Soul

Melmillo
Three and thirty birds there stood
In an elder in a wood;
Called Melmillo -- flew off three,
Leaving thirty in the tree;
Called Melmillo -- nine now gone,
And the boughs held twenty-one;
Called Melmillo -- and eighteen
Left but three to nod and preen;
Called Melmillo -- three--two--one--
Now of birds were feathers none.
Then stole slim Me.millo in
To that wood all dusk and green,
And with lean long palms outspread
Softly a strange dance did tread;
Not a note of music she
Had for echoing company;
All the birds were flown to rest
In the hollow of her breast;
In the wood -- thorn, elder willow --
Danced alone -- lone danced Melmillo.

Music
When music sounds, gone is the earth I know,
And all her lovely things even lovelier grow;
Her flowers in vision flame, her forest trees
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise
Naiads whose beauty dims my waking eyes,
Rapt in strange dreams burns each enchanted face,
With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came;
And from Time's woods break into distant song
The swift-winged hours, as I hasten along.

Arabia
Far are the shades of Arabia,
Where the Princes ride at noon,
'Mid the verdurous vales and thickets,
Under the ghost of the moon;
And so dark is that vaulted purple
Flowers in the forest rise
And toss into blossom 'gainst the phantom stars
Pale in the noonday skies.
Sweet is the music of Arabia
In my heart, when out of dreams
I still in the thin clear mirk of dawn
Descry her gliding streams;
Hear her strange lutes on the green banks
Ring loud with the grief and delight
Of the dim-silked, dark-haired Musicians
In the brooding silence of night.
They haunt me -- her lutes and her forests;
No beauty on earth I see
But shadowed with that dream recalls
Her loveliness to me:
Still eyes look coldly upon me,
Cold voices whisper and say --
'He is crazed with the spell of far Arabia,
They have stolen his wits away.'

Alone
The abode of the nightingale is bare,
Flowered frost congeals in the gelid air,
The fox howls from his frozen lair:
Alas, my loved one is gone,
I am alone:
It is winter.
Once the pink cast a winy smell,
The wild bee hung in the hyacinth bell,
Light in effulgence of beauty fell:
I am alone:
It is winter.
My candle a silent fire doth shed,
Starry Orion hunts o'erhead;
Come moth, come shadow, the world is dead:
Alas, my loved one is gone,
I am alone;
It is winter.

Alexander
It was the Great Alexander,
Capped with a golden helm,
Sate in the ages, in his floating ship,
In a dead calm.
Voices of sea-maids singing
Wandered across the deep:
The sailors labouring on their oars
Rowed as in sleep.
All the high pomp of Asia,
Charmed by that siren lay,
Out of their weary and dreaming minds
Faded away.
Like a bold boy sate their Captain,
His glamour withered and gone,
In the souls of his brooding mariners,
While the song pined on.
Time like a falling dew,
Life like the scene of a dream
Laid between slumber and slumber
Only did seem. . . .
O Alexander, then,
In all us mortals too,
Wax not so overbold
On the wave dark-blue!
Come the calm starry night,
Who then will hear
Aught save the singing
Of the sea-maids clear?

Years Of The Modern

YEARS of the modern! years of the unperform'd!
Your horizon rises--I see it parting away for more august dramas;
I see not America only--I see not only Liberty's nation, but other


nations preparing;
I see tremendous entrances and exits--I see new combinations--I see
the solidarity of races;
I see that force advancing with irresistible power on the world's
stage;
(Have the old forces, the old wars, played their parts? are the acts
suitable to them closed?)
I see Freedom, completely arm'd, and victorious, and very haughty,

with Law on one side, and Peace on the other,
A stupendous Trio, all issuing forth against the idea of caste;
--What historic denouements are these we so rapidly approach?
I see men marching and countermarching by swift millions; 10
I see the frontiers and boundaries of the old aristocracies broken;
I see the landmarks of European kings removed;
I see this day the People beginning their landmarks, (all others give

way;)
--Never were such sharp questions ask'd as this day;
Never was average man, his soul, more energetic, more like a God;
Lo! how he urges and urges, leaving the masses no rest;
His daring foot is on land and sea everywhere--he colonizes the

