich, resonant purr
It sleeks an arch or ardent fur
So vibrantly against my shin;
And as I tickle tilted chin
And rub the roots of velvet ears
Its tail in undulation rears.
Then tremoring with all its might,
In blissful sensuous delight,
It looks aloft with lambent eyes,
Mystic, Egyptianly wise,
And O so eloquently tries
In every fibre to express
Consummate trust and friendliness.


II

I think the longer that we live
The more do we grow sensitive
Of hurt and harm to man and beast,
And learn to suffer at the least
Surmise of other's suffering;
Till pity, lie an eager spring
Wells up, and we are over-fain
To vibrate to the chords of pain.

For look you - after three-score yeas
I see with anguish nigh to tears
That starveling cat so sudden still
I set my terrier to to kill.
Great, golden memories pale away,
But that unto my dying day
Will haunt and haunt me horribly.
Why, even my poor dog felt shame
And shrank away as if to blame
of that poor mangled mother-cat
Would ever lie at his doormat.

III

What's done is done. No power can bring
To living joy a slaughtered thing.
Aye, if of life I gave my own
I could not for my guilt atone.
And though in stress of sea and land
Sweet breath has ended at my hand,
That boyhood killing in my eyes


A thousand must epitomize.
Yet to my twilight steals a thought:
Somehow forgiveness may be bought;
Somewhere I'll live my life again
So finely sensitized to pain,
With heart so rhymed to truth and right
That Truth will be a blaze of light;
All all the evil I have wrought
Will haggardly to home be brought. . . .
Then will I know my hell indeed,
And bleed where I made others bleed,
Till purged by penitence of sin
To Peace (or Heaven) I may win.


Well, anyway, you know the why
We are so pally, cats and I;
So if you have the gift of shame,
O Fellow-sinner, be the same.

Schizophrenic


Each morning as I catch my bus,
A-fearing I'll be late,
I think: there are in all of us
Two folks quite separate;
As one I greet the office staff
With grim, official mien;
The other's when I belly-laugh,
And Home Sweet Home's the scene.


I've half a hundred men to boss,
And take my job to heart;
You'll never find me at a loss,
So well I play my part.
My voice is hard, my eye is cold,
My mouth is grimly set;
They all consider me, I'm told,
A "bloody martinet."


But when I reach my home at night
I'm happy as a boy;
My kiddies kiss me with delight,
And dance a jig of joy.
I slip into my oldest cloths,
My lines of care uncrease;
I mow the lawn, unhook the hose,
And glow with garden peace.


It's then I wonder which I am,
the boss with hard-boiled eye,
Or just the gay don't care-a-damn
Go-lucky garden guy?
Am I the starchy front who rants
As round his weight he throws,
or just old Pop with patchy pants,
Who sings and sniffs a rose?

Sailor Son

When you come home I'll not be round
To welcome you.

They'll take you to a grassy mound
So neat and new;

Where I'll be sleeping--O so sound!
The ages through.

I'll not be round to broom the hearth,
To feed the chicks;

And in the wee room of your birth
Your bed to fix;

Rose room that knew your baby mirth
Your tiny tricks.

I'll not be round . . . The garden still
With bees will hum;

To cheerful you the throstle's bill
Will not be dumb;

The rambler rose will overspill
When you will come.

Bird, bee and bloom, they'll greet you all
With scented sound;

Yet though the joy of your footfall
Will thrill the ground

Your mother with her old grey shawl-Will
not be round.

Room 5: The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.


Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.


But me, I love the things that are,
My heart is always merry;
I laugh and tune my old guitar:
Sing ho! and hey-down-derry.
Oh, let them toil their lives away
To gild a tawdry era,
But I'll be gay while yet I may:
Sing tira-lira-lira.


I'm sure you know that picture well,
A monk, all else unheeding,
Within a bare and gloomy cell
A musty volume reading;
While through the window you can see
In sunny glade entrancing,
With cap and bells beneath a tree
A jester dancing, dancing.


Which is the fool and which the sage?
I cannot quite discover;
But you may look in learning's page
And I'll be laughter's lover.
For this our life is none too long,
And hearts were made for gladness;
Let virtue lie in joy and song,
The only sin be sadness.


So let me troll a jolly air,
Come what come will to-morrow;
I'll be no cabotin of care,
No souteneur of sorrow.
Let those who will indulge in strife,
To my most merry thinking,
The true philosophy of life



Is laughing, loving, drinking.

And there's that weird and ghastly hag
Who walks head bent, with lips a-mutter;
With twitching hands and feet that drag,
And tattered skirts that sweep the gutter.
An outworn harlot, lost to hope,
With staring eyes and hair that's hoary
I hear her gibber, dazed with dope:
I often wonder what's her story.

Room 5: The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.


Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.


But me, I love the things that are,
My heart is always merry;
I laugh and tune my old guitar:
Sing ho! and hey-down-derry.
Oh, let them toil their lives away
To gild a tawdry era,
But I'll be gay while yet I may:
Sing tira-lira-lira.


