Topics
Poems in this topic

Soul

Ella Wheeler Wilcox

Ella Wheeler Wilcox

High Noon

High Noon

Time’s finger on the dial of my life
Points to high noon! And yet the half-spent day
Leaves less than half remaining, for the dark,
Bleak shadows of the grave engulf the end.


To those who burn the candle to the stick,
The sputtering socket yields but little light.
Long life is sadder than early death.
We cannot count on raveled threads of age
Whereof to weave a fabric. We must use
The warp and woof the ready present yields
And toils while daylight lasts. When I bethink
How brief the past, the future still more brief,
Calls on to action, action! Not for me
Is time for retrospection or for dreams,
Not time for self-laudation or remorse.
Have I done nobly? Then I must not let
Dead yesterday unborn to-morrow shame.
Have I done wrong? Well, let the bitter taste
Of fruit that turned to ashes on my lip
Be my reminder in temptations hour,
And keep me silent when I could condemn.
Sometimes it takes the acid of a sin
To cleanse the clouded windows of our souls
So pity may shine through them.


Looking back,
My faults and errors seem like stepping-stones
That led the way to knowledge of the truth
And made me value virtue: sorrows shine
In rainbow colours o’er the gulf of years,
Where lie forgotten pleasures.

Looking forth,
Out to the westers sky still bright with noon,
I feel well spurred and booted for the strife
That ends not till Nirvana is attained.

Battling with fate, with men and with myself,
Up the steep summit of my life’s forenoon,
Three things I learned, three things of precious worth
To guide and help me down the western slope.
I have learned how to pray, and toil, and save.
To pray for courage to receive what comes,
Knowing what comes to be divinely sent.
To toil for universal good, since thus
And only thus can good come unto me.
To save, by giving whatsoe’er I have
To those who have not, this alone is gain.
399
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Haunted

Haunted


What are these nameless mysteries,
These subtleties of life and death,
That bring before our spirit eyes
The loved and lost; or, like a breath
Of lightest air, will touch the cheek,
And yet a wordless language speak?


In every breeze that blows, to-day,
One voice seems speaking unto me;
And north or south, whichever way
I turn my gaze, one face I see,
And closely, closely at my side
A mystic shadow seems to glide.


A motley crowd we move among,
We surge on with the mighty mass,
And yet no one in all the throng
Looks strangely on us as we pass.
No eye but mine own seems to see
The nameless thing that walks by me.


I cannot touch a proffered hand
But this strange shadow glides between.
Why came he from the spirit land?
What brought him from the world unseen?
Why am I troubled and oppressed
By the vague presence of my guest?


He was my friend! I should rejoice!
I loved him once! Why do I fear?
And yet I shudder as his voice
Speaks in the wind. I feel him near,
This restless spirit of the dead,
And shiver with a nameless dread.


I loved him once; he was my friend;
He held the first place in my heart,
And might have held it to the end.
But our two ways spread wide apart:
I kept the path upon the hill,
And he went down and down, until


He reached the depths of sin and shame,
And died as sots and drunkards die.
I ceased to even speak his name.
God knows I never thought that I,



Who blamed his lack of moral strength,
Might answer for his fall, at length!


O restless dead, lost friend of mine!
I might have saved you, had I tried.
I saw you lift the glass of wine,
And, seeing, had I warned you, cried,
'Touch not, taste not the drink accursed!'
I might have saved you from the thirst


That swallowed up your brain and soul.
But nay! I scorned you when you fell,
And, looking upward to my goal,
Left you to stagger down to hell.
Accusing spirit of the dead,
Your presence fills my heart with dread!
366
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Her Last Letter

Her Last Letter

Sitting alone by the window,
Watching the moonlit street,
Bending my head to listen
To the well-known sound of your feet,
I have been wondering, darling,
How I can bear the pain,
When I watch, with sighs and tear-wet eyes;
And wait for your coming in vain.


For I know that a day approaches
When your heart will tire of me;
When by door and gate I may watch and wait
For a form I shall not see.
When the love that is now my heaven,
The kisses that make my life,
You will bestow on another,
And that other will be-your wife.


