Poemas neste tema
Vida e Existência
Fernando Pessoa
II - If that apparent part of life's delight
If that apparent part of life's delight
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
4 189
Fernando Pessoa
II - If that apparent part of life's delight
If that apparent part of life's delight
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
4 189
Fernando Pessoa
XIV - The bridegroom
The bridegroom aches for the end of this and lusts
To know those paps in sucking gusts,
To put his first hand on that belly's hair
And feel for the lipped lair,
The fortress made but to be taken, for which
He feels the battering ram grow large and itch.
The trembling glad bride feels all the day hot
On that still cloistered spot
Where only her nightly maiden hand did feign
A pleasure's empty gain.
And, of the others, most will whisper at this,
Knowing the spurt it is;
And children yet, that watch with looking eyes,
Will now thrill to be wise
In flesh, and with big men and women act
The liquid tickling fact
For whose taste they'll in secret corners try
They scarce know what still dry.
To know those paps in sucking gusts,
To put his first hand on that belly's hair
And feel for the lipped lair,
The fortress made but to be taken, for which
He feels the battering ram grow large and itch.
The trembling glad bride feels all the day hot
On that still cloistered spot
Where only her nightly maiden hand did feign
A pleasure's empty gain.
And, of the others, most will whisper at this,
Knowing the spurt it is;
And children yet, that watch with looking eyes,
Will now thrill to be wise
In flesh, and with big men and women act
The liquid tickling fact
For whose taste they'll in secret corners try
They scarce know what still dry.
4 188
Fernando Pessoa
XIV - The bridegroom
The bridegroom aches for the end of this and lusts
To know those paps in sucking gusts,
To put his first hand on that belly's hair
And feel for the lipped lair,
The fortress made but to be taken, for which
He feels the battering ram grow large and itch.
The trembling glad bride feels all the day hot
On that still cloistered spot
Where only her nightly maiden hand did feign
A pleasure's empty gain.
And, of the others, most will whisper at this,
Knowing the spurt it is;
And children yet, that watch with looking eyes,
Will now thrill to be wise
In flesh, and with big men and women act
The liquid tickling fact
For whose taste they'll in secret corners try
They scarce know what still dry.
To know those paps in sucking gusts,
To put his first hand on that belly's hair
And feel for the lipped lair,
The fortress made but to be taken, for which
He feels the battering ram grow large and itch.
The trembling glad bride feels all the day hot
On that still cloistered spot
Where only her nightly maiden hand did feign
A pleasure's empty gain.
And, of the others, most will whisper at this,
Knowing the spurt it is;
And children yet, that watch with looking eyes,
Will now thrill to be wise
In flesh, and with big men and women act
The liquid tickling fact
For whose taste they'll in secret corners try
They scarce know what still dry.
4 188
Fernando Pessoa
V - How can I think, or edge my thoughts to action,
How can I think, or edge my thoughts to action,
When the miserly press of each day's need
Aches to a narrowness of spilled distraction
My soul appalled at the world's work's time-greed?
How can I pause my thoughts upon the task
My soul was born to think that it must do
When every moment has a thought to ask
To fit the immediate craving of its cue?
The coin I'd heap for marrying my Muse
And build our home i'th' greater Time-to-be
Becomes dissolved by needs of each day's use
And I feel beggared of infinity,
Like a true-Christian sinner, each day flesh-driven
By his own act to forfeit his wished heaven.
When the miserly press of each day's need
Aches to a narrowness of spilled distraction
My soul appalled at the world's work's time-greed?
How can I pause my thoughts upon the task
My soul was born to think that it must do
When every moment has a thought to ask
To fit the immediate craving of its cue?
The coin I'd heap for marrying my Muse
And build our home i'th' greater Time-to-be
Becomes dissolved by needs of each day's use
And I feel beggared of infinity,
Like a true-Christian sinner, each day flesh-driven
By his own act to forfeit his wished heaven.
