Poemas neste tema
Vida e Existência
Fernando Pessoa
34 - THE SUNFLOWER
I
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
1 487
Fernando Pessoa
Tiraste o linho da arca,
Tiraste o linho da arca,
Da arca tiraste o linho.
Meu coração tem a marca
Que lhe puseste mansinho.
Da arca tiraste o linho.
Meu coração tem a marca
Que lhe puseste mansinho.
1 277
Fernando Pessoa
Ininterrupto e unido guia o teu curso
Ininterrupto e unido guia o teu curso
Lídia, e sereno para o mar distante.
Teus manes não to param.
Interrompem-to apenas.
Mas conta tu as tuas próprias horas,
À tua espera dá-te incerta Naiade
Que a porta te não está
Tua segunda vida...
Condescendente p'ra contigo própria,
Deixa aos certos Letes de fugir
Vive com a verdade
No instante dos demónios
Que alhures a saber preso com deles
O céu do Fado, gozam a delícia
Altiva de viverem
Onde guardam suas vidas.
Lídia, e sereno para o mar distante.
Teus manes não to param.
Interrompem-to apenas.
Mas conta tu as tuas próprias horas,
À tua espera dá-te incerta Naiade
Que a porta te não está
Tua segunda vida...
Condescendente p'ra contigo própria,
Deixa aos certos Letes de fugir
Vive com a verdade
No instante dos demónios
Que alhures a saber preso com deles
O céu do Fado, gozam a delícia
Altiva de viverem
Onde guardam suas vidas.
1 205
Fernando Pessoa
Ininterrupto e unido guia o teu curso
Ininterrupto e unido guia o teu curso
Lídia, e sereno para o mar distante.
Teus manes não to param.
Interrompem-to apenas.
Mas conta tu as tuas próprias horas,
À tua espera dá-te incerta Naiade
Que a porta te não está
Tua segunda vida...
Condescendente p'ra contigo própria,
Deixa aos certos Letes de fugir
Vive com a verdade
No instante dos demónios
Que alhures a saber preso com deles
O céu do Fado, gozam a delícia
Altiva de viverem
Onde guardam suas vidas.
Lídia, e sereno para o mar distante.
Teus manes não to param.
Interrompem-to apenas.
Mas conta tu as tuas próprias horas,
À tua espera dá-te incerta Naiade
Que a porta te não está
Tua segunda vida...
Condescendente p'ra contigo própria,
Deixa aos certos Letes de fugir
Vive com a verdade
No instante dos demónios
Que alhures a saber preso com deles
O céu do Fado, gozam a delícia
Altiva de viverem
Onde guardam suas vidas.
1 205
Fernando Pessoa
O rosário da vontade,
O rosário da vontade,
Rezei-o trocado e a esmo.
Se vens dizer-me a verdade,
Vê lá bem se é isso mesmo.
Rezei-o trocado e a esmo.
Se vens dizer-me a verdade,
Vê lá bem se é isso mesmo.
1 250
Fernando Pessoa
Lá vem o homem da capa
Lá vem o homem da capa
Que ninguém sabe quem é...
Se o lenço os olhos te tapa
Vejo os teus olhos por fé.
Que ninguém sabe quem é...
Se o lenço os olhos te tapa
Vejo os teus olhos por fé.
2 674
Fernando Pessoa
1. Little flower that wert on the hill,
1.
Little flower that wert on the hill,
Where art thou to-day?
Thou that saw'st thyself in the rill
Art thou gone away?
Ah, now I see that thou art dead
And that thy charm from us is fled.
Little flower that wert on the hill,
Where art thou to-day?
Thou that saw'st thyself in the rill
Art thou gone away?
Ah, now I see that thou art dead
And that thy charm from us is fled.
1 412
Fernando Pessoa
1. Little flower that wert on the hill,
1.
Little flower that wert on the hill,
Where art thou to-day?
Thou that saw'st thyself in the rill
Art thou gone away?
Ah, now I see that thou art dead
And that thy charm from us is fled.
