Poems in this topic
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Jonathan Swift
On Ink
On Ink
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
296
Jonathan Swift
On Ink
On Ink
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
296
Jonathan Swift
On Ink
On Ink
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
296
Jonathan Swift
On A Shadow In A Glass
On A Shadow In A Glass
By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?
Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?
Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
277
Jonathan Swift
On A Shadow In A Glass
On A Shadow In A Glass
By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?
Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?
Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
277
Jonathan Swift
On A Shadow In A Glass
On A Shadow In A Glass
By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?
Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?
Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
277
Jonathan Swift
On A Corkscrew
On A Corkscrew
Though I, alas! a prisoner be,
My trade is prisoners to set free.
No slave his lord's commands obeys
With such insinuating ways.
My genius piercing, sharp, and bright,
Wherein the men of wit delight.
The clergy keep me for their ease,
And turn and wind me as they please.
A new and wondrous art I show
Of raising spirits from below;
In scarlet some, and some in white;
They rise, walk round, yet never fright.
In at each mouth the spirits pass,
Distinctly seen as through a glass:
O'er head and body make a rout,
And drive at last all secrets out;
And still, the more I show my art,
The more they open every heart.
A greater chemist none than I
Who, from materials hard and dry,
Have taught men to extract with skill
More precious juice than from a still.
Although I'm often out of case,
I'm not ashamed to show my face.
Though at the tables of the great
I near the sideboard take my seat;
Yet the plain 'squire, when dinner's done,
Is never pleased till I make one;
He kindly bids me near him stand,
And often takes me by the hand.
I twice a-day a-hunting go;
Nor ever fail to seize my foe;
And when I have him by the poll,
I drag him upwards from his hole;
Though some are of so stubborn kind,
I'm forced to leave a limb behind.
I hourly wait some fatal end;
For I can break, but scorn to bend.
Though I, alas! a prisoner be,
My trade is prisoners to set free.
No slave his lord's commands obeys
With such insinuating ways.
My genius piercing, sharp, and bright,
Wherein the men of wit delight.
The clergy keep me for their ease,
And turn and wind me as they please.
A new and wondrous art I show
Of raising spirits from below;
In scarlet some, and some in white;
They rise, walk round, yet never fright.
In at each mouth the spirits pass,
Distinctly seen as through a glass:
O'er head and body make a rout,
And drive at last all secrets out;
And still, the more I show my art,
The more they open every heart.
A greater chemist none than I
Who, from materials hard and dry,
Have taught men to extract with skill
More precious juice than from a still.
Although I'm often out of case,
I'm not ashamed to show my face.
Though at the tables of the great
I near the sideboard take my seat;
Yet the plain 'squire, when dinner's done,
Is never pleased till I make one;
He kindly bids me near him stand,
And often takes me by the hand.
I twice a-day a-hunting go;
Nor ever fail to seize my foe;
And when I have him by the poll,
I drag him upwards from his hole;
Though some are of so stubborn kind,
I'm forced to leave a limb behind.
I hourly wait some fatal end;
For I can break, but scorn to bend.
211
Jonathan Swift
Fontinella To Florinda
Fontinella To Florinda
When on my bosom thy bright eyes,
Florinda, dart their heavenly beams,
I feel not the least love surprise,
Yet endless tears flow down in streams;
There's nought so beautiful in thee,
But you may find the same in me.
The lilies of thy skin compare;
In me you see them full as white:
The roses of your cheeks, I dare
Affirm, can't glow to more delight.
Then, since I show as fine a face,
Can you refuse a soft embrace?
Ah! lovely nymph, thou'rt in thy prime!
And so am I, while thou art here;
But soon will come the fatal time,
When all we see shall disappear.
'Tis mine to make a just reflection,
And yours to follow my direction.
Then catch admirers while you may;
Treat not your lovers with disdain;
For time with beauty flies away,
And there is no return again.
To you the sad account I bring,
Life's autumn has no second spring.
When on my bosom thy bright eyes,
Florinda, dart their heavenly beams,
I feel not the least love surprise,
Yet endless tears flow down in streams;
There's nought so beautiful in thee,
But you may find the same in me.
