Others

El Instante
Dónde estarán los siglos, dónde el sueño
de espadas que los tártaros soñaron,
dónde los fuertes muros que allanaron,
dónde el Árbol de Adán y el otro Leño?
El presente está solo. La memoria
erige el tiempo. Sucesión y engaño
es la rutina del reloj. El año
no es menos vano que la vana historia.
Entre el alba y la noche hay un abismo
de agonías, de luces, de cuidados;
el rostro que se mira en los gastados
espejos de la noche no es el mismo.
El hoy fugaz es tenue y es eterno;
otro Cielo no esperes, ni otro Infierno.

History of the Night
Throughout the course of th generations
men constructed the night.
At first she was blindness;
thorns raking bare feet,
fear of wolves.
We shall never know who forged the word
for the interval of shadow
dividing the two twilights;
we shall never know in what age it came to mean
the starry hours.
Others created the myth.
They made her the mother of the unruffled Fates
that spin our destiny,
thev sacrificed black ewes to her, and the cock
who crows his own death.
The Chaldeans assigned to her twelve houses;
to Zeno, infinite words.
She took shape from Latin hexameters
and the terror of Pascal.
Luis de Leon saw in her the homeland
of his stricken soul.
Now we feel her to be inexhuastible
like an ancient wine
and no one can gaze on her without vertigo
and time has charged her with eternity.
And to think that she wouldn't exist
except for those fragile instruments, the eyes.

Adam Cast Forth
Was there a Garden or was the Garden a dream?
Amid the fleeting light, I have slowed myself and queried,
Almost for consolation, if the bygone period
Over which this Adam, wretched now, once reigned supreme,
Might not have been just a magical illusion
Of that God I dreamed. Already it's imprecise
In my memory, the clear Paradise,
But I know it exists, in flower and profusion,
Although not for me. My punishment for life
Is the stubborn earth with the incestuous strife
Of Cains and Abels and their brood; I await no pardon.
Yet, it's much to have loved, to have known true joy,
To have had -- if only for just one day --
The experience of touching the living Garden.
Translated by Genia Gurarie, ..
Copyright retained by Genia Gurarie.
email: [email protected]
http://www.princeton.edu/~egurarie/
For permission to reproduce, write personally to the translator.

Art of Poetry, The
To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water.
To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.
To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.
To see in death a dream, in the sunset
a golden sadness--such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.
Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.
They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.
Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.

Art of Poetry, The
To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water.
To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.
To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.
To see in death a dream, in the sunset
a golden sadness--such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.
Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.
They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.
Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.

Art of Poetry, The
To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water.
To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.
To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.
To see in death a dream, in the sunset
a golden sadness--such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.
Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.
They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.
Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.

To Stella On Her Birth-Day, 1721-2

While, Stella, to your lasting praise
The Muse her annual tribute pays,
While I assign myself a task
Which you expect, but scorn to ask;
If I perform this task with pain,
Let me of partial fate complain;
You every year the debt enlarge,
I grow less equal to the charge:
In you each virtue brighter shines,
But my poetic vein declines;
My harp will soon in vain be strung,
And all your virtues left unsung.
For none among the upstart race
Of poets dare assume my place;
Your worth will be to them unknown,
They must have Stellas of their own;
And thus, my stock of wit decay'd,
I dying leave the debt unpaid,
Unless Delany, as my heir,
Will answer for the whole arrear.

To Stella On Her Birth-Day, 1721-2

While, Stella, to your lasting praise
The Muse her annual tribute pays,
While I assign myself a task
Which you expect, but scorn to ask;
If I perform this task with pain,
Let me of partial fate complain;
You every year the debt enlarge,
I grow less equal to the charge:
In you each virtue brighter shines,
But my poetic vein declines;
My harp will soon in vain be strung,
And all your virtues left unsung.
For none among the upstart race
Of poets dare assume my place;
Your worth will be to them unknown,
They must have Stellas of their own;
And thus, my stock of wit decay'd,
I dying leave the debt unpaid,
Unless Delany, as my heir,
Will answer for the whole arrear.