Little flower that wert on the hill,
Where art thou to-day?
Thou that saw'st thyself in the rill
Art thou gone away?
Ah, now I see that thou art dead
And that thy charm from us is fled.
1 412
Fernando Pessoa
O sino dobra a finados.
O sino dobra a finados.
Faz tanta pena a dobrar!
Não é pelos teus pecados
Que estão vivos a saltar.
Faz tanta pena a dobrar!
Não é pelos teus pecados
Que estão vivos a saltar.
1 598
Fernando Pessoa
Não mais pensada que a dos mudos brutos
Não mais pensada que a dos mudos brutos
Se fada a humana vida. Quem destina
Mais que os gados nos campos
O fim do seu destino?
Se fada a humana vida. Quem destina
Mais que os gados nos campos
O fim do seu destino?
1 297
Fernando Pessoa
Não mais pensada que a dos mudos brutos
Não mais pensada que a dos mudos brutos
Se fada a humana vida. Quem destina
Mais que os gados nos campos
O fim do seu destino?
Se fada a humana vida. Quem destina
Mais que os gados nos campos
O fim do seu destino?
1 297
Fernando Pessoa
12 - If I could carve my poems in wood
If I could carve my poems in wood,
By children they would be understood,
So near to the sense things have in God
Are both my poems and children's thought.
For a child knows that logic and meaning
Are only nothing nothing screening,
And a child is one divinely aware
That all things are toys and all things are fair,
That a thimble, a stone and a cotton‑reel
Are things we can quite divinely feel,
And that, if we make men out of those things,
They are really men, not imaginings.
I would therefore l could take my verse
Out of mere ideas and better it worse
To visible carving or drawing or what
My verses could be resembling that.
Then would I be the children's poet,
And, though perhaps I might never know it
With the outer sense that makes life sadder,
In every innocent face made gladder
God would be giving my soul the sense,
Lost back of knowledge, of recompense -
The sense of children more children still
When, acting my poems at their glad will,
They, playing with toys, with legs incurled,
Lightly err the visible world.
By children they would be understood,
So near to the sense things have in God
Are both my poems and children's thought.
For a child knows that logic and meaning
Are only nothing nothing screening,
And a child is one divinely aware
That all things are toys and all things are fair,
That a thimble, a stone and a cotton‑reel
Are things we can quite divinely feel,
And that, if we make men out of those things,
They are really men, not imaginings.
I would therefore l could take my verse
Out of mere ideas and better it worse
To visible carving or drawing or what
My verses could be resembling that.
Then would I be the children's poet,
And, though perhaps I might never know it
With the outer sense that makes life sadder,
In every innocent face made gladder
God would be giving my soul the sense,
Lost back of knowledge, of recompense -
The sense of children more children still
When, acting my poems at their glad will,
They, playing with toys, with legs incurled,
Lightly err the visible world.
1 870
Fernando Pessoa
12 - If I could carve my poems in wood
If I could carve my poems in wood,
By children they would be understood,
So near to the sense things have in God
Are both my poems and children's thought.
For a child knows that logic and meaning
Are only nothing nothing screening,
And a child is one divinely aware
That all things are toys and all things are fair,
That a thimble, a stone and a cotton‑reel
Are things we can quite divinely feel,
And that, if we make men out of those things,
They are really men, not imaginings.
I would therefore l could take my verse
Out of mere ideas and better it worse
To visible carving or drawing or what
My verses could be resembling that.
Then would I be the children's poet,
And, though perhaps I might never know it
With the outer sense that makes life sadder,
In every innocent face made gladder
God would be giving my soul the sense,
Lost back of knowledge, of recompense -
The sense of children more children still
When, acting my poems at their glad will,
They, playing with toys, with legs incurled,
Lightly err the visible world.
By children they would be understood,
So near to the sense things have in God
Are both my poems and children's thought.
For a child knows that logic and meaning
Are only nothing nothing screening,
And a child is one divinely aware
That all things are toys and all things are fair,
That a thimble, a stone and a cotton‑reel
Are things we can quite divinely feel,
And that, if we make men out of those things,
They are really men, not imaginings.
