Poemas neste tema
Natureza e Elementos
Fernando Pessoa
SONG OF THE DREAM‑SPIRITS TO FANNY
From the beach and from the billow
Rapturously loud,
From the zephyr that doth pillow
All his softness on a cloud;
From the murmur of the river,
From the leaves that rustle ever,
Joyously we come.
We are bright and we are many
As the early drops of dew,
And we come to little Fanny
As the day to you;
From the keenness of the mountain,
From the sparkle of the fountain,
Joyously we come.
From the hill and from the valley,
From the mountain and the vale;
From the evening melancholy
Where all hath a tale;
From the sweetness of the meadow,
From the coolness of the shadow,
Joyously we come.
ln the sadness of the willow,
In the homely nest
We have dwelt and had a pillow
In the poet's breast;
And from all things dimly moving
Human souls to bliss and loving
Joyously we come.
Rapturously loud,
From the zephyr that doth pillow
All his softness on a cloud;
From the murmur of the river,
From the leaves that rustle ever,
Joyously we come.
We are bright and we are many
As the early drops of dew,
And we come to little Fanny
As the day to you;
From the keenness of the mountain,
From the sparkle of the fountain,
Joyously we come.
From the hill and from the valley,
From the mountain and the vale;
From the evening melancholy
Where all hath a tale;
From the sweetness of the meadow,
From the coolness of the shadow,
Joyously we come.
ln the sadness of the willow,
In the homely nest
We have dwelt and had a pillow
In the poet's breast;
And from all things dimly moving
Human souls to bliss and loving
Joyously we come.
1 497
Fernando Pessoa
SONG OF THE DREAM‑SPIRITS TO FANNY
From the beach and from the billow
Rapturously loud,
From the zephyr that doth pillow
All his softness on a cloud;
From the murmur of the river,
From the leaves that rustle ever,
Joyously we come.
We are bright and we are many
As the early drops of dew,
And we come to little Fanny
As the day to you;
From the keenness of the mountain,
From the sparkle of the fountain,
Joyously we come.
From the hill and from the valley,
From the mountain and the vale;
From the evening melancholy
Where all hath a tale;
From the sweetness of the meadow,
From the coolness of the shadow,
Joyously we come.
ln the sadness of the willow,
In the homely nest
We have dwelt and had a pillow
In the poet's breast;
And from all things dimly moving
Human souls to bliss and loving
Joyously we come.
Rapturously loud,
From the zephyr that doth pillow
All his softness on a cloud;
From the murmur of the river,
From the leaves that rustle ever,
Joyously we come.
We are bright and we are many
As the early drops of dew,
And we come to little Fanny
As the day to you;
From the keenness of the mountain,
From the sparkle of the fountain,
Joyously we come.
From the hill and from the valley,
From the mountain and the vale;
From the evening melancholy
Where all hath a tale;
From the sweetness of the meadow,
From the coolness of the shadow,
Joyously we come.
ln the sadness of the willow,
In the homely nest
We have dwelt and had a pillow
In the poet's breast;
And from all things dimly moving
Human souls to bliss and loving
Joyously we come.
1 497
Fernando Pessoa
VISÃO
Há um país imenso mais real
Do que a vida que o mundo mostra ter
Mais do que a Natureza natural
À verdade tremendo de viver.
Sob um céu uno e plácido e normal
Onde nada se mostra haver ou ser
Onde nem vento geme, nem fatal
A ideia de uma nuvem se faz crer,
Jaz — uma terra não — não um solo
Mas estranha, gelando em desconsolo
A alma que vê esse pais sem véu,
Hirtamente silente nos espaços
Uma floresta de escarnados braços
Inutilmente erguidos para o céu.
Do que a vida que o mundo mostra ter
Mais do que a Natureza natural
À verdade tremendo de viver.
Sob um céu uno e plácido e normal
Onde nada se mostra haver ou ser
Onde nem vento geme, nem fatal
A ideia de uma nuvem se faz crer,
Jaz — uma terra não — não um solo
Mas estranha, gelando em desconsolo
A alma que vê esse pais sem véu,
Hirtamente silente nos espaços
Uma floresta de escarnados braços
Inutilmente erguidos para o céu.
3 048
Fernando Pessoa
São já onze horas da noite.
São já onze horas da noite.
Porque te não vais deitar?
Se de nada serve ver-te,
Mais vale não te fitar.
Porque te não vais deitar?
Se de nada serve ver-te,
Mais vale não te fitar.
1 638
Fernando Pessoa
Tome lá, minha menina,
Tome lá, minha menina,
O ramalhete que fiz.
Cada flor é pequenina,
Mas tudo junto é feliz.
O ramalhete que fiz.
Cada flor é pequenina,
Mas tudo junto é feliz.
