Romantic Love

Stanzas To A Lady, With The Poems Of Camoëns

This votive pledge of fond esteem,
Perhaps, dear girl! for me thou'lt prize;
It sings of Love's enchanting dream,
A theme we never can despise.


Who blames it but the envious fool,
The old and disappointed maid;
Or pupil of the prudish school,
In single sorrow doom'd to fade?


Then read, dear girl! with feeling read,
For thou wilt ne'er be one of those;
To thee in vain I shall not plead
In pity for the poet's woes.


He was in sooth a genuine bard;
His was no faint, fictitious flame.
Like his, may love be thy reward,
But not thy hapless fate the same.

So We'll Go No More a-Roving

So we'll go no more aroving
So late into the night,
Though the heart still be as loving,
And the moon still be as bright.

For the sword outwears its sheath,
And the soul outwears the breast,
And the heart must pause to breathe,
And love itself have rest.

Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more aroving
By the light of the moon.

Remind Me Not, Remind Me Not

Remind me not, remind me not,
Of those beloved, those vanish'd hours,
When all my soul was given to thee;
Hours that may never be forgot,
Till Time unnerves our vital powers,
And thou and I shall cease to be.

Can I forgetcanst
thou forget,
When playing with thy golden hair,
How quick thy fluttering heart did move?
Oh! by my soul, I see thee yet,
With eyes so languid, breast so fair,
And lips, though silent, breathing love.

When thus reclining on my breast,
Those eyes threw back a glance so sweet,
As half reproach'd yet rais'd desire,
And still we near and nearer prest,
And still our glowing lips would meet,
As if in kisses to expire.

And then those pensive eyes would close,

And bid their lids each other seek,
Veiling the azure orbs below;
While their long lashes' darken'd gloss


Seem'd stealing o'er thy brilliant cheek,
Like raven's plumage smooth'd on snow.

I dreamt last night our love return'd,
And, sooth to say, that very dream
Was sweeter in its phantasy,
Than if for other hearts I burn'd,
For eyes that ne'er like thine could beam
In Rapture's wild reality.

Then tell me not, remind me not,
Of hours which, though for ever gone,
Can still a pleasing dream restore,
Till Thou and I shall be forgot,
And senseless, as the mouldering stone
Which tells that we shall be no more.

Maid Of Athens, Ere We Part

Maid of Athens, ere we part,
Give, oh give me back my heart!
Or, since that has left my breast,
Keep it now, and take the rest!
Hear my vow before I go,
Zoë mou, sas agapo!


By those tresses unconfined,
Wood by each Ægean wind;
By those lids whose jetty fringe
Kiss thy soft cheeks' blooming tinge;
By those wild eyes like the roe,
Zoë mou, sas agapo!


By that lip I long to taste;
By that zone encircled waist;
By all the tokenflowers
that tell
What words can never speak so well;
By love's alternate joy and woe.
Zoë mou, sas agapo!


Maid of Athens! I am gone:
Think of me, sweet! when alone.
Though I fly to Istambol,
Athens holds my heart and soul:
Can I cease to love thee? No!
Zoë mou, sas agapo!

Lines Addressed To A Young Lady

Doubtless, sweet girl! the hissing lead,
Wafting destruction o'er thy charms,
And hurtling o'er thy lovely head,
Has fill'd that breast with fond alarms.


Surely some envious demon's force,
Vex'd to behold such beauty here,
Impell'd the bullet's viewless course,
Diverted from its first career.


Yes! in that nearly fatal hour
The ball obey'd some hellborn
guide;
But Heaven, with interposing power,
In pity turn'd the death aside.


Yet, as perchance one trembling tear
Upon that thrilling bosom fell;
Which I, th' unconscious cause of fear,
Extracted fromn its glistening cell:


Say, what dire penance can atone
For such an outrage done to thee?
Arraign'd before thy beauty's throne,
What punishment wilt thou decree?


Might I perform the judge's part,
The sentence I should scarce deplore;
It only would restore a heart
Which but belong'd to thee before.


The least atonement I can make
Is to become no longer free;
Henceforth I breathe but for thy sake,
Thou shalt be all in all to me.


But thou, perhaps, may'st now reject
Such expiation of my guilt;
Come then, some other mode elect;
Let it be death, or what thou wilt.


Choose then, relentless! and I swear
Nought shall thy dread decree prevent;
Yet holdone
little word forbear!
Let it be aught but banishment.