To Stella, Who Collected and Transcribed His Poems

As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,



Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,


Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:



And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.

To Lady Carteret

FROM India's burning clime I'm brought,
With cooling gales like zephyrs fraught.
Not Iris, when she paints the sky,
Can show more different hues than I;
Nor can she change her form so fast,
I'm now a sail, and now a mast.
I here am red, and there am green,
A beggar there, and here a queen.
I sometimes live in house of hair,
And oft in hand of lady fair.
I please the young, I grace the old,
And am at once both hot and cold.
Say what I am then, if you can,
And find the rhyme, and you're the man.

The Lady's Dressing Room

By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,



Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
'Those secrets of the hoary deep'!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame



Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.

The Fable Of Midas

Midas, we are in story told,
Turn'd every thing he touch'd to gold:
He chipp'd his bread; the pieces round
Glitter'd like spangles on the ground:
A codling, ere it went his lip in,
Would straight become a golden pippin.
He call'd for drink; you saw him sup
Potable gold in golden cup:
His empty paunch that he might fill,
He suck'd his victuals thro' a quill.
Untouch'd it pass'd between his grinders,
Or't had been happy for gold-finders:
He cock'd his hat, you would have said
Mambrino's helm adorn'd his head;
Whene'er he chanced his hands to lay
On magazines of corn or hay,
Gold ready coin'd appear'd instead
Of paltry provender and bread;
Hence, we are by wise farmers told
Old hay is equal to old gold:
And hence a critic deep maintains
We learn'd to weigh our gold by grains.
This fool had got a lucky hit;
And people fancied he had wit,
Two gods their skill in music tried
And both chose Midas to decide:
He against Ph[oelig]bus' harp decreed,
And gave it for Pan's oaten reed:
The god of wit, to show his grudge,
Clapt asses' ears upon the judge,
A goodly pair, erect and wide,
Which he could neither gild nor hide.
And now the virtue of his hands
Was lost among Pactolus' sands,
Against whose torrent while he swims
The golden scurf peels off his limbs:
Fame spreads the news, and people travel
From far, to gather golden gravel;
Midas, exposed to all their jeers,
Had lost his art, and kept his ears.
This tale inclines the gentle reader
To think upon a certain leader;
To whom, from Midas down, descends
That virtue in the fingers' ends.
What else by perquisites are meant,
By pensions, bribes, and three per cent.?
By places and commissions sold,
And turning dung itself to gold?
By starving in the midst of store,
As t'other Midas did before?
None e'er did modern Midas chuse
Subject or patron of his muse,



But found him thus their merit scan,
That Phoebus must give place to Pan:
He values not the poet's praise,
Nor will exchange his plums for bays.
To Pan alone rich misers call;
And there's the jest, for Pan is ALL.
Here English wits will be to seek,
Howe'er, 'tis all one in the Greek.
Besides, it plainly now appears
Our Midas, too, has ass's ears:
Where every fool his mouth applies,
And whispers in a thousand lies;
Such gross delusions could not pass
Thro' any ears but of an ass.
But gold defiles with frequent touch,
There's nothing fouls the hand so much;
And scholars give it for the cause
Of British Midas' dirty paws;
Which, while the senate strove to scour,
They wash'd away the chemic power.
While he his utmost strength applied,
To swim against this popular tide,
The golden spoils flew off apace,
Here fell a pension, there a place:
The torrent merciless imbibes
Commissions, perquisites, and bribes,
By their own weight sunk to the bottom;
Much good may't do 'em that have caught 'em!
And Midas now neglected stands,
With ass's ears, and dirty hands.