I would therefore l could take my verse
Out of mere ideas and better it worse
To visible carving or drawing or what
My verses could be resembling that.
Then would I be the children's poet,
And, though perhaps I might never know it
With the outer sense that makes life sadder,
In every innocent face made gladder
God would be giving my soul the sense,
Lost back of knowledge, of recompense -
The sense of children more children still
When, acting my poems at their glad will,
They, playing with toys, with legs incurled,
Lightly err the visible world.
1 870
Fernando Pessoa
Pobre Espanha, já sem ter
Pobre Espanha, já sem ter
Alma onde ser!
Fragmento sobrevivente
De ti mesma, ente
De te perder!
Relembremos na hora
Em que em ti chora
O que não ouves em ti,
Aquele que foi
O herói em si
Do que em ti se perdeu de herói.
Fidalgo que toda a alma deu
Ao Rei e à Grei que o perdeu
No incêndio da hora estranha,
Saibamo-lo, alheios mas homens, chorar,
Com quem a alma da fidalguia da Espanha
Foi a enterrar.
Alma onde ser!
Fragmento sobrevivente
De ti mesma, ente
De te perder!
Relembremos na hora
Em que em ti chora
O que não ouves em ti,
Aquele que foi
O herói em si
Do que em ti se perdeu de herói.
Fidalgo que toda a alma deu
Ao Rei e à Grei que o perdeu
No incêndio da hora estranha,
Saibamo-lo, alheios mas homens, chorar,
Com quem a alma da fidalguia da Espanha
Foi a enterrar.
1 566
Fernando Pessoa
45 - THE LOOPHOLE
I shall not come when thou wilt call,
For when thou call'st I am with thee.
When I think of thee, within me
Thyself art, and thy thought self’s all.
Thy presence is thy absence drest
In thy body that hides thy soul.
Tis in me that thou art possessed,
'Tis in my thoughts that thou art whole.
Outside thee, given to time and space,
Thy body, thy mere loss to me,
Partakes of change and age and place?
Belongs to other laws than thee.
In my dream of thee nothing changes
Thyself to other than thou art.
Thy corporal presence is that part
Of thee that thee from thee estranges.
Therefore call me, but await not.
Thy voice, summed to my dreaming thee,
Shall put new beauty on that thought
Of thy body that dwells in me.
Thy voice heard from afar shall bring
Nearer to me thy presence dreamed.
Brighter and clearer than it seemed
It grow'th in my imagining.
Then call no more. Thy voice twice heard
Along the real space would be
Too near now to reality.
Thy second voice were thy first blurred.
Call me but once. I close mine eyes
And let the second call be dreamed,
Thy body's vision lightly gleamed
On my seeing memory of thy cries.
The rest, eyes shut lest thou appear.
Shall be thy clear continuance
In my dream's constancy askance.
Keep far, keep silent, come not here,
For thou wouldst come too near for sight
And out of my thoughts step to thee,
Putting on thy dreamed body in me
(Thy body's form‑dream infinite)
Thy limit, visibility.
For when thou call'st I am with thee.
When I think of thee, within me
Thyself art, and thy thought self’s all.
Thy presence is thy absence drest
In thy body that hides thy soul.
Tis in me that thou art possessed,
'Tis in my thoughts that thou art whole.
Outside thee, given to time and space,
Thy body, thy mere loss to me,
Partakes of change and age and place?
Belongs to other laws than thee.
In my dream of thee nothing changes
Thyself to other than thou art.
Thy corporal presence is that part
Of thee that thee from thee estranges.
Therefore call me, but await not.
Thy voice, summed to my dreaming thee,
Shall put new beauty on that thought
Of thy body that dwells in me.
Thy voice heard from afar shall bring
Nearer to me thy presence dreamed.
Brighter and clearer than it seemed
It grow'th in my imagining.
Then call no more. Thy voice twice heard
Along the real space would be
Too near now to reality.