Pacific, the archipelagoes;
With the steam-ship, the electric telegraph, the newspaper, the
wholesale engines of war,
With these, and the world-spreading factories, he interlinks all
geography, all lands;
--What whispers are these, O lands, running ahead of you, passing
under the seas? 20
Are all nations communing? is there going to be but one heart to the
globe?
Is humanity forming, en-masse?--for lo! tyrants tremble, crowns grow
dim;
The earth, restive, confronts a new era, perhaps a general divine
war;
No one knows what will happen next--such portents fill the days and
nights;
Years prophetical! the space ahead as I walk, as I vainly try to

pierce it, is full of phantoms;
Unborn deeds, things soon to be, project their shapes around me;
This incredible rush and heat--this strange extatic fever of dreams,


O years!
Your dreams, O year, how they penetrate through me! (I know not
whether I sleep or wake!)
The perform'd America and Europe grow dim, retiring in shadow behind
me,
The unperform'd, more gigantic than ever, advance, advance upon
me. 30

A Song of Enchantment
A song of Enchantment I sang me there,
In a green-green wood, by waters fair,
Just as the words came up to me
I sang it under the wild wood tree.
Widdershins turned I, singing it low,
Watching the wild birds come and go;
No cloud in the deep dark blue to be seen
Under the thick-thatched branches green.
Twilight came: silence came:
The planet of Evening's silver flame;
By darkening paths I wandered through
Thickets trembling with drops of dew.
But the music is lost and the words are gone
Of the song I sang as I sat alone,
Ages and ages have fallen on me -
On the wood and the pool and the elder tree.

Year Of Meteors, 1859 '60

YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair, mounted the


scaffold in Virginia;
(I was at hand--silent I stood, with teeth shut close--I watch'd;
I stood very near you, old man, when cool and indifferent, but


trembling with age and your unheal'd wounds, you mounted the

scaffold;)
--I would sing in my copious song your census returns of The States,
The tables of population and products--I would sing of your ships and


their cargoes,
The proud black ships of Manhattan, arriving, some fill'd with
immigrants, some from the isthmus with cargoes of gold;
Songs thereof would I sing--to all that hitherward comes would I
welcome give; 10
And you would I sing, fair stripling! welcome to you from me, sweet
boy of England!
Remember you surging Manhattan's crowds, as you pass'd with your


cortege of nobles?
There in the crowds stood I, and singled you out with attachment;
I know not why, but I loved you... (and so go forth little song,
Far over sea speed like an arrow, carrying my love all folded,
And find in his palace the youth I love, and drop these lines at his


feet;)
--Nor forget I to sing of the wonder, the ship as she swam up my bay,
Well-shaped and stately the Great Eastern swam up my bay, she was 600

feet long,
Her, moving swiftly, surrounded by myriads of small craft, I forget
not to sing;
--Nor the comet that came unannounced out of the north, flaring in
heaven; 20
Nor the strange huge meteor procession, dazzling and clear, shooting
over our heads,
(A moment, a moment long, it sail'd its balls of unearthly light over


our heads,
Then departed, dropt in the night, and was gone;)
--Of such, and fitful as they, I sing--with gleams from them would I


gleam and patch these chants;
Your chants, O year all mottled with evil and good! year of
forebodings! year of the youth I love!
Year of comets and meteors transient and strange!--lo! even here, one
equally transient and strange!
As I flit through you hastily, soon to fall and be gone, what is this
book,
What am I myself but one of your meteors?

With Antecedents

WITH antecedents;
With my fathers and mothers, and the accumulations of past ages;
With all which, had it not been, I would not now be here, as I am:
With Egypt, India, Phenicia, Greece and Rome;
With the Kelt, the Scandinavian, the Alb, and the Saxon;
With antique maritime ventures,--with laws, artizanship, wars and

journeys;
With the poet, the skald, the saga, the myth, and the oracle;
With the sale of slaves--with enthusiasts--with the troubadour, the


crusader, and the monk;
With those old continents whence we have come to this new continent;
With the fading kingdoms and kings over there; 10
With the fading religions and priests;
With the small shores we look back to from our own large and present

shores;
With countless years drawing themselves onward, and arrived at these

years;
You and Me arrived--America arrived, and making this year;
This year! sending itself ahead countless years to come.