The Dean’s Answer

The nymph who wrote this in an amorous fit,
I cannot but envy the pride of her wit,
Which thus she will venture profusely to throw
On so mean a design, and a subject so low.
For mean's her design, and her subject as mean,
The first but a rebus, the last but a dean.
A dean's but a parson: and what is a rebus?
A thing never known to the Muses or Phoebus.
The corruption of verse; for, when all is done,
It is but a paraphrase made on a pun.
But a genius like hers no subject can stifle,
It shows and discovers itself through a trifle.
By reading this trifle, I quickly began
To find her a great wit, but the dean a small man.
Rich ladies will furnish their garrets with stuff,
Which others for mantuas would think fine enough:
So the wit that is lavishly thrown away here,
Might furnish a second-rate poet a year.
Thus much for the verse, we proceed to the next,
Where the nymph has entirely forsaken her text:
Her fine panegyrics are quite out of season:
And what she describes to be merit, is treason:
The changes which faction has made in the state,
Have put the dean's politics quite out of date:
Now no one regards what he utters with freedom,
And, should he write pamphlets, no great man would read 'em;
And, should want or desert stand in need of his aid,
This racer would prove but a dull founder'd jade.

The Author Upon Himself

By an old ——pursued,
A crazy prelate, and a royal prude;
By dull divines, who look with envious eyes
On ev'ry genius that attempts to rise;
And pausing o'er a pipe, with doubtful nod,
Give hints, that poets ne'er believe in God.
So clowns on scholars as on wizards look,
And take a folio for a conj'ring book.
Swift had the sin of wit, no venial crime:
Nay, 'twas affirm'd, he sometimes dealt in rhyme;
Humour and mirth had place in all he writ;
He reconcil'd divinity and wit:
He moved and bow'd, and talk'd with too much grace;
Nor show'd the parson in his gait or face;
Despised luxurious wines and costly meat;
Yet still was at the tables of the great;
Frequented lords; saw those that saw the queen;
At Child's or Truby's, never once had been;
Where town and country vicars flock in tribes,
Secured by numbers from the laymen's gibes;
And deal in vices of the graver sort,
Tobacco, censure, coffee, pride, and port.
But, after sage monitions from his friends,
His talents to employ for nobler ends;
To better judgments willing to submit,
He turns to politics his dang'rous wit.
And now, the public Int'rest to support,
By Harley Swift invited, comes to court;
In favour grows with ministers of state;
Admitted private, when superiors wait:
And Harley, not ashamed his choice to own,
Takes him to Windsor in his coach alone.
At Windsor Swift no sooner can appear,
But St. John comes, and whispers in his ear:
The waiters stand in ranks: the yeomen cry,
Make room, as if a duke were passing by.
Now Finch alarms the lords: he hears for certain
This dang'rous priest is got behind the curtain.
Finch, famed for tedious elocution, proves
That Swift oils many a spring which Harley moves.
Walpole and Aislaby, to clear the doubt,
Inform the Commons, that the secret's out:
'A certain doctor is observed of late
To haunt a certain minister of state:
From whence with half an eye we may discover
The peace is made, and Perkin must come over.'
York is from Lambeth sent, to show the queen
A dang'rous treatise writ against the spleen;
Which, by the style, the matter, and the drift,
'Tis thought could be the work of none but Swift.
Poor York! the harmless tool of others' hate;
He sues for pardon, and repents too late.



Now angry Somerset her vengeance vows
On Swift's reproaches for her ******* spouse:
From her red locks her mouth with venom fills,
And thence into the royal ear instils.
The queen incensed, his services forgot,
Leaves him a victim to the vengeful Scot.
Now through the realm a proclamation spread,
To fix a price on his devoted head.
While innocent, he scorns ignoble flight;
His watchful friends preserve him by a sleight.
By Harley's favour once again he shines;
Is now caress'd by candidate divines,
Who change opinions with the changing scene:
Lord! how were they mistaken in the dean!
Now Delawar again familiar grows;
And in Swift's ear thrusts half his powder'd nose.
The Scottish nation, whom he durst offend,
Again apply that Swift would be their friend.
By faction tired, with grief he waits awhile,
His great contending friends to reconcile;
Performs what friendship, justice, truth require:
What could he more, but decently retire?

