Life
Poems in this topic
Oscar Wilde
Desespoir
The seasons send their ruin as they go,
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea
Flows at our heels, and gloom of sunless night
Covers the days which never more return?
Ambition, love and all the thoughts that burn
We lose too soon, and only find delight
In withered husks of some dead memory.
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea
Flows at our heels, and gloom of sunless night
Covers the days which never more return?
Ambition, love and all the thoughts that burn
We lose too soon, and only find delight
In withered husks of some dead memory.
1,273
William Shakespeare
Sonnet CXLVI
Sonnet CXLVI
Poor soul, the centre of my sinful earth,
[ ] these rebel powers that thee array;
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? is this thy body's end?
Then soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:
So shalt thou feed on Death, that feeds on men,
And Death once dead, there's no more dying then.
Poor soul, the centre of my sinful earth,
[ ] these rebel powers that thee array;
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? is this thy body's end?
Then soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:
So shalt thou feed on Death, that feeds on men,
And Death once dead, there's no more dying then.
248
William Ernest Henley
Madam Life's a Piece in Bloom
Madam Life's a Piece in Bloom
Madam Life's a piece in bloom
Death goes dogging everywhere:
She's the tenant of the room,
He's the ruffian on the stair.
You shall see her as a friend,
You shall bilk him once or twice;
But he'll trap you in the end,
And he'll stick you for her price.
With his kneebones at your chest,
And his knuckles in your throat,
You would reason -- plead -- protest!
Clutching at her petticoat;
But she's heard it all before,
Well she knows you've had your fun,
Gingerly she gains the door,
And your little job is done.
Madam Life's a piece in bloom
Death goes dogging everywhere:
She's the tenant of the room,
He's the ruffian on the stair.
You shall see her as a friend,
You shall bilk him once or twice;
But he'll trap you in the end,
And he'll stick you for her price.
With his kneebones at your chest,
And his knuckles in your throat,
You would reason -- plead -- protest!
Clutching at her petticoat;
But she's heard it all before,
Well she knows you've had your fun,
Gingerly she gains the door,
And your little job is done.
184
William Carlos Williams
The Term
The Term
A rumpled sheet
Of brown paper
About the length
And apparent bulk
Of a man was
Rolling with the
Wind slowly over
And over in
The street as
A car drove down
Upon it and
Crushed it to
The ground. Unlike
A man it rose
Again rolling
With the wind over
And over to be as
It was before.
Anonymous submission.
A rumpled sheet
Of brown paper
About the length
And apparent bulk
Of a man was
Rolling with the
Wind slowly over
And over in
The street as
A car drove down
Upon it and
Crushed it to
The ground. Unlike
A man it rose
Again rolling
With the wind over
And over to be as
It was before.
Anonymous submission.
278
William Butler Yeats
Tom O'Roughley
Tom O'Roughley
'THOUGH logic-choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,'
Or so did Tom O'Roughley say
That saw the surges running by.
'And wisdom is a butterfly
And not a gloomy bird of prey.
'If little planned is little sinned
But little need the grave distress.
What's dying but a second wind?
How but in zig-zag wantonness
Could trumpeter Michael be so brave?'
Or something of that sort he said,
'And if my dearest friend were dead
I'd dance a measure on his grave.'
'THOUGH logic-choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,'
Or so did Tom O'Roughley say
That saw the surges running by.
'And wisdom is a butterfly
And not a gloomy bird of prey.
'If little planned is little sinned
But little need the grave distress.
What's dying but a second wind?
How but in zig-zag wantonness
Could trumpeter Michael be so brave?'
Or something of that sort he said,
'And if my dearest friend were dead
I'd dance a measure on his grave.'
412
William Butler Yeats
Those Dancing Days Are Gone
Those Dancing Days Are Gone
Come, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
Come, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
349
William Blake
The Marriage of Heaven and Hell (excerpt)
The Marriage of Heaven and Hell (excerpt)
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of
eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise,
that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the
horse, the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how
he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his
curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces. Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet
Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are
roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of
eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise,
that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the
horse, the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how
he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his
curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces. Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet
Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are
roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
475
William Blake
The Fly
The Fly
Little Fly,
Thy summer's play
My thoughtless hand
Has brushed away.
Am not I
A fly like thee?
Or art not thou
A man like me?
For I dance
And drink, and sing,
Till some blind hand
Shall brush my wing.
If thought is life
And strength and breath
And the want
Of thought is death;
Then am I
A happy fly,
If I live,
Or if I die.
Little Fly,
Thy summer's play
My thoughtless hand
Has brushed away.
Am not I
A fly like thee?
Or art not thou
A man like me?
For I dance
And drink, and sing,
Till some blind hand
Shall brush my wing.
If thought is life
And strength and breath
And the want
Of thought is death;
Then am I
A happy fly,
If I live,
Or if I die.
349
William Blake
Proverbs of Hell (Excerpt from The Marriage of Heaven and H
Proverbs of Hell (Excerpt from The Marriage of Heaven and H
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that
they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the horse,
the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how
he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his
curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces. Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet
Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are
roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that
they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the horse,
the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how
he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his
curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces. Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet
Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are
roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
653
William Blake
Preludium to America
Preludium to America
The shadowy Daughter of Urthona stood before red Orc,
When fourteen suns had faintly journey'd o'er his dark abode:
His food she brought in iron baskets, his drink in cups of iron:
Crown'd with a helmet and dark hair the nameless female stood;
A quiver with its burning stores, a bow like that of night,
When pestilence is shot from heaven: no other arms she need!
Invulnerable though naked, save where clouds roll round her loins
Their awful folds in the dark air: silent she stood as night;
For never from her iron tongue could voice or sound arise,
But dumb till that dread day when Orc assay'd his fierce embrace.