3 879
Fernando Pessoa
XXIX - My weary life, that lives unsatisfied
My weary life, that lives unsatisfied
On the foiled off-brink of being e'er but this,
To whom the power to will hath been denied
And the will to renounce doth also miss;
My sated life, with having nothing sated,
In the motion of moving poised aye,
Within its dreams from its own dreams abated –
This life let the Gods change or take away.
For this endless succession of empty hours,
Like deserts after deserts, voidly one,
Doth undermine the very dreaming powers
And dull even thought's active inaction,
Tainting with fore-unwilled will the dreamed act
Twice thus removed from the unobtained fact.
On the foiled off-brink of being e'er but this,
To whom the power to will hath been denied
And the will to renounce doth also miss;
My sated life, with having nothing sated,
In the motion of moving poised aye,
Within its dreams from its own dreams abated –
This life let the Gods change or take away.
For this endless succession of empty hours,
Like deserts after deserts, voidly one,
Doth undermine the very dreaming powers
And dull even thought's active inaction,
Tainting with fore-unwilled will the dreamed act
Twice thus removed from the unobtained fact.
4 288
Fernando Pessoa
XXX - I do not know what truth the false untruth
I do not know what truth the false untruth
Of this sad sense of the seen world may own,
Or if this flowered plant bears also a fruit
Unto the true reality unknown.
But as the rainbow, neither earth's nor sky's,
Stands in the dripping freshness of lulled rain,
A hope, note real yet not fancy's, lies
Athwart the moment of our ceasing pain.
Somehow, since pain is felt yet felt as ill,
Hope hath a better warrant than being hoped;
Since pain is felt as aught we should not feel
Man hath a Nature's reason for having groped,
Since Time was Time and age and grief his measures
Towards a better shelter than Time's pleasures.
Of this sad sense of the seen world may own,
Or if this flowered plant bears also a fruit
Unto the true reality unknown.
But as the rainbow, neither earth's nor sky's,
Stands in the dripping freshness of lulled rain,
A hope, note real yet not fancy's, lies
Athwart the moment of our ceasing pain.
Somehow, since pain is felt yet felt as ill,
Hope hath a better warrant than being hoped;
Since pain is felt as aught we should not feel
Man hath a Nature's reason for having groped,
Since Time was Time and age and grief his measures
Towards a better shelter than Time's pleasures.
4 133
Fernando Pessoa
XXVI - The world is woven all of dream and error
The world is woven all of dream and error
And but one sureness in our truth may lie –
That when we hold to aught our thinking's mirror
We know it not by knowing it thereby.
For but one side of things the mirror knows,
And knows it colded from its solidness.
A double lie its truth is; what it shows
By true show's false and nowhere by true place.
Thought clouds our life's day-sense with strangeness, yet
Never from strangeness more than that it's strange
Doth buy our perplexed thinking, for we get
But the words sense from words – knowledge, truth, change.
We know the world is false, not what is true.
Yet we think on, knowing we ne'er shall know.
And but one sureness in our truth may lie –
That when we hold to aught our thinking's mirror
We know it not by knowing it thereby.
For but one side of things the mirror knows,
And knows it colded from its solidness.
A double lie its truth is; what it shows
By true show's false and nowhere by true place.
Thought clouds our life's day-sense with strangeness, yet
Never from strangeness more than that it's strange
Doth buy our perplexed thinking, for we get
But the words sense from words – knowledge, truth, change.
We know the world is false, not what is true.
Yet we think on, knowing we ne'er shall know.
4 363
Fernando Pessoa
XXXI - I am older than Nature and her Time
I am older than Nature and her Time
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
Thus I my hope on unknown truth lay; yet
How but by hope do I the unknown truth get?
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
Thus I my hope on unknown truth lay; yet
How but by hope do I the unknown truth get?
4 328
Fernando Pessoa
XXXI - I am older than Nature and her Time
I am older than Nature and her Time
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
Thus I my hope on unknown truth lay; yet
How but by hope do I the unknown truth get?