Stella's Birthday March 13, 1727

This day, whate'er the Fates decree,
Shall still be kept with joy by me:
This day then let us not be told,
That you are sick, and I grown old;
Nor think on our approaching ills,
And talk of spectacles and pills.
To-morrow will be time enough
To hear such mortifying stuff.
Yet, since from reason may be brought
A better and more pleasing thought,
Which can, in spite of all decays,
Support a few remaining days:
From not the gravest of divines
Accept for once some serious lines.


Although we now can form no more
Long schemes of life, as heretofore;
Yet you, while time is running fast,
Can look with joy on what is past.


Were future happiness and pain
A mere contrivance of the brain,
As atheists argue, to entice
And fit their proselytes for vice;
(The only comfort they propose,
To have companions in their woes;)
Grant this the case; yet sure 'tis hard
That virtue, styl'd its own reward,
And by all sages understood
To be the chief of human good,
Should, acting, die, nor leave behind
Some lasting pleasure in the mind;
Which by remembrance will assuage
Grief, sickness, poverty, and age;
And strongly shoot a radiant dart
To shine through life's declining part.


Say, Stella, feel you no content,
Reflecting on a life well spent?
Your skilful hand employ'd to save
Despairing wretches from the grave;
And then supporting with your store
Those whom you dragg'd from death before?
So Providence on mortals waits,
Preserving what it first creates.
Your gen'rous boldness to defend
An innocent and absent friend;
That courage which can make you just
To merit humbled in the dust;
The detestation you express
For vice in all its glitt'ring dress;
That patience under torturing pain,



Where stubborn stoics would complain:
Must these like empty shadows pass,
Or forms reflected from a glass?
Or mere chimæras in the mind,
That fly, and leave no marks behind?
Does not the body thrive and grow
By food of twenty years ago?
And, had it not been still supplied,
It must a thousand times have died.
Then who with reason can maintain
That no effects of food remain?
And is not virtue in mankind
The nutriment that feeds the mind;
Upheld by each good action past,
And still continued by the last?
Then, who with reason can pretend
That all effects of virtue end?


Believe me, Stella, when you show
That true contempt for things below,
Nor prize your life for other ends,
Than merely to oblige your friends;
Your former actions claim their part,
And join to fortify your heart.
For Virtue, in her daily race,
Like Janus, bears a double face;
Looks back with joy where she has gone
And therefore goes with courage on:
She at your sickly couch will wait,
And guide you to a better state.


O then, whatever Heav'n intends,
Take pity on your pitying friends!
Nor let your ills affect your mind,
To fancy they can be unkind.
Me, surely me, you ought to spare,
Who gladly would your suff'rings share;
Or give my scrap of life to you,
And think it far beneath your due;
You, to whose care so oft I owe
That I'm alive to tell you so.

Stella's Birthday March 13, 1727

This day, whate'er the Fates decree,
Shall still be kept with joy by me:
This day then let us not be told,
That you are sick, and I grown old;
Nor think on our approaching ills,
And talk of spectacles and pills.
To-morrow will be time enough
To hear such mortifying stuff.
Yet, since from reason may be brought
A better and more pleasing thought,
Which can, in spite of all decays,
Support a few remaining days:
From not the gravest of divines
Accept for once some serious lines.


Although we now can form no more
Long schemes of life, as heretofore;
Yet you, while time is running fast,
Can look with joy on what is past.


Were future happiness and pain
A mere contrivance of the brain,
As atheists argue, to entice
And fit their proselytes for vice;
(The only comfort they propose,
To have companions in their woes;)
Grant this the case; yet sure 'tis hard
That virtue, styl'd its own reward,
And by all sages understood
To be the chief of human good,
Should, acting, die, nor leave behind
Some lasting pleasure in the mind;
Which by remembrance will assuage
Grief, sickness, poverty, and age;
And strongly shoot a radiant dart
To shine through life's declining part.