'Dark Virgin,' said the hairy youth, 'thy father stern, abhorr'd,
Rivets my tenfold chains while still on high my spirit soars;
Sometimes an Eagle screaming in the sky, sometimes a Lion
Stalking upon the mountains, and sometimes a Whale, I lash
The raging fathomless abyss; anon a Serpent folding
Around the pillars of Urthona, and round thy dark limbs
On the Canadian wilds I fold; feeble my spirit folds,
For chain'd beneath I rend these caverns: when thou bringest food
I howl my joy, and my red eyes seek to behold thy face--
In vain! these clouds roll to and fro, and hide thee from my sight.'
Silent as despairing love, and strong as jealousy,
The hairy shoulders rend the links; free are the wrists of fire;
Round the terrific loins he seiz'd the panting, struggling womb;
It joy'd: she put aside her clouds and smiled her first-born smile,
As when a black cloud shews its lightnings to the silent deep.
Soon as she saw the terrible boy, then burst the virgin cry:
'I know thee, I have found thee, and I will not let thee go:
Thou art the image of God who dwells in darkness of Africa,
And thou art fall'n to give me life in regions of dark death.
On my American plains I feel the struggling afflictions
Endur'd by roots that writhe their arms into the nether deep.
I see a Serpent in Canada who courts me to his love,
In Mexico an Eagle, and a Lion in Peru;
I see a Whale in the south-sea, drinking my soul away.
O what limb-rending pains I feel! thy fire and my frost
Mingle in howling pains, in furrows by thy lightnings rent.
This is eternal death, and this the torment long foretold.'
The shadowy Daughter of Urthona stood before red Orc,
When fourteen suns had faintly journey'd o'er his dark abode:
His food she brought in iron baskets, his drink in cups of iron:
Crown'd with a helmet and dark hair the nameless female stood;
A quiver with its burning stores, a bow like that of night,
When pestilence is shot from heaven: no other arms she need!
Invulnerable though naked, save where clouds roll round her loins
Their awful folds in the dark air: silent she stood as night;
For never from her iron tongue could voice or sound arise,
But dumb till that dread day when Orc assay'd his fierce embrace.
'Dark Virgin,' said the hairy youth, 'thy father stern, abhorr'd,
Rivets my tenfold chains while still on high my spirit soars;
Sometimes an Eagle screaming in the sky, sometimes a Lion
Stalking upon the mountains, and sometimes a Whale, I lash
The raging fathomless abyss; anon a Serpent folding
Around the pillars of Urthona, and round thy dark limbs
On the Canadian wilds I fold; feeble my spirit folds,
For chain'd beneath I rend these caverns: when thou bringest food
I howl my joy, and my red eyes seek to behold thy face--
In vain! these clouds roll to and fro, and hide thee from my sight.'
Silent as despairing love, and strong as jealousy,
The hairy shoulders rend the links; free are the wrists of fire;
Round the terrific loins he seiz'd the panting, struggling womb;
It joy'd: she put aside her clouds and smiled her first-born smile,
As when a black cloud shews its lightnings to the silent deep.
Soon as she saw the terrible boy, then burst the virgin cry:
'I know thee, I have found thee, and I will not let thee go:
Thou art the image of God who dwells in darkness of Africa,
And thou art fall'n to give me life in regions of dark death.
On my American plains I feel the struggling afflictions
Endur'd by roots that writhe their arms into the nether deep.
I see a Serpent in Canada who courts me to his love,
In Mexico an Eagle, and a Lion in Peru;
I see a Whale in the south-sea, drinking my soul away.
O what limb-rending pains I feel! thy fire and my frost
Mingle in howling pains, in furrows by thy lightnings rent.
This is eternal death, and this the torment long foretold.'
458
William Blake
Milton: The Sky is an Immortal Tent Built by the Sons of Los
Milton: The Sky is an Immortal Tent Built by the Sons of Los
The sky is an immortal tent built by the Sons of Los:
And every space that a man views around his dwelling-place
Standing on his own roof or in his garden on a mount
Of twenty-five cubits in height, such space is his universe:
And on its verge the sun rises and sets, the clouds bow
To meet the flat earth and the sea in such an order'd space:
The starry heavens reach no further, but here bend and set
On all sides, and the two Poles turn on their valves of gold:
And if he moves his dwelling-place, his heavens also move
Where'er he goes, and all his neighbourhood bewail his loss.
Such are the spaces called Earth and such its dimension.
As to that false appearance which appears to the reasoner
As of a globe rolling through voidness, it is a delusion of Ulro.
The microscope knows not of this nor the telescope: they alter
The ratio of the spectator's organs, but leave objects untouch'd.
For every space larger than a red globule of Man's blood
Is visionary, and is created by the Hammer of Los;
And every space smaller than a globule of Man's blood opens
Into Eternity of which this vegetable Earth is but a shadow.
The red globule is the unwearied sun by Los created
To measure time and space to mortal men every morning
The sky is an immortal tent built by the Sons of Los:
And every space that a man views around his dwelling-place
Standing on his own roof or in his garden on a mount
Of twenty-five cubits in height, such space is his universe:
And on its verge the sun rises and sets, the clouds bow
To meet the flat earth and the sea in such an order'd space:
The starry heavens reach no further, but here bend and set
On all sides, and the two Poles turn on their valves of gold:
And if he moves his dwelling-place, his heavens also move
Where'er he goes, and all his neighbourhood bewail his loss.
Such are the spaces called Earth and such its dimension.
As to that false appearance which appears to the reasoner
As of a globe rolling through voidness, it is a delusion of Ulro.
The microscope knows not of this nor the telescope: they alter
The ratio of the spectator's organs, but leave objects untouch'd.
For every space larger than a red globule of Man's blood
Is visionary, and is created by the Hammer of Los;
And every space smaller than a globule of Man's blood opens
Into Eternity of which this vegetable Earth is but a shadow.