You will grow weary of sinning
(Though you do not call it so),
You will long for a love that is purer
Than the love that we two know.
God knows I have loved you dearly,
With a passion strong as true;
But you will grow tired and leave me,
Though I gave up all for you.


I was as pure as the morning
When I first looked on your face;
I knew I never could reach you
In your high, exalted place.
But I looked and loved and worshiped
As a flower might worship a star,
And your eyes shone down upon me,
And you seemed so far-so far.


And then? Well, then, you loved me,
Loved me with all your heart;
But we could not stand at the altar,
We were so far apart.
If a star should wed with a flower
The star must drop from the sky,
Or the flower in trying to reach it
Would droop on its stalk and die.


But you said that you loved me, darling,
And swore by the heavens above



That the Lord and all of His angels
Would sanction and bless our love.
And I? I was weak, not wicked.
My love was as pure as true,
And sin itself seemed a virtue
If only shared by you.


We have been happy together,
Though under the cloud of sin,
But I know that the day approaches
When my chastening must begin.
You have been faithful and tender,
But you will not always be,
And I think I had better leave you
While your thoughts are kind of me.


I know my beauty is fading-
Sin furrows the fairest brow-
And I know that your heart will weary
Of the face you smile on now.
You will take a bride to your bosom
After you turn from me;
You will sit with your wife in the moonlight,
And hold her babe on your knee.


Oh, God! I never could bear it;
It would madden my brain, I know;
And so while you love me dearly
I think I had better go.
It is sweeter to feel, my darling-
To know as I fall asleep-
That some one will mourn me and miss me,
That some one is left to weep,


Than to die as I should in the future,
To drop in the street some day,
Unknown, unwept and forgotten
After you cast me away.
Perhaps the blood of the Saviour
Can wash my garments clean;
Perchance I may drink of the waters
That flow through pastures green.


Perchance we may meet in heaven,
And walk in the streets above,
With nothing to grieve us or part us
Since our sinning was all through love.



God says, 'Love one another,'
And down to the depths of hell
Will he send the soul of a women
Because she loved-and fell?


And so in the moonlight he found her,
Or found her beautiful clay,
Lifeless and pallid as marble,
For the spirit had flown away.
The farewell words she had written
She held to her cold, white breast,
And the buried blade of a dagger
Told how she had gone to rest.
397
Ella Wheeler Wilcox

Ella Wheeler Wilcox

From the Grave

From the Grave

When the first sere leaves of the year were falling,
I heard, with a heart that was strangely thrilled,
Out of the grave of a dead Past calling,
A voice I fancied forever stilled.
All through winter and spring and summer,
Silence hung over that grave like a pall,
But, borne on the breath of the last sad comer,
I listen again to the old-time call.
It is only a love of a by-gone season,
A senseless folly that mocked at me
A reckless passion that lacked all reason,
So I killed it, and hid it where none could see.
I smothered it first to stop its crying,
Then stabbed it through with a good sharp blade,
And cold and pallid I saw it lying,
And deep—ah' deep was the grave I made.
But now I know that there is no killing
A thing like Love, for it laughs at Death.
There is no hushing, there is no stilling
That which is part of your life and breath.
You may bury it deep, and leave behind you
The land, the people, that knew your slain;
It will push the sods from its grave, and find you
On wastes of water or desert plain.
You may hear but tongues of a foreign people,
You may list to sounds that are strange and new;



But, clear as a silver bell in a steeple,
That voice from the grave shall call to you.
You may rouse your pride, you may use your reason.
And seem for a space to slay Love so;
But, all in its own good time and season,
It will rise and follow wherever you go.
You shall sit sometimes, when the leaves are falling,
Alone with your heart, as I sit to-day,
And hear that voice from your dead Past calling
Out of the graves that you hid away.
497
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Daft

Daft


In the warm yellow smile of the morning,
She stands at the lattice pane,
And watches the strong young binders
Stride down to the fields of grain.
And she counts them over and over
As they pass her cottage door:
Are they six, she counts them seven;
Are they seven, she counts one more.

When the sun swings high in the heavens,
And the reapers go shouting home,
She calls to the household, saying,
'Make haste! for the binders have come
And Johnnie will want his dinner He
was always a hungry child';
And they answer, 'Yes, it ia waiting';
Then tell you, 'Her brain is wild.'

