Soul

Sonnet CII

My love is strengthen'd, though more weak in seeming;
I love not less, though less the show appear:
That love is merchandized whose rich esteeming
The owner's tongue doth publish every where.
Our love was new and then but in the spring
When I was wont to greet it with my lays,
As Philomel in summer's front doth sing
And stops her pipe in growth of riper days:
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burthens every bough
And sweets grown common lose their dear delight.
Therefore like her I sometime hold my tongue,
Because I would not dull you with my song.

Sonnet 98: From you have I been absent in the spring

From you have I been absent in the spring,

When proud-pied April, dressed in all his trim,

Hath put a spirit of youth in every thing,

That heavy Saturn laughed and leaped with him.

Yet nor the lays of birds, nor the sweet smell

Of different flowers in odour and in hue

Could make me any summer's story tell,

Or from their proud lap pluck them where they grew.

Nor did I wonder at the lily's white,

Nor praise the deep vermilion in the rose;

They were but sweet, but figures of delight

Drawn after you, you pattern of all those.
Yet seemed it winter still, and you away,
As with your shadow I with these did play.

Sonnet 8: Music to hear, why hear'st thou music sadly?

Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy.
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tunèd sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering,
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing;


Whose speechless song being many, seeming one,
Sings this to thee: "Thou single wilt prove none."

Sonnet 78: So oft have I invoked thee for my Muse

So oft have I invoked thee for my Muse,
And found such fair assistance in my verse
As every alien pen hath got my use,
And under thee their poesy disperse.
Thine eyes, that taught the dumb on high to sing,
And heavy ignorance aloft to fly,
Have added feathers to the learnèd's wing
And given grace a double majesty.
Yet be most proud of that which I compile,
Whose influence is thine, and born of thee.
In others' works thou dost but mend the style,
And arts with thy sweet graces gracèd be.


But thou art all my art, and dost advance
As high as learning my rude ignorance.

Sonnet 76: Why is my verse so barren of new pride?

Why is my verse so barren of new pride?

So far from variation or quick change?

Why with the time do I not glance aside

To new-found methods, and to compounds strange?

Why write I still all one, ever the same,

And keep invention in a noted weed,

That every word doth almost tell my name,

Showing their birth and where they did proceed?

O, know, sweet love, I always write of you,

And you and love are still my argument;

So all my best is dressing old words new,

Spending again what is already spent.
For as the sun is daily new and old,
So is my love still telling what is told.

Sonnet 73:

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.


In me thou see'st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.


In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum'd with that which it was nourish'd by.


This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.

Sonnet 74: But be contented when that fell arrest

But be contented when that fell arrest
Without all bail shall carry me away;
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee,
The earth can have but earth, which is his due;
My spirit is thine the better part of me.
So then thou hast but lost the dregs of life,
The prey of worms, my body being dead,
The coward conquest of a wretch's knife,
Too base of thee to be rememberèd,


The worth of that is that which it contains,
And that is this, and this with thee remains.

Sonnet 71: No longer mourn for me when I am dead

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vilest worms to dwell.
Nay if you read this line, remember not
The hand that writ it, for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O, if, I say, you look upon this verse,
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay,


Lest the wise world should look into your moan
And mock you with me after I am gone.

Sonnet 69: Those parts of thee that the world's eye doth view

Those parts of thee that the world's eye doth view

Want nothing that the thought of hearts can mend;

All tongues, the voice of souls, give thee that due,

Utt'ring bare truth, even so as foes commend.

Thy outward thus with outward praise is crowned,

But those same tongues that give thee so thine own

In other accents do this praise confound

By seeing farther than the eye hath shown.

They look into the beauty of thy mind,

And that, in guess, they measure by thy deeds;

Then churls their thoughts, although their eyes were kind,

To thy fair flower add the rank smell of weeds.
But why thy odour matcheth not thy show,
The soil is this, that thou dost common grow.

Sonnet 7: Lo, in the orient when the gracious light

Lo, in the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climbed the steep-up heavenly hill,
Resembling strong youth in his middle age,
Yet mortal looks adore his beauty still,
Attending on his golden pilgrimage;
But when from highmost pitch, with weary car,
Like feeble age, he reeleth from the day,
The eyes, 'fore duteous, now converted are
From his low tract and look another way.


So thou, thyself outgoing in thy noon,
Unlooked on diest, unless thou get a son.

Sonnet 64: When I have seen by Time's fell hand defaced

When I have seen by Time's fell hand defaced
The rich-proud cost of outworn buried age;
When sometime lofty towers I see down-razed
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state it self confounded to decay,
Ruin hath taught me thus to ruminate
That Time will come and take my love away.


This thought is as a death which cannot choose
But weep to have that which it fears to lose.

Sonnet 66: Tired with all these, for restful death I cry

Tired with all these, for restful death I cry,

As to behold desert a beggar born,

And needy nothing trimmed in jollity,

And purest faith unhappily forsworn,

And gilded honour shamefully misplaced,

And maiden virtue rudely strumpeted,

And right perfection wrongfully disgraced,

And strength by limping sway disablèd

And art made tongue-tied by authority,

And folly doctor-like controlling skill,

And simple truth miscalled simplicity,

And captive good attending captain ill.
Tired with all these, from these would I be gone,
Save that to die, I leave my love alone.

Sonnet 62: Sin of self-love possesseth all mine eye

Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account;
And for my self mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed
Beated and chapped with tanned antiquity,
Mine own self-love quite contrary I read;
Self so self-loving were iniquity.


