Poems in this topic
Soul
Dylan Thomas
After the Funeral (In memory of Ann Jones)
After the Funeral (In memory of Ann Jones)
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial's sake, alone
In the snivelling hours with dead, humped Ann
Whose hodded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart's fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann's bard on a raised hearth, call all
The seas to service that her wood-tongud virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Blees her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
And the strutting fern lay seeds on the black sill.
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial's sake, alone
In the snivelling hours with dead, humped Ann
Whose hodded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart's fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann's bard on a raised hearth, call all
The seas to service that her wood-tongud virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Blees her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
And the strutting fern lay seeds on the black sill.
242
Dylan Thomas
All That I Owe the Fellows of the Grave
All That I Owe the Fellows of the Grave
All that I owe the fellows of the grave
And all the dead bequeathed from pale estates
Lies in the fortuned bone, the flask of blood,
Like senna stirs along the ravaged roots.
O all I owe is all the flesh inherits,
My fathers' loves that pull upon my nerves,
My sisters tears that sing upon my head
My brothers' blood that salts my open wounds
Heir to the scalding veins that hold love's drop,
My fallen filled, that had the hint of death,
Heir to the telling senses that alone
Acquaint the flesh with a remembered itch,
I round this heritage as rounds the sun
His winy sky, and , as the candles moon,
Cast light upon my weather. I am heir
To women who have twisted their last smile,
To children who were suckled on a plague,
To young adorers dying on a kiss.
All such disease I doctor in my blood,
And all such love's a shrub sown in the breath.
Then look, my eyes, upon this bonehead fortune
And browse upon the postures of the dead;
All night and day I eye the ragged globe
Through periscopes rightsighted from the grave;
All night and day I wander in these same
Wax clothes that wax upon the ageing ribs;
All night my fortune slumbers in its sheet.
Then look, my heart, upon the scarlet trove,
And look, my grain, upon the falling wheat;
All night my fortune slumbers in its sheet.
All that I owe the fellows of the grave
And all the dead bequeathed from pale estates
Lies in the fortuned bone, the flask of blood,
Like senna stirs along the ravaged roots.
O all I owe is all the flesh inherits,
My fathers' loves that pull upon my nerves,
My sisters tears that sing upon my head
My brothers' blood that salts my open wounds
Heir to the scalding veins that hold love's drop,
My fallen filled, that had the hint of death,
Heir to the telling senses that alone
Acquaint the flesh with a remembered itch,
I round this heritage as rounds the sun
His winy sky, and , as the candles moon,
Cast light upon my weather. I am heir
To women who have twisted their last smile,
To children who were suckled on a plague,
To young adorers dying on a kiss.
All such disease I doctor in my blood,
And all such love's a shrub sown in the breath.
Then look, my eyes, upon this bonehead fortune
And browse upon the postures of the dead;
All night and day I eye the ragged globe
Through periscopes rightsighted from the grave;
All night and day I wander in these same
Wax clothes that wax upon the ageing ribs;
All night my fortune slumbers in its sheet.
Then look, my heart, upon the scarlet trove,
And look, my grain, upon the falling wheat;
All night my fortune slumbers in its sheet.
428
Dylan Thomas
A Saint About To Fall
A Saint About To Fall
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father's house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick's tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that hits witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father's house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick's tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that hits witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
280
Dylan Thomas
A Process in the Weather of the Heart
A Process in the Weather of the Heart
A process in the weather of the heart
Turns damp to dry; the golden shot
Storms in the freezing tomb.
A weather in the quarter of the veins
Turns night to day; blood in their suns
Lights up the living worm.
A process in the eye forwarns
The bones of blindness; and the womb
Drives in a death as life leaks out.
A darkness in the weather of the eye
Is half its light; the fathomed sea
Breaks on unangled land.
The seed that makes a forest of the loin
Forks half its fruit; and half drops down,
Slow in a sleeping wind.
A weather in the flesh and bone
Is damp and dry; the quick and dead
Move like two ghosts before the eye.
A process in the weather of the world
Turns ghost to ghost; each mothered child
Sits in their double shade.
A process blows the moon into the sun,
Pulls down the shabby curtains of the skin;
And the heart gives up its dead.