3 722
Fernando Pessoa
Oh for a less meaningless horizon than the land and the sea!
Oh for a less meaningless horizon than the land and the sea!
Oh for a rest from places and a lapse from the sense of times!
Waves, ever waves, to and fro … Ever waves roll, and we
What do we wait, what do we seek, what do we pause for and flee?
What in us lusts for more round us than the strech of minutes and climes?
Ah, and no bark to bear us towards Impossible, and that a real place,
An attainable place, full of the depths and rests of the Unattainable!
But ever the sea, the sea, like the passing of many a face...
Ever the sea, and the sea runs a restless and half-hearted race
Towards not the shore, nor the land, but what? Who can measure or tell?
No ship to bear us homeward, past earth and sea and the sky!
None to spread sails to a breeze blowing but not with a whither!
And ever, like a lost meaning, the sea never passing by,
Ever the measurable sea, sad as a formless cry,
And the most hearts can be is (to) be two and sorrow together!
To-morrow will tire us of all! But we lack heart to be tired indeed
The purpose our souls came for is lost and never stared at...
Let us at least by the shore construe our aches for a deed
Into a meaningless ache and a desolate and purposeless greed...
Become we one with the sea's lost purpose and dream and wish nothing
but that...
Oh for a rest from places and a lapse from the sense of times!
Waves, ever waves, to and fro … Ever waves roll, and we
What do we wait, what do we seek, what do we pause for and flee?
What in us lusts for more round us than the strech of minutes and climes?
Ah, and no bark to bear us towards Impossible, and that a real place,
An attainable place, full of the depths and rests of the Unattainable!
But ever the sea, the sea, like the passing of many a face...
Ever the sea, and the sea runs a restless and half-hearted race
Towards not the shore, nor the land, but what? Who can measure or tell?
No ship to bear us homeward, past earth and sea and the sky!
None to spread sails to a breeze blowing but not with a whither!
And ever, like a lost meaning, the sea never passing by,
Ever the measurable sea, sad as a formless cry,
And the most hearts can be is (to) be two and sorrow together!
To-morrow will tire us of all! But we lack heart to be tired indeed
The purpose our souls came for is lost and never stared at...
Let us at least by the shore construe our aches for a deed
Into a meaningless ache and a desolate and purposeless greed...
Become we one with the sea's lost purpose and dream and wish nothing
but that...
1 612
Fernando Pessoa
Para quê complicar inutilmente,
Para quê complicar inutilmente,
Pensando, o que impensado existe? Nascem
Ervas sem razão dada —
Para elas olhos, não razões, tenhamos.
Como através de um rio as contemplemos.
Pensando, o que impensado existe? Nascem
Ervas sem razão dada —
Para elas olhos, não razões, tenhamos.
Como através de um rio as contemplemos.
1 478
Fernando Pessoa
1. Little flower that wert on the hill,
1.
Little flower that wert on the hill,
Where art thou to-day?
Thou that saw'st thyself in the rill
Art thou gone away?
Ah, now I see that thou art dead
And that thy charm from us is fled.
Little flower that wert on the hill,
Where art thou to-day?
Thou that saw'st thyself in the rill
Art thou gone away?
Ah, now I see that thou art dead
And that thy charm from us is fled.
1 410
Fernando Pessoa
Leve vem a onda leve
Leve vem a onda leve
Que se estende a adormecer,
Breve vem a onda breve
Que nos ensina a esquecer.
Que se estende a adormecer,
Breve vem a onda breve
Que nos ensina a esquecer.
1 693
Fernando Pessoa
Flores amo, não busco. Se aparecem
Flores amo, não busco. Se aparecem
Me agrado ledo, que há em buscar prazeres
O desprazer da busca.
A vida seja como o sol, que é dado,
Nem arranquemos flores, que, arrancadas
Não são nossas, mas mortas.
Me agrado ledo, que há em buscar prazeres
O desprazer da busca.
A vida seja como o sol, que é dado,
Nem arranquemos flores, que, arrancadas
Não são nossas, mas mortas.
1 344
Fernando Pessoa
The day is glad and golden.
The day is glad and golden.
Over the sunhit beach
The waves do gladly embolden
Their crisp and clinging reach.
Would I were one as they
With the natural hour,
With the wide sunlit day
And the ancient sea's power.
I would not be here weeping
That I am not aught else,
My waking would be a sleeping
Like this of the sea swells
Not like an outcast from
A home I never knew
Would I be pining for home,
……
Not like a tossed sea‑weed
Between the wave and the wave,
And restless with a mute greed
For something I cannot have.
Something I cannot een dream,
Some spent life I know not...
Oh how fair would nature seem
Were it not for thought!
Dark is the golden day
Unto mine eyes that stare
Brightness and joy away
From sky and shore and here.