Thy second voice were thy first blurred.
Call me but once. I close mine eyes
And let the second call be dreamed,
Thy body's vision lightly gleamed
On my seeing memory of thy cries.
The rest, eyes shut lest thou appear.
Shall be thy clear continuance
In my dream's constancy askance.
Keep far, keep silent, come not here,
For thou wouldst come too near for sight
And out of my thoughts step to thee,
Putting on thy dreamed body in me
(Thy body's form‑dream infinite)
Thy limit, visibility.
1 268
Fernando Pessoa
«Das flores que há pelo campo
«Das flores que há pelo campo
O rosmaninho é rei...»
É uma velha cantiga...
Bem sei, meu Deus, bem o sei.
O rosmaninho é rei...»
É uma velha cantiga...
Bem sei, meu Deus, bem o sei.
1 613
Fernando Pessoa
47 - FIAT LUX
Into a vision before me the world
Flowered, and it as when a flag, unfurled,
Suddenly shows unknown colours and signs.
Into an unknown meaning, evident
And unknown ever, it outspread its lines
Of meaning to my passive wonderment.
The outward and the inward became one.
Feelings and thoughts were visible in shapes,
And flowers and trees as feelings, thoughts. Great capes
Stood out of Soul, thrust into conscious seas,
And on all this a man‑sky spoke its breeze.
Each thing was linked into each other thing
By links of being past imagining,
But visible, as if the skeleton
Were visible and the flesh round it, each one
As if a separate thing visibly alone.
There was no difference between a tree
And an idea. Seeing a river be
And the exterior river were one thing.
The bird's soul and the motion of its wing
Were an inextricable oneness made.
And all this I saw, seeing not, dismayed
With the New God this vision told me of;
For this was aught I could not speak nor love
But a new sentiment not like all others,
Nought like the human feelings, men are brothers
In feeling, woke on my astonished spirit.
With a great suddenness did this disinherit
That thought that looks through mine eyes of the pelf
Of ordered seeing that maketh it itself.
O horror set with mad joy to appal!
O self‑transcendency of all!
O inner infinity of each thing, that now
Suddenly was made visible and local, though
No manner of speech to speak these things in words
Followed that vision! Sight whose sense absurds
Likeness of like, and makes disparity
Contiguous innerly to unity!
How to express what, seen, is not expressed
To the struck sight that sees it? How to know
What comes to senses' threshold to bestow
A visible ignorance upon the knowing?
How to obey the analogy‑behest,
Community in unity to prove
The intellectual meaning of to love,
Shipwrecking difference upon the sight
Renewed from God to Inwards infinite?
Nothing: the exterior world inner expressed,
The flower of the whole vision of the world
Into its colour of absolutely meaning
In the night unfurled,
And therefore nought unfurling, abstract, that,
Vision self‑screening,
Patent invisible fact.
Nothing: all,
And I centre of to recall,
As if Seeing were a god.
The rest the presence of to see,
Hollow self‑sensed infinity,
And all my being‑not‑souled‑to‑oneness trod
To fragments in my sight‑dishevelled sight.
This Night is Light.
Flowered, and it as when a flag, unfurled,
Suddenly shows unknown colours and signs.
Into an unknown meaning, evident
And unknown ever, it outspread its lines
Of meaning to my passive wonderment.
The outward and the inward became one.
Feelings and thoughts were visible in shapes,
And flowers and trees as feelings, thoughts. Great capes
Stood out of Soul, thrust into conscious seas,
And on all this a man‑sky spoke its breeze.
Each thing was linked into each other thing
By links of being past imagining,
But visible, as if the skeleton
Were visible and the flesh round it, each one
As if a separate thing visibly alone.
There was no difference between a tree
And an idea. Seeing a river be
And the exterior river were one thing.
The bird's soul and the motion of its wing
Were an inextricable oneness made.
And all this I saw, seeing not, dismayed
With the New God this vision told me of;
For this was aught I could not speak nor love
But a new sentiment not like all others,
Nought like the human feelings, men are brothers
In feeling, woke on my astonished spirit.
