Poemas neste tema
Emoções e Sentimentos
Fernando Pessoa
No grande espaço de não haver nada
No grande espaço de não haver nada
Que a noite finge, brilham mal os astros.
Não há lua, e ainda bem.
Neste momento, Lídia, considero
Tudo, e um frio que não há me entra
Na alma. Não existes.
Que a noite finge, brilham mal os astros.
Não há lua, e ainda bem.
Neste momento, Lídia, considero
Tudo, e um frio que não há me entra
Na alma. Não existes.
1 399
Fernando Pessoa
No grande espaço de não haver nada
No grande espaço de não haver nada
Que a noite finge, brilham mal os astros.
Não há lua, e ainda bem.
Neste momento, Lídia, considero
Tudo, e um frio que não há me entra
Na alma. Não existes.
Que a noite finge, brilham mal os astros.
Não há lua, e ainda bem.
Neste momento, Lídia, considero
Tudo, e um frio que não há me entra
Na alma. Não existes.
1 399
Fernando Pessoa
Uma cor me persegue na lembrança,
Uma cor me persegue na lembrança,
E, qual se fora um ente, me submete
À sua permanência.
Quanto pode um pedaço sobreposto
Pela luz à matéria escura encher-me
De tédio ao amplo mundo.
E, qual se fora um ente, me submete
À sua permanência.
Quanto pode um pedaço sobreposto
Pela luz à matéria escura encher-me
De tédio ao amplo mundo.
1 540
Fernando Pessoa
Lavadeira a bater roupa
Lavadeira a bater roupa
Na pedra que está na água,
Achas a minha mágoa pouca?
É muito tudo o que é mágoa.
Na pedra que está na água,
Achas a minha mágoa pouca?
É muito tudo o que é mágoa.
1 553
Fernando Pessoa
Lavadeira a bater roupa
Lavadeira a bater roupa
Na pedra que está na água,
Achas a minha mágoa pouca?
É muito tudo o que é mágoa.
Na pedra que está na água,
Achas a minha mágoa pouca?
É muito tudo o que é mágoa.
1 553
Fernando Pessoa
Se hás-de ser o que choras
Se hás-de ser o que choras
Ter que ser, não o chores.
Se toda a mole imensa
Do mundo ser-te-á noite,
Aproveita este breve
Dia, e sem choro ou cura
Goza-o, contente por viveres
O pouco que te é dado.
Ter que ser, não o chores.
Se toda a mole imensa
Do mundo ser-te-á noite,
Aproveita este breve
Dia, e sem choro ou cura
Goza-o, contente por viveres
O pouco que te é dado.
1 370
Fernando Pessoa
Lenço preto de orla branca —
Lenço preto de orla branca —
Ataste-o mal a valer
À roda desse pescoço
Que tem que se lhe dizer.
Ataste-o mal a valer
À roda desse pescoço
Que tem que se lhe dizer.
1 035
Fernando Pessoa
COMEDY
I.
Once in a theatre comic
’Tween acts I pondered to see
On a column sculptured, wide and comic,
The grinning mask of Comedy;
And broad and wild in satyr-glee,
The grinning face of Comedy.
II.
«Ah,» said I, «face merry and comic,
There is happiness in thee,
Few faces like thine, wide-mouth'd and comic,
Oh, grinning face of Comedy;
Boisterously wrinkled, ugly and free,
The grinning mask of Comedy.»
III.
But as I gazed at the face that smiled,
With mine eyes half-dreamfully,
«Ah,» said I, «it is forced and wild,
Untrue smile of pitiless glee;
Forcedly wrinkled, unreal, unfree,
Hard-grinning mask of Comedy.»
IV.
And I trembled — now it no longer smiled,
It had forcedly smiled — now not even so.
Oh, fearful face, terribly wild,
Terribly silent face or woe;
Worn, hysterical, mad, unfree,
Woe-twisted face of Comedy.
Once in a theatre comic
’Tween acts I pondered to see
On a column sculptured, wide and comic,
The grinning mask of Comedy;
And broad and wild in satyr-glee,
The grinning face of Comedy.
II.
«Ah,» said I, «face merry and comic,
There is happiness in thee,
Few faces like thine, wide-mouth'd and comic,
Oh, grinning face of Comedy;
Boisterously wrinkled, ugly and free,
The grinning mask of Comedy.»
III.
But as I gazed at the face that smiled,
With mine eyes half-dreamfully,
«Ah,» said I, «it is forced and wild,
Untrue smile of pitiless glee;
Forcedly wrinkled, unreal, unfree,
Hard-grinning mask of Comedy.»
IV.