The lilies of thy skin compare;
In me you see them full as white:
The roses of your cheeks, I dare
Affirm, can't glow to more delight.
Then, since I show as fine a face,
Can you refuse a soft embrace?
Ah! lovely nymph, thou'rt in thy prime!
And so am I, while thou art here;
But soon will come the fatal time,
When all we see shall disappear.
'Tis mine to make a just reflection,
And yours to follow my direction.
Then catch admirers while you may;
Treat not your lovers with disdain;
For time with beauty flies away,
And there is no return again.
To you the sad account I bring,
Life's autumn has no second spring.
220
Jonathan Swift
An Echo
An Echo
Never sleeping, still awake,
Pleasing most when most I speak;
The delight of old and young,
Though I speak without a tongue.
Nought but one thing can confound me,
Many voices joining round me;
Then I fret, and rave, and gabble,
Like the labourers of Babel.
Now I am a dog, or cow,
I can bark, or I can low;
I can bleat, or I can sing,
Like the warblers of the spring.
Let the lovesick bard complain,
And I mourn the cruel pain;
Let the happy swain rejoice,
And I join my helping voice:
Both are welcome, grief or joy,
I with either sport and toy.
Though a lady, I am stout,
Drums and trumpets bring me out:
Then I clash, and roar, and rattle,
Join in all the din of battle.
Jove, with all his loudest thunder,
When I'm vext, can't keep me under;
Yet so tender is my ear,
That the lowest voice I fear;
Much I dread the courtier's fate,
When his merit's out of date,
For I hate a silent breath,
And a whisper is my death.
Never sleeping, still awake,
Pleasing most when most I speak;
The delight of old and young,
Though I speak without a tongue.
Nought but one thing can confound me,
Many voices joining round me;
Then I fret, and rave, and gabble,
Like the labourers of Babel.
Now I am a dog, or cow,
I can bark, or I can low;
I can bleat, or I can sing,
Like the warblers of the spring.
Let the lovesick bard complain,
And I mourn the cruel pain;
Let the happy swain rejoice,
And I join my helping voice:
Both are welcome, grief or joy,
I with either sport and toy.
Though a lady, I am stout,
Drums and trumpets bring me out:
Then I clash, and roar, and rattle,
Join in all the din of battle.
Jove, with all his loudest thunder,
When I'm vext, can't keep me under;
Yet so tender is my ear,
That the lowest voice I fear;
Much I dread the courtier's fate,
When his merit's out of date,
For I hate a silent breath,
And a whisper is my death.
253
Jonathan Swift
A Receipt To Restore Stella’s Youth. 1724-5
A Receipt To Restore Stella’s Youth. 1724-5
The Scottish hinds, too poor to house
In frosty nights their starving cows,
While not a blade of grass or hay
Appears from Michaelmas to May,
Must let their cattle range in vain
For food along the barren plain:
Meagre and lank with fasting grown,
And nothing left but skin and bone;
Exposed to want, and wind, and weather,
They just keep life and soul together,
Till summer showers and evening's dew
Again the verdant glebe renew;
And, as the vegetables rise,
The famish'd cow her want supplies;
Without an ounce of last year's flesh;
Whate'er she gains is young and fresh;
Grows plump and round, and full of mettle,
As rising from Medea's kettle.
With youth and beauty to enchant
Europa's counterfeit gallant.
Why, Stella, should you knit your brow,
If I compare you to a cow?
'Tis just the case; for you have fasted
So long, till all your flesh is wasted;
And must against the warmer days
Be sent to Quilca down to graze;
Where mirth, and exercise, and air,
Will soon your appetite repair:
The nutriment will from within,
Round all your body, plump your skin;
Will agitate the lazy flood,
And fill your veins with sprightly blood.
Nor flesh nor blood will be the same
Nor aught of Stella but the name:
For what was ever understood,
By human kind, but flesh and blood?
