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Money and Wealth

Ella Wheeler Wilcox

Ella Wheeler Wilcox

The Yellow-Covered Almanac

The Yellow-Covered Almanac

I left the farm when mother died and changed my place of dwelling
To daughter Susie’s stylish house right on the city street:
And there was them before I came that sort of scared me, telling
How I would find the town folks’ ways so difficult to meet;
They said I’d have no comfort in the rustling, fixed-up throng,
And I’d have to wear stiff collars every weekday, right along.

I find I take to city ways just like a duck to water;
I like the racket and the noise and never tire of shows;
And there’s no end of comfort in the mansion of my daughter,
And everything is right at hand and money freely flows;
And hired help is all about, just listenin’ to my call –
But I miss the yellow almanac off my old kitchen wall.

The house is full of calendars from the attic to the cellar,
They’re painted in all colours and are fancy like to see,
But in this one in particular I’m not a modern feller,
And the yellow-covered almanac is good enough for me.
I’m used to it, I’ve seen it round from boyhood to old age,
And I rather like the jokin’ at the bottom of the page.

I like the way its ‘S’ stood out to show the week’s beginning,
(In these new-fangled calendars the days seem sort of mixed) ,
And the man upon the cover, though he wa’n’t exactly winnin’,
With lungs and liver all exposed, still showed how we are fixed;
And the letters and credentials hat was writ to Mr. Ayer
I’ve often on a rainy day found readin’ pretty fair.

I tried to buy one recently; there wa’n’t none in the city!
They toted out great calendars, in every shape and style.
I looked at them in cold disdain, and answered ‘em in pity –
‘I’d rather have my almanac than all that costly pile.’
And though I take to city life, I’m lonesome after all
For that old yellow almanac upon my kitchen wall.
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Ella Wheeler Wilcox

Ella Wheeler Wilcox

Rich And Poor

Rich And Poor

By the castle-gate my lady stands,
Viewing broad acres and spreading lands.


Hill and valley and mead and plain
Are all her own, with their wealth of grain.


In the richest of rich robes she is dressed,
A jewel blazes upon her breast;


And her brow is decked with a diadem
That glitters with many a precious gem.


But what to the Lady Wendoline
Rich satin garments or jewels fine?


Or ripening harvests, or spreading lands-
See! she is wringing her milk-white hands!


And her finger is stained with crimson dew
Where the ring with the diamond star cut through.


And a look of pain and wild despair
Rests on the face, so young and fair.


To-morrow will be her bridal day,
And she will barter herself away


For added wealth and a titled name;
'Tis the curse of her station, and whose the blame!


She loathes the man who will call her wife,
And moans o'er her hapless, loveless life.


The joys of wooing she cannot know;
My lord, her father, has willed it so.


She's a piece of merchandise, bought and sold
For name, position, and bags of gold.


But people must wed in their own degree,
Though hearts may break in their agony.


Under the hill, in the castle's shade,
At a cottage door sits an humble maid;


In her cheek the blushes come and go
As she stitches away on a robe like snow;


And she sings aloud in her happiness-
In a joy she cannot hide or repress.


Close at her side her lover stands,



Watching the nimble, sun-browned hands


As they draw the needle to and fro
Through the robe as white as drift of snow.
Both hearts are singing a wordless lay,


For the morrow will be their bridal day.


They have only their hands, their love, their health,
In place of title, position, and wealth.
But which is the rich, and which the poor,


The maid at the gate, or the maid in the door?
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