I'm sure you know that picture well,
A monk, all else unheeding,
Within a bare and gloomy cell
A musty volume reading;
While through the window you can see
In sunny glade entrancing,
With cap and bells beneath a tree
A jester dancing, dancing.


Which is the fool and which the sage?
I cannot quite discover;
But you may look in learning's page
And I'll be laughter's lover.
For this our life is none too long,
And hearts were made for gladness;
Let virtue lie in joy and song,
The only sin be sadness.


So let me troll a jolly air,
Come what come will to-morrow;
I'll be no cabotin of care,
No souteneur of sorrow.
Let those who will indulge in strife,
To my most merry thinking,
The true philosophy of life



Is laughing, loving, drinking.

And there's that weird and ghastly hag
Who walks head bent, with lips a-mutter;
With twitching hands and feet that drag,
And tattered skirts that sweep the gutter.
An outworn harlot, lost to hope,
With staring eyes and hair that's hoary
I hear her gibber, dazed with dope:
I often wonder what's her story.

Ripeness


With peace and rest
And wisdom sage,
Ripeness is best
Of every age.
With hands that fold
In pensive prayer,
For grave-yard mold

Prepare.

From fighting free
With fear forgot,
Let ripeness be,
Before the rot.
With heart of cheer
At eighty odd,
How man grows near


To God!

With passion spent
And life nigh run
Let us repent
The ill we've done.
And as we bless
With happy heart
Life's mellowness

--Depart.

Ripeness


With peace and rest
And wisdom sage,
Ripeness is best
Of every age.
With hands that fold
In pensive prayer,
For grave-yard mold

Prepare.

From fighting free
With fear forgot,
Let ripeness be,
Before the rot.
With heart of cheer
At eighty odd,
How man grows near


To God!

With passion spent
And life nigh run
Let us repent
The ill we've done.
And as we bless
With happy heart
Life's mellowness

--Depart.

Rhyme For My Tomb

Here lyeth one
Who loved the sun;
Who lived with zest,
Whose work was done,
Reward, dear Lord,
Thy weary son:
May he be blest
With peace and rest,
Nor wake again,


Amen.

Rich Poor Man

We pitied him because
He lived alone;
His tiny cottage was
His only own.
His little garden had
A wall around;
Yet never was so glad
A bit of ground.


It seemed to fair rejoice
With flowers and fruit;
With blooms it found a voice
When ours was muts.
It smiled without a pause
In gracious glow:
I think it was because
He loved it so.


He had no news to read,
No rent to pay;
His vegetable need
He plucked each day.
His grateful garden gave
Him ample fare;
He lived without a crave,
Without a care.


His bread and milk and tea
Were all he bought;
To us he seemed to be
A sorry lot . . .
But when we're dead and gone,
With all our fuss,
I guess he'll carry on,
And laugh at us.

Retired


I used to sing, when I was young,
The joy of idleness;
But now I'm grey I hold my tongue,
For frankly I confess
If I had not some job to do
I would be bored to death;
So I must toil until I'm through
With this asthmatic breath.


Where others slothfully would brood


beg for little chores,
To peel potatoes, chop the wood,
And even scrub the floors.
When slightly useful I can be,
I'm happy as a bboy;
Dish-washing is a boon to me,
And brushing boots a joy.


The young folks tell me: "Grandpa, please,
Don't be so manual;
You certainly have earned your ease -
Why don't you rest a spell?"
Say I: I'll have a heap of rest
On my sepulchral shelf;
So now please let me do my best


To justify myself."

For one must strive or one will die,
And work's our dearest friend;
God meant it so, and that is why
I'll toil unto the end.
I thank the Lord I'm full of beans,
So let me heft a hoe,
And I will don my garden jeans
And help the beans to grow.

Reverence


I saw the Greatest Man on Earth,
Aye, saw him with my proper eyes.
A loin-cloth spanned his proper girth,
But he was naked otherwise,
Excepting for his grey sombrero;
And when his domelike head he bared,
With reverence I stared and stared,
As mummified as any Pharaoh.


He leaned upon a little cane,
A big cigar was in his mouth;
Through spectacles of yellow stain
He gazed and gazed toward the South;
And then he dived into the sea,
As if to Corsica to swim;
His side stroke was so strong and free
I could not help but envy him.


A fitter man than I, I said,
Although his age is more than mine;
And I was strangely comforted
To see him battle in the brine.
Thought I: We have no cause for sorrow;
For one so dynamic to-day
Will gird him for the future fray
And lead us lion-like to-morrow.


The Greatest Man in all the world
Lay lazing like you or me,
Within a flimsy bathrobe curled
Upon a mattress by the sea:
He reached to pat a tou-tou's nose,
And scratched his torso now and then,
And scribbled with a fountain pen
What I assumed was jewelled prose.


And then methought he looked at me,
And hailed me with a gesture grand;
His fingers made the letter "V,"
So I, too, went to raise my hand; -
When nigh to me the barman glided
With liquid gold, and then I knew
He merely called for cock-tails two,
And so abjectly I subsided.