And if your flesh and blood be new,
You'll be no more the former you;
But for a blooming nymph will pass,
Just fifteen, coming summer's grass,
Your jetty locks with garlands crown'd:
While all the squires for nine miles round,
Attended by a brace of curs,
With jockey boots and silver spurs,
No less than justices o' quorum,
Their cow-boys bearing cloaks before 'em,
Shall leave deciding broken pates,
To kiss your steps at Quilca gates.
But, lest you should my skill disgrace,
Come back before you're out of case;
For if to Michaelmas you stay,
The new-born flesh will melt away;
The 'squires in scorn will fly the house
For better game, and look for grouse;
But here, before the frost can mar it,
We'll make it firm with beef and claret.
The Scottish hinds, too poor to house
In frosty nights their starving cows,
While not a blade of grass or hay
Appears from Michaelmas to May,
Must let their cattle range in vain
For food along the barren plain:
Meagre and lank with fasting grown,
And nothing left but skin and bone;
Exposed to want, and wind, and weather,
They just keep life and soul together,
Till summer showers and evening's dew
Again the verdant glebe renew;
And, as the vegetables rise,
The famish'd cow her want supplies;
Without an ounce of last year's flesh;
Whate'er she gains is young and fresh;
Grows plump and round, and full of mettle,
As rising from Medea's kettle.
With youth and beauty to enchant
Europa's counterfeit gallant.
Why, Stella, should you knit your brow,
If I compare you to a cow?
'Tis just the case; for you have fasted
So long, till all your flesh is wasted;
And must against the warmer days
Be sent to Quilca down to graze;
Where mirth, and exercise, and air,
Will soon your appetite repair:
The nutriment will from within,
Round all your body, plump your skin;
Will agitate the lazy flood,
And fill your veins with sprightly blood.
Nor flesh nor blood will be the same
Nor aught of Stella but the name:
For what was ever understood,
By human kind, but flesh and blood?
And if your flesh and blood be new,
You'll be no more the former you;
But for a blooming nymph will pass,
Just fifteen, coming summer's grass,
Your jetty locks with garlands crown'd:
While all the squires for nine miles round,
Attended by a brace of curs,
With jockey boots and silver spurs,
No less than justices o' quorum,
Their cow-boys bearing cloaks before 'em,
Shall leave deciding broken pates,
To kiss your steps at Quilca gates.
But, lest you should my skill disgrace,
Come back before you're out of case;
For if to Michaelmas you stay,
The new-born flesh will melt away;
The 'squires in scorn will fly the house
For better game, and look for grouse;
But here, before the frost can mar it,
We'll make it firm with beef and claret.
237
John Milton
When the Assault Was Intended to the City
When the Assault Was Intended to the City
Captain, or colonel, or knight in arms,
Whose chance on these defenceless doors may seize,
If deed of honour did thee ever please,
Guard them, and him within protect from harms.
He can requite thee, for he knows the charms
That call fame on such gentle acts as these,
And he can spread thy name o’er lands and seas,
Whatever clime the sun’s bright circle warms.
Lift not thy spear against the Muse’s bower;
The great Emathian conqueror bid spare
The house of Pindarus, when temple and tower
Went to the ground; and the repeated air
Of sad Electra’s Poet had the power
To save the Athenian walls from ruin bare.
Captain, or colonel, or knight in arms,
Whose chance on these defenceless doors may seize,
If deed of honour did thee ever please,
Guard them, and him within protect from harms.
He can requite thee, for he knows the charms
That call fame on such gentle acts as these,
And he can spread thy name o’er lands and seas,
Whatever clime the sun’s bright circle warms.
Lift not thy spear against the Muse’s bower;
The great Emathian conqueror bid spare
The house of Pindarus, when temple and tower
Went to the ground; and the repeated air
Of sad Electra’s Poet had the power
To save the Athenian walls from ruin bare.
605
John Milton
To My Lord Fairfax
To My Lord Fairfax
Fairfax, whose Name in Arms through Europe rings,
And fills all Mouths with Envy or with Praise,
And all her Jealous Monarchs with Amaze.