I Speak Not, I Trace Not, I Breathe Not Thy Name

I speak not, I trace not, I breathe not thy name;
There is grief in the sound, there is guilt in the fame;
But the tear that now burns on my cheek may impart
The deep thoughts that dwell in that silence of heart.
Too brief for our passion, too long for our peace,
Were those hours can
their joy or their bitterness cease?
We repent, we abjure, we will break from our chain, We
will part, we will fly to unite
it again!
Oh! thine be the gladness, and mine be the guilt!
Forgive me, adored one! forsake
if thou wilt;
But the heart which is thine shall expire undebased,
And man shall not break it whatever
thou may'st.
And stern to the haughty, but humble to thee,
This soul in its bitterest blackness shall be;
And our days seem as swift, and our moments more sweet,
With thee at my side, than with worlds at our feet.
One sigh of thy sorrow, one look of thy love,
Shall turn me or fix, shall reward or reprove.
And the heartless may wonder at all I resign Thy
lips shall reply, not to them, but to mine.


May, 1814.

Herod's Lament For Mariamne

Oh, Mariamne! now for thee
The heart of which thou bled'st is bleeding;
Revenge is lost in agony,
And wild remorse to rage succeeding.
Oh, Mariamne! where art thou?
Thou canst not hear my bitter pleading:
Ah! could'st thouthou
would'st pardon now,
Though Heaven were to my prayer unheeding.


And is she dead?and
did they dare
Obey my frenzy's jealous raving?
My wrath but doom'd my own despair:
The sword that smote her's o'er me waving.But
thou art cold, my murder'd love!
And this dark heart is vainly craving
For her who soars alone above,
And leaves my soul unworthy saving.


She's gone, who shared my diadem;
She sunk, with her my joys entombing;
I swept that flower from Judah's stem,
Whose leaves for me alone were blooming;
And mine's the guilt, and mine the hell,
This bosom's desolation dooming;
And I have earn'd those tortures well,
Which unconsumed are still consuming!

Francisca


Francisca walks in the shadow of night,
But it is not to gaze on the heavenly light But
if she sits in her garden bower,
'Tis not for the sake of its blowing flower.
She listens but
not for the nightingale Though
her ear expects as soft a tale.
There winds a step through the foliage thick,
And her cheek grows pale, and her heart beats quick.
There whispers a voice thro' the rustling leaves;
A moment more and they shall meet '
Tis past her
lover's at her feet.

Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining
That One Of His Descriptions Was Rather Too Warmly Drawn

'But if any old lady, knight, priest or physician
Should condemn me for printing a second edition;
If good Madam Squintum my work should abuse,
May I venture to give her a smack of my muse?'~New Bath Guide.


CANDOUR compels me, BECHER! to commend
The verse which blends the censor with the friend.
Your strong yet just reproof extorts applause
From me, the heedless and imprudent cause.
For this wild error which pervades my strain,
I sue for pardon, — must I sue In vain?
The wise sometlrnes ftom Wisdom's ways depart:
Can youth then hush the dlctates of the heart?
Precepts of prudence curb, but can't control
The fierce emotions of the flowing soul.
When Love's delirium haunts the glowing mind
Limping Decorum lingers far behind:
Vainly the dotard mends her prudish pace,
Outstript and vanquish'd In the mental chase.
The young, the old, have worn the chains of love;
Let those they ne'er confined my lay reprove:
Let those whose souls Conternn the pleasing power
Their censures on the hapless victim shower.
Oh! how I hate the nerveless, frigid song,
The ceaseless echo of the rhyming throng,
Whose labour'd lines In chilling numbers flow,
To paint a pang the author ne'er can know!
The artless Helicon I boast is youth;—
My lyre, the heart; my muse, the simple truth.
Far be 't from me the 'vlrgin's stand' to 'taint':
Seduction's dread is here no slight restraint.
The maid whose virgin breast is void of guile,
Whose wishes dimple in a modest smile,
Whose downcast eye disdains the wanton leer,
Firzn in her virtue's strength, yet not severe
She whom a conscious grace shall thus refine
Will ne'er be 'tainted' by a strain of mine.
But for the nymph whose premature desires
Torment her bosom with unholy fires,
No net to snare her willing heart is spread
Sho would have fallen, though she ne'er had read.
For me, I fain would please the chosen few,
Whose souls, to feeling and to nature true,
Will spare the childish verse, and not destroy
The light effusions of a heedless boy.
I seek not glory from the senseless crowd;
Of fancied laurels I shall ne'er he proud;
Their warrnest plaudits I would scarcely prize,
Their sneers or censures I alike despise.