The red globule is the unwearied sun by Los created
To measure time and space to mortal men every morning
412
Wilfred Owen
Beauty: [Notes for an unfinished poem]
Beauty: [Notes for an unfinished poem]
The beautiful, the fair, the elegant,
Is that which pleases us, says Kant,
Without a thought of interest or advantage.
I used to watch men when they spoke of beauty
And measure their enthusiasm. One
An old man, seeing a ( ) setting sun,
Praised it ( ) a certain sense of duty
To the calm evening and his time of life.
I know another man that never says a Beauty
But of a horse; ( )
Men seldom speak of beauty, beauty as such,
Not even lovers think about it much.
Women of course consider it for hours
In mirrors; ( )
A shrapnel ball -
Just where the wet skin glistened when he swam -
Like a fully-opened sea-anemone.
We both said 'What a beauty! What a beauty, lad'
I knew that in that flower he saw a hope
Of living on, and seeing again the roses of his home.
Beauty is that which pleases and delights,
Not bringing personal advantage - Kant.
But later on I heard
A canker worked into that crimson flower
And that he sank with it
And laid it with the anemones off Dover.
The beautiful, the fair, the elegant,
Is that which pleases us, says Kant,
Without a thought of interest or advantage.
I used to watch men when they spoke of beauty
And measure their enthusiasm. One
An old man, seeing a ( ) setting sun,
Praised it ( ) a certain sense of duty
To the calm evening and his time of life.
I know another man that never says a Beauty
But of a horse; ( )
Men seldom speak of beauty, beauty as such,
Not even lovers think about it much.
Women of course consider it for hours
In mirrors; ( )
A shrapnel ball -
Just where the wet skin glistened when he swam -
Like a fully-opened sea-anemone.
We both said 'What a beauty! What a beauty, lad'
I knew that in that flower he saw a hope
Of living on, and seeing again the roses of his home.
Beauty is that which pleases and delights,
Not bringing personal advantage - Kant.
But later on I heard
A canker worked into that crimson flower
And that he sank with it
And laid it with the anemones off Dover.
203
Walt Whitman
To Old Age
To Old Age
I SEE in you the estuary that enlarges and spreads itself grandly as
it pours in the great Sea.
I SEE in you the estuary that enlarges and spreads itself grandly as
it pours in the great Sea.
401
Walt Whitman
On Journeys Through The States
On Journeys Through The States
ON journeys through the States we start,
(Ay, through the world--urged by these songs,
Sailing henceforth to every land--to every sea;)
We, willing learners of all, teachers of all, and lovers of all.
We have watch'd the seasons dispensing themselves, and passing on,
We have said, Why should not a man or woman do as much as the
seasons, and effuse as much?
We dwell a while in every city and town;
We pass through Kanada, the north-east, the vast valley of the
Mississippi, and the Southern States;
We confer on equal terms with each of The States,
We make trial of ourselves, and invite men and women to hear; 10
We say to ourselves, Remember, fear not, be candid, promulge the body
and the Soul;
Dwell a while and pass on--Be copious, temperate, chaste, magnetic,
And what you effuse may then return as the seasons return,
And may be just as much as the seasons.
ON journeys through the States we start,
(Ay, through the world--urged by these songs,
Sailing henceforth to every land--to every sea;)
We, willing learners of all, teachers of all, and lovers of all.
We have watch'd the seasons dispensing themselves, and passing on,
We have said, Why should not a man or woman do as much as the
seasons, and effuse as much?
We dwell a while in every city and town;
We pass through Kanada, the north-east, the vast valley of the
Mississippi, and the Southern States;
We confer on equal terms with each of The States,
We make trial of ourselves, and invite men and women to hear; 10
We say to ourselves, Remember, fear not, be candid, promulge the body
and the Soul;
Dwell a while and pass on--Be copious, temperate, chaste, magnetic,
And what you effuse may then return as the seasons return,
And may be just as much as the seasons.
418
Walt Whitman
Miracles
Miracles
WHY! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the
water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with
any one I love,
Or sit at table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon, 10
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sun-down--or of stars shining so quiet
and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best-
mechanics, boatmen, farmers,
Or among the savans--or to the soiree--or to the opera,
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old
woman,
Or the sick in hospitals, or the dead carried to burial, 20
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct, and in its place.
To me, every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the
same,
Every foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women,
and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle; 30
The fishes that swim--the rocks--the motion of the waves--the ships,
with men in them,
What stranger miracles are there?
WHY! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the
water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with
any one I love,
Or sit at table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon, 10
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sun-down--or of stars shining so quiet
and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best-
mechanics, boatmen, farmers,
Or among the savans--or to the soiree--or to the opera,
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old
woman,
Or the sick in hospitals, or the dead carried to burial, 20
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct, and in its place.
To me, every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the
same,
Every foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women,
and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle; 30
The fishes that swim--the rocks--the motion of the waves--the ships,
with men in them,
What stranger miracles are there?
706
Walt Whitman
My Picture-Callery
My Picture-Callery
IN a little house keep I pictures suspended, it is not a fix'd house,
It is round, it is only a few inches from one side to the other;
Yet behold, it has room for all the shows of the world, all memories?
Here the tableaus of life, and here the groupings of death;
Here, do you know this? this is cicerone himself,
With finger rais'd he points to the prodigal pictures.
IN a little house keep I pictures suspended, it is not a fix'd house,
It is round, it is only a few inches from one side to the other;
Yet behold, it has room for all the shows of the world, all memories?
Here the tableaus of life, and here the groupings of death;
Here, do you know this? this is cicerone himself,
With finger rais'd he points to the prodigal pictures.