O but it is not the years--it is I--it is You;
We touch all laws, and tally all antecedents;
We are the skald, the oracle, the monk, and the knight--we easily


include them, and more;
We stand amid time, beginningless and endless--we stand amid evil and

good;
All swings around us--there is as much darkness as light; 20
The very sun swings itself and its system of planets around us;
Its sun, and its again, all swing around us.
As for me, (torn, stormy, even as I, amid these vehement days,)
I have the idea of all, and am all, and believe in all;
I believe materialism is true, and spiritualism is true--I reject no


part.

Have I forgotten any part?
Come to me, whoever and whatever, till I give you recognition.


I respect Assyria, China, Teutonia, and the Hebrews;
I adopt each theory, myth, god, and demi-god;
I see that the old accounts, bibles, genealogies, are true, without


exception; 30
I assert that all past days were what they should have been;
And that they could no-how have been better than they were,
And that to-day is what it should be--and that America is,
And that to-day and America could no-how be better than they are.


In the name of These States, and in your and my name, the Past,
And in the name of These States, and in your and my name, the Present
time.


I know that the past was great, and the future will be great,
And I know that both curiously conjoint in the present time,
(For the sake of him I typify--for the common average man's sake-


your sake, if you are he;)
And that where I am, or you are, this present day, there is the
centre of all days, all races, 40
And there is the meaning, to us, of all that has ever come of races
and days, or ever will come.

Whoever You Are, Holding Me Now In Hand

WHOEVER you are, holding me now in hand,
Without one thing, all will be useless,
I give you fair warning, before you attempt me further,
I am not what you supposed, but far different.


Who is he that would become my follower?
Who would sign himself a candidate for my affections?


The way is suspicious--the result uncertain, perhaps destructive;
You would have to give up all else--I alone would expect to be your

God, sole and exclusive,
Your novitiate would even then be long and exhausting,
The whole past theory of your life, and all conformity to the lives


around you, would have to be abandon'd; 10
Therefore release me now, before troubling yourself any further--Let
go your hand from my shoulders,
Put me down, and depart on your way.

Or else, by stealth, in some wood, for trial,
Or back of a rock, in the open air,
(For in any roof'd room of a house I emerge not--nor in company,
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)
But just possibly with you on a high hill--first watching lest any


person, for miles around, approach unawares,
Or possibly with you sailing at sea, or on the beach of the sea, or


some quiet island,
Here to put your lips upon mine I permit you,
With the comrade's long-dwelling kiss, or the new husband's kiss, 20
For I am the new husband, and I am the comrade.

Or, if you will, thrusting me beneath your clothing,
Where I may feel the throbs of your heart, or rest upon your hip,
Carry me when you go forth over land or sea;
For thus, merely touching you, is enough--is best,
And thus, touching you, would I silently sleep and be carried


eternally.

But these leaves conning, you con at peril,
For these leaves, and me, you will not understand,
They will elude you at first, and still more afterward--I will


certainly elude you,
Even while you should think you had unquestionably caught me,
behold! 30
Already you see I have escaped from you.


For it is not for what I have put into it that I have written this

book,
Nor is it by reading it you will acquire it,
Nor do those know me best who admire me, and vauntingly praise me,
Nor will the candidates for my love, (unless at most a very few,)

prove victorious,


Nor will my poems do good only--they will do just as much evil,
perhaps more;
For all is useless without that which you may guess at many times and
not hit--that which I hinted at;
Therefore release me, and depart on your way.

Who Is Now Reading This?

May-be one is now reading this who knows some wrong-doing of my past

life,
Or may-be a stranger is reading this who has secretly loved me,
Or may-be one who meets all my grand assumptions and egotisms with

derision,
Or may-be one who is puzzled at me.


As if I were not puzzled at myself!
Or as if I never deride myself! (O conscience-struck! O selfconvicted!)
Or as if I do not secretly love strangers! (O tenderly, a long time,
and never avow it;)
Or as if I did not see, perfectly well, interior in myself, the stuff
of wrong-doing,
Or as if it could cease transpiring from me until it must cease. 10

When Lilacs Last in the Dooryard Bloom'd

from Memories of President Lincoln

1

When lilacs last in the dooryard bloom'd,
And the great star early droop'd in the western sky in the night,
I mourn'd, and yet shall mourn with ever-returning spring.


Ever-returning spring, trinity sure to me you bring,
Lilac blooming perennial and drooping star in the west,
And thought of him I love.