Peaceful Waters:Variation

peaceful waters of the air
under echo's branches

peaceful waters of a pool
under a bough laden with stars

peaceful waters of your mouth
under a forest of kisses

Gacela of Unforseen Love

No one understood the perfume
of the dark magnolia of your womb.
Nobody knew that you tormented
a hummingbird of love between your teeth.


A thousand Persian little horses fell asleep
in the plaza with moon of your forehead,
while through four nights I embraced
your waist, enemy of the snow.


Between plaster and jasmins, your glance
was a pale branch of seeds.
I sought in my heart to give you
the ivory letters that say "siempre",


"siempre", "siempre" : garden of my agony,
your body elusive always,
that blood of your veins in my mouth,
your mouth already lightless for my death.

The Picture

The eyes of this dead lady speak to me,
For here was love, was not to be drowned out.
And here desire, not to be kissed away.
The eyes of this dead lady speak to me.

The Bath-Tub

As a bathtub lined with white porcelain,
When the hot water gives out or goes tepid,
So is the slow cooling of our chivalrous passion,
O my much praised but-not-altogether-satisfactory lady.

The Altar

Let us build here an exquisite friendship,
The flame, the autumn, and the green rose of love
Fought out their strife here, 'tis a place of wonder;
Where these have been, meet 'tis, the ground is holy.

Marvoil


A poor clerk I, 'Arnaut the less' they call me,
And because I have small mind to sit
Day long, long day cooped on a stool
A-jumbling o' figures for Maitre Jacques Polin,
I ha' taken to rambling the South here.


The Vicomte of Beziers's not such a bad lot.
I made rimes to his lady this three year:
Vers and canzone, till that damn'd son of Aragon,
Alfonso the half-bald, took to hanging
His helmet at Beziers.
Then came what might come, to wit: three men and one woman,
Beziers off at Mont-Ausier, I and his lady
Singing the stars in the turrets of Beziers,
And one lean Aragonese cursing the seneschal
To the end that you see, friends:


Aragon cursing in Aragon, Beziers busy at Beziers
Bored to an inch of extinction,
Tibors all tongue and temper at Mont-Ausier,
Me! in this damn'd inn of Avignon,
Stringing long verse for the Burlatz;
All for one half-bald, knock-knee'd king of the Aragonese,
Alfonso, Quattro, poke-nose.


And if when I am dead
They take the trouble to tear out this wall here,
They'11 know more of Arnaut of Marvoil
Than half his canzoni say of him.
As for will and testament I leave none,
Save this: ‘Vers and canzone to the Countess of Beziers
In return for the first kiss she gave me.'
May her eyes and her cheek be fair
To all men except the King of Aragon,
And may I come'speedily to Beziers
Whither my desire and my dream have preceded me.


O hole in the wall here! be thou my jongleur
As ne'er had I other, and when the wind blows,
Sing thou the grace of the Lady of Beziers,
For even as thou art hollow before I fill thee with this parchment,
So is my heart hollow when she filleth not mine eyes,
And so were my mind hollow, did she not fill utterly my thought.


Wherefore, O hole in the wall here,
When the wind blows sigh thou for my sorrow
That I have not the Countess of Beziers
Close in my arms here.
Even as thou shalt soon have this parchment.


O hole in the wall here, be thou my jongleur,
And though thou sighest my sorrow in the wind,



Keep yet my secret in thy breast here;
Even as I keep her image in my heart here.

La Regina Avrillouse

Lady of rich allure,
Queen of the spring's embrace,
Your arms are long like boughs of ash,
Mid laugh-broken streams, spirit of rain unsure,
Breath of the poppy flower,
All the wood thy bower
And the hills thy dwelling-place.


This will I no more dream;
Warm is thy arm's allure,
Warm is the gust of breath
That ere thy lips meet mine
Kisseth my cheek and saith:
"This is the joy of earth,
Here is the wine of mirth
Drain ye one goblet sure,


Take ye the honey cup
The honied song raise up,
Drink of the spring's allure,
April and dew and rain;
Brown of the earth sing sure,
Cheeks and lips and hair
And soft breath that kisseth where
Thy lips have come not yet to drink."


Moss and the mold of earth,
These be thy couch of mirth,
Long arms thy boughs of shade
April-alluring, as the blade
Of grass doth catch the dew
And make it crown to hold the sun.
Banner be you
Above my head,
Glory to all wold display'd,
April-alluring, glory-bold.