Again, in the hush of the evening,
When the work of the day is done,
And the binders go singing homeward
In the last red rays of the sun,
She will sit at the threshold waiting,
And with her withered face lights with joy:
'Come, Johnnie, ' she says, as they pass her,
'Come into the house, my boy.'

Five summers ago her Johnnie
Went out in the smile of the morn,
Singing across the meadow,
Striding down through the corn -
He towered above the binders,
Walking on either side,
And the mother's heart within her
Swelled with exultant pride.

For he was the light of the household His
brown eyes were wells of truth,
And his face was the face of the morning,
Lit with its pure, fresh youth,
And his song rang out from the hilltops
Like the mellow blast of a horn,
And he strode o'er the fresh shorn meadows,
And down through the rows of corn.

But hushed were the voices of singing,
Hushed by the presence of death,
As back to the cottage they bore him In
the noontide's scorching breath,
For the heat of the sun had slain him,
Had smitten the heart in his breast,
And he who towered above them


Lay lower than all the rest.

The grain grows ripe in the sunshine,
And the summers ebb and flow,
And the binders stride to their labour
And sing as they come and go;
But never again from the hilltops
Echoes the voice like a horn;
Never up from the meadows,
Never back from the corn.

Yet the poor, crazed brain of the mother
Fancies him always near;
She is blest in her strange delusion,

For she knoweth no pain nor fear,
And always she counts the binders
As they pass by her cottage door;


Are they six, she counts them seven;
Are they seven, she counts one more.
434
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Clara Morris (Written for a Benefit Given Mrs. Morris)

Clara Morris (Written for a Benefit Given Mrs. Morris)

The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.


These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her-
Till they gave her the world for a harp one day,
And they bade her string it-
They bade her ring it,
While the stars all wondered to hear her play.


She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.


The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence-the music was still.


And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the center that gave her birth.



Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken it-
For the soul of her art was her secret of pain.
442
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Christ Crucified

Christ Crucified

Now ere I slept, my prayer had been that I might see my way
To do the will of Christ, our Lord and Master, day by day;
And with this prayer upon my lips, I knew not that I dreamed,
But suddenly the world of night a pandemonium seemed.
From forest, and from slaughter house, from bull ring, and from stall,
There rose an anguished cry of pain, a loud, appealing call;
As man – the dumb beast’s next of kin – with gun, and whip, and knife,
Went pleasure-seeking through the earth, blood-bent on taking life.
From trap, and cage, and house, and zoo, and street, that awful strain
Of tortured creatures rose and swelled the orchestra of pain.
And then methought the gentle Christ appeared to me and spoke:
‘I called you, but ye answered not’ – and in my fear I woke.


Then next I heard the roar of mills; and moving through the noise,
Like phantoms in an underworld, were little girls and boys.
Their backs were bent, their brows were pale, their eyes were sad and old;
But by the labour of their hands greed added gold to gold.
Again the Presence and the Voice: ‘Behold the crimes I see,
As ye have done it unto these, so have ye done to me.’


Again I slept. I seemed to climb a hard, ascending track;
And just behind me laboured one whose patient face was black.
I pitied him; but hour by hour he gained upon the path;
He stood beside me, stood upright – and then I turned in wrath.
‘Go back! ’ I cried. ‘What right have you to walk beside me here?
For you are black, and I am white.’ I paused struck dumb with fear.
For lo! the black man was not there, but Christ stood in his place;
And oh! the pain, the pain, the pain that looked from his dear face.


Now when I woke, the air was rife with that sweet, rhythmic din
Which tells the world that Christ has come to save mankind from sin.
And through the open door of church and temple passed a throng,
To worship Him, with bended knee with sermon, and with song.
But over all I heard the cry of hunted, mangled things;
Those creatures which are part of God, though they have hoofs and wings.


I saw the mill, the mine, and shop, the little slaves of greed;
I heard the strife of race with race, all sprung from one God-seed.
And then I bowed my head in shame, and in contrition cried –
‘Lo, after nineteen hundred years, Christ still is crucified.’
475