A process in the weather of the heart
Turns damp to dry; the golden shot
Storms in the freezing tomb.
A weather in the quarter of the veins
Turns night to day; blood in their suns
Lights up the living worm.
A process in the eye forwarns
The bones of blindness; and the womb
Drives in a death as life leaks out.
A darkness in the weather of the eye
Is half its light; the fathomed sea
Breaks on unangled land.
The seed that makes a forest of the loin
Forks half its fruit; and half drops down,
Slow in a sleeping wind.
A weather in the flesh and bone
Is damp and dry; the quick and dead
Move like two ghosts before the eye.
A process in the weather of the world
Turns ghost to ghost; each mothered child
Sits in their double shade.
A process blows the moon into the sun,
Pulls down the shabby curtains of the skin;
And the heart gives up its dead.
227
Dylan Thomas
A Grief Ago
A Grief Ago
A grief ago,
She who was who I hold, the fats and the flower,
Or, water-lammed, from the scythe-sided thorn,
Hell wind and sea,
A stem cementing, wrestled up the tower,
Rose maid and male,
Or, master venus, through the paddler's bowl
Sailed up the sun;
Who is my grief,
A chrysalis unwrinkling on the iron,
Wrenched by my fingerman, the leaden bud
Shot through the leaf,
Was who was folded on the rod the aaron
Road east to plague,
The horn and ball of water on the frog
Housed in the side.
And she who lies,
Like exodus a chapter from the garden,
Brand of the lily's anger on her ring,
Tugged through the days
Her ropes of heritage, the wars of pardon,
On field and sand
The twelve triangles of the cherub wind
Engraving going.
Who then is she,
She holding me? The people's sea drives on her,
Drives out the father from the caesared camp;
The dens of shape
Shape all her whelps with the long voice of water,
That she I have,
The country-handed grave boxed into love,
Rise before dark.
The night is near,
A nitric shape that leaps her, time and acid;
I tell her this: before the suncock cast
Her bone to fire,
Let her inhale her dead, through seed and solid
Draw in their seas,
So cross her hand with their grave gipsy eyes,
And close her fist.
A grief ago,
She who was who I hold, the fats and the flower,
Or, water-lammed, from the scythe-sided thorn,
Hell wind and sea,
A stem cementing, wrestled up the tower,
Rose maid and male,
Or, master venus, through the paddler's bowl
Sailed up the sun;
Who is my grief,
A chrysalis unwrinkling on the iron,
Wrenched by my fingerman, the leaden bud
Shot through the leaf,
Was who was folded on the rod the aaron
Road east to plague,
The horn and ball of water on the frog
Housed in the side.
And she who lies,
Like exodus a chapter from the garden,
Brand of the lily's anger on her ring,
Tugged through the days
Her ropes of heritage, the wars of pardon,
On field and sand
The twelve triangles of the cherub wind
Engraving going.
Who then is she,
She holding me? The people's sea drives on her,
Drives out the father from the caesared camp;
The dens of shape
Shape all her whelps with the long voice of water,
That she I have,
The country-handed grave boxed into love,
Rise before dark.
The night is near,
A nitric shape that leaps her, time and acid;
I tell her this: before the suncock cast
Her bone to fire,
Let her inhale her dead, through seed and solid
Draw in their seas,
So cross her hand with their grave gipsy eyes,
And close her fist.
591
Dorothy Parker
Verse For a Certain Dog
Verse For a Certain Dog
Such glorious faith as fills your limpid eyes,
Dear little friend of mine, I never knew.
All-innocent are you, and yet all-wise.
(For Heaven's sake, stop worrying that shoe!)
You look about, and all you see is fair;
This mighty globe was made for you alone.
Of all the thunderous ages, you're the heir.
(Get off the pillow with that dirty bone!)
A skeptic world you face with steady gaze;
High in young pride you hold your noble head,
Gayly you meet the rush of roaring days.
(Must you eat puppy biscuit on the bed?)
Lancelike your courage, gleaming swift and strong,
Yours the white rapture of a winged soul,
Yours is a spirit like a Mayday song.
(God help you, if you break the goldfish bowl!)
"Whatever is, is good" - your gracious creed.
You wear your joy of living like a crown.