With a great suddenness did this disinherit
That thought that looks through mine eyes of the pelf
Of ordered seeing that maketh it itself.
O horror set with mad joy to appal!
O self‑transcendency of all!
O inner infinity of each thing, that now
Suddenly was made visible and local, though
No manner of speech to speak these things in words
Followed that vision! Sight whose sense absurds
Likeness of like, and makes disparity
Contiguous innerly to unity!
How to express what, seen, is not expressed
To the struck sight that sees it? How to know
What comes to senses' threshold to bestow
A visible ignorance upon the knowing?
How to obey the analogy‑behest,
Community in unity to prove
The intellectual meaning of to love,
Shipwrecking difference upon the sight
Renewed from God to Inwards infinite?
Nothing: the exterior world inner expressed,
The flower of the whole vision of the world
Into its colour of absolutely meaning
In the night unfurled,
And therefore nought unfurling, abstract, that,
Vision self‑screening,
Patent invisible fact.
Nothing: all,
And I centre of to recall,
As if Seeing were a god.
The rest the presence of to see,
Hollow self‑sensed infinity,
And all my being‑not‑souled‑to‑oneness trod
To fragments in my sight‑dishevelled sight.
This Night is Light.
1 789
Fernando Pessoa
47 - FIAT LUX
Into a vision before me the world
Flowered, and it as when a flag, unfurled,
Suddenly shows unknown colours and signs.
Into an unknown meaning, evident
And unknown ever, it outspread its lines
Of meaning to my passive wonderment.
The outward and the inward became one.
Feelings and thoughts were visible in shapes,
And flowers and trees as feelings, thoughts. Great capes
Stood out of Soul, thrust into conscious seas,
And on all this a man‑sky spoke its breeze.
Each thing was linked into each other thing
By links of being past imagining,
But visible, as if the skeleton
Were visible and the flesh round it, each one
As if a separate thing visibly alone.
There was no difference between a tree
And an idea. Seeing a river be
And the exterior river were one thing.
The bird's soul and the motion of its wing
Were an inextricable oneness made.
And all this I saw, seeing not, dismayed
With the New God this vision told me of;
For this was aught I could not speak nor love
But a new sentiment not like all others,
Nought like the human feelings, men are brothers
In feeling, woke on my astonished spirit.
With a great suddenness did this disinherit
That thought that looks through mine eyes of the pelf
Of ordered seeing that maketh it itself.
O horror set with mad joy to appal!
O self‑transcendency of all!
O inner infinity of each thing, that now
Suddenly was made visible and local, though
No manner of speech to speak these things in words
Followed that vision! Sight whose sense absurds
Likeness of like, and makes disparity
Contiguous innerly to unity!
How to express what, seen, is not expressed
To the struck sight that sees it? How to know
What comes to senses' threshold to bestow
A visible ignorance upon the knowing?
How to obey the analogy‑behest,
Community in unity to prove
The intellectual meaning of to love,
Shipwrecking difference upon the sight
Renewed from God to Inwards infinite?
Nothing: the exterior world inner expressed,
The flower of the whole vision of the world
Into its colour of absolutely meaning
In the night unfurled,
And therefore nought unfurling, abstract, that,
Vision self‑screening,
Patent invisible fact.
Nothing: all,
And I centre of to recall,
As if Seeing were a god.
The rest the presence of to see,
Hollow self‑sensed infinity,
And all my being‑not‑souled‑to‑oneness trod
To fragments in my sight‑dishevelled sight.
This Night is Light.
Flowered, and it as when a flag, unfurled,
Suddenly shows unknown colours and signs.
Into an unknown meaning, evident
And unknown ever, it outspread its lines
Of meaning to my passive wonderment.
The outward and the inward became one.
Feelings and thoughts were visible in shapes,
And flowers and trees as feelings, thoughts. Great capes
Stood out of Soul, thrust into conscious seas,
And on all this a man‑sky spoke its breeze.