356
Walt Whitman
Kosmos
Kosmos
WHO includes diversity, and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality
of the earth, and the great charity of the earth, and the
equilibrium also,
Who has not look'd forth from the windows, the eyes, for nothing, or
whose brain held audience with messengers for nothing;
Who contains believers and disbelievers--Who is the most majestic
lover;
Who holds duly his or her triune proportion of realism, spiritualism,
and of the aesthetic, or intellectual,
Who, having consider'd the Body, finds all its organs and parts good;
Who, out of the theory of the earth, and of his or her body,
understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of These
States;
Who believes not only in our globe, with its sun and moon, but in
other globes, with their suns and moons;
Who, constructing the house of himself or herself, not for a day, but
for all time, sees races, eras, dates, generations, 10
The past, the future, dwelling there, like space, inseparable
together.
WHO includes diversity, and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality
of the earth, and the great charity of the earth, and the
equilibrium also,
Who has not look'd forth from the windows, the eyes, for nothing, or
whose brain held audience with messengers for nothing;
Who contains believers and disbelievers--Who is the most majestic
lover;
Who holds duly his or her triune proportion of realism, spiritualism,
and of the aesthetic, or intellectual,
Who, having consider'd the Body, finds all its organs and parts good;
Who, out of the theory of the earth, and of his or her body,
understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of These
States;
Who believes not only in our globe, with its sun and moon, but in
other globes, with their suns and moons;
Who, constructing the house of himself or herself, not for a day, but
for all time, sees races, eras, dates, generations, 10
The past, the future, dwelling there, like space, inseparable
together.
611
Sarah Teasdale
Moonlight
Moonlight
It will not hurt me when I am old,
A running tide where moonlight burned
Will not sting me like silver snakes;
The years will make me sad and cold,
It is the happy heart that breaks.
The heart asks more than life can give,
When that is learned, then all is learned;
The waves break fold on jewelled fold,
But beauty itself is fugitive,
It will not hurt me when I am old.
It will not hurt me when I am old,
A running tide where moonlight burned
Will not sting me like silver snakes;
The years will make me sad and cold,
It is the happy heart that breaks.
The heart asks more than life can give,
When that is learned, then all is learned;
The waves break fold on jewelled fold,
But beauty itself is fugitive,
It will not hurt me when I am old.
424
Sarah Teasdale
Come
Come
Come, when the pale moon like a petal
Floats in the pearly dusk of spring,
Come with arms outstretched to take me,
Come with lips pursed up to cling.
Come, for life is a frail moth flying,
Caught in the web of the years that pass,
And soon we two, so warm and eager,
Will be as the gray stones in the grass.
Come, when the pale moon like a petal
Floats in the pearly dusk of spring,
Come with arms outstretched to take me,
Come with lips pursed up to cling.
Come, for life is a frail moth flying,
Caught in the web of the years that pass,
And soon we two, so warm and eager,
Will be as the gray stones in the grass.
484
Sarah Teasdale
At Midnight
At Midnight
Now at last I have come to see what life is,
Nothing is ever ended, everything only begun,
And the brave victories that seem so splendid
Are never really won.
Even love that I built my spirit's house for,
Comes like a brooding and a baffled guest,
And music and men's praise and even laughter
Are not so good as rest.
Now at last I have come to see what life is,
Nothing is ever ended, everything only begun,
And the brave victories that seem so splendid
Are never really won.
Even love that I built my spirit's house for,
Comes like a brooding and a baffled guest,
And music and men's praise and even laughter
Are not so good as rest.
378
Rupert Brooke
The Hill
The Hill
Breathless, we flung us on the windy hill,
Laughed in the sun, and kissed the lovely grass.
You said, “Through glory and ecstasy we pass;
Wind, sun, and earth remain, the birds sing still,
When we are old, are old.…” “And when we die
All’s over that is ours; and life burns on
Through other lovers, other lips,” said I,
—“Heart of my heart, our heaven is now, is won!”
“We are Earth’s best, that learnt her lesson here.
Life is our cry. We have kept the faith!” we said;
“We shall go down with unreluctant tread
Rose-crowned into the darkness!”… Proud we were,
And laughed, that had such brave true things to say.
—And then you suddenly cried, and turned away.
Breathless, we flung us on the windy hill,
Laughed in the sun, and kissed the lovely grass.
You said, “Through glory and ecstasy we pass;
Wind, sun, and earth remain, the birds sing still,
When we are old, are old.…” “And when we die
All’s over that is ours; and life burns on
Through other lovers, other lips,” said I,
—“Heart of my heart, our heaven is now, is won!”
“We are Earth’s best, that learnt her lesson here.
Life is our cry. We have kept the faith!” we said;
“We shall go down with unreluctant tread
Rose-crowned into the darkness!”… Proud we were,
And laughed, that had such brave true things to say.
—And then you suddenly cried, and turned away.
191
Rupert Brooke
The Fish
The Fish
In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o’ the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes—
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness!…
And all’s one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only—grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud—
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.
O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above—
You know the sigh, the song of love!
But there the night is close, and there
Darkness is cold and strange and bare;
And the seered deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.
In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o’ the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes—
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness!…
And all’s one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only—grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud—
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.
O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above—
You know the sigh, the song of love!
But there the night is close, and there
Darkness is cold and strange and bare;
And the seered deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.
215
Rudyard Kipling
The White Seal
The White Seal
Oh! hush thee, my baby, the night is behind us,
And black are the waters that sparkled so green.
The moon, o'er the combers, looks downward to find us
At rest in the hollows that rustle between.
Where billow meets billow, there soft be thy pillow;
Ah, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow-swinging seas.
You mustn't swim till you're six weeks old,
Or your head will be sunk by your heels;
And summer gales and Killer Whales
Are bad for baby seals.
Are bad for baby seals, dear rat,
As bad as bad can be.
But splash and grow strong,
And you can't be wrong,
Child of the Open Sea!
Oh! hush thee, my baby, the night is behind us,
And black are the waters that sparkled so green.