Love lights your simplest act, your every deed.
(Drop it, I tell you- put that kitten down!)
You are God's kindliest gift of all - a friend.
Your shining loyalty unflecked by doubt,
You ask but leave to follow to the end.
(Couldn't you wait until I took you out?)
Such glorious faith as fills your limpid eyes,
Dear little friend of mine, I never knew.
All-innocent are you, and yet all-wise.
(For Heaven's sake, stop worrying that shoe!)
You look about, and all you see is fair;
This mighty globe was made for you alone.
Of all the thunderous ages, you're the heir.
(Get off the pillow with that dirty bone!)
A skeptic world you face with steady gaze;
High in young pride you hold your noble head,
Gayly you meet the rush of roaring days.
(Must you eat puppy biscuit on the bed?)
Lancelike your courage, gleaming swift and strong,
Yours the white rapture of a winged soul,
Yours is a spirit like a Mayday song.
(God help you, if you break the goldfish bowl!)
"Whatever is, is good" - your gracious creed.
You wear your joy of living like a crown.
Love lights your simplest act, your every deed.
(Drop it, I tell you- put that kitten down!)
You are God's kindliest gift of all - a friend.
Your shining loyalty unflecked by doubt,
You ask but leave to follow to the end.
(Couldn't you wait until I took you out?)
428
Dorothy Parker
The White Lady
The White Lady
I cannot rest, I cannot rest
In straight and shiny wood,
My woven hands upon my breast-The
dead are all so good!
The earth is cool across their eyes;
They lie there quietly.
But I am neither old nor wise;
They do not welcome me.
Where never I walked alone before,
I wander in the weeds;
And people scream and bar the door,
And rattle at their beads.
We cannot rest, we never rest
Within a narrow bed
Who still must love the living best-Who
hate the pompous dead!
I cannot rest, I cannot rest
In straight and shiny wood,
My woven hands upon my breast-The
dead are all so good!
The earth is cool across their eyes;
They lie there quietly.
But I am neither old nor wise;
They do not welcome me.
Where never I walked alone before,
I wander in the weeds;
And people scream and bar the door,
And rattle at their beads.
We cannot rest, we never rest
Within a narrow bed
Who still must love the living best-Who
hate the pompous dead!
321
Dorothy Parker
The Trifler
The Trifler
Death's the lover that I'd be taking;
Wild and fickle and fierce is he.
Small's his care if my heart be breaking-
Gay young Death would have none of me.
Hear them clack of my haste to greet him!
No one other my mouth had kissed.
I had dressed me in silk to meet him-
False young Death would not hold the tryst.
Slow's the blood that was quick and stormy,
Smooth and cold is the bridal bed;
I must wait till he whistles for me-
Proud young Death would not turn his head.
I must wait till my breast is wilted.
I must wait till my back is bowed,
I must rock in the corner, jilted-
Death went galloping down the road.
Gone's my heart with a trifling rover.
Fine he was in the game he played-
Kissed, and promised, and threw me over,
And rode away with a prettier maid.
Death's the lover that I'd be taking;
Wild and fickle and fierce is he.
Small's his care if my heart be breaking-
Gay young Death would have none of me.
Hear them clack of my haste to greet him!
No one other my mouth had kissed.
I had dressed me in silk to meet him-
False young Death would not hold the tryst.
Slow's the blood that was quick and stormy,
Smooth and cold is the bridal bed;
I must wait till he whistles for me-
Proud young Death would not turn his head.
I must wait till my breast is wilted.
I must wait till my back is bowed,
I must rock in the corner, jilted-
Death went galloping down the road.
Gone's my heart with a trifling rover.
Fine he was in the game he played-
Kissed, and promised, and threw me over,
And rode away with a prettier maid.
350
Dorothy Parker
The Small Hours
The Small Hours
No more my little song comes back;
And now of nights I lay
My head on down, to watch the black
And wait the unfailing gray.
Oh, sad are winter nights, and slow;
And sad's a song that's dumb;
And sad it is to lie and know
Another dawn will come.
No more my little song comes back;
And now of nights I lay
My head on down, to watch the black
And wait the unfailing gray.
Oh, sad are winter nights, and slow;
And sad's a song that's dumb;
And sad it is to lie and know
Another dawn will come.