And Rumours loud which daunt remotest Kings,
Thy firm unshaken Valour ever brings
Victory home, while new Rebellions raise
Their Hydra-heads, and the false North displays
Her broken League to Imp her Serpent Wings:
O yet! a Nobler task awaits thy Hand,
For what can War, but Acts of War still breed
Till injur'd Truth from Violence be freed;
And publick Faith be rescu'd from the Brand
Of publick Fraud; in vain doth Valour bleed,
While Avarice and Rapine shares the Land.
Fairfax, whose Name in Arms through Europe rings,
And fills all Mouths with Envy or with Praise,
And all her Jealous Monarchs with Amaze.
And Rumours loud which daunt remotest Kings,
Thy firm unshaken Valour ever brings
Victory home, while new Rebellions raise
Their Hydra-heads, and the false North displays
Her broken League to Imp her Serpent Wings:
O yet! a Nobler task awaits thy Hand,
For what can War, but Acts of War still breed
Till injur'd Truth from Violence be freed;
And publick Faith be rescu'd from the Brand
Of publick Fraud; in vain doth Valour bleed,
While Avarice and Rapine shares the Land.
405
John Milton
To Mr. H. Lawes on His Airs
To Mr. H. Lawes on His Airs
Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phoebus’ quire,
That tunest their happiest lines in hymn or story.
Dante shall give Fame leave to set thee higher
Than his Casella, whom he wooed to sing,
Met in the milder shades of Purgatory.
Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phoebus’ quire,
That tunest their happiest lines in hymn or story.
Dante shall give Fame leave to set thee higher
Than his Casella, whom he wooed to sing,
Met in the milder shades of Purgatory.
519
John Milton
To Mr. H. Lawes on His Airs
To Mr. H. Lawes on His Airs
Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phoebus’ quire,
That tunest their happiest lines in hymn or story.
Dante shall give Fame leave to set thee higher
Than his Casella, whom he wooed to sing,
Met in the milder shades of Purgatory.
Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phoebus’ quire,
That tunest their happiest lines in hymn or story.
Dante shall give Fame leave to set thee higher
Than his Casella, whom he wooed to sing,
Met in the milder shades of Purgatory.
519
John Milton
The Passion
The Passion
I
Erewhile of music, and ethereal mirth,
Wherewith the stage of Air and Earth did ring,
And joyous news of heavenly Infant’s birth,
My muse with Angels did divide to sing;
But headlong joy is ever on the wing,
In wintry solstice like the shortened light
Soon swallowed up in dark and long outliving night.
II
For now to sorrow must I tune my song,
And set my Harp to notes of saddest woe,
Which on our dearest Lord did seize ere long,
Dangers, and snares, and wrongs, and worse than so,
Which he for us did freely undergo:
Most perfect Hero, tried in heaviest plight
Of labours huge and hard, too hard for human wight!
III
He, sovran Priest, stooping his regal head,
That dropt with odorous oil down his fair eyes,
Poor fleshly Tabernacle enterèd,
His starry front low-roofed beneath the skies:
Oh, what a mask was there, what a disguise!
Yet more: the stroke of death he must abide;
Then lies him meekly down fast by his Brethren’s side.
IV
These latest scenes confine my roving verse;
To this horizon is my Phoebus bound.
His godlike acts, and his temptations fierce,
And former sufferings, otherwhere are found;
Loud o’er the rest Cremona’s trump doth sound:
Me softer airs befit, and softer strings
Of lute, or viol still, more apt for mournful things.
V
Befriend me, Night, best Patroness of grief!
Over the pole thy thickest mantle throw,
And work my flattered fancy to belief
That Heaven and Earth are coloured with my woe;
My sorrows are too dark for day to know:
The leaves should all be black whereon I write,
And letters, where my tears have washed, a wannish white.
VI
See, see the chariot, and those rushing wheels,
That whirled the prophet up at Chebar flood;
My spirit some transporting Cherub feels
To bear me where the Towers of Salem stood,
Once glorious towers, now sunk in guiltless blood.
There doth my soul in holy vision sit,
In pensive trance, and anguish, and ecstatic fit.
VII
Mine eye hath found that sad sepulchral rock
That was the casket of Heaven’s richest store,
And here, though grief my feeble hands up-lock,
Yet on the softened quarry would I score
My plaining verse as lively as before;
For sure so well instructed are my tears
That they would fitly fall in ordered characters.