The moon, o'er the combers, looks downward to find us
At rest in the hollows that rustle between.
Where billow meets billow, there soft be thy pillow;
Ah, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow-swinging seas.
You mustn't swim till you're six weeks old,
Or your head will be sunk by your heels;
And summer gales and Killer Whales
Are bad for baby seals.
Are bad for baby seals, dear rat,
As bad as bad can be.
But splash and grow strong,
And you can't be wrong,
Child of the Open Sea!
695
Rudyard Kipling
The Mary Gloster
The Mary Gloster
I've paid for your sickest fancies; I've humoured your crackedest whim --
Dick, it's your daddy, dying; you've got to listen to him!
Good for a fortnight, am I? The doctor told you? He lied.
I shall go under by morning, and -- Put that nurse outside.
'Never seen death yet, Dickie? Well, now is your time to learn,
And you'll wish you held my record before it comes to your turn.
Not counting the Line and the Foundry, the yards and the village, too,
I've made myself and a million; but I'm damned if I made you.
Master at two-and-twenty, and married at twenty-three --
Ten thousand men on the pay-roll, and forty freighters at sea
Fifty years between'em, and every year of it fight,
And now I'm Sir Anthony Gloster, dying, a baronite:
For I lunched with his Royal 'Ighness -- what was it the papers had?
"Not the least of our merchant-princes." Dickie, that's me, your dad!
I didn't begin with askings. I took my job and I stuck;
I took the chances they wouldn't, an' now they're calling it luck.
Lord, what boats I've handled -- rotten and leaky and old --
Ran 'em, or -- opened the bilge-cock, precisely as I was told.
Grub that 'ud bind you crazy, and crews that 'ud turn you grey,
And a big fat lump of insurance to cover the risk on the way.
The others they dursn't do it; they said they valued their life
(They've served me since as skippers). I went, and I took my wife.
Over the world I drove 'em, married at twenty-three,
And your mother saving the money and making a man of me.
I was content to be master, but she said there was better behind;
She took the chances I wouldn't, and I followed your mother blind.
She egged me to borrow the money, an' she helped me to clear the loan,
When we bougnt half-shares in a cheap 'un and hoisted a flag of our own.
Patching and coaling on credit, and living the Lord knew how,
We started the Red Ox freighters -- we've eight-and-thirty now.
And those were the days of clippers, and the freights were clipper-freights,
And we knew we were making our fortune, but she died in Macassar Straits --
By the Little Patemosters, as you come to the Union Bank --
And we dropped her in fourteen fathom: I pricked it off where she sank.
Owners we were, full owners, and the boat was christened for her,
And she died in the Mary Gloster. My heart; how young we were!
So I went on a spree round Java and well-nigh ran her ashore,
But your mother came and warned me and I would't liquor no more:
Strict I stuck to my business, afraid to stop or I'd think,
Saving the money (she warned me), and letting the other men drink.
And I met M'Cullough in London (I'd saved five 'undred then ),
And 'tween us we started the Foundry -- three forges and twenty men.
Cheap repairs for the cheap 'uns. It paid, and the business grew;
For I bought me a steam-lathe patent, and that was a gold mine too.
"Cheaper to build 'em than buy 'em;" I said, but M'Cullough he shied,
And we wasted a year in talking before we moved to the Clyde.
And the Lines were all beginning, and we all of us started fair,
Building our engines like houses and staying the boilers square.
But M'Cullough 'e wanted cabins with marble and maple and all,
And Brussels an' Utrecht velvet, and baths and a Social Hall,
And pipes for closets all over, and cutting the frames too light,
But M'Cullough he died in the Sixties, and ---- Well, I'm dying to-night...
I knew -- I knew what was coming, when we bid on the Byfleet's keel --
They piddled and piffled with iron, I'd given my orders for steel!
Steel and the first expansions. It paid, I tell you, it paid,
When we came with our nine-knot freighters and collared the long-run trade!
And they asked me how I did it; and I gave 'em the Scripture text,
"You keep your light so shining a little in front o' the next!"
They copied all they could follow, but they couldn't copy my mind,
And I left 'em sweating and stealing a year and a half behind.
Then came the armour-contracts, but that was M'Cullough's side;
He was always best in the Foundry, but better, perhaps, he died.
I went through his private papers; the notes was plainer than print;
And I'm no fool to finish if a man'll give me a hint.
(I remember his widow was angry.) So I saw what his drawings meant;
And I started the six-inch rollers, and it paid me sixty per cent.
Sixty per cent with failures, and more than twice we could do,
And a quarter-million to credit, and I saved it all for you!
I thought -- it doesn't matter -- you seemed to favour your ma,
But you're nearer forty than thirty, and I know the kind you are.
Harrer an' Trinity College! I ought to ha' sent you to sea --
But I stood you an education, an' what have you done for me?
The things I knew was proper you wouldn't thank me to give,
And the things I knew was rotten you said was the way to live.
For you muddled with books and pictures, an' china an' etchin's an'fans.
And your rooms at college was beastly -- more like a whore's than a man's;
Till you married that thin-flanked woman, as white and as stale as a bone,
An' she gave you your social nonsense; but where's that kid o' your own?
I've seen your carriages blocking the half o' the Cromwell Road,
But never the doctor's brougham to help the missus unload.
(So there isn't even a grandchild, an' the Gloster family's done. )
Not like your mother, she isn't. She carried her freight each run.
But they died, the pore little beggars! At sea she had 'em -- they died.
Only you, an' you stood it. You haven't stood much beside.
Weak, a liar, and idle, and mean as a collier's whelp
Nosing for scraps in the galley. No help --- my son was no help!
So he gets three 'undred thousand, in trust and the interest paid.
I wouldn't give it you, Dickie -- you see, I made it in trade.
You're saved from soiling your fingers, and if you have no child,
It all comes back to the business. 'Gad, won't your wife be wild!