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
Thus I my hope on unknown truth lay; yet
How but by hope do I the unknown truth get?
4 328
Fernando Pessoa
XXXI - I am older than Nature and her Time
I am older than Nature and her Time
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
Thus I my hope on unknown truth lay; yet
How but by hope do I the unknown truth get?
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
Thus I my hope on unknown truth lay; yet
How but by hope do I the unknown truth get?
4 328
Fernando Pessoa
XIX - Beauty and love let no one separate,
Beauty and love let no one separate,
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
4 318
Fernando Pessoa
15 - THE NIGHT‑LIGHT
THE WRONG CHOICE
THE NIGHT LIGHT
Nurse, I known now
That love is vain.
When I was small
You used to sing
And soothe my brow
Till calm seemed pain.
That song recall
And to me bring.
I wish to feel
Again that child
That you made sleep
Singing so low,
So low that real
Things were beguiled
To make me weep
At seeing them go.
Nurse, by my bed
Sing me again
That song. I love
Hoping for't now.
My heart has bled
Till joy seems pain.
Sing softly above
My caressed brow
O regions lost
In dreams and sleep!
O fairy tales
You did not tell,
But that were tossed
Out of the deep
Of your song's waves
And surge and spell!
Sing as if you
Were listening.
Sing as if I
Had no more world
Than all night through
Hearing you sing,
While my breath sly
On my breast curled.
Why did I live
Beyond those hours
When you sung songs
Perhaps of queens
My dream believes,
Perhaps of flowers,
Whose lost scent throngs
Through my sense-screens?
Why did I lose
What I had not
But was your voice,
My heart and night?
Why did I choose
Life, love and thought,
With a wrong choice
And a false right?
Lullaby nurse,
Again for me.
Sing 'till I find
My heart less lone,
And life, life's hearse,
Leaving dreams free,
Shrink undefined
Into the Unknown.
You are no more
My nurse that sings,
My childhood een
Made me again.
No: you are the hour
Of sleep, that brings
That scene no-scene,
That pain no-pain;
Hallowed and dim,
Brotherly night,
Wherein my soul
Is haunted past
The hollow rim
Of my delight
And the low dole
Of pain and haste;
Merged in the dark,
Sunk past the bed
Into a peace
Of being nought,
Shadowy bark
Abandoned,
Abstract release
From self and thought.
THE NIGHT LIGHT
Nurse, I known now
That love is vain.
When I was small
You used to sing
And soothe my brow
Till calm seemed pain.
That song recall
And to me bring.
I wish to feel
Again that child
That you made sleep
Singing so low,
So low that real
Things were beguiled
To make me weep
At seeing them go.
Nurse, by my bed
Sing me again
That song. I love
Hoping for't now.
My heart has bled
Till joy seems pain.
Sing softly above
My caressed brow
O regions lost
In dreams and sleep!
O fairy tales
You did not tell,
But that were tossed
Out of the deep
Of your song's waves
And surge and spell!
Sing as if you
Were listening.
Sing as if I
Had no more world
Than all night through
Hearing you sing,
While my breath sly
On my breast curled.
Why did I live
Beyond those hours
When you sung songs
Perhaps of queens
My dream believes,
Perhaps of flowers,
Whose lost scent throngs
Through my sense-screens?
Why did I lose
What I had not
But was your voice,
My heart and night?
Why did I choose
Life, love and thought,
With a wrong choice
And a false right?
Lullaby nurse,
Again for me.
Sing 'till I find
My heart less lone,
And life, life's hearse,
Leaving dreams free,
Shrink undefined
Into the Unknown.
You are no more
My nurse that sings,
My childhood een
Made me again.