2


O powerful western fallen star!
O shades of night -- O moody, tearful night!
O great star disappear'd -- O the black murk that hides the star!
O cruel hands that hold me powerless -- O helpless soul of me!
O harsh surrounding cloud that will not free my soul.


3


In the dooryard fronting an old farm-house near the white-wash'd palings,
Stands the lilac-bush tall-growing with heart-shaped leaves of rich green,
With many a pointed blossom rising delicate, with the perfume strong I love,
With every leaf a miracle -- and from this bush in the dooryard,
With delicate-color'd blossoms and heart-shaped leaves of rich green,
A sprig with its flower I break.


4


In the swamp in secluded recesses,
A shy and hidden bird is warbling a song.
Solitary the thrush,
The hermit withdrawn to himself, avoiding the settlements,
Sings by himself a song.


Song of the bleeding throat,
Death's outlet song of life, (for well dear brother I know,
If thou wast not granted to sing, thou would'st surely die.)


5


Over the breast of the spring, the land, amid cities,
Amid lanes and through old woods, where lately the violets peep'd from the ground,
spotting the gray debris,
Amid the grass in the fields each side of the lanes, passing the endless grass,
Passing the yellow-spear'd wheat, every grain from its shroud in the dark-brown fields
uprisen,
Passing the apple-tree blows of white and pink in the orchards,
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.



6


Coffin that passes through lanes and streets,
Through day and night with the great cloud darkening the land,
With the pomp of the inloop'd flags with the cities draped in black,
With the show of the States themselves as of crepe-veil'd women standing,
With processions long and winding and the flambeaus of the night,
With the countless torches lit, with the silent sea of faces and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn,
With all the mournful voices of the dirges pour'd around the coffin,
The dim-lit churches and the shuddering organs -- where amid these you journey,
With the tolling bells' perpetual clang,
Here, coffin that slowly passes,
I give you a sprig of lilac.


7


(Nor for you, for one alone,
Blossoms and branches green to coffins all I bring,
For fresh as the morning, thus would I chant a song for you O sane and sacred death.


All over bouquets of roses,
O death, I cover you with roses and early lilies,
But mostly and now the lilac that blooms the first,
Copious I break, I break the sprigs from the bushes,
With loaded arms I come, pouring for you,
For you and the coffins all of you, O death.)


8


O western orb sailing the heaven,
Now I know what you must have meant as a month since I walk'd,
As I walk'd in silence the transparent shadowy night,
As I saw you had something to tell as you bent to me night after night,
As you droop'd from the sky low down as if to my side, (while the other stars all look'd
on,)
As we wander'd together the solemn night, (for something I know not what kept me
from sleep,)
As the night advanced, and I saw on the rim of the west how full you were of woe,
As I stood on the rising ground in the breeze in the cool transparent night,
As I watch'd where you pass'd and was lost in the netherward black of the night,
As my soul in its trouble dissatisfied sank, as where you sad orb,
Concluded, dropt in the night, and was gone.


9


Sing on there in the swamp,
O singer bashful and tender, I hear your notes, I hear your call,
I hear, I come presently, I understand you,
But a moment I linger, for the lustrous star has detain'd me,



The star my departing comrade holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my soul for the large sweet soul that has gone?
And what shall my perfume be for the grave of him I love?


Sea-winds blown from the east and west,
Blown from the Eastern sea and blown from the Western sea, till there on the prairies
meeting,
These and with these and the breath of my chant,
I'll perfume the grave of him I love.


11


O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?


Pictures of growing spring and farms and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning,
expanding the air,
With the fresh sweet herbage under foot, and the pale green leaves of the trees
prolific,
In the distance of the flowing glaze, the breast of the river, with a wind-dapple here
and there,
With ranging hills on the banks, with many a line against the sky, and shadows,
And the city at hand with dwellings so dense, and stacks of chimneys,
And all the scenes of life and the workshops, and the workmen homeward returning.


12


Lo, body and soul -- this land,
My own Manhattan with spires, and the sparkling and hurrying tides, and the ships,
The varied and ample land, the South and the North in the light, Ohio's shores and
flashing Missouri,
And ever the far-spreading prairies cover'd with grass and corn.