VIII
Or, should I thence, hurried on viewless wing,
Take up a weeping on the mountains wild,
The gentle neighbourhood of grove and spring
Would soon unbosom all their Echoes mild;
And I (for grief is easily beguiled)
Might think the infection of my sorrows loud
Had got a race of mourners on some pregnant cloud.
This Subject the Author finding to be above the years he had when he wrote it, and
nothing satisfied with what was begun, left it unfinished.
I
Erewhile of music, and ethereal mirth,
Wherewith the stage of Air and Earth did ring,
And joyous news of heavenly Infant’s birth,
My muse with Angels did divide to sing;
But headlong joy is ever on the wing,
In wintry solstice like the shortened light
Soon swallowed up in dark and long outliving night.
II
For now to sorrow must I tune my song,
And set my Harp to notes of saddest woe,
Which on our dearest Lord did seize ere long,
Dangers, and snares, and wrongs, and worse than so,
Which he for us did freely undergo:
Most perfect Hero, tried in heaviest plight
Of labours huge and hard, too hard for human wight!
III
He, sovran Priest, stooping his regal head,
That dropt with odorous oil down his fair eyes,
Poor fleshly Tabernacle enterèd,
His starry front low-roofed beneath the skies:
Oh, what a mask was there, what a disguise!
Yet more: the stroke of death he must abide;
Then lies him meekly down fast by his Brethren’s side.
IV
These latest scenes confine my roving verse;
To this horizon is my Phoebus bound.
His godlike acts, and his temptations fierce,
And former sufferings, otherwhere are found;
Loud o’er the rest Cremona’s trump doth sound:
Me softer airs befit, and softer strings
Of lute, or viol still, more apt for mournful things.
V
Befriend me, Night, best Patroness of grief!
Over the pole thy thickest mantle throw,
And work my flattered fancy to belief
That Heaven and Earth are coloured with my woe;
My sorrows are too dark for day to know:
The leaves should all be black whereon I write,
And letters, where my tears have washed, a wannish white.
VI
See, see the chariot, and those rushing wheels,
That whirled the prophet up at Chebar flood;
My spirit some transporting Cherub feels
To bear me where the Towers of Salem stood,
Once glorious towers, now sunk in guiltless blood.
There doth my soul in holy vision sit,
In pensive trance, and anguish, and ecstatic fit.
VII
Mine eye hath found that sad sepulchral rock
That was the casket of Heaven’s richest store,
And here, though grief my feeble hands up-lock,
Yet on the softened quarry would I score
My plaining verse as lively as before;
For sure so well instructed are my tears
That they would fitly fall in ordered characters.
VIII
Or, should I thence, hurried on viewless wing,
Take up a weeping on the mountains wild,
The gentle neighbourhood of grove and spring
Would soon unbosom all their Echoes mild;
And I (for grief is easily beguiled)
Might think the infection of my sorrows loud
Had got a race of mourners on some pregnant cloud.
This Subject the Author finding to be above the years he had when he wrote it, and
nothing satisfied with what was begun, left it unfinished.
606
John Milton
To Cyriack Skinner
To Cyriack Skinner
Cyriack, whose grandsire on the royal bench
Of British Themis, with no mean applause,
Pronounced, and in his volumes taught, our laws,
Which others at their bar so often wrench,
To-day deep thoughts resolve with me to drench
In mirth that after no repenting draws;
Let Euclid rest, and Archimedes pause,
And what the Swede intend, and what the French.
To measure life learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heaven a time ordains,
And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And, when God sends a cheerful hour, refrains.
Cyriack, whose grandsire on the royal bench
Of British Themis, with no mean applause,
Pronounced, and in his volumes taught, our laws,
Which others at their bar so often wrench,
To-day deep thoughts resolve with me to drench
In mirth that after no repenting draws;
Let Euclid rest, and Archimedes pause,
And what the Swede intend, and what the French.
To measure life learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heaven a time ordains,
And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And, when God sends a cheerful hour, refrains.