No: you are the hour
Of sleep, that brings
That scene no-scene,
That pain no-pain;
Hallowed and dim,
Brotherly night,
Wherein my soul
Is haunted past
The hollow rim
Of my delight
And the low dole
Of pain and haste;
Merged in the dark,
Sunk past the bed
Into a peace
Of being nought,
Shadowy bark
Abandoned,
Abstract release
From self and thought.
4 388
Fernando Pessoa
15 - THE NIGHT‑LIGHT
THE WRONG CHOICE
THE NIGHT LIGHT
Nurse, I known now
That love is vain.
When I was small
You used to sing
And soothe my brow
Till calm seemed pain.
That song recall
And to me bring.
I wish to feel
Again that child
That you made sleep
Singing so low,
So low that real
Things were beguiled
To make me weep
At seeing them go.
Nurse, by my bed
Sing me again
That song. I love
Hoping for't now.
My heart has bled
Till joy seems pain.
Sing softly above
My caressed brow
O regions lost
In dreams and sleep!
O fairy tales
You did not tell,
But that were tossed
Out of the deep
Of your song's waves
And surge and spell!
Sing as if you
Were listening.
Sing as if I
Had no more world
Than all night through
Hearing you sing,
While my breath sly
On my breast curled.
Why did I live
Beyond those hours
When you sung songs
Perhaps of queens
My dream believes,
Perhaps of flowers,
Whose lost scent throngs
Through my sense-screens?
Why did I lose
What I had not
But was your voice,
My heart and night?
Why did I choose
Life, love and thought,
With a wrong choice
And a false right?
Lullaby nurse,
Again for me.
Sing 'till I find
My heart less lone,
And life, life's hearse,
Leaving dreams free,
Shrink undefined
Into the Unknown.
You are no more
My nurse that sings,
My childhood een
Made me again.
No: you are the hour
Of sleep, that brings
That scene no-scene,
That pain no-pain;
Hallowed and dim,
Brotherly night,
Wherein my soul
Is haunted past
The hollow rim
Of my delight
And the low dole
Of pain and haste;
Merged in the dark,
Sunk past the bed
Into a peace
Of being nought,
Shadowy bark
Abandoned,
Abstract release
From self and thought.
THE NIGHT LIGHT
Nurse, I known now
That love is vain.
When I was small
You used to sing
And soothe my brow
Till calm seemed pain.
That song recall
And to me bring.
I wish to feel
Again that child
That you made sleep
Singing so low,
So low that real
Things were beguiled
To make me weep
At seeing them go.
Nurse, by my bed
Sing me again
That song. I love
Hoping for't now.
My heart has bled
Till joy seems pain.
Sing softly above
My caressed brow
O regions lost
In dreams and sleep!
O fairy tales
You did not tell,
But that were tossed
Out of the deep
Of your song's waves
And surge and spell!
Sing as if you
Were listening.
Sing as if I
Had no more world
Than all night through
Hearing you sing,
While my breath sly
On my breast curled.
Why did I live
Beyond those hours
When you sung songs
Perhaps of queens
My dream believes,
Perhaps of flowers,
Whose lost scent throngs
Through my sense-screens?
Why did I lose
What I had not
But was your voice,
My heart and night?
Why did I choose
Life, love and thought,
With a wrong choice
And a false right?
Lullaby nurse,
Again for me.
Sing 'till I find
My heart less lone,
And life, life's hearse,
Leaving dreams free,
Shrink undefined
Into the Unknown.
You are no more
My nurse that sings,
My childhood een
Made me again.
No: you are the hour
Of sleep, that brings
That scene no-scene,
That pain no-pain;
Hallowed and dim,
Brotherly night,
Wherein my soul
Is haunted past
The hollow rim
Of my delight
And the low dole
Of pain and haste;
Merged in the dark,
Sunk past the bed
Into a peace
Of being nought,
Shadowy bark
Abandoned,
Abstract release
From self and thought.
4 388
Fernando Pessoa
XVI - No matter now or past or future.
No matter now or past or future. Be
Lovers' age in your glee!