Each thing was linked into each other thing
By links of being past imagining,
But visible, as if the skeleton
Were visible and the flesh round it, each one
As if a separate thing visibly alone.
There was no difference between a tree
And an idea. Seeing a river be
And the exterior river were one thing.
The bird's soul and the motion of its wing
Were an inextricable oneness made.
And all this I saw, seeing not, dismayed
With the New God this vision told me of;
For this was aught I could not speak nor love
But a new sentiment not like all others,
Nought like the human feelings, men are brothers
In feeling, woke on my astonished spirit.
With a great suddenness did this disinherit
That thought that looks through mine eyes of the pelf
Of ordered seeing that maketh it itself.
O horror set with mad joy to appal!
O self‑transcendency of all!
O inner infinity of each thing, that now
Suddenly was made visible and local, though
No manner of speech to speak these things in words
Followed that vision! Sight whose sense absurds
Likeness of like, and makes disparity
Contiguous innerly to unity!
How to express what, seen, is not expressed
To the struck sight that sees it? How to know
What comes to senses' threshold to bestow
A visible ignorance upon the knowing?
How to obey the analogy‑behest,
Community in unity to prove
The intellectual meaning of to love,
Shipwrecking difference upon the sight
Renewed from God to Inwards infinite?
Nothing: the exterior world inner expressed,
The flower of the whole vision of the world
Into its colour of absolutely meaning
In the night unfurled,
And therefore nought unfurling, abstract, that,
Vision self‑screening,
Patent invisible fact.
Nothing: all,
And I centre of to recall,
As if Seeing were a god.
The rest the presence of to see,
Hollow self‑sensed infinity,
And all my being‑not‑souled‑to‑oneness trod
To fragments in my sight‑dishevelled sight.
This Night is Light.
1 789
Fernando Pessoa
When slattern Time, worn out with toil of wearing,
When slattern Time, worn out with toil of wearing,
With loose‑tied pack shall trudge upon my years,
And I shall feel that forced occasion nearing
That despair's self (that must live to be) fears,
I, being beggared of all wealth of hope -
So prodigal have I to wishes been -
Shall with known uselessness for the coin grope
To pay that the hour’s ending be serene.
I shall not enter the great silent cave
With curious ardour, or ease out of sun,
But all that with me I shall then still have
Will be a coward rage that all is done.
No hope the cave's a passage shall control
Fear of the immediate night of the shown hole.
With loose‑tied pack shall trudge upon my years,
And I shall feel that forced occasion nearing
That despair's self (that must live to be) fears,
I, being beggared of all wealth of hope -
So prodigal have I to wishes been -
Shall with known uselessness for the coin grope
To pay that the hour’s ending be serene.
I shall not enter the great silent cave
With curious ardour, or ease out of sun,
But all that with me I shall then still have
Will be a coward rage that all is done.
No hope the cave's a passage shall control
Fear of the immediate night of the shown hole.
1 402
Fernando Pessoa
When slattern Time, worn out with toil of wearing,
When slattern Time, worn out with toil of wearing,
With loose‑tied pack shall trudge upon my years,
And I shall feel that forced occasion nearing
That despair's self (that must live to be) fears,
I, being beggared of all wealth of hope -
So prodigal have I to wishes been -
Shall with known uselessness for the coin grope
To pay that the hour’s ending be serene.
I shall not enter the great silent cave
With curious ardour, or ease out of sun,
But all that with me I shall then still have
Will be a coward rage that all is done.
No hope the cave's a passage shall control
Fear of the immediate night of the shown hole.
With loose‑tied pack shall trudge upon my years,
And I shall feel that forced occasion nearing
That despair's self (that must live to be) fears,
I, being beggared of all wealth of hope -
So prodigal have I to wishes been -
Shall with known uselessness for the coin grope
To pay that the hour’s ending be serene.
I shall not enter the great silent cave
With curious ardour, or ease out of sun,
But all that with me I shall then still have
Will be a coward rage that all is done.
No hope the cave's a passage shall control
Fear of the immediate night of the shown hole.