297
Dorothy Parker
The Satin Dress
The Satin Dress
Needle, needle, dip and dart,
Thrusting up and down,
Where's the man could ease a heart
Like a satin gown?
See the stitches curve and crawl
Round the cunning seams-
Patterns thin and sweet and small
As a lady's dreams.
Wantons go in bright brocade;
Brides in organdie;
Gingham's for the plighted maid;
Satin's for the free!
Wool's to line a miser's chest;
Crepe's to calm the old;
Velvet hides an empty breast
Satin's for the bold!
Lawn is for a bishop's yoke;
Linen's for a nun;
Satin is for wiser folk-
Would the dress were done!
Satin glows in candlelightSatin's
for the proud!
They will say who watch at night,
"What a fine shroud!"
Needle, needle, dip and dart,
Thrusting up and down,
Where's the man could ease a heart
Like a satin gown?
See the stitches curve and crawl
Round the cunning seams-
Patterns thin and sweet and small
As a lady's dreams.
Wantons go in bright brocade;
Brides in organdie;
Gingham's for the plighted maid;
Satin's for the free!
Wool's to line a miser's chest;
Crepe's to calm the old;
Velvet hides an empty breast
Satin's for the bold!
Lawn is for a bishop's yoke;
Linen's for a nun;
Satin is for wiser folk-
Would the dress were done!
Satin glows in candlelightSatin's
for the proud!
They will say who watch at night,
"What a fine shroud!"
421
Dorothy Parker
The Searched Soul
The Searched Soul
When I consider, pro and con,
What things my love is built upon --
A curly mouth; a sinewed wrist;
A questioning brow; a pretty twist
Of words as old and tried as sin;
A pointed ear; a cloven chin;
Long, tapered limbs; and slanted eyes
Not cold nor kind nor darkly wise --
When so I ponder, here apart,
What shallow boons suffice my heart,
What dust-bound trivia capture me,
I marvel at my normalcy.
When I consider, pro and con,
What things my love is built upon --
A curly mouth; a sinewed wrist;
A questioning brow; a pretty twist
Of words as old and tried as sin;
A pointed ear; a cloven chin;
Long, tapered limbs; and slanted eyes
Not cold nor kind nor darkly wise --
When so I ponder, here apart,
What shallow boons suffice my heart,
What dust-bound trivia capture me,
I marvel at my normalcy.
378
Dorothy Parker
The Little Old Lady in Lavender Silk
The Little Old Lady in Lavender Silk
I was seventy-seven, come August,
I shall shortly be losing my bloom;
I've experienced zephyr and raw gust
And (symbolical) flood and simoom.
When you come to this time of abatement,
To this passing from Summer to Fall,
It is manners to issue a statement
As to what you got out of it all.
So I'll say, though reflection unnerves me
And pronouncements I dodge as I can,
That I think (if my memory serves me)
There was nothing more fun than a man!
In my youth, when the crescent was too wan
To embarrass with beams from above,
By the aid of some local Don Juan
I fell into the habit of love.
And I learned how to kiss and be merry- an
Education left better unsung.
My neglect of the waters Pierian
Was a scandal, when Grandma was young.
Though the shabby unbalanced the splendid,
And the bitter outmeasured the sweet,
I should certainly do as I then did,
Were I given the chance to repeat.
For contrition is hollow and wraithful,
And regret is no part of my plan,
And I think (if my memory's faithful)
There was nothing more fun than a man!
I was seventy-seven, come August,
I shall shortly be losing my bloom;
I've experienced zephyr and raw gust
And (symbolical) flood and simoom.
When you come to this time of abatement,
To this passing from Summer to Fall,
It is manners to issue a statement
As to what you got out of it all.
So I'll say, though reflection unnerves me
And pronouncements I dodge as I can,
That I think (if my memory serves me)
There was nothing more fun than a man!
In my youth, when the crescent was too wan
To embarrass with beams from above,
By the aid of some local Don Juan
I fell into the habit of love.
And I learned how to kiss and be merry- an
Education left better unsung.
My neglect of the waters Pierian
Was a scandal, when Grandma was young.
Though the shabby unbalanced the splendid,
And the bitter outmeasured the sweet,
I should certainly do as I then did,
Were I given the chance to repeat.