In Tempore Senectutis

When I am old
I will not have you look apart
From me, into the cold,
Friend of my heart,
Nor be sad in your remembrance
Of the careless, mad-heart semblance
That the wind hath blown away
When I am old.


When I am old
And the white hot wonder-fire
Unto the world seem cold,
My soul's desire
Know you then that all life's shower,
The rain of the years, that hour
Shall make blow for us one flower,
Including all, when we are old.


When I am old
If you remember
Any love save what is then
Hearth light unto life's December
Be your joy of past sweet chalices
To know then naught but this
"How many wonders are less sweet
Than love I bear to thee
When I am old."

Homage To Sextus Propertius - XII

Who, who will be the next man to entrust his girl to a friend?
Love interferes with fidelities;
The gods have brought shame on their relatives;
Each man wants the pomegranate for himself;
Amiable and harmonious people are pushed incontinent into duels,
A Trojan and adulterous person came to Menelaus under the rites of hospitium,
And there was a case in Colchis, Jason and that woman in Colchis;
And besides, Lynceus,
you were drunk.


Could you endure such promiscuity?
She was not renowned for fidelity;
But to jab a knife in my vitals, to have passed on a swig of poison,
Preferable, my dear boy, my dear Lynceus,
Comrade, comrade of my life, of my purse, of my person;
But in one bed, in one bed alone, my dear Lynceus
I deprecate your attendance;
I would ask a like boon of Jove.


And you write of Achelous, who contended with Hercules,
You write of Adrastus' horses and the funeral rites of Achenor,
And you will not leave off imitating Aeschylus.
Though you make a hash of Antimachus,
You think you are going to do Homer.
And still a girl scorns the gods,
Of all these young women
not one has enquired the cause of the world,
Nor the modus of lunar eclipses
Nor whether there be any patch left of us
After we cross the infernal ripples,
nor if the thunder fall from predestination;
Nor anything else of importance.


Upon the Actian marshes Virgil is Phoebus' chief of police,
He can tabulate Caesar's great ships.
He thrills to Ilian arms,
He shakes the Trojan weapons of Aeneas,
And casts stores on Lavinian beaches.


Make way, ye Roman authors,
clear the street, ye Greeks,
For a much larger Iliad is on the course of construction
(and to Imperial order)
Clear the streets, O ye Greeks!


And you also follow him 'neath Phrygian pine shade:
Thyrsis and Daphnis upon whittled reeds,
And how ten sins can corrupt young maidens;
Kids for a bribe and pressed udders,
Happy selling poor loves for cheap apples.


Tityrus might have sung the same vixen;



Corydon tempted Alexis,
Head farmers do likewise, and lying weary amid their oats
They get praise from tolerant Hamadryads.'
Go on, to Ascraeus' prescription, the ancient, respected, Wordsworthian:
‘A flat field for rushes, grapes grow on the slope.'
And behold me, small fortune left in my house.
Me, who had no general for a grandfather!
I shall triumph among young ladies of indeterminate character,
My talent acclaimed in their banquets,
I shall be honoured with yesterday's wreaths.
And the god strikes to the marrow.


Like a trained and performing tortoise,
I would make verse in your fashion, if she should command it,
With her husband asking a remission of sentence,
And even this infamy would not attract numerous readers
Were there an erudite or violent passion,
For the nobleness of the populace brooks nothing below its own altitude.
One must have resonance, resonance and sonority . . .
like a goose.


Varro sang Jason's expedition,
Varro, of his great passion Leucadia,
There is song in the parchment; Catullus the highly indecorous,
Of Lesbia, known above Helen;
And in the dyed pages of Calvus,
Calvus mourning Quintilia,
And but now Gallus had sung of Lycoris.
Fair, fairest Lycoris
The waters of Styx poured over the wound:
And now Propertius of Cynthia, taking his stand among these.

Homage To Sextus Propertius - X

.Light, light of my eyes, at an exceeding late hour I was wandering,
And intoxicated,
and no servant was leading me,
And a minute crowd of small boys came from opposite,
I do not know what boys,
And I am afraid of numerical estimate,
And some of them shook little torches,
and others held onto arrows,
And the rest laid their chains upon me,
and they were naked, the lot of them,
And one of the lot was given to lust.


'That incensed female has consigned him to our pleasure.'
So spoke. And the noose was over my neck.
And another said 'Get him plumb in the middle!
'Shove along there, shove along!'
And another broke in upon this:
'He thinks that we are not gods,'
'And she has been waiting for the scoundrel,
and in a new Sidonian night cap,
And with more than Arabian odours,
God knows where he has been.
She could scarcely keep her eyes open
enter that much for his bail.
Get along now!'