Dead is the changing sea,
The wind a monotone,
Oh ever to be he
That never is but alone,
I cannot dream of heaven,
Nor create one in the hour...
Pass, day, and ask not even
For my grateful eyes' dower...
Over the sunhit beach
The waves do gladly embolden
Their crisp and clinging reach.
Would I were one as they
With the natural hour,
With the wide sunlit day
And the ancient sea's power.
I would not be here weeping
That I am not aught else,
My waking would be a sleeping
Like this of the sea swells
Not like an outcast from
A home I never knew
Would I be pining for home,
……
Not like a tossed sea‑weed
Between the wave and the wave,
And restless with a mute greed
For something I cannot have.
Something I cannot een dream,
Some spent life I know not...
Oh how fair would nature seem
Were it not for thought!
Dark is the golden day
Unto mine eyes that stare
Brightness and joy away
From sky and shore and here.
Dead is the changing sea,
The wind a monotone,
Oh ever to be he
That never is but alone,
I cannot dream of heaven,
Nor create one in the hour...
Pass, day, and ask not even
For my grateful eyes' dower...
1 503
Fernando Pessoa
7 - I feel pale and I shiver
I feel pale and I shiver.
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon‑pain the sense‑giving
That I am vainly king
In some spell‑bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon‑pain the sense‑giving
That I am vainly king
In some spell‑bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
1 082
Fernando Pessoa
7 - I feel pale and I shiver
I feel pale and I shiver.
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon‑pain the sense‑giving
That I am vainly king
In some spell‑bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon‑pain the sense‑giving
That I am vainly king
In some spell‑bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
1 082
Fernando Pessoa
Quatro vezes mudou a estação falsa
Quatro vezes mudou a estação falsa
No falso ano, no imutável curso
Do tempo consequente;
Ao verde segue o seco, e ao seco o verde;
E não sabe ninguém qual é o primeiro,
Nem o último, e acabam.
No falso ano, no imutável curso
Do tempo consequente;
Ao verde segue o seco, e ao seco o verde;
E não sabe ninguém qual é o primeiro,
Nem o último, e acabam.
1 556
Fernando Pessoa
34 - THE SUNFLOWER
I
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
1 486
Fernando Pessoa
34 - THE SUNFLOWER
I
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
All things that shine are God's eyes.
All things that move are God's speech.
Every thing has all to teach
To our awakening surmise.
Green are God's thoughts when they are leaves,
Yellow when sunflowers they are.
Yet they shine separate and far
From the hands wherewith God weaves.
Light are my steps on the ground
Yet they do echo through space,
Through terrible abysses that face
God at the side never found.
II
My dreams are angels' kisses.
Lightly they touch my heart,
Tip‑toe shadow caresses.
They are my Godder part.
There is a flower in my hand.
It is not found in fields.
God looks and can understand,
For He is the dreamer who builds.
He knows how dreams are set up,
He knows how flowers are made glad.
Look: I hold up my cup
And God gives me wine to be mad.
1 486
Fernando Pessoa
Ininterrupto e unido guia o teu curso
Ininterrupto e unido guia o teu curso
Lídia, e sereno para o mar distante.
Teus manes não to param.
Interrompem-to apenas.
Mas conta tu as tuas próprias horas,
À tua espera dá-te incerta Naiade
Que a porta te não está
Tua segunda vida...
Condescendente p'ra contigo própria,
Deixa aos certos Letes de fugir
Vive com a verdade
No instante dos demónios
Que alhures a saber preso com deles
O céu do Fado, gozam a delícia
Altiva de viverem
Onde guardam suas vidas.
Lídia, e sereno para o mar distante.
Teus manes não to param.
Interrompem-to apenas.
Mas conta tu as tuas próprias horas,
À tua espera dá-te incerta Naiade
Que a porta te não está
Tua segunda vida...
Condescendente p'ra contigo própria,
Deixa aos certos Letes de fugir
Vive com a verdade
No instante dos demónios
Que alhures a saber preso com deles
O céu do Fado, gozam a delícia
Altiva de viverem
Onde guardam suas vidas.
1 205
Fernando Pessoa
No grande espaço de não haver nada
No grande espaço de não haver nada
Que a noite finge, brilham mal os astros.
Não há lua, e ainda bem.
Neste momento, Lídia, considero
Tudo, e um frio que não há me entra
Na alma. Não existes.
Que a noite finge, brilham mal os astros.
Não há lua, e ainda bem.
Neste momento, Lídia, considero
Tudo, e um frio que não há me entra
Na alma. Não existes.
1 398
Fernando Pessoa
«Das flores que há pelo campo
«Das flores que há pelo campo
O rosmaninho é rei...»
É uma velha cantiga...
Bem sei, meu Deus, bem o sei.
O rosmaninho é rei...»