1 402
Fernando Pessoa
When slattern Time, worn out with toil of wearing,
When slattern Time, worn out with toil of wearing,
With loose‑tied pack shall trudge upon my years,
And I shall feel that forced occasion nearing
That despair's self (that must live to be) fears,
I, being beggared of all wealth of hope -
So prodigal have I to wishes been -
Shall with known uselessness for the coin grope
To pay that the hour’s ending be serene.
I shall not enter the great silent cave
With curious ardour, or ease out of sun,
But all that with me I shall then still have
Will be a coward rage that all is done.
No hope the cave's a passage shall control
Fear of the immediate night of the shown hole.
With loose‑tied pack shall trudge upon my years,
And I shall feel that forced occasion nearing
That despair's self (that must live to be) fears,
I, being beggared of all wealth of hope -
So prodigal have I to wishes been -
Shall with known uselessness for the coin grope
To pay that the hour’s ending be serene.
I shall not enter the great silent cave
With curious ardour, or ease out of sun,
But all that with me I shall then still have
Will be a coward rage that all is done.
No hope the cave's a passage shall control
Fear of the immediate night of the shown hole.
1 402
Fernando Pessoa
48 - A SUMMER ECSTASY
Beside a summer's day
I lay me down and dreamed.
The light from far away
In my withinned self gleamed,
An unreal true glow,
Spiritually somehow.
I saw the inner side
Of summer, earth and morn.
I heard the rivers glide
From Within. l was borne
To see, through mysteries,
How God everything is.
The motes of sun that dance
Are audibly whispered.
All is an utterance.
The sight may hear. I shed
Vision of things as things.
My thoughts are angels' wings.
The corpses of known hours
In barks unsteered and left
Float, covered with mute flowers,
Down my dream that is cleft
In banks of mystery -
This summer day and I.
And something like a greed
And yet unlike a wish,
The power to have a need
Which doth not needing reach,
But is dissolved again
Ere its sad joy reach pain,
A shadowy lightness woven
Of the day and of me,
Like sparkling water driven
Never but where we see,
A gap, a pause, a dim
Looking over things' rim,
Starts like a sudden flute
Pastoral with tuneless notes
Out of the unseen root
Of all my being denotes,
Spreads, till I feel it not,
O'er my lost sense of thought.
And lo! I am another.
My senses taste not‑mine.
A hand my sight doth smother
To a blind sight divine.
I am a lost tune, a mood
Of the finger‑tips of God.
So, like a child‑king crowned,
I feel new with fear‑pride.
I am robed with sky and ground.
My inmost soul's outside
Is sunlit seas and lands.
My dreams are seraphs' hands.
I lay me down and dreamed.
The light from far away
In my withinned self gleamed,
An unreal true glow,
Spiritually somehow.
I saw the inner side
Of summer, earth and morn.
I heard the rivers glide
From Within. l was borne
To see, through mysteries,
How God everything is.
The motes of sun that dance
Are audibly whispered.
All is an utterance.
The sight may hear. I shed
Vision of things as things.
My thoughts are angels' wings.
The corpses of known hours
In barks unsteered and left
Float, covered with mute flowers,
Down my dream that is cleft
In banks of mystery -
This summer day and I.
And something like a greed
And yet unlike a wish,
The power to have a need
Which doth not needing reach,
But is dissolved again
Ere its sad joy reach pain,
A shadowy lightness woven
Of the day and of me,
Like sparkling water driven
Never but where we see,
A gap, a pause, a dim
Looking over things' rim,
Starts like a sudden flute
Pastoral with tuneless notes
Out of the unseen root
Of all my being denotes,
Spreads, till I feel it not,
O'er my lost sense of thought.
And lo! I am another.
My senses taste not‑mine.
A hand my sight doth smother
To a blind sight divine.
I am a lost tune, a mood
Of the finger‑tips of God.
So, like a child‑king crowned,
I feel new with fear‑pride.
I am robed with sky and ground.
My inmost soul's outside
Is sunlit seas and lands.
My dreams are seraphs' hands.