And I trembled — now it no longer smiled,
It had forcedly smiled — now not even so.
Oh, fearful face, terribly wild,
Terribly silent face or woe;
Worn, hysterical, mad, unfree,
Woe-twisted face of Comedy.
1 478
Fernando Pessoa
COMEDY
I.
Once in a theatre comic
’Tween acts I pondered to see
On a column sculptured, wide and comic,
The grinning mask of Comedy;
And broad and wild in satyr-glee,
The grinning face of Comedy.
II.
«Ah,» said I, «face merry and comic,
There is happiness in thee,
Few faces like thine, wide-mouth'd and comic,
Oh, grinning face of Comedy;
Boisterously wrinkled, ugly and free,
The grinning mask of Comedy.»
III.
But as I gazed at the face that smiled,
With mine eyes half-dreamfully,
«Ah,» said I, «it is forced and wild,
Untrue smile of pitiless glee;
Forcedly wrinkled, unreal, unfree,
Hard-grinning mask of Comedy.»
IV.
And I trembled — now it no longer smiled,
It had forcedly smiled — now not even so.
Oh, fearful face, terribly wild,
Terribly silent face or woe;
Worn, hysterical, mad, unfree,
Woe-twisted face of Comedy.
Once in a theatre comic
’Tween acts I pondered to see
On a column sculptured, wide and comic,
The grinning mask of Comedy;
And broad and wild in satyr-glee,
The grinning face of Comedy.
II.
«Ah,» said I, «face merry and comic,
There is happiness in thee,
Few faces like thine, wide-mouth'd and comic,
Oh, grinning face of Comedy;
Boisterously wrinkled, ugly and free,
The grinning mask of Comedy.»
III.
But as I gazed at the face that smiled,
With mine eyes half-dreamfully,
«Ah,» said I, «it is forced and wild,
Untrue smile of pitiless glee;
Forcedly wrinkled, unreal, unfree,
Hard-grinning mask of Comedy.»
IV.
And I trembled — now it no longer smiled,
It had forcedly smiled — now not even so.
Oh, fearful face, terribly wild,
Terribly silent face or woe;
Worn, hysterical, mad, unfree,
Woe-twisted face of Comedy.
1 478
Fernando Pessoa
12 - If I could carve my poems in wood
If I could carve my poems in wood,
By children they would be understood,
So near to the sense things have in God
Are both my poems and children's thought.
For a child knows that logic and meaning
Are only nothing nothing screening,
And a child is one divinely aware
That all things are toys and all things are fair,
That a thimble, a stone and a cotton‑reel
Are things we can quite divinely feel,
And that, if we make men out of those things,
They are really men, not imaginings.
I would therefore l could take my verse
Out of mere ideas and better it worse
To visible carving or drawing or what
My verses could be resembling that.
Then would I be the children's poet,
And, though perhaps I might never know it
With the outer sense that makes life sadder,
In every innocent face made gladder
God would be giving my soul the sense,
Lost back of knowledge, of recompense -
The sense of children more children still
When, acting my poems at their glad will,
They, playing with toys, with legs incurled,
Lightly err the visible world.
By children they would be understood,
So near to the sense things have in God
Are both my poems and children's thought.
For a child knows that logic and meaning
Are only nothing nothing screening,
And a child is one divinely aware
That all things are toys and all things are fair,
That a thimble, a stone and a cotton‑reel
Are things we can quite divinely feel,
And that, if we make men out of those things,
They are really men, not imaginings.
I would therefore l could take my verse
Out of mere ideas and better it worse
To visible carving or drawing or what
My verses could be resembling that.
Then would I be the children's poet,
And, though perhaps I might never know it
With the outer sense that makes life sadder,
In every innocent face made gladder
God would be giving my soul the sense,
Lost back of knowledge, of recompense -
The sense of children more children still
When, acting my poems at their glad will,
They, playing with toys, with legs incurled,
Lightly err the visible world.
1 870
Fernando Pessoa
Oh for a less meaningless horizon than the land and the sea!
Oh for a less meaningless horizon than the land and the sea!
Oh for a rest from places and a lapse from the sense of times!
Waves, ever waves, to and fro … Ever waves roll, and we
What do we wait, what do we seek, what do we pause for and flee?
What in us lusts for more round us than the strech of minutes and climes?
Ah, and no bark to bear us towards Impossible, and that a real place,
An attainable place, full of the depths and rests of the Unattainable!
But ever the sea, the sea, like the passing of many a face...
Ever the sea, and the sea runs a restless and half-hearted race
Towards not the shore, nor the land, but what? Who can measure or tell?
No ship to bear us homeward, past earth and sea and the sky!