Lo, the most excellent sun so calm and haughty,
The violet and purple morn with just-felt breezes,
The gentle soft-born measureless light,
The miracle spreading bathing all, the fulfill'd noon,
The coming eve delicious, the welcome night and the stars,
Over my cities shining all, enveloping man and land.


13


Sing on, sing on, you gray-brown bird,
Sing from the swamps, the recesses, pour your chant from the bushes,
Limitless out of the dusk, out of the cedars and pines.



Sing on dearest brother, warble your reedy song,
Loud human song, with voice of uttermost woe.


O liquid and free and tender!
O wild and loose to my soul -- O wondrous singer!
You only I hear -- yet the star holds me, (but will soon depart,)
Yet the lilac with mastering odor holds me.


14


Now while I sat in the day and look'd forth,
In the close of the day with its light and the fields of spring, and the farmers preparing
their crops,
In the large unconscious scenery of my land with its lakes and forests,
In the heavenly aerial beauty, (after the perturb'd winds and storms,)
Under the arching heavens of the afternoon swift passing, and the voices of children
and women,
The many-moving sea-tides, and I saw the ships how they sail'd,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia
of daily usages,
And the streets how their throbbings throbb'd, and the cities pent -- lo, then and there,
Falling upon them all and among them all, enveloping me with the rest,
Appear'd the cloud, appear'd the long black trail,
And I knew death, its thought, and the sacred knowledge of death.


Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars and the ghostly pines so still.


And the singer so shy to the rest receiv'd me,
The gray-brown bird I know received us comrades three,
And he sang the carol of death, and a verse for him I love.


>From deep secluded recesses,
>From the fragrant cedars and the ghostly pines so still,
Came the carol of the bird.


And the charm of the carol rapt me,
As I held as if by their hands my comrades in the night,
And the voice of my spirit tallied the song of the bird.


Come lovely and soothing death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later delicate death.


Prais'd be the fathomless universe,



For life and joy, and for objects and knowledge curious,
And for love, sweet love -- but praise! praise! praise!
For the sure-enwinding arms of cool-enfolding death.


Dark mother always gliding near with soft feet,
Have none chanted for thee a chant of fullest welcome?
Then I chant it for thee, I glorify thee above all,
I bring thee a song that when thou must indeed come, come unfalteringly.


Approach strong deliveress,
When it is so, when you have taken them I joyously sing the dead,
Lost in the loving floating ocean of thee,
Laved in the flood of thy bliss, O death.


From me to thee glad serenades,
Dances for thee I propose saluting thee, adornments and feastings for thee,
And the sights of the open landscape and the high-spread sky are fitting,
And life and the fields, and the huge and thoughtful night.


The night in silence under many a star,
The ocean shore and the husky whispering wave whose voice I know,
And the soul turning to thee O vast and well-veil'd death,
And the body gratefully nestling close to thee.


Over the treetops I float thee a song,
Over the rising and sinking waves, over the myriad fields and the prairies wide,
Over the dense-packed cities and all the teeming wharves and ways,
I float this carol with joy, with joy to thee O death.


15


To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure deliberate notes spreading filling the night.


Loud in the pines and cedars dim,
Clear in the freshness moist and the swamp-perfume,
And I with my comrades there in the night.


While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.


And I saw askant the armies,
I saw as in noiseless dreams hundreds of battle-flags,
Borne through the smoke of the battles and pierced with missiles I saw them,
And carried hither and yon through the smoke and torn and bloody,
And at last but a few shreds left on the staffs, (all in silence,)
And the staffs all splinter'd and broken.


I saw battle-corpses, myriads of them,
And the white skeletons of young men, I saw them,
I saw the debris and debris of all the dead soldiers of the war,



But I saw they were not as was thought,
They themselves were fully at rest, they suffer'd not,
The living remain'd and suffer'd, the mother suffer'd,
And the wife and the child and the musing comrade suffer'd,
And the armies that remain'd suffer'd.


16


Passing the visions, passing the night,
Passing, unloosing the hold of my comrades' hands,
Passing the song of the hermit bird and the tallying song of my soul,
Victorious song, death's outlet song, yet varying ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,
Passing, I leave thee lilac with heart-shaped leaves,
I leave thee there in the door-yard, blooming, returning with spring.


I cease from my song for thee,
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous with silver face in the night.