568
John Milton
Sonnet XX: Lawrence, of virtuous father
Sonnet XX: Lawrence, of virtuous father
To Mr Lawrence
Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
To Mr Lawrence
Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
877
John Milton
Sonnet XVI: Cromwell, our chief of men
Sonnet XVI: Cromwell, our chief of men
To the Lord General Cromwell
On the Proposals of Certain Ministers of the Committee
for the Propagation of the Gospel
Cromwell, our chief of men, who through a cloud
Not of war only, but detractions rude,
Guided by faith and matchless fortitude,
To peace and truth thy glorious way hast ploughed,
And on the neck of crowned Fortune proud
Hast reared God's trophies, and his work pursued,
While Darwen stream with blood of Scots imbrued,
And Dunbar field resounds thy praises loud,
And Worcester's laureate wreath. Yet much remains
To conquer still; peace hath her victories
No less renowned than war: new foes arise,
Threat'ning to bind our souls with secular chains:
Help us to save free conscience from the paw
Of hireling wolves, whose gospel is their maw.
To the Lord General Cromwell
On the Proposals of Certain Ministers of the Committee
for the Propagation of the Gospel
Cromwell, our chief of men, who through a cloud
Not of war only, but detractions rude,
Guided by faith and matchless fortitude,
To peace and truth thy glorious way hast ploughed,
And on the neck of crowned Fortune proud
Hast reared God's trophies, and his work pursued,
While Darwen stream with blood of Scots imbrued,
And Dunbar field resounds thy praises loud,
And Worcester's laureate wreath. Yet much remains
To conquer still; peace hath her victories
No less renowned than war: new foes arise,
Threat'ning to bind our souls with secular chains:
Help us to save free conscience from the paw
Of hireling wolves, whose gospel is their maw.
539
John Milton
Sonnet 22
Sonnet 22
XXII
Cyriac, this three years' day these eyes, though clear,
To outward view, of blemish or of spot,
Bereft of light, their seeing have forgot;
Nor to their idle orbs doth sight appear
Of sun, or moon, or star, throughout the year,
Or man, or woman. Yet I argue not
Against Heav'n's hand or will, nor bate a jot
Of heart or hope; but still bear up and steer
Right onward. What supports me, dost thou ask?
The conscience, Friend, t' have lost them overplied
In liberty's defence, my noble task,
Of which all Europe rings from side to side.
This thought might lead me through the world's vain mask
Content, though blind, had I no better guide.
XXII
Cyriac, this three years' day these eyes, though clear,
To outward view, of blemish or of spot,
Bereft of light, their seeing have forgot;
Nor to their idle orbs doth sight appear
Of sun, or moon, or star, throughout the year,
Or man, or woman. Yet I argue not
Against Heav'n's hand or will, nor bate a jot
Of heart or hope; but still bear up and steer
Right onward. What supports me, dost thou ask?
The conscience, Friend, t' have lost them overplied
In liberty's defence, my noble task,
Of which all Europe rings from side to side.
This thought might lead me through the world's vain mask
Content, though blind, had I no better guide.
538
John Milton
Sonnet 20
Sonnet 20
XX
Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
XX
Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
541
John Milton
Sonnet 18
Sonnet 18
XVIII
Cyriack, whose Grandsire on the Royal Bench
Of Brittish Themis, with no mean applause
Pronounc't and in his volumes taught our Lawes,
Which others at their Barr so often wrench:
To day deep thoughts resolve with me to drench
In mirth, that after no repenting drawes;
Let Euclid rest and Archimedes pause,
And what the Swede intend, and what the French.
To measure life, learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heav'n a time ordains,
And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And when God sends a cheerful hour, refrains.
XVIII
Cyriack, whose Grandsire on the Royal Bench
Of Brittish Themis, with no mean applause
Pronounc't and in his volumes taught our Lawes,
Which others at their Barr so often wrench:
To day deep thoughts resolve with me to drench
In mirth, that after no repenting drawes;
Let Euclid rest and Archimedes pause,
And what the Swede intend, and what the French.