Give all your thoughts to this great muscled day
That like a courser tears
The bit of Time, to make night come and say
The maiden mount now her first rider bears!
Flesh pinched, flesh bit, flesh sucked, flesh girt around,
Flesh crushed and ground,
These things inflame your thoughts and make ye dim
In what ye say or seem!
Rage out in naked glances till ye fright
Your ague of delight,
In glances seeming clothes and thoughts to hate
That fleshes separate;
Stretch out your limbs to the warm day outside,
To feel it while it bide!
For the strong sun, the hot ground, the green grass,
Each far lake's dazzling glass,
And each one's flushed thought of the night to be
Are all one joy-hot unity.
Lovers' age in your glee!
Give all your thoughts to this great muscled day
That like a courser tears
The bit of Time, to make night come and say
The maiden mount now her first rider bears!
Flesh pinched, flesh bit, flesh sucked, flesh girt around,
Flesh crushed and ground,
These things inflame your thoughts and make ye dim
In what ye say or seem!
Rage out in naked glances till ye fright
Your ague of delight,
In glances seeming clothes and thoughts to hate
That fleshes separate;
Stretch out your limbs to the warm day outside,
To feel it while it bide!
For the strong sun, the hot ground, the green grass,
Each far lake's dazzling glass,
And each one's flushed thought of the night to be
Are all one joy-hot unity.
4 372
Fernando Pessoa
XVI - No matter now or past or future.
No matter now or past or future. Be
Lovers' age in your glee!
Give all your thoughts to this great muscled day
That like a courser tears
The bit of Time, to make night come and say
The maiden mount now her first rider bears!
Flesh pinched, flesh bit, flesh sucked, flesh girt around,
Flesh crushed and ground,
These things inflame your thoughts and make ye dim
In what ye say or seem!
Rage out in naked glances till ye fright
Your ague of delight,
In glances seeming clothes and thoughts to hate
That fleshes separate;
Stretch out your limbs to the warm day outside,
To feel it while it bide!
For the strong sun, the hot ground, the green grass,
Each far lake's dazzling glass,
And each one's flushed thought of the night to be
Are all one joy-hot unity.
Lovers' age in your glee!
Give all your thoughts to this great muscled day
That like a courser tears
The bit of Time, to make night come and say
The maiden mount now her first rider bears!
Flesh pinched, flesh bit, flesh sucked, flesh girt around,
Flesh crushed and ground,
These things inflame your thoughts and make ye dim
In what ye say or seem!
Rage out in naked glances till ye fright
Your ague of delight,
In glances seeming clothes and thoughts to hate
That fleshes separate;
Stretch out your limbs to the warm day outside,
To feel it while it bide!
For the strong sun, the hot ground, the green grass,
Each far lake's dazzling glass,
And each one's flushed thought of the night to be
Are all one joy-hot unity.
4 372
Fernando Pessoa
XIII - No more, no more of church or feast, for these
No more, no more of church or feast, for these
Are outward to the day, like the green trees
That flank the road to church and the same road
Back from the church, under a higher sun trod.
These have no more part than a floor or wall
In the great day's true ceremonial.
The guests themselves, no less than they that wed,
Hold these as nought but corridors to bed.
So are all things, that between this and dark
Will be passed, a dim work
Of minutes, hours seen in a sleep, and dreamed
Untimed and wrongly deemed.
The bridal and the walk back and the feast
Are all for each a mist
Where he sees others through a blurred hot notion
Of drunk and veined emotion,
And a red race runs through his seeing and hearing,
A great carouse of dreams seen each on each,
Till their importunate careering
A stopped, half-hurting point of mad joy reach.
Are outward to the day, like the green trees
That flank the road to church and the same road
Back from the church, under a higher sun trod.
These have no more part than a floor or wall
In the great day's true ceremonial.
The guests themselves, no less than they that wed,
Hold these as nought but corridors to bed.