Yet each to keep and all, retrievements out of the night,
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous'd in my soul,
With the lustrous and drooping star with the countenance full of woe,
With the holders holding my hand nearing the call of the bird,
Comrades mine and I in the midst, and their memory ever to keep for the dead I loved
so well,
For the sweetest, wisest soul of all my days and lands -- and this for his dear sake,
Lilac and star and bird twined with the chant of my soul,
There in the fragrant pines and the cedars dusk and dim.

When I Heard At The Close Of The Day

WHEN I heard at the close of the day how my name had been receiv'd
with plaudits in the capitol, still it was not a happy night
for me that follow'd;

And else, when I carous'd, or when my plans were accomplish'd, still
I was not happy;
But the day when I rose at dawn from the bed of perfect health,
refresh'd, singing, inhaling the ripe breath of autumn,
When I saw the full moon in the west grow pale and disappear in the
morning light,
When I wander'd alone over the beach, and undressing, bathed,
laughing with the cool waters, and saw the sun rise,
And when I thought how my dear friend, my lover, was on his way
coming, O then I was happy;
O then each breath tasted sweeter--and all that day my food nourish'd
me more--and the beautiful day pass'd well,
And the next came with equal joy--and with the next, at evening, came
my friend;
And that night, while all was still, I heard the waters roll slowly
continually up the shores,
I heard the hissing rustle of the liquid and sands, as directed to
me, whispering, to congratulate me, 10
For the one I love most lay sleeping by me under the same cover in
the cool night,
In the stillness, in the autumn moonbeams, his face was inclined
toward me,
And his arm lay lightly around my breast--and that night I was happy.

What Am I, After All?

WHAT am I, after all, but a child, pleas'd with the sound of my own
name? repeating it over and over;
I stand apart to hear--it never tires me.

To you, your name also;
Did you think there was nothing but two or three pronunciations in
the sound of your name?

We Two-How Long We Were Fool'd

WE two--how long we were fool'd!
Now transmuted, we swiftly escape, as Nature escapes;
We are Nature--long have we been absent, but now we return;
We become plants, leaves, foliage, roots, bark;
We are bedded in the ground--we are rocks;
We are oaks--we grow in the openings side by side;
We browse--we are two among the wild herds, spontaneous as any;
We are two fishes swimming in the sea together;
We are what the locust blossoms are--we drop scent around the lanes,


mornings and evenings;
We are also the coarse smut of beasts, vegetables, minerals; 10
We are two predatory hawks--we soar above, and look down;
We are two resplendent suns--we it is who balance ourselves, orbic

and stellar--we are as two comets;
We prowl fang'd and four-footed in the woods--we spring on prey;
We are two clouds, forenoons and afternoons, driving overhead;
We are seas mingling--we are two of those cheerful waves, rolling


over each other, and interwetting each other;
We are what the atmosphere is, transparent, receptive, pervious,
impervious:
We are snow, rain, cold, darkness--we are each product and influence
of the globe;
We have circled and circled till we have arrived home again--we two
have;
We have voided all but freedom, and all but our own joy.

Warble Of Lilac-Time

WARBLE me now, for joy of Lilac-time,
Sort me, O tongue and lips, for Nature's sake, and sweet life's


sake--and death's the same as life's,
Souvenirs of earliest summer--birds' eggs, and the first berries;
Gather the welcome signs, (as children, with pebbles, or stringing


shells;)
Put in April and May--the hylas croaking in the ponds--the elastic


air,
Bees, butterflies, the sparrow with its simple notes,
Blue-bird, and darting swallow--nor forget the high-hole flashing his

golden wings,
The tranquil sunny haze, the clinging smoke, the vapor,
Spiritual, airy insects, humming on gossamer wings,
Shimmer of waters, with fish in them--the cerulean above; 10
All that is jocund and sparkling--the brooks running,
The maple woods, the crisp February days, and the sugar-making;
The robin, where he hops, bright-eyed, brown-breasted,
With musical clear call at sunrise, and again at sunset,
Or flitting among the trees of the apple-orchard, building the nest

of his mate;
The melted snow of March--the willow sending forth its yellow-green
sprouts;
--For spring-time is here! the summer is here! and what is this in it