'Calls and calls in her carriage, her 'andkerchief up to 'er eye:
"Daddy! dear daddy's dyin'!" and doing her best to cry.
Grateful? Oh, yes, I'm grateful, but keep her away from here.
Your mother 'ud never ha' stood 'er, and, anyhow, women are queer.
There's women will say I've married a second time. Not quite!
But give pore Aggie a hundred, and tell her your lawyers'll fight.
She was the best o' the boiling -- you'll meet her before it ends.
I'm in for a row with the mother -- I'll leave you settle my friends.
For a man he must go with a woman, which women don't understand --
Or the sort that say they can see it they aren't the marrying brand.
But I wanted to speak o' your mother that's Lady Gloster still;
I'm going to up and see her, without its hurting the will.
Here! Take your hand off the bell-pull. Five thousand's waiting for you,
If you'll only listen a minute, and do as I bid you do.
They'll try to prove me crazy, and, if you bungle, they can;
And I've only you to trust to! (O God, why ain't it a man? )
There's some waste money on marbles, the same as M'Cullough tried --
Marbles and mausoleums -- but I call that sinful pride.
There's some ship bodies for burial -- we've Pied 'em, soldered and packed,
Down in their wills they wrote it, and nobody called them cracked.
But me -- I've too much money, and people might . . . All my fault:
It come o' hoping for grandsons and buying that Wokin' vault. . . .
I'm sick o' the 'ole dam' business. I'm going back where I came.
Dick, you're the son o' my body, and you'll take charge o' the same!
I want to lie by your mother, ten thousand mile away,
And they'll want to send me to Woking; and that's where you'll earn your pay.
I've thought it out on the quiet, the same as it ought to be done --
Quiet, and decent, and proper -- an' here's your orders, my son.
You know the Line? You don't, though. You write to the Board, and tell
Your father's death has upset you an' you're going to cruise for a spell,
An' you'd like the Mary Gloster -- I've held her ready for this --
They'll put her in working order and you'll take her out as she is.
Yes, it was money idle when I patched her and laid her aside
(Thank God, I can pay for my fancies!) -- the boat where your mother died,
By the Little Paternosters, as you come to the Union Bank,
We dropped her -- I think I told you -- and I pricked it off where she sank.
['Tiny she looked on the grating -- that oily, treacly sea --]
'Hundred and Eighteen East, remember, and South just Three.
Easy bearings to carry -- Three South-Three to the dot;
But I gave McAndrew a copy in case of dying -- or not.
And so you'll write to McAndrew, he's Chief of the Maori Line
They'Il give him leave, if you ask 'em and say it's business o' mine.
I built three boats for the Maoris, an' very well pleased they were,
An I've known Mac since the Fifties, and Mac knew me -- and her.
After the first stroke warned me I sent him the money to keep
Against the time you'd claim it, committin' your dad to the deep;
For you are the son o' my body, and Mac was my oldest friend,
I've never asked 'im to dinner, but he'll see it out to the end.
Stiff-necked Glasgow beggar! I've heard he's prayed for my soul,
But he couldn't lie if you paid him, and he'd starve before he stole.
He'll take the Mary in ballast -- you'll find her a lively ship;
And you'll take Sir Anthony Gloster, that goes on 'is wedding-trip,
Lashed in our old deck-cabin with all three port-holes wide,
The kick o' the screw beneath him and the round blue seas outside!
Sir Anthony Gloster's carriage -- our 'ouse-flag flyin' free --
Ten thousand men on the pay-roll and forty freighters at sea!
He made himself and a million, but this world is a fleetin' show,
And he'll go to the wife of 'is bosom the same as he ought to go --
By the heel of the Paternosters -- there isn't a chance to mistake --
And Mac'll pay you the money as soon as the bubbles break!
Five thousand for six weeks' cruising, the staunchest freighter afloat,
And Mac he'll give you your bonus the minute I'm out o' the boat!
He'll take you round to Macassar, and you'll come back alone;
He knows what I want o' the Mary . . . . I'll do what I please with my own.
Your mother 'ud call it wasteful, but I've seven-and-thirty more;
I'll come in my private carriage and bid it wait at the door. . . .
For my son 'e was never a credit: 'e muddled with books and art,
And e' lived on Sir Anthony's money and 'e broke Sir Anthony's heart.
There isn't even a grandchild, and the Gloster family's done --
The only one you left me -- O mother, the only one!
Harrer and Trinity College -- me slavin'early an' late --
An' he thinks I'm dying crazy, and you're in Macassar Strait!
Flesh o' my flesh, my dearie, for ever an' ever amen,
That first stroke come for a warning. I ought to ha' gone to you then.
But -- cheap repairs for a cheap 'un -- the doctor said I'd do.
Mary, why didn't you warn me? I've allus heeded to you,
Excep' -- I know -- about women; but you are a spirit now;
An', wife, they was only women, and I was a man. That's how.
An' a man 'e must go with a woman, as you could not understand;
But I never talked 'em secrets. I paid 'em out o' hand.
Thank Gawd, I can pay for my fancies! Now what's five thousand to me,
For a berth off the Paternosters in the haven where I would be?
I believe in the Resurrection, if I read my Bible plain,
But I wouldn't trust 'em at Wokin'; we're safer at sea again.
For the heart it shall go with the treasure -- go down to the sea in ships.
I'm sick of the hired women. I'll kiss my girl on her lips!
I'll be content with my fountain. I'll drink from my own well,
And the wife of my youth shall charm me -- an'the rest can go to Hell!
(Dickie, he will, that's certain.) I'll lie in our standin'-bed,
An' Mac'll take her in ballast -- an' she trims best by the head. . . .
Down by the head an' sinkin', her fires are drawn and cold,
And the water's splashin' hollow on the skin of the empty hold --
Churning an' choking and chuckling, quiet and scummy and dark --
Full to her lower hatches and risin' steady. Hark!