So are all things, that between this and dark
Will be passed, a dim work
Of minutes, hours seen in a sleep, and dreamed
Untimed and wrongly deemed.
The bridal and the walk back and the feast
Are all for each a mist
Where he sees others through a blurred hot notion
Of drunk and veined emotion,
And a red race runs through his seeing and hearing,
A great carouse of dreams seen each on each,
Till their importunate careering
A stopped, half-hurting point of mad joy reach.
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XXIV - Something in me was born before the stars
Something in me was born before the stars
And saw the sun begin from far away.
Our yellow, local day on its wont jars,
For it hath communed with an absolute day.
Through my Thought's night, as a worn robe's heard trail
That I have never seen, I drag this past
That saw the Possible like a dawn grow pale
On the lost night before it, mute and vast.
It dates remoter than God's birth can reach,
That had no birth but the world's coming after.
So the world's to me as, after whispered speech,
The cause-ignored sudden echoing of laughter.
That 't has a meaning my conjecture knows,
But that 't has meaning's all its meaning shows.
And saw the sun begin from far away.
Our yellow, local day on its wont jars,
For it hath communed with an absolute day.
Through my Thought's night, as a worn robe's heard trail
That I have never seen, I drag this past
That saw the Possible like a dawn grow pale
On the lost night before it, mute and vast.
It dates remoter than God's birth can reach,
That had no birth but the world's coming after.
So the world's to me as, after whispered speech,
The cause-ignored sudden echoing of laughter.
That 't has a meaning my conjecture knows,
But that 't has meaning's all its meaning shows.
4 491
Fernando Pessoa
XXIV - Something in me was born before the stars
Something in me was born before the stars
And saw the sun begin from far away.
Our yellow, local day on its wont jars,
For it hath communed with an absolute day.
Through my Thought's night, as a worn robe's heard trail
That I have never seen, I drag this past
That saw the Possible like a dawn grow pale
On the lost night before it, mute and vast.
It dates remoter than God's birth can reach,
That had no birth but the world's coming after.
So the world's to me as, after whispered speech,
The cause-ignored sudden echoing of laughter.
That 't has a meaning my conjecture knows,
But that 't has meaning's all its meaning shows.
And saw the sun begin from far away.
Our yellow, local day on its wont jars,
For it hath communed with an absolute day.
Through my Thought's night, as a worn robe's heard trail
That I have never seen, I drag this past
That saw the Possible like a dawn grow pale
On the lost night before it, mute and vast.
It dates remoter than God's birth can reach,
That had no birth but the world's coming after.
So the world's to me as, after whispered speech,
The cause-ignored sudden echoing of laughter.
That 't has a meaning my conjecture knows,
But that 't has meaning's all its meaning shows.
4 491
Fernando Pessoa
XXXIII - He that goes back does, since he goes, advance,
He that goes back does, since he goes, advance,
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
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Fernando Pessoa
[3] A Outra Asa do Grifo: AFONSO DE ALBUQUERQUE
A OUTRA ASA DO GRIFO
AFONSO DE ALBUQUERQUE
De pé, sobre os países conquistados
Desce os olhos cansados
De ver o mundo e a injustiça e a sorte.
Não pensa em vida ou morte,
Tão poderoso que não quer o quanto
Pode, que o querer tanto
Calcara mais do que o submisso mundo
Sob o seu passo fundo.
Três impérios do chão lhe a Sorte apanha.
Criou-os como quem desdenha.
26/09/1928
AFONSO DE ALBUQUERQUE
De pé, sobre os países conquistados
Desce os olhos cansados
De ver o mundo e a injustiça e a sorte.
Não pensa em vida ou morte,
Tão poderoso que não quer o quanto
Pode, que o querer tanto
Calcara mais do que o submisso mundo
Sob o seu passo fundo.
Três impérios do chão lhe a Sorte apanha.
Criou-os como quem desdenha.