and from it?
Thou, Soul, unloosen'd--the restlessness after I know not what;
Come! let us lag here no longer--let us be up and away!
O for another world! O if one could but fly like a bird! 20
O to escape--to sail forth, as in a ship!
To glide with thee, O Soul, o'er all, in all, as a ship o'er the


waters!
--Gathering these hints, these preludes--the blue sky, the grass, the
morning drops of dew;
(With additional songs--every spring will I now strike up additional
songs,
Nor ever again forget, these tender days, the chants of Death as well

as Life;)
The lilac-scent, the bushes, and the dark green, heart-shaped leaves,
Wood violets, the little delicate pale blossoms called innocence,
Samples and sorts not for themselves alone, but for their atmosphere,
To tally, drench'd with them, tested by them,
Cities and artificial life, and all their sights and scenes, 30
My mind henceforth, and all its meditations--my recitatives,
My land, my age, my race, for once to serve in songs,
(Sprouts, tokens ever of death indeed the same as life,)
To grace the bush I love--to sing with the birds,
A warble for joy of Lilac-time.

Virgil Strange I Kept On The Field

VIGIL strange I kept on the field one night:
When you, my son and my comrade, dropt at my side that day,
One look I but gave, which your dear eyes return'd, with a look I


shall never forget;
One touch of your hand to mine, O boy, reach'd up as you lay on the

ground;
Then onward I sped in the battle, the even-contested battle;
Till late in the night reliev'd, to the place at last again I made my

way;
Found you in death so cold, dear comrade--found your body, son of
responding kisses, (never again on earth responding;)
Bared your face in the starlight--curious the scene--cool blew the
moderate night-wind;
Long there and then in vigil I stood, dimly around me the battlefield
spreading;
Vigil wondrous and vigil sweet, there in the fragrant silent

night; 10
But not a tear fell, not even a long-drawn sigh--Long, long I gazed;
Then on the earth partially reclining, sat by your side, leaning my

chin in my hands;
Passing sweet hours, immortal and mystic hours with you, dearest
comrade--Not a tear, not a word;
Vigil of silence, love and death--vigil for you my son and my

soldier,
As onward silently stars aloft, eastward new ones upward stole;
Vigil final for you, brave boy, (I could not save you, swift was your

death,
I faithfully loved you and cared for you living--I think we shall
surely meet again;)
Till at latest lingering of the night, indeed just as the dawn


appear'd,
My comrade I wrapt in his blanket, envelop'd well his form,
Folded the blanket well, tucking it carefully over head, and


carefully under feet; 20
And there and then, and bathed by the rising sun, my son in his
grave, in his rude-dug grave I deposited;
Ending my vigil strange with that--vigil of night and battlefield
dim;
Vigil for boy of responding kisses, (never again on earth
responding;)
Vigil for comrade swiftly slain--vigil I never forget, how as day
brighten'd,
I rose from the chill ground, and folded my soldier well in his
blanket,
And buried him where he fell.

To Foreign Lands

I HEARD that you ask'd for something to prove this puzzle, the New

World,

And to define America, her athletic Democracy;

Therefore I send you my poems, that you behold in them what you

wanted.

To Old Age

I SEE in you the estuary that enlarges and spreads itself grandly as
it pours in the great Sea.

To A Stranger

PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me,

as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate,


chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you--your body has become not yours

only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass--you
take of my beard, breast, hands, in return,
I am not to speak to you--I am to think of you when I sit alone, or

wake at night alone,
I am to wait--I do not doubt I am to meet you again,
I am to see to it that I do not lose you. 10

To A Historian

YOU who celebrate bygones!
Who have explored the outward, the surfaces of the races--the life
that has exhibited itself;
Who have treated of man as the creature of politics, aggregates,
rulers and priests;
I, habitan of the Alleghanies, treating of him as he is in himself,
in his own rights,
Pressing the pulse of the life that has seldom exhibited itself, (the

great pride of man in himself;)
Chanter of Personality, outlining what is yet to be,
I project the history of the future.

To A Common Prostitute

To a Common Prostitute

BE composed--be at ease with me--I am Walt Whitman, liberal and lusty

as Nature;
Not till the sun excludes you, do I exclude you;
Not till the waters refuse to glisten for you, and the leaves to


rustle for you, do my words refuse to glisten and rustle for
you.

