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Dreams and Imagination

Emily Jane Brontë

Emily Jane Brontë

A Day Dream

A Day Dream

On a sunny brae, alone I lay
One summer afternoon;
It was the marriage-time of May
With her young lover, June.


From her mother's heart, seemed loath to part
That queen of bridal charms,
But her father smiled on the fairest child
He ever held in his arms.


The trees did wave their plumy crests,
The glad birds caroled clear;
And I, of all the wedding guests,
Was only sullen there!


There was not one, but wished to shun
My aspect void of cheer;
The very grey rocks, looking on,
Asked, "What do you here?"


And I could utter no reply;
In sooth, I did not know
Why I had brought a clouded eye
To greet the general glow.


So, resting on a heathy bank,
I took my heart to me;
And we together sadly sank
Into a reverie.


We thought, "When winter comes again,
Where will these bright things be?
All vanished, like a vision vain,
An unreal mockery!


The birds that now so blithely sing,
Through deserts, frozen dry,
Poor spectres of the perished spring,
In famished troops, will fly.


And why should we be glad at all?
The leaf is hardly green,
Before a token of its fall
Is on the surface seen!"


Now, whether it were really so,
I never could be sure;
But as in fit of peevish woe,
I stretched me on the moor.


A thousand thousand gleaming fires
Seemed kindling in the air;



A thousand thousand silvery lyres
Resounded far and near:


Methought, the very breath I breathed
Was full of sparks divine,
And all my heather-couch was wreathed
By that celestial shine!


And, while the wide earth echoing rung
To their strange minstrelsy,
The little glittering spirits sung,
Or seemed to sing, to me.


"O mortal! mortal! let them die;
Let time and tears destroy,
That we may overflow the sky
With universal joy!


Let grief distract the sufferer's breast,
And night obscure his way;
They hasten him to endless rest,
And everlasting day.


To thee the world is like a tomb,
A desert's naked shore;
To us, in unimagined bloom,
It brightens more and more!


And could we lift the veil, and give
One brief glimpse to thine eye,
Thou wouldst rejoice for those that live,
Because they live to die."


The music ceased; the noonday dream,
Like dream of night, withdrew;
But Fancy, still, will sometimes deem
Her fond creation true.
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Ella Wheeler Wilcox

Ella Wheeler Wilcox

A Naughty Little Comet

A Naughty Little Comet

There was a little comet who lived near the Milky Way!
She loved to wander out at night and jump about and play.


The mother of the comet was a very good old star;
She used to scold her reckless child for venturing out too far.


She told her of the ogre, Sun, who loved on stars to sup,
And who asked no better pastime than in gobbling comets up.


But instead of growing cautious and of showing proper fear,
The foolish little comet edged up nearer, and more near.


She switched her saucy tail along right where the Sun could see,
And flirted with old Mars, and was as bold as bold could be.


She laughed to scorn the quiet stars who never frisked about;
She said there was no fun in life unless you ventured out.


She liked to make the planets stare, and wished no better mirth
Than just to see the telescopes aimed at her from the Earth.


She wondered how so many stars could mope through nights and days,
And let the sickly faced old Moon get all the love and praise.


And as she talked and tossed her head and switched her shining trail
The staid old mother star grew sad, her cheek grew wan and pale.


For she had lived there in the skies a million years or more,
And she had heard gay comets talk in just this way before.


And by and by there came an end to this gay comet's fun.
She went a tiny bit too far-and vanished in the Sun!


No more she swings her shining trail before the whole world's sight,
But quiet stars she laughed to scorn are twinkling every night.
776
Elizabeth Bishop

Elizabeth Bishop

The Man-moth

The Man-moth

Here, above,
cracks in the buldings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to records in thermometers.

But when the Man-Moth
pays his rare, although occasional, visits to the surface,
the moon looks rather different to him. He emerges
from an opening under the edge of one of the sidewalks
and nervously begins to scale the faces of the buildings.
He thinks the moon is a small hole at the top of the sky,
proving the sky quite useless for protection.
He trembles, but must investigate as high as he can climb.

Up the façades,
his shadow dragging like a photographer's cloth behind him
he climbs fearfully, thinking that this time he will manage
to push his small head through that round clean opening
and be forced through, as from a tube, in black scrolls on the light.
(Man, standing below him, has no such illusions.)
But what the Man-Moth fears most he must do, although
he fails, of course, and falls back scared but quite unhurt.

Then he returns
to the pale subways of cement he calls his home. He flits,
he flutters, and cannot get aboard the silent trains
fast enough to suit him. The doors close swiftly.
The Man-Moth always seats himself facing the wrong way
and the train starts at once at its full, terrible speed,
without a shift in gears or a gradation of any sort.
He cannot tell the rate at which he travels backwards.

Each night he must
be carried through artificial tunnels and dream recurrent dreams.
Just as the ties recur beneath his train, these underlie
his rushing brain. He does not dare look out the window,
for the third rail, the unbroken draught of poison,
runs there beside him. He regards it as a disease
he has inherited the susceptibility to. He has to keep
his hands in his pockets, as others must wear mufflers.

If you catch him,
hold up a flashlight to his eye. It's all dark pupil,
an entire night itself, whose haired horizon tightens
as he stares back, and closes up the eye. Then from the lids
one tear, his only possession, like the bee's sting, slips.
Slyly he palms it, and if you're not paying attention
he'll swallow it. However, if you watch, he'll hand it over,



cool as from underground springs and pure enough to drink.
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