'Tis thee, myself, that for my self I praise,
Painting my age with beauty of thy days.

Sonnet 63: Against my love shall be, as I am now

Against my love shall be, as I am now,

With Time's injurious hand crushed and o'erworn;

When hours have drained his blood and filled his brow

With lines and wrinkles; when his youthful morn

Hath travelled on to age's steepy night,

And all those beauties whereof now he's king

Are vanishing, or vanished out of sight,

Stealing away the treasure of his spring;

For such a time do I now fortify

Against confounding age's cruel knife,

That he shall never cut from memory

My sweet love's beauty, though my lover's life.
His beauty shall in these black lines be seen,
And they shall live, and he in them still green.

Sonnet 60: Like as the waves make towards the pebbled shore

Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity once in the main of light,
Crawls to maturity, wherewith being crowned,
Crookèd eclipses 'gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty's brow,
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow.


And yet to times in hope my verse shall stand,
Praising thy worth despite his cruel hand.

Sonnet 55: Not marble, nor the gilded monuments

Not marble, nor the gilded monuments
Of princes shall outlive this powerful rhyme,
But you shall shine more bright in these contents
Than unswept stone besmeared with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword, nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.


So, till the judgment that yourself arise,
You live in this, and dwell in lovers' eyes.

Sonnet 57: Being your slave, what should I do but tend

Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require.
Nor dare I chide the world-without-end hour,
Whilst I, my sovereign, watch the clock for you,
Nor think the bitterness of absence sour
When you have bid your servant once adieu.
Nor dare I question with my jealous thought
Where you may be, or your affairs suppose,
But, like a sad slave, stay and think of naught
Save where you are, how happy you make those.


So true a fool is love that in your will,
Though you do any thing, he thinks no ill.

Sonnet 51: Thus can my love excuse the slow offence

Thus can my love excuse the slow offence

Of my dull bearer, when from thee I speed:

From where thou art, why should I haste me thence?

Till I return, of posting is no need.

O, what excuse will my poor beast then find

When swift extremity can seem but slow?

Then should I spur, though mounted on the wind;

In wingèd speed no motion shall I know.

Then can no horse with my desire keep pace;

Therefore desire, of perfect'st love being made,

Shall neigh—no dull flesh—in his fiery race.

But love, for love, thus shall excuse my jade:
Since from thee going he went wilful-slow,
Towards thee I'll run, and give him leave to go.

Sonnet 53: What is your substance, whereof are you made

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring, and foison of the year;
The one doth shadow of your beauty show,
The other as your bounty doth appear,
And you in every blessèd shape we know.


In all external grace you have some part,
But you like none, none you, for constant heart.

Sonnet 5: Those hours, that with gentle work did frame

Those hours, that with gentle work did frame

The lovely gaze where every eye doth dwell,

Will play the tyrants to the very same

And that unfair which fairly doth excel;

For never-resting Time leads summer on

To hideous winter and confounds him there,

Sap checked with frost and lusty leaves quite gone,

Beauty o'ersnowed and bareness everywhere.

Then, were not summer's distillation left

A liquid prisoner pent in walls of glass,

Beauty's effect with beauty were bereft,

Nor it nor no remembrance what it was.
But flowers distilled, though they with winter meet,
Leese but their show; their substance still lives sweet.

Sonnet 48: How careful was I, when I took my way

How careful was I, when I took my way,

Each trifle under truest bars to thrust,

That to my use it might unusèd stay

From hands of falsehood, in sure wards of trust!

But thou, to whom my jewels trifles are,

Most worthy comfort, now my greatest grief,

Thou best of dearest, and mine only care,

Art left the prey of every vulgar thief.

Thee have I not locked up in any chest,

Save where thou art not—though I feel thou art—

Within the gentle closure of my breast,

From whence at pleasure thou mayst come and part;
And even thence thou wilt be stol'n, I fear,
For truth proves thievish for a prize so dear.

Sonnet 46: Mine eye and heart are at a mortal war

Mine eye and heart are at a mortal war

How to divide the conquest of thy sight;

Mine eye my heart thy picture's sight would bar,

My heart mine eye the freedom of that right,

My heart doth plead that thou in him dost lie—

A closet never pierced with crystal eyes—

But the defendant doth that plea deny,

And says in him thy fair appearance lies.

To 'cide this title is impanellèd

A quest of thoughts, all tenants to the heart,

And by their verdict is determinèd

The clear eye's moiety, and the dear heart's part.
As thus, mine eye's due is thy outward part,
And my heart's right thy inward love of heart.

Sonnet 44: If the dull substance of my flesh were thought

If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote, where thou dost stay.
No matter then although my foot did stand
Upon the farthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But, ah, thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that, so much of earth and water wrought,
I must attend time's leisure with my moan,


Receiving nought by elements so slow,
But heavy tears, badges of either's woe.

Sonnet 39: O, how thy worth with manners may I sing

O, how thy worth with manners may I sing,
When thou art all the better part of me?
What can mine own praise to mine own self bring?
And what is't but mine own when I praise thee?
Even for this let us divided live,
And our dear love lose name of single one,
That by this separation I may give
That due to thee which thou deserv'st alone.
O, absence what a torment wouldst thou prove,
Were it not thy sour leisure gave sweet leave
To entertain the time with thoughts of love,
Which time and thoughts so sweetly doth deceive,


And that thou teachest how to make one twain
By praising him here who doth hence remain!