Say, Stella, feel you no content,
Reflecting on a life well spent?
Your skilful hand employ'd to save
Despairing wretches from the grave;
And then supporting with your store
Those whom you dragg'd from death before?
So Providence on mortals waits,
Preserving what it first creates.
Your gen'rous boldness to defend
An innocent and absent friend;
That courage which can make you just
To merit humbled in the dust;
The detestation you express
For vice in all its glitt'ring dress;
That patience under torturing pain,



Where stubborn stoics would complain:
Must these like empty shadows pass,
Or forms reflected from a glass?
Or mere chimæras in the mind,
That fly, and leave no marks behind?
Does not the body thrive and grow
By food of twenty years ago?
And, had it not been still supplied,
It must a thousand times have died.
Then who with reason can maintain
That no effects of food remain?
And is not virtue in mankind
The nutriment that feeds the mind;
Upheld by each good action past,
And still continued by the last?
Then, who with reason can pretend
That all effects of virtue end?


Believe me, Stella, when you show
That true contempt for things below,
Nor prize your life for other ends,
Than merely to oblige your friends;
Your former actions claim their part,
And join to fortify your heart.
For Virtue, in her daily race,
Like Janus, bears a double face;
Looks back with joy where she has gone
And therefore goes with courage on:
She at your sickly couch will wait,
And guide you to a better state.


O then, whatever Heav'n intends,
Take pity on your pitying friends!
Nor let your ills affect your mind,
To fancy they can be unkind.
Me, surely me, you ought to spare,
Who gladly would your suff'rings share;
Or give my scrap of life to you,
And think it far beneath your due;
You, to whose care so oft I owe
That I'm alive to tell you so.

Stella's Birthday March 13, 1719

Stella this day is thirty-four,
(We shan't dispute a year or more:)
However, Stella, be not troubled,
Although thy size and years are doubled,
Since first I saw thee at sixteen,
The brightest virgin on the green;
So little is thy form declin'd;
Made up so largely in thy mind.


Oh, would it please the gods to split
Thy beauty, size, and years, and wit;
No age could furnish out a pair
Of nymphs so graceful, wise, and fair;
With half the lustre of your eyes,
With half your wit, your years, and size.
And then, before it grew too late,
How should I beg of gentle Fate,
(That either nymph might have her swain,)
To split my worship too in twain.

Stella's Birthday March 13, 1719

Stella this day is thirty-four,
(We shan't dispute a year or more:)
However, Stella, be not troubled,
Although thy size and years are doubled,
Since first I saw thee at sixteen,
The brightest virgin on the green;
So little is thy form declin'd;
Made up so largely in thy mind.


Oh, would it please the gods to split
Thy beauty, size, and years, and wit;
No age could furnish out a pair
Of nymphs so graceful, wise, and fair;
With half the lustre of your eyes,
With half your wit, your years, and size.
And then, before it grew too late,
How should I beg of gentle Fate,
(That either nymph might have her swain,)
To split my worship too in twain.

Stella’s Birth-Day.1719-20

All travellers at first incline
Where'er they see the fairest sign
And if they find the chambers neat,
And like the liquor and the meat,
Will call again, and recommend
The Angel Inn to every friend.
And though the painting grows decay'd,
The house will never lose its trade:
Nay, though the treach'rous tapster, Thomas,
Hangs a new Angel two doors from us,
As fine as daubers' hands can make it,
In hopes that strangers may mistake it,
We think it both a shame and sin
To quit the true old Angel Inn.
Now this is Stella's case in fact,
An angel's face a little crack'd.
(Could poets or could painters fix
How angels look at thirty-six
This drew us in at first to find
In such a form an angel's mind;
And every virtue now supplies
The fainting rays of Stella's eyes.
See, at her levee crowding swains,
Whom Stella freely entertains
With breeding, humour, wit, and sense,
And puts them to so small expense;
Their minds so plentifully fills,
And makes such reasonable bills,
So little gets for what she gives,
We really wonder how she lives!
And had her stock been less, no doubt
She must have long ago run out.
Then, who can think we'll quit the place,
When Doll hangs out a newer face?
Nail'd to her window full in sight
All Christian people to invite.
Or stop and light at Chloe's head,
With scraps and leavings to be fed?
Then, Chloe, still go on to prate
Of thirty-six and thirty-eight;
Pursue your trade of scandal-picking,
Your hints that Stella is no chicken;
Your innuendoes, when you tell us,
That Stella loves to talk with fellows:
But let me warn you to believe
A truth, for which your soul should grieve;
That should you live to see the day,
When Stella's locks must all be gray,
When age must print a furrow'd trace
On every feature of her face;
Though you, and all your senseless tribe,
Could Art, or Time, or Nature bribe,



To make you look like Beauty's Queen,
And hold for ever at fifteen;
No bloom of youth can ever blind
The cracks and wrinkles of your mind:
All men of sense will pass your door,
And crowd to Stella's at four-score.