None to spread sails to a breeze blowing but not with a whither!
And ever, like a lost meaning, the sea never passing by,
Ever the measurable sea, sad as a formless cry,
And the most hearts can be is (to) be two and sorrow together!
To-morrow will tire us of all! But we lack heart to be tired indeed
The purpose our souls came for is lost and never stared at...
Let us at least by the shore construe our aches for a deed
Into a meaningless ache and a desolate and purposeless greed...
Become we one with the sea's lost purpose and dream and wish nothing
but that...
Oh for a rest from places and a lapse from the sense of times!
Waves, ever waves, to and fro … Ever waves roll, and we
What do we wait, what do we seek, what do we pause for and flee?
What in us lusts for more round us than the strech of minutes and climes?
Ah, and no bark to bear us towards Impossible, and that a real place,
An attainable place, full of the depths and rests of the Unattainable!
But ever the sea, the sea, like the passing of many a face...
Ever the sea, and the sea runs a restless and half-hearted race
Towards not the shore, nor the land, but what? Who can measure or tell?
No ship to bear us homeward, past earth and sea and the sky!
None to spread sails to a breeze blowing but not with a whither!
And ever, like a lost meaning, the sea never passing by,
Ever the measurable sea, sad as a formless cry,
And the most hearts can be is (to) be two and sorrow together!
To-morrow will tire us of all! But we lack heart to be tired indeed
The purpose our souls came for is lost and never stared at...
Let us at least by the shore construe our aches for a deed
Into a meaningless ache and a desolate and purposeless greed...
Become we one with the sea's lost purpose and dream and wish nothing
but that...
1 613
Fernando Pessoa
Oh for a less meaningless horizon than the land and the sea!
Oh for a less meaningless horizon than the land and the sea!
Oh for a rest from places and a lapse from the sense of times!
Waves, ever waves, to and fro … Ever waves roll, and we
What do we wait, what do we seek, what do we pause for and flee?
What in us lusts for more round us than the strech of minutes and climes?
Ah, and no bark to bear us towards Impossible, and that a real place,
An attainable place, full of the depths and rests of the Unattainable!
But ever the sea, the sea, like the passing of many a face...
Ever the sea, and the sea runs a restless and half-hearted race
Towards not the shore, nor the land, but what? Who can measure or tell?
No ship to bear us homeward, past earth and sea and the sky!
None to spread sails to a breeze blowing but not with a whither!
And ever, like a lost meaning, the sea never passing by,
Ever the measurable sea, sad as a formless cry,
And the most hearts can be is (to) be two and sorrow together!
To-morrow will tire us of all! But we lack heart to be tired indeed
The purpose our souls came for is lost and never stared at...
Let us at least by the shore construe our aches for a deed
Into a meaningless ache and a desolate and purposeless greed...
Become we one with the sea's lost purpose and dream and wish nothing
but that...
Oh for a rest from places and a lapse from the sense of times!
Waves, ever waves, to and fro … Ever waves roll, and we
What do we wait, what do we seek, what do we pause for and flee?
What in us lusts for more round us than the strech of minutes and climes?
Ah, and no bark to bear us towards Impossible, and that a real place,
An attainable place, full of the depths and rests of the Unattainable!
But ever the sea, the sea, like the passing of many a face...
Ever the sea, and the sea runs a restless and half-hearted race
Towards not the shore, nor the land, but what? Who can measure or tell?
No ship to bear us homeward, past earth and sea and the sky!
None to spread sails to a breeze blowing but not with a whither!
And ever, like a lost meaning, the sea never passing by,
Ever the measurable sea, sad as a formless cry,
And the most hearts can be is (to) be two and sorrow together!
To-morrow will tire us of all! But we lack heart to be tired indeed
The purpose our souls came for is lost and never stared at...
Let us at least by the shore construe our aches for a deed
Into a meaningless ache and a desolate and purposeless greed...
Become we one with the sea's lost purpose and dream and wish nothing
but that...
1 613
Fernando Pessoa
Puseste a chaleira ao lume
Puseste a chaleira ao lume
Com um jeito de desdém.
Suma-te o diabo que sume
Primeiro quem te quer bem!
Com um jeito de desdém.
Suma-te o diabo que sume
Primeiro quem te quer bem!
1 429
Fernando Pessoa
Puseste a chaleira ao lume
Puseste a chaleira ao lume
Com um jeito de desdém.
Suma-te o diabo que sume
Primeiro quem te quer bem!
Com um jeito de desdém.
Suma-te o diabo que sume
Primeiro quem te quer bem!
1 429
Fernando Pessoa
Ouves-me sem me entender.
Ouves-me sem me entender.