That was the after-bulkhead. . . . She's flooded from stem to stern. . . .
'Never seen death yet, Dickie? . . . Well, now is your time to learn!
I've paid for your sickest fancies; I've humoured your crackedest whim --
Dick, it's your daddy, dying; you've got to listen to him!
Good for a fortnight, am I? The doctor told you? He lied.
I shall go under by morning, and -- Put that nurse outside.
'Never seen death yet, Dickie? Well, now is your time to learn,
And you'll wish you held my record before it comes to your turn.
Not counting the Line and the Foundry, the yards and the village, too,
I've made myself and a million; but I'm damned if I made you.
Master at two-and-twenty, and married at twenty-three --
Ten thousand men on the pay-roll, and forty freighters at sea
Fifty years between'em, and every year of it fight,
And now I'm Sir Anthony Gloster, dying, a baronite:
For I lunched with his Royal 'Ighness -- what was it the papers had?
"Not the least of our merchant-princes." Dickie, that's me, your dad!
I didn't begin with askings. I took my job and I stuck;
I took the chances they wouldn't, an' now they're calling it luck.
Lord, what boats I've handled -- rotten and leaky and old --
Ran 'em, or -- opened the bilge-cock, precisely as I was told.
Grub that 'ud bind you crazy, and crews that 'ud turn you grey,
And a big fat lump of insurance to cover the risk on the way.
The others they dursn't do it; they said they valued their life
(They've served me since as skippers). I went, and I took my wife.
Over the world I drove 'em, married at twenty-three,
And your mother saving the money and making a man of me.
I was content to be master, but she said there was better behind;
She took the chances I wouldn't, and I followed your mother blind.
She egged me to borrow the money, an' she helped me to clear the loan,
When we bougnt half-shares in a cheap 'un and hoisted a flag of our own.
Patching and coaling on credit, and living the Lord knew how,
We started the Red Ox freighters -- we've eight-and-thirty now.
And those were the days of clippers, and the freights were clipper-freights,
And we knew we were making our fortune, but she died in Macassar Straits --
By the Little Patemosters, as you come to the Union Bank --
And we dropped her in fourteen fathom: I pricked it off where she sank.
Owners we were, full owners, and the boat was christened for her,
And she died in the Mary Gloster. My heart; how young we were!
So I went on a spree round Java and well-nigh ran her ashore,
But your mother came and warned me and I would't liquor no more:
Strict I stuck to my business, afraid to stop or I'd think,
Saving the money (she warned me), and letting the other men drink.
And I met M'Cullough in London (I'd saved five 'undred then ),
And 'tween us we started the Foundry -- three forges and twenty men.
Cheap repairs for the cheap 'uns. It paid, and the business grew;
For I bought me a steam-lathe patent, and that was a gold mine too.
"Cheaper to build 'em than buy 'em;" I said, but M'Cullough he shied,
And we wasted a year in talking before we moved to the Clyde.
And the Lines were all beginning, and we all of us started fair,
Building our engines like houses and staying the boilers square.
But M'Cullough 'e wanted cabins with marble and maple and all,
And Brussels an' Utrecht velvet, and baths and a Social Hall,
And pipes for closets all over, and cutting the frames too light,
But M'Cullough he died in the Sixties, and ---- Well, I'm dying to-night...
I knew -- I knew what was coming, when we bid on the Byfleet's keel --
They piddled and piffled with iron, I'd given my orders for steel!
Steel and the first expansions. It paid, I tell you, it paid,
When we came with our nine-knot freighters and collared the long-run trade!
And they asked me how I did it; and I gave 'em the Scripture text,
"You keep your light so shining a little in front o' the next!"
They copied all they could follow, but they couldn't copy my mind,
And I left 'em sweating and stealing a year and a half behind.
Then came the armour-contracts, but that was M'Cullough's side;
He was always best in the Foundry, but better, perhaps, he died.
I went through his private papers; the notes was plainer than print;
And I'm no fool to finish if a man'll give me a hint.
(I remember his widow was angry.) So I saw what his drawings meant;
And I started the six-inch rollers, and it paid me sixty per cent.
Sixty per cent with failures, and more than twice we could do,
And a quarter-million to credit, and I saved it all for you!
I thought -- it doesn't matter -- you seemed to favour your ma,
But you're nearer forty than thirty, and I know the kind you are.
Harrer an' Trinity College! I ought to ha' sent you to sea --
But I stood you an education, an' what have you done for me?
The things I knew was proper you wouldn't thank me to give,
And the things I knew was rotten you said was the way to live.
For you muddled with books and pictures, an' china an' etchin's an'fans.
And your rooms at college was beastly -- more like a whore's than a man's;
Till you married that thin-flanked woman, as white and as stale as a bone,
An' she gave you your social nonsense; but where's that kid o' your own?
I've seen your carriages blocking the half o' the Cromwell Road,
But never the doctor's brougham to help the missus unload.
(So there isn't even a grandchild, an' the Gloster family's done. )
Not like your mother, she isn't. She carried her freight each run.
But they died, the pore little beggars! At sea she had 'em -- they died.
Only you, an' you stood it. You haven't stood much beside.
Weak, a liar, and idle, and mean as a collier's whelp
Nosing for scraps in the galley. No help --- my son was no help!
So he gets three 'undred thousand, in trust and the interest paid.
I wouldn't give it you, Dickie -- you see, I made it in trade.
You're saved from soiling your fingers, and if you have no child,
It all comes back to the business. 'Gad, won't your wife be wild!
'Calls and calls in her carriage, her 'andkerchief up to 'er eye:
"Daddy! dear daddy's dyin'!" and doing her best to cry.
Grateful? Oh, yes, I'm grateful, but keep her away from here.