26/09/1928
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Fernando Pessoa
VI - Sing at her window, ye heard early wings
Sing at her window, ye heard early wings
In whose song joy's self sings!
Buzz in her room along her loss of sleep,
O small flies, tumble and creep
Along the counterpane and on her fingers
In mating pairs. She lingers.
Along her joined-felt legs a prophecy
Creeps like an inward hand.
Look bow she tarries! Tell her: fear not glee!
Come up! Awake! Dress for undressing! Stand!
Look how the sun is altogether all!
Life hums around her senses petalled close.
Come up! Come up! Pleasure must thee befall!
Joy to be plucked, O yet ungathered rose!
In whose song joy's self sings!
Buzz in her room along her loss of sleep,
O small flies, tumble and creep
Along the counterpane and on her fingers
In mating pairs. She lingers.
Along her joined-felt legs a prophecy
Creeps like an inward hand.
Look bow she tarries! Tell her: fear not glee!
Come up! Awake! Dress for undressing! Stand!
Look how the sun is altogether all!
Life hums around her senses petalled close.
Come up! Come up! Pleasure must thee befall!
Joy to be plucked, O yet ungathered rose!
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Fernando Pessoa
III - Open the windows and thee doors all wide
Open the windows and the doors all wide
Lest aught of night abide,
Or, like a ship's trail in the sea, survive
What made it there to live!
She lies in bed half waiting that her wish
Grow bolder or more rich
To make her rise, or poorer, to oust fear,
And she rise as a common day were here.
That she would be a bride in bed with man
The parts where she is woman do insist
And send up messages that shame doth ban
From being dreamed but in a shapeless mist.
She opes her eyes, the ceiling sees above
Shutting the small alcove,
And thinks, till she must shut her eyes again,
Another ceiling she this night will know,
Another house, another bed, she lain
In a way she half guesses; so
She shuts her eyes to see not the room she
Soon will no longer see.
Lest aught of night abide,
Or, like a ship's trail in the sea, survive
What made it there to live!
She lies in bed half waiting that her wish
Grow bolder or more rich
To make her rise, or poorer, to oust fear,
And she rise as a common day were here.
That she would be a bride in bed with man
The parts where she is woman do insist
And send up messages that shame doth ban
From being dreamed but in a shapeless mist.
She opes her eyes, the ceiling sees above
Shutting the small alcove,
And thinks, till she must shut her eyes again,
Another ceiling she this night will know,
Another house, another bed, she lain
In a way she half guesses; so
She shuts her eyes to see not the room she
Soon will no longer see.
4 184
Fernando Pessoa
III - Open the windows and thee doors all wide
Open the windows and the doors all wide
Lest aught of night abide,
Or, like a ship's trail in the sea, survive
What made it there to live!
She lies in bed half waiting that her wish
Grow bolder or more rich
To make her rise, or poorer, to oust fear,
And she rise as a common day were here.
That she would be a bride in bed with man
The parts where she is woman do insist
And send up messages that shame doth ban
From being dreamed but in a shapeless mist.
She opes her eyes, the ceiling sees above
Shutting the small alcove,
And thinks, till she must shut her eyes again,
Another ceiling she this night will know,
Another house, another bed, she lain
In a way she half guesses; so
She shuts her eyes to see not the room she
Soon will no longer see.
Lest aught of night abide,
Or, like a ship's trail in the sea, survive
What made it there to live!
She lies in bed half waiting that her wish
Grow bolder or more rich
To make her rise, or poorer, to oust fear,
And she rise as a common day were here.
That she would be a bride in bed with man
The parts where she is woman do insist
And send up messages that shame doth ban
From being dreamed but in a shapeless mist.
She opes her eyes, the ceiling sees above
Shutting the small alcove,
And thinks, till she must shut her eyes again,
Another ceiling she this night will know,
Another house, another bed, she lain
In a way she half guesses; so
She shuts her eyes to see not the room she
Soon will no longer see.
4 184