Yet I have had my moment's glory,
A-squatting nigh that Mighty Tory,
Proud Hero of our Island Story.

Reverence


I saw the Greatest Man on Earth,
Aye, saw him with my proper eyes.
A loin-cloth spanned his proper girth,
But he was naked otherwise,
Excepting for his grey sombrero;
And when his domelike head he bared,
With reverence I stared and stared,
As mummified as any Pharaoh.


He leaned upon a little cane,
A big cigar was in his mouth;
Through spectacles of yellow stain
He gazed and gazed toward the South;
And then he dived into the sea,
As if to Corsica to swim;
His side stroke was so strong and free
I could not help but envy him.


A fitter man than I, I said,
Although his age is more than mine;
And I was strangely comforted
To see him battle in the brine.
Thought I: We have no cause for sorrow;
For one so dynamic to-day
Will gird him for the future fray
And lead us lion-like to-morrow.


The Greatest Man in all the world
Lay lazing like you or me,
Within a flimsy bathrobe curled
Upon a mattress by the sea:
He reached to pat a tou-tou's nose,
And scratched his torso now and then,
And scribbled with a fountain pen
What I assumed was jewelled prose.


And then methought he looked at me,
And hailed me with a gesture grand;
His fingers made the letter "V,"
So I, too, went to raise my hand; -
When nigh to me the barman glided
With liquid gold, and then I knew
He merely called for cock-tails two,
And so abjectly I subsided.


Yet I have had my moment's glory,
A-squatting nigh that Mighty Tory,
Proud Hero of our Island Story.

Prelude


To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.


Behold yon minstrel of the empty belly,
Who seeks to please the bored and waiting throng,
Outside the Opera with ukulele,
And raucous strains of syncopated song.
His rag-time mocks their eager hearts a-hunger
For golden voices, melody divine:
Yet . . . throw a penny to the ballad-monger;
Yet . . . listen idly to this song of mine.


For with a humble heart I clank rhyme's fetters,
And bare my buttocks to the critic knout;
A graceless hobo in the Land of Letters,
Piping my ditties of the down-and-out.
A bar-room bard . . . so if a coin you're flinging,
Pay me a pot, and let me dream and booze;
To stars of scorn my dour defiance ringing,
With battered banjo and a strumpet Muse.

Prelude


To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.


Behold yon minstrel of the empty belly,
Who seeks to please the bored and waiting throng,
Outside the Opera with ukulele,
And raucous strains of syncopated song.
His rag-time mocks their eager hearts a-hunger
For golden voices, melody divine:
Yet . . . throw a penny to the ballad-monger;
Yet . . . listen idly to this song of mine.


For with a humble heart I clank rhyme's fetters,
And bare my buttocks to the critic knout;
A graceless hobo in the Land of Letters,
Piping my ditties of the down-and-out.
A bar-room bard . . . so if a coin you're flinging,
Pay me a pot, and let me dream and booze;
To stars of scorn my dour defiance ringing,
With battered banjo and a strumpet Muse.

Poet's Path

My garden hath a slender path
With ivy overgrown,
A secret place where once would pace
A pot all alone;
I see him now with fretted brow,
Plunged deep in thought;
And sometimes he would write maybe,
And sometimes he would not.


A verse a day he used to say
Keeps worry from the door;
Without the stink of printer's ink
How life would be a bore!
And so from chime of breakfast time
To supper he would beat
The pathway flat, a mossy mat
For his poetic feet.


He wrote, I'm told, of gods of old
And mythologic men;
Far better he had sung, maybe,
Of plain folks now and then;
With bitterness he would confess
Too lofty was his aim. . . .
And then with woe I saw him throw
His poems to the flame.


He went away one bitter day
When death was in the sky;
No further word I ever heard
Beyond his last goodbye.
Did battle grim take toll of him
In heaven-rocking wrath?
Oh did he write in starry flight
His name in flame on hell-brewed night?


... Well, there's my poet's path.

Poet's Path

My garden hath a slender path
With ivy overgrown,
A secret place where once would pace
A pot all alone;
I see him now with fretted brow,
Plunged deep in thought;
And sometimes he would write maybe,
And sometimes he would not.


A verse a day he used to say
Keeps worry from the door;
Without the stink of printer's ink
How life would be a bore!
And so from chime of breakfast time
To supper he would beat
The pathway flat, a mossy mat
For his poetic feet.


He wrote, I'm told, of gods of old
And mythologic men;
Far better he had sung, maybe,
Of plain folks now and then;
With bitterness he would confess
Too lofty was his aim. . . .
And then with woe I saw him throw
His poems to the flame.


He went away one bitter day
When death was in the sky;
No further word I ever heard
Beyond his last goodbye.
Did battle grim take toll of him
In heaven-rocking wrath?
Oh did he write in starry flight
His name in flame on hell-brewed night?


... Well, there's my poet's path.

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Pavement Poet

God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.


And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."


And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."


So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.