Your mother 'ud never ha' stood 'er, and, anyhow, women are queer.
There's women will say I've married a second time. Not quite!
But give pore Aggie a hundred, and tell her your lawyers'll fight.
She was the best o' the boiling -- you'll meet her before it ends.
I'm in for a row with the mother -- I'll leave you settle my friends.
For a man he must go with a woman, which women don't understand --
Or the sort that say they can see it they aren't the marrying brand.
But I wanted to speak o' your mother that's Lady Gloster still;
I'm going to up and see her, without its hurting the will.
Here! Take your hand off the bell-pull. Five thousand's waiting for you,
If you'll only listen a minute, and do as I bid you do.
They'll try to prove me crazy, and, if you bungle, they can;
And I've only you to trust to! (O God, why ain't it a man? )
There's some waste money on marbles, the same as M'Cullough tried --
Marbles and mausoleums -- but I call that sinful pride.
There's some ship bodies for burial -- we've Pied 'em, soldered and packed,
Down in their wills they wrote it, and nobody called them cracked.
But me -- I've too much money, and people might . . . All my fault:
It come o' hoping for grandsons and buying that Wokin' vault. . . .
I'm sick o' the 'ole dam' business. I'm going back where I came.
Dick, you're the son o' my body, and you'll take charge o' the same!
I want to lie by your mother, ten thousand mile away,
And they'll want to send me to Woking; and that's where you'll earn your pay.
I've thought it out on the quiet, the same as it ought to be done --
Quiet, and decent, and proper -- an' here's your orders, my son.
You know the Line? You don't, though. You write to the Board, and tell
Your father's death has upset you an' you're going to cruise for a spell,
An' you'd like the Mary Gloster -- I've held her ready for this --
They'll put her in working order and you'll take her out as she is.
Yes, it was money idle when I patched her and laid her aside
(Thank God, I can pay for my fancies!) -- the boat where your mother died,
By the Little Paternosters, as you come to the Union Bank,
We dropped her -- I think I told you -- and I pricked it off where she sank.
['Tiny she looked on the grating -- that oily, treacly sea --]
'Hundred and Eighteen East, remember, and South just Three.
Easy bearings to carry -- Three South-Three to the dot;
But I gave McAndrew a copy in case of dying -- or not.
And so you'll write to McAndrew, he's Chief of the Maori Line
They'Il give him leave, if you ask 'em and say it's business o' mine.
I built three boats for the Maoris, an' very well pleased they were,
An I've known Mac since the Fifties, and Mac knew me -- and her.
After the first stroke warned me I sent him the money to keep
Against the time you'd claim it, committin' your dad to the deep;
For you are the son o' my body, and Mac was my oldest friend,
I've never asked 'im to dinner, but he'll see it out to the end.
Stiff-necked Glasgow beggar! I've heard he's prayed for my soul,
But he couldn't lie if you paid him, and he'd starve before he stole.
He'll take the Mary in ballast -- you'll find her a lively ship;
And you'll take Sir Anthony Gloster, that goes on 'is wedding-trip,
Lashed in our old deck-cabin with all three port-holes wide,
The kick o' the screw beneath him and the round blue seas outside!
Sir Anthony Gloster's carriage -- our 'ouse-flag flyin' free --
Ten thousand men on the pay-roll and forty freighters at sea!
He made himself and a million, but this world is a fleetin' show,
And he'll go to the wife of 'is bosom the same as he ought to go --
By the heel of the Paternosters -- there isn't a chance to mistake --
And Mac'll pay you the money as soon as the bubbles break!
Five thousand for six weeks' cruising, the staunchest freighter afloat,
And Mac he'll give you your bonus the minute I'm out o' the boat!
He'll take you round to Macassar, and you'll come back alone;
He knows what I want o' the Mary . . . . I'll do what I please with my own.
Your mother 'ud call it wasteful, but I've seven-and-thirty more;
I'll come in my private carriage and bid it wait at the door. . . .
For my son 'e was never a credit: 'e muddled with books and art,
And e' lived on Sir Anthony's money and 'e broke Sir Anthony's heart.
There isn't even a grandchild, and the Gloster family's done --
The only one you left me -- O mother, the only one!
Harrer and Trinity College -- me slavin'early an' late --
An' he thinks I'm dying crazy, and you're in Macassar Strait!
Flesh o' my flesh, my dearie, for ever an' ever amen,
That first stroke come for a warning. I ought to ha' gone to you then.
But -- cheap repairs for a cheap 'un -- the doctor said I'd do.
Mary, why didn't you warn me? I've allus heeded to you,
Excep' -- I know -- about women; but you are a spirit now;
An', wife, they was only women, and I was a man. That's how.
An' a man 'e must go with a woman, as you could not understand;
But I never talked 'em secrets. I paid 'em out o' hand.
Thank Gawd, I can pay for my fancies! Now what's five thousand to me,
For a berth off the Paternosters in the haven where I would be?
I believe in the Resurrection, if I read my Bible plain,
But I wouldn't trust 'em at Wokin'; we're safer at sea again.
For the heart it shall go with the treasure -- go down to the sea in ships.
I'm sick of the hired women. I'll kiss my girl on her lips!
I'll be content with my fountain. I'll drink from my own well,
And the wife of my youth shall charm me -- an'the rest can go to Hell!
(Dickie, he will, that's certain.) I'll lie in our standin'-bed,
An' Mac'll take her in ballast -- an' she trims best by the head. . . .
Down by the head an' sinkin', her fires are drawn and cold,
And the water's splashin' hollow on the skin of the empty hold --
Churning an' choking and chuckling, quiet and scummy and dark --
Full to her lower hatches and risin' steady. Hark!
That was the after-bulkhead. . . . She's flooded from stem to stern. . . .
'Never seen death yet, Dickie? . . . Well, now is your time to learn!
428
Page 1
Next