To measure life, learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heav'n a time ordains,
And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And when God sends a cheerful hour, refrains.
536
John Milton
Sonnet 14
Sonnet 14
XIV
When Faith and Love which parted from thee never,
Had ripen'd thy just soul to dwell with God,
Meekly thou didst resign this earthy load
Of Death, call'd Life; which us from Life doth sever
Thy Works and Alms and all thy good Endeavour
Staid not behind, nor in the grave were trod;
But as Faith pointed with her golden rod,
Follow'd thee up to joy and bliss for ever.
Love led them on, and Faith who knew them best
Thy hand-maids, clad them o're with purple beams
And azure wings, that up they flew so drest,
And speak the truth of thee on glorious Theams
Before the Judge, who thenceforth bid thee rest
And drink thy fill of pure immortal streams.
Note: Camb. Autograph supplies title, On the Religious
Memory of Catherine Thomson, my Christian Friend, deceased
16 Decemb., 1646.
XIV
When Faith and Love which parted from thee never,
Had ripen'd thy just soul to dwell with God,
Meekly thou didst resign this earthy load
Of Death, call'd Life; which us from Life doth sever
Thy Works and Alms and all thy good Endeavour
Staid not behind, nor in the grave were trod;
But as Faith pointed with her golden rod,
Follow'd thee up to joy and bliss for ever.
Love led them on, and Faith who knew them best
Thy hand-maids, clad them o're with purple beams
And azure wings, that up they flew so drest,
And speak the truth of thee on glorious Theams
Before the Judge, who thenceforth bid thee rest
And drink thy fill of pure immortal streams.
Note: Camb. Autograph supplies title, On the Religious
Memory of Catherine Thomson, my Christian Friend, deceased
16 Decemb., 1646.
747
John Milton
Sonnet 16
Sonnet 16
XVI
When I consider how my light is spent,
E're half my days, in this dark world and wide,
And that one Talent which is death to hide,
Lodg'd with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, least he returning chide,
Doth God exact day-labour, light deny'd,
I fondly ask; But patience to prevent
That murmur, soon replies, God doth not need
Either man's work or his own gifts, who best
Bear his milde yoak, they serve him best, his State
Is Kingly. Thousands at his bidding speed
And post o're Land and Ocean without rest:
They also serve who only stand and waite.
XVI
When I consider how my light is spent,
E're half my days, in this dark world and wide,
And that one Talent which is death to hide,
Lodg'd with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, least he returning chide,
Doth God exact day-labour, light deny'd,
I fondly ask; But patience to prevent
That murmur, soon replies, God doth not need
Either man's work or his own gifts, who best
Bear his milde yoak, they serve him best, his State
Is Kingly. Thousands at his bidding speed
And post o're Land and Ocean without rest:
They also serve who only stand and waite.
583
John Milton
Sonnet 10
Sonnet 10
X
Daughter to that good Earl, once President
Of Englands Counsel, and her Treasury,
Who liv'd in both, unstain'd with gold or fee,
And left them both, more in himself content,
Till the sad breaking of that Parlament
Broke him, as that dishonest victory
At Chaeronea, fatal to liberty
Kil'd with report that Old man eloquent,
Though later born, then to have known the dayes
Wherin your Father flourisht, yet by you
Madam, me thinks I see him living yet;
So well your words his noble vertues praise,
That all both judge you to relate them true,
And to possess them, Honour'd Margaret.
Note: Camb. autograph supplies title, To the Lady Margaret
Ley.
X
Daughter to that good Earl, once President
Of Englands Counsel, and her Treasury,
Who liv'd in both, unstain'd with gold or fee,
And left them both, more in himself content,
Till the sad breaking of that Parlament
Broke him, as that dishonest victory
At Chaeronea, fatal to liberty
Kil'd with report that Old man eloquent,
Though later born, then to have known the dayes
Wherin your Father flourisht, yet by you
Madam, me thinks I see him living yet;
So well your words his noble vertues praise,
That all both judge you to relate them true,
And to possess them, Honour'd Margaret.
Note: Camb. autograph supplies title, To the Lady Margaret
Ley.
506