For contrition is hollow and wraithful,
And regret is no part of my plan,
And I think (if my memory's faithful)
There was nothing more fun than a man!
370
Dorothy Parker
The New Love
The New Love
If it shine or if it rain,
Little will I care or know.
Days, like drops upon a pane,
Slip, and join, and go.
At my door's another lad;
Here's his flower in my hair.
If he see me pale and sad,
Will he see me fair?
I sit looking at the floor.
Little will I think or say
If he seek another door;
Even if he stay.
If it shine or if it rain,
Little will I care or know.
Days, like drops upon a pane,
Slip, and join, and go.
At my door's another lad;
Here's his flower in my hair.
If he see me pale and sad,
Will he see me fair?
I sit looking at the floor.
Little will I think or say
If he seek another door;
Even if he stay.
349
Dorothy Parker
The Last Question
The Last Question
New love, new love, where are you to lead me?
All along a narrow way that marks a crooked line.
How are you to slake me, and how are you to feed me?
With bitter yellow berries, and a sharp new wine.
New love, new love, shall I be forsaken?
One shall go a-wandering, and one of us must sigh.
Sweet it is to slumber, but how shall we awakenWhose
will be the broken heart, when dawn comes by?
New love, new love, where are you to lead me?
All along a narrow way that marks a crooked line.
How are you to slake me, and how are you to feed me?
With bitter yellow berries, and a sharp new wine.
New love, new love, shall I be forsaken?
One shall go a-wandering, and one of us must sigh.
Sweet it is to slumber, but how shall we awakenWhose
will be the broken heart, when dawn comes by?
274
Dorothy Parker
The Immortals
The Immortals
If you should sail for Trebizond, or die,
Or cry another name in your first sleep,
Or see me board a train, and fail to sigh,
Appropriately, I'd clutch my breast and weep.
And you, if I should wander through the door,
Or sin, or seek a nunnery, or save
My lips and give my cheek, would tread the floor
And aptly mention poison and the grave.
Therefore the mooning world is gratified,
Quoting how prettily we sigh and swear;
And you and I, correctly side by side,
Shall live as lovers when our bones are bare
And though we lie forever enemies,
Shall rank with Abelard and Heloise.
If you should sail for Trebizond, or die,
Or cry another name in your first sleep,
Or see me board a train, and fail to sigh,
Appropriately, I'd clutch my breast and weep.
And you, if I should wander through the door,
Or sin, or seek a nunnery, or save
My lips and give my cheek, would tread the floor
And aptly mention poison and the grave.
Therefore the mooning world is gratified,
Quoting how prettily we sigh and swear;
And you and I, correctly side by side,
Shall live as lovers when our bones are bare
And though we lie forever enemies,
Shall rank with Abelard and Heloise.
310
Dorothy Parker
The Gentlest Lady
The Gentlest Lady
They say He was a serious child,
And quiet in His ways;
They say the gentlest lady smiled
To hear the neighbors' praise.
The coffers of her heart would close
Upon their smaliest word.
Yet did they say, "How tall He grows!"
They thought she had not heard.
They say upon His birthday eve
She'd rock Him to His rest
As if she could not have Him leave
The shelter of her breast.
The poor must go in bitter thrift,
The poor must give in pain,
But ever did she get a gift
To greet His day again.
They say she'd kiss the Boy awake,
And hail Him gay and clear,
But oh, her heart was like to break
To count another year.
They say He was a serious child,
And quiet in His ways;
They say the gentlest lady smiled
To hear the neighbors' praise.
The coffers of her heart would close
Upon their smaliest word.
Yet did they say, "How tall He grows!"
They thought she had not heard.
They say upon His birthday eve
She'd rock Him to His rest
As if she could not have Him leave
The shelter of her breast.
The poor must go in bitter thrift,
The poor must give in pain,
But ever did she get a gift
To greet His day again.
They say she'd kiss the Boy awake,
And hail Him gay and clear,
But oh, her heart was like to break
To count another year.
396
Dorothy Parker
The False Friends
The False Friends
They laid their hands upon my head,
They stroked my cheek and brow;
And time could heal a hurt, they said,
And time could dim a vow.