1 685
Fernando Pessoa
49 - MOOD
My thoughts are something my soul fears.
I tremble at my very glee.
Sometimes I feel arrive in me
A dim, a cold. a sad, a fierce
A lust‑like spirituality.
It makes me one with all the grass.
My life takes colour at all flowers.
The breeze that seemeth loth to pass
Shakes off red petals from my hours
And my heart sulters without showers.
Then God becomes a vice of mine
And divine feelings an embrace
That sinks my senses in its wine
And leaves no outline in my ways
Of seeing God flower, grow and shine.
My thoughts and feelings mingle and form
A vague and hot soul‑unity.
Like a sea that expects a storm,
A lazy ache and fret make me
A murmur like a coming swarm.
My parched thoughts mix and occupy
Their interpresences and swell
To each others' places. I descry
Nought in me save impossible
Mixtures of many things all I.
I am a drunkard of my thoughts.
My feelings' juice o'erruns my soul.
My will becomes soaked in them all.
Then life stagnates a dream and rots
To beauty in my verses' dole.
I tremble at my very glee.
Sometimes I feel arrive in me
A dim, a cold. a sad, a fierce
A lust‑like spirituality.
It makes me one with all the grass.
My life takes colour at all flowers.
The breeze that seemeth loth to pass
Shakes off red petals from my hours
And my heart sulters without showers.
Then God becomes a vice of mine
And divine feelings an embrace
That sinks my senses in its wine
And leaves no outline in my ways
Of seeing God flower, grow and shine.
My thoughts and feelings mingle and form
A vague and hot soul‑unity.
Like a sea that expects a storm,
A lazy ache and fret make me
A murmur like a coming swarm.
My parched thoughts mix and occupy
Their interpresences and swell
To each others' places. I descry
Nought in me save impossible
Mixtures of many things all I.
I am a drunkard of my thoughts.
My feelings' juice o'erruns my soul.
My will becomes soaked in them all.
Then life stagnates a dream and rots
To beauty in my verses' dole.
1 551
Fernando Pessoa
49 - MOOD
My thoughts are something my soul fears.
I tremble at my very glee.
Sometimes I feel arrive in me
A dim, a cold. a sad, a fierce
A lust‑like spirituality.
It makes me one with all the grass.
My life takes colour at all flowers.
The breeze that seemeth loth to pass
Shakes off red petals from my hours
And my heart sulters without showers.
Then God becomes a vice of mine
And divine feelings an embrace
That sinks my senses in its wine
And leaves no outline in my ways
Of seeing God flower, grow and shine.
My thoughts and feelings mingle and form
A vague and hot soul‑unity.
Like a sea that expects a storm,
A lazy ache and fret make me
A murmur like a coming swarm.
My parched thoughts mix and occupy
Their interpresences and swell
To each others' places. I descry
Nought in me save impossible
Mixtures of many things all I.
I am a drunkard of my thoughts.
My feelings' juice o'erruns my soul.
My will becomes soaked in them all.
Then life stagnates a dream and rots
To beauty in my verses' dole.
I tremble at my very glee.
Sometimes I feel arrive in me
A dim, a cold. a sad, a fierce
A lust‑like spirituality.
It makes me one with all the grass.
My life takes colour at all flowers.
The breeze that seemeth loth to pass
Shakes off red petals from my hours
And my heart sulters without showers.
Then God becomes a vice of mine
And divine feelings an embrace
That sinks my senses in its wine
And leaves no outline in my ways
Of seeing God flower, grow and shine.
My thoughts and feelings mingle and form
A vague and hot soul‑unity.
Like a sea that expects a storm,
A lazy ache and fret make me
A murmur like a coming swarm.
My parched thoughts mix and occupy
Their interpresences and swell
To each others' places. I descry
Nought in me save impossible
Mixtures of many things all I.
I am a drunkard of my thoughts.
My feelings' juice o'erruns my soul.
My will becomes soaked in them all.
Then life stagnates a dream and rots
To beauty in my verses' dole.
1 551