Sorris sem ser porque falo.
É assim muita mulher.
Mas nem por isso me calo.
Sorris sem ser porque falo.
É assim muita mulher.
Mas nem por isso me calo.
1 328
Fernando Pessoa
34 - THE SUNFLOWER
I
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
1 487
Fernando Pessoa
Sometimes in the middle of life a change
Sometimes in the middle of life a change
Suddenly comes like an alienation
A sense of voidness enormous, strange
And a void, deep desolation.
A sense of being left alone
And more and more than abandoned
(…)
'Tis a sense half as if I were dead.
Suddenly comes like an alienation
A sense of voidness enormous, strange
And a void, deep desolation.
A sense of being left alone
And more and more than abandoned
(…)
'Tis a sense half as if I were dead.
1 397
Fernando Pessoa
Sometimes in the middle of life a change
Sometimes in the middle of life a change
Suddenly comes like an alienation
A sense of voidness enormous, strange
And a void, deep desolation.
A sense of being left alone
And more and more than abandoned
(…)
'Tis a sense half as if I were dead.
Suddenly comes like an alienation
A sense of voidness enormous, strange
And a void, deep desolation.
A sense of being left alone
And more and more than abandoned
(…)
'Tis a sense half as if I were dead.
1 397
Fernando Pessoa
Sometimes in the middle of life a change
Sometimes in the middle of life a change
Suddenly comes like an alienation
A sense of voidness enormous, strange
And a void, deep desolation.
A sense of being left alone
And more and more than abandoned
(…)
'Tis a sense half as if I were dead.
Suddenly comes like an alienation
A sense of voidness enormous, strange
And a void, deep desolation.
A sense of being left alone
And more and more than abandoned
(…)
'Tis a sense half as if I were dead.
1 397
Fernando Pessoa
33 - THE LOST KEY
Set out from sight of shore!
Grow tired of every sea!
All things are ever more
Than most they seem to be.
What steps are those that pass outside my door?
Fail out from shape and thought!
Let sense and feeling fade!
O sadness overwrought
With joy till bliss is strayed!
What birds are those that my swift window shade?
But be those steps no steps,
And be those birds dreamed wings,
Still one ache oversteps
The life to which it clings,
Though to know what ache no step in me helps
And what this pang is no bird in me sings.
Grow tired of every sea!
All things are ever more
Than most they seem to be.
What steps are those that pass outside my door?
Fail out from shape and thought!
Let sense and feeling fade!
O sadness overwrought
With joy till bliss is strayed!
What birds are those that my swift window shade?
But be those steps no steps,
And be those birds dreamed wings,
Still one ache oversteps
The life to which it clings,
Though to know what ache no step in me helps
And what this pang is no bird in me sings.
1 499
Fernando Pessoa
33 - THE LOST KEY
Set out from sight of shore!
Grow tired of every sea!
All things are ever more
Than most they seem to be.
What steps are those that pass outside my door?
Fail out from shape and thought!
Let sense and feeling fade!
O sadness overwrought
With joy till bliss is strayed!
What birds are those that my swift window shade?
But be those steps no steps,
And be those birds dreamed wings,
Still one ache oversteps
The life to which it clings,
Though to know what ache no step in me helps
And what this pang is no bird in me sings.
Grow tired of every sea!
All things are ever more
Than most they seem to be.
What steps are those that pass outside my door?
Fail out from shape and thought!
Let sense and feeling fade!
O sadness overwrought
With joy till bliss is strayed!
What birds are those that my swift window shade?
But be those steps no steps,
And be those birds dreamed wings,
Still one ache oversteps
The life to which it clings,
Though to know what ache no step in me helps
And what this pang is no bird in me sings.
1 499
Fernando Pessoa
33 - THE LOST KEY
Set out from sight of shore!
Grow tired of every sea!
All things are ever more
Than most they seem to be.
What steps are those that pass outside my door?
Fail out from shape and thought!
Let sense and feeling fade!
O sadness overwrought
With joy till bliss is strayed!
What birds are those that my swift window shade?
But be those steps no steps,
And be those birds dreamed wings,
Still one ache oversteps
The life to which it clings,
Though to know what ache no step in me helps
And what this pang is no bird in me sings.
Grow tired of every sea!
All things are ever more
Than most they seem to be.
What steps are those that pass outside my door?
Fail out from shape and thought!
Let sense and feeling fade!
O sadness overwrought
With joy till bliss is strayed!
What birds are those that my swift window shade?
But be those steps no steps,
And be those birds dreamed wings,
Still one ache oversteps
The life to which it clings,
Though to know what ache no step in me helps
And what this pang is no bird in me sings.
1 499