Stella’s Birth-Day.1719-20

All travellers at first incline
Where'er they see the fairest sign
And if they find the chambers neat,
And like the liquor and the meat,
Will call again, and recommend
The Angel Inn to every friend.
And though the painting grows decay'd,
The house will never lose its trade:
Nay, though the treach'rous tapster, Thomas,
Hangs a new Angel two doors from us,
As fine as daubers' hands can make it,
In hopes that strangers may mistake it,
We think it both a shame and sin
To quit the true old Angel Inn.
Now this is Stella's case in fact,
An angel's face a little crack'd.
(Could poets or could painters fix
How angels look at thirty-six
This drew us in at first to find
In such a form an angel's mind;
And every virtue now supplies
The fainting rays of Stella's eyes.
See, at her levee crowding swains,
Whom Stella freely entertains
With breeding, humour, wit, and sense,
And puts them to so small expense;
Their minds so plentifully fills,
And makes such reasonable bills,
So little gets for what she gives,
We really wonder how she lives!
And had her stock been less, no doubt
She must have long ago run out.
Then, who can think we'll quit the place,
When Doll hangs out a newer face?
Nail'd to her window full in sight
All Christian people to invite.
Or stop and light at Chloe's head,
With scraps and leavings to be fed?
Then, Chloe, still go on to prate
Of thirty-six and thirty-eight;
Pursue your trade of scandal-picking,
Your hints that Stella is no chicken;
Your innuendoes, when you tell us,
That Stella loves to talk with fellows:
But let me warn you to believe
A truth, for which your soul should grieve;
That should you live to see the day,
When Stella's locks must all be gray,
When age must print a furrow'd trace
On every feature of her face;
Though you, and all your senseless tribe,
Could Art, or Time, or Nature bribe,



To make you look like Beauty's Queen,
And hold for ever at fifteen;
No bloom of youth can ever blind
The cracks and wrinkles of your mind:
All men of sense will pass your door,
And crowd to Stella's at four-score.

On Time

Ever eating, never cloying,
All-devouring, all-destroying,
Never finding full repast,
Till I eat the world at last.

On The Moon

I with borrow'd silver shine
What you see is none of mine.
First I show you but a quarter,
Like the bow that guards the Tartar:
Then the half, and then the whole,
Ever dancing round the pole.


What will raise your admiration,
I am not one of God's creation,
But sprung, (and I this truth maintain,)
Like Pallas, from my father's brain.
And after all, I chiefly owe
My beauty to the shades below.
Most wondrous forms you see me wear,
A man, a woman, lion, bear,
A fish, a fowl, a cloud, a field,
All figures Heaven or earth can yield;
Like Daphne sometimes in a tree;
Yet am not one of all you see.

On Stella's Birth-Day, 1719

Stella this Day is thirty four,
(We shan't dispute a Year or more)
However Stella, be not troubled,
Although thy Size and Years are doubled,
Since first I saw Thee at Sixteen
The brightest Virgin on the Green,
So little is thy Form declin'd
Made up so largely in thy Mind.
Oh, woud it please the Gods to split
Thy Beauty, Size, and Years, and Wit,
No Age could furnish out a Pair
Of Nymphs so graceful, Wise and fair
With half the Lustre of your Eyes,
With half your Wit, your Years and Size:
And then before it grew too late,
How should I beg of gentle Fate,
(That either Nymph might have her Swain,)
To split my Worship too in twain.

On Ink

I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.


Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.


My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.


Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.


Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:


And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.


Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.