And they were pitiful and mild
Who whispered to me then,
"The heart that breaks in April, child,
Will mend in May again."
Oh, many a mended heart they knew.
So old they were, and wise.
And little did they have to do
To come to me with lies!
Who flings me silly talk of May
Shall meet a bitter soul;
For June was nearly spent away
Before my heart was whole.
They laid their hands upon my head,
They stroked my cheek and brow;
And time could heal a hurt, they said,
And time could dim a vow.
And they were pitiful and mild
Who whispered to me then,
"The heart that breaks in April, child,
Will mend in May again."
Oh, many a mended heart they knew.
So old they were, and wise.
And little did they have to do
To come to me with lies!
Who flings me silly talk of May
Shall meet a bitter soul;
For June was nearly spent away
Before my heart was whole.
428
Dorothy Parker
Testament
Testament
Oh, let it be a night of lyric rain
And singing breezes, when my bell is tolled.
I have so loved the rain that I would hold
Last in my ears its friendly, dim refraln.
I shall lie cool and quiet, who have lain
Fevered, and watched the book of day unfold.
Death will not see me flinch; the heart is bold
That pain has made incapable of pain.
Kinder the busy worms than ever love;
It will be peace to lie there, empty-eyed,
My bed made secret by the leveling showers,
My breast replenishing the weeds above.
And you will say of me, "Then has she died?
Perhaps I should have sent a spray of flowers."
Oh, let it be a night of lyric rain
And singing breezes, when my bell is tolled.
I have so loved the rain that I would hold
Last in my ears its friendly, dim refraln.
I shall lie cool and quiet, who have lain
Fevered, and watched the book of day unfold.
Death will not see me flinch; the heart is bold
That pain has made incapable of pain.
Kinder the busy worms than ever love;
It will be peace to lie there, empty-eyed,
My bed made secret by the leveling showers,
My breast replenishing the weeds above.
And you will say of me, "Then has she died?
Perhaps I should have sent a spray of flowers."
368
Dorothy Parker
Symptom Recital
Symptom Recital
I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.
I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.
510
Dorothy Parker
Song Of One Of The Girls
Song Of One Of The Girls
Here in my heart I am Helen;
I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
I'm Salome, moon of the East.
Here in my soul I am Sappho;
Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
With Dido, and Eve, and poor Nell.
I'm of the glamorous ladies
At whose beckoning history shook.
But you are a man, and see only my pan,
So I stay at home with a book.
Here in my heart I am Helen;
I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
I'm Salome, moon of the East.
Here in my soul I am Sappho;
Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
With Dido, and Eve, and poor Nell.
I'm of the glamorous ladies
At whose beckoning history shook.
But you are a man, and see only my pan,
So I stay at home with a book.
311
Dorothy Parker
Sonnet For The End Of A Sequence
Sonnet For The End Of A Sequence
So take my vows and scatter them to sea;
Who swears the sweetest is no more than human.
And say no kinder words than these of me:
"Ever she longed for peace, but was a woman!
And thus they are, whose silly female dust
Needs little enough to clutter it and bind it,
Who meet a slanted gaze, and ever must
Go build themselves a soul to dwell behind it."
For now I am my own again, my friend!
This scar but points the whiteness of my breast;
This frenzy, like its betters, spins an end,
And now I am my own. And that is best.
Therefore, I am immeasurably grateful
To you, for proving shallow, false, and hateful.
So take my vows and scatter them to sea;
Who swears the sweetest is no more than human.
And say no kinder words than these of me:
"Ever she longed for peace, but was a woman!
And thus they are, whose silly female dust
Needs little enough to clutter it and bind it,
Who meet a slanted gaze, and ever must
Go build themselves a soul to dwell behind it."
For now I am my own again, my friend!
This scar but points the whiteness of my breast;
This frenzy, like its betters, spins an end,
And now I am my own. And that is best.
Therefore, I am immeasurably grateful
To you, for proving shallow, false, and hateful.
355
Dorothy Parker
Somebody's Song
Somebody's Song
This is what I vow;
He shall have my heart to keep,
Sweetly will we stir and sleep,
All the years, as now.
Swift the measured sands may run;
Love like this is never done;
He and I are welded one:
This is what I vow.