We were coming near to the house,
and they gave another yank to my cloak,
And it was morning, and I wanted to see if she was alone and resting,
And Cynthia was alone in her bed.
I was stupefied.
I had never seen her looking so beautiful,
No, not when she was tunick'd in purple.


Such aspect was presented to me, me recently emerged from my visions,
You will observe that pure form has its value.


‘You are a very early inspector of mistresses.
‘Do you think I have adopted your habits?'
There were upon the bed no signs of a voluptuous encounter,
No signs of a second incumbent.


She continued:
'No incubus has crushed his body against me,
‘Though spirits are celebrated for adultery.
‘And I am going to the temple of Vesta . . .'
and so on.


Since that day I have had no pleasant nights.

Homage To Sextus Propertius - VII

Me happy, night, night full of brightness;
Oh couch made happy by iny long delectations;
How many words talked out with abundant candles;
Struggles when the lights were taken away;
Now with bared breasts she wrestled against me,
Tunic spread in delay;
And she then opening my eyelids fallen in sleep,
Her lips upon them; and it was her mouth saying:
Sluggard!


In how many varied embraces, our changing arms,
Her kisses, how many, lingering on my lips.
'Turn not Venus into a blinded motion,
Eyes are the guides of love,
Paris took Helen naked coming from the bed of Menelaus,
Endymion's naked body, bright bait for Diana,'
such at least is the story.


While our fates twine together, sate we our eyes with love;
For long night comes upon you
and a day when no day returns.
Let the gods lay chains upon us
so that no day shall unbind them.


Fool who would set a term to love's madness,
For the sun shall drive with black horses,
earth shall bring wheat from barley,
The flood shall move toward the fountain
Ere love know moderations,
The fish shall swim in dry streams.
No, now while it may be, let not the fruit of life cease.
Dry wreaths drop their petals,
their stalks are woven in baskets,
To-day we take the great breath of lovers,
to-morrow fate shuts us in.


Though you give all your kisses
you give but few.


Nor can I shift my pains to other,
Hers will I be dead,
If she confer such nights upon me,
long is my life, long in years,
If she give me many,
God am I for the time.

Dance Figure

For the Marriage in Cana of Galilee


Dark-eyed,
O woman of my dreams,
Ivory sandalled,
There is none like thee among the dancers,
None with swift feet.
I have not found thee in the tents,
In the broken darkness.
I have not found thee at the well-head
Among the women with pitchers.
Thine arms are as a young sapling under the bark;
Thy face as a river with lights.


White as an almond are thy shoulders;
As new almonds stripped from the husk.
They guard thee not with eunuchs;
Not with bars of copper.


Gilt turquoise and silver are in the place of thy rest.
A brown robe, with threads of gold woven in
patterns, hast thou gathered about thee,
O Nathat-Ikanaie, 'Tree-at-the-river'.


As a rillet among the sedge are thy hands upon me;
Thy fingers a frosted stream.


Thy maidens are white like pebbles;
Their music about thee!


There is none like thee among the dancers;
None with swift feet.

An Immorality

Sing we for love and idleness,
Naught else is worth the having.


Though I have been in many a land,
There is naught else in living.


And I would rather have my sweet,
Though rose-leaves die of grieving,


Than do high deeds in Hungary
To pass all men's believing.

A Virginal

No, no! Go from me. I have left her lately.
I will not spoil my sheath with lesser brightness,
For my surrounding air hath a new lightness;
Slight are her arms, yet they have bound me straitly
And left me cloaked as with a gauze of aether;
As with sweet leaves; as with subtle clearness.
Oh, I have picked up magic in her nearness
To sheathe me half in half the things that sheathe her.
No, no! Go from me. I have still the flavour,
Soft as spring wind that's come from birchen bowers.
Green come the shoots, aye April in the branches,
As winter's wound with her sleight hand she staunches,
Hath of the trees a likeness of the savour:
As white their bark, so white this lady's hours.

If grief for grief can touch thee

If grief for grief can touch thee,
If answering woe for woe,
If any truth can melt thee
Come to me now!


I cannot be more lonely,
More drear I cannot be!
My worn heart beats so wildly
'Twill break for thee--


And when the world despises--
When Heaven repels my prayer--
Will not mine angel comfort?
Mine idol hear?


Yes, by the tears I'm poured,
By all my hours of pain
O I shall surely win thee,
Beloved, again!