My girl, I appoint with you an appointment--and I charge you that you
make preparation to be worthy to meet me,
And I charge you that you be patient and perfect till I come.

Till then, I salute you with a significant look, that you do not
forget me.

Thou Orb Aloft Full-Dazzling

THOU orb aloft full-dazzling! thou hot October noon!
Flooding with sheeny light the gray beach sand,
The sibilant near sea with vistas far and foam,
And tawny streaks and shades and spreading blue;
O sun of noon rufulgent! my special word to thee.

Hear me illustrious!
Thy lover me, for always I have loved thee,
Even as basking babe, then happy boy alone by some wood edge, thy


touching-distant beams enough,
Or man matured, or young or old, as now to thee I launch my
invocation.


(Thou canst not with thy dumbness me deceive, 10
I know before the fitting man all Nature yields,
Though answering not in words, the skies, trees, hear his voice--and

thou O sun,
As for thy throes, thy perturbations, sudden breaks and shafts of
flame gigantic,
I understand them, I know those flames, those perturbations well.)

Thou that with fructifying heat and light,
O'er myriad farms, o'er lands and waters North and South,
O'er Mississippi's endless course, o'er Texas' grassy plains,


Kanada's woods,
O'er all the globe that turns its face to thee shining in space,
Thou that impartially infoldest all, not only continents, seas,
Thou that to grapes and weeds and little wild flowers givest so


liberally, 20
Shed, shed thyself on mine and me, with but a fleeting ray out of thy
million millions,
Strike through these chants.

Nor only launch thy subtle dazzle and thy strength for these,
Prepare the later afternoon of me myself--prepare my lengthening
shadows,
Prepare my starry nights.

This Compost

SOMETHING startles me where I thought I was safest;
I withdraw from the still woods I loved;
I will not go now on the pastures to walk;
I will not strip the clothes from my body to meet my lover the sea;
I will not touch my flesh to the earth, as to other flesh, to renew


me.

O how can it be that the ground does not sicken?
How can you be alive, you growths of spring?
How can you furnish health, you blood of herbs, roots, orchards,


grain?
Are they not continually putting distemper'd corpses within you?
Is not every continent work'd over and over with sour dead? 10

Where have you disposed of their carcasses?
Those drunkards and gluttons of so many generations;
Where have you drawn off all the foul liquid and meat?
I do not see any of it upon you to-day--or perhaps I am deceiv'd;
I will run a furrow with my plough--I will press my spade through the


sod, and turn it up underneath;
I am sure I shall expose some of the foul meat.


Behold this compost! behold it well!
Perhaps every mite has once form'd part of a sick person--Yet behold!
The grass of spring covers the prairies,
The bean bursts noislessly through the mould in the garden, 20
The delicate spear of the onion pierces upward,
The apple-buds cluster together on the apple-branches,
The resurrection of the wheat appears with pale visage out of its


graves,
The tinge awakes over the willow-tree and the mulberry-tree,
The he-birds carol mornings and evenings, while the she-birds sit on

their nests,
The young of poultry break through the hatch'd eggs,
The new-born of animals appear--the calf is dropt from the cow, the

colt from the mare,
Out of its little hill faithfully rise the potato's dark green
leaves,
Out of its hill rises the yellow maize-stalk--the lilacs bloom in the
door-yards;
The summer growth is innocent and disdainful above all those strata
of sour dead. 30

What chemistry!
That the winds are really not infectious,
That this is no cheat, this transparent green-wash of the sea, which


is so amorous after me,
That it is safe to allow it to lick my naked body all over with its
tongues,
That it will not endanger me with the fevers that have deposited



themselves in it,
That all is clean forever and forever.
That the cool drink from the well tastes so good,
That blackberries are so flavorous and juicy,
That the fruits of the apple-orchard, and of the orange-orchard--that

melons, grapes, peaches, plums, will none of them poison me,
That when I recline on the grass I do not catch any disease, 40
Though probably every spear of grass rises out of what was once a

catching disease.

Now I am terrified at the Earth! it is that calm and patient,
It grows such sweet things out of such corruptions,
It turns harmless and stainless on its axis, with such endless


successions of diseas'd corpses,
It distils such exquisite winds out of such infused fetor,
It renews with such unwitting looks, its prodigal, annual, sumptuous

crops,
It gives such divine materials to men, and accepts such leavings from
them at last.