This is what I pray:
Keep him by me tenderly;
Keep him sweet in pride of me,
Ever and a day;
Keep me from the old distress;
Let me, for our happiness,
Be the one to love the less:
This is what I pray.
This is what I know:
Lovers' oaths are thin as rain;
Love's a harbinger of pain
Would it were not so!
Ever is my heart a-thirst,
Ever is my love accurst;
He is neither last nor first:
This is what I know.
This is what I vow;
He shall have my heart to keep,
Sweetly will we stir and sleep,
All the years, as now.
Swift the measured sands may run;
Love like this is never done;
He and I are welded one:
This is what I vow.
This is what I pray:
Keep him by me tenderly;
Keep him sweet in pride of me,
Ever and a day;
Keep me from the old distress;
Let me, for our happiness,
Be the one to love the less:
This is what I pray.
This is what I know:
Lovers' oaths are thin as rain;
Love's a harbinger of pain
Would it were not so!
Ever is my heart a-thirst,
Ever is my love accurst;
He is neither last nor first:
This is what I know.
451
Dorothy Parker
Second Love
Second Love
"So surely is she mine," you say, and turn
Your quick and steady mind to harder things-
To bills and bonds and talk of what men earn-
And whistle up the stair, of evenings.
And do you see a dream behind my eyes,
Or ask a simple question twice of me"
Thus women are," you say; for men are wise
And tolerant, in their security.
How shall I count the midnights I have known
When calm you turn to me, nor feel me start,
To find my easy lips upon your own
And know my breast beneath your rhythmic heart.
Your god defer the day I tell you this:
My lad, my lad, it is not you I kiss!
"So surely is she mine," you say, and turn
Your quick and steady mind to harder things-
To bills and bonds and talk of what men earn-
And whistle up the stair, of evenings.
And do you see a dream behind my eyes,
Or ask a simple question twice of me"
Thus women are," you say; for men are wise
And tolerant, in their security.
How shall I count the midnights I have known
When calm you turn to me, nor feel me start,
To find my easy lips upon your own
And know my breast beneath your rhythmic heart.
Your god defer the day I tell you this:
My lad, my lad, it is not you I kiss!
332
Dorothy Parker
Rondeau Redoublé
Rondeau Redoublé
[and scarcely worth the trouble, at that]
The same to me are somber days and gay.
Though Joyous dawns the rosy morn, and bright,
Because my dearest love is gone away
Within my heart is melancholy night.
My heart beats low in loneliness, despite
That riotous Summer holds the earth in sway.
In cerements my spirit is bedight;
The same to me are somber days and gay.
Though breezes in the rippling grasses play,
And waves dash high and far in glorious might,
I thrill no longer to the sparkling day,
Though joyous dawns the rosy morn, and bright.
Ungraceful seems to me the swallow's flight;
As well might heaven's blue be sullen gray;
My soul discerns no beauty in their sight
Because my dearest love is gone away.
Let roses fling afar their crimson spray,
And virgin daisies splash the fields with white,
Let bloom the poppy hotly as it may,
Within my heart is melancholy night.
And this, O love, my pitiable plight
Whenever from my circling arms you stray;
This little world of mine has lost its light....
I hope to God, my dear, that you can say
The same to me.
[and scarcely worth the trouble, at that]
The same to me are somber days and gay.
Though Joyous dawns the rosy morn, and bright,
Because my dearest love is gone away
Within my heart is melancholy night.
My heart beats low in loneliness, despite
That riotous Summer holds the earth in sway.
In cerements my spirit is bedight;
The same to me are somber days and gay.
Though breezes in the rippling grasses play,
And waves dash high and far in glorious might,
I thrill no longer to the sparkling day,
Though joyous dawns the rosy morn, and bright.
Ungraceful seems to me the swallow's flight;
As well might heaven's blue be sullen gray;
My soul discerns no beauty in their sight
Because my dearest love is gone away.
Let roses fling afar their crimson spray,
And virgin daisies splash the fields with white,
Let bloom the poppy hotly as it may,
Within my heart is melancholy night.
And this, O love, my pitiable plight
Whenever from my circling arms you stray;
This little world of mine has lost its light....
I hope to God, my dear, that you can say
The same to me.
368