É uma velha cantiga...
Bem sei, meu Deus, bem o sei.
1 611
Fernando Pessoa
48 - A SUMMER ECSTASY
Beside a summer's day
I lay me down and dreamed.
The light from far away
In my withinned self gleamed,
An unreal true glow,
Spiritually somehow.
I saw the inner side
Of summer, earth and morn.
I heard the rivers glide
From Within. l was borne
To see, through mysteries,
How God everything is.
The motes of sun that dance
Are audibly whispered.
All is an utterance.
The sight may hear. I shed
Vision of things as things.
My thoughts are angels' wings.
The corpses of known hours
In barks unsteered and left
Float, covered with mute flowers,
Down my dream that is cleft
In banks of mystery -
This summer day and I.
And something like a greed
And yet unlike a wish,
The power to have a need
Which doth not needing reach,
But is dissolved again
Ere its sad joy reach pain,
A shadowy lightness woven
Of the day and of me,
Like sparkling water driven
Never but where we see,
A gap, a pause, a dim
Looking over things' rim,
Starts like a sudden flute
Pastoral with tuneless notes
Out of the unseen root
Of all my being denotes,
Spreads, till I feel it not,
O'er my lost sense of thought.
And lo! I am another.
My senses taste not‑mine.
A hand my sight doth smother
To a blind sight divine.
I am a lost tune, a mood
Of the finger‑tips of God.
So, like a child‑king crowned,
I feel new with fear‑pride.
I am robed with sky and ground.
My inmost soul's outside
Is sunlit seas and lands.
My dreams are seraphs' hands.
I lay me down and dreamed.
The light from far away
In my withinned self gleamed,
An unreal true glow,
Spiritually somehow.
I saw the inner side
Of summer, earth and morn.
I heard the rivers glide
From Within. l was borne
To see, through mysteries,
How God everything is.
The motes of sun that dance
Are audibly whispered.
All is an utterance.
The sight may hear. I shed
Vision of things as things.
My thoughts are angels' wings.
The corpses of known hours
In barks unsteered and left
Float, covered with mute flowers,
Down my dream that is cleft
In banks of mystery -
This summer day and I.
And something like a greed
And yet unlike a wish,
The power to have a need
Which doth not needing reach,
But is dissolved again
Ere its sad joy reach pain,
A shadowy lightness woven
Of the day and of me,
Like sparkling water driven
Never but where we see,
A gap, a pause, a dim
Looking over things' rim,
Starts like a sudden flute
Pastoral with tuneless notes
Out of the unseen root
Of all my being denotes,
Spreads, till I feel it not,
O'er my lost sense of thought.
And lo! I am another.
My senses taste not‑mine.
A hand my sight doth smother
To a blind sight divine.
I am a lost tune, a mood
Of the finger‑tips of God.
So, like a child‑king crowned,
I feel new with fear‑pride.
I am robed with sky and ground.
My inmost soul's outside
Is sunlit seas and lands.
My dreams are seraphs' hands.
1 685
Fernando Pessoa
Sorrow no more for the faded rose,
Sorrow no more for the faded rose,
Nor of the yellow lily despair.
These, as we see them, are but their shows.
They are elsewhere.
Tis but their shadow lives in our light.
As we see them (...)
They live more truly in our delight
Than in their forms.
The beauty they had was never lost,
It moved away
From the present hour and the form once tossed
Into space and day.
But the undying essence of the (...)
The rose that faded from yesterday
Is where yesterday is.
I shall have again the flower and the day,
The self and the bliss.
Nor of the yellow lily despair.
These, as we see them, are but their shows.
They are elsewhere.
Tis but their shadow lives in our light.
As we see them (...)
They live more truly in our delight
Than in their forms.
The beauty they had was never lost,
It moved away
From the present hour and the form once tossed
Into space and day.
But the undying essence of the (...)
The rose that faded from yesterday
Is where yesterday is.
I shall have again the flower and the day,
The self and the bliss.
1 423
Fernando Pessoa
O ar do campo vem brando,
O ar do campo vem brando,
Faz sono haver esse ar.
Já não sei se estou sonhando
Nem de que serve sonhar.
Faz sono haver esse ar.
Já não sei se estou sonhando
Nem de que serve sonhar.
1 553
Fernando Pessoa
51 - INVERSION
Here in this wilderness
Each tree and stone fills me
With the sadness of a great glee.
God in His altogetherness
Is whole‑part of each stone and tree.
An inner outward seeingness
Makes my clear self unknown.
(O Godfully alone!)
God in His overbeingness
Survives His death each tree and every stone
Ay, in the barkness and clodfulness
Of tree and sand and stone
God is only His Own,
God in all His godfulness,
Whose concrete soul's each thing's abstraction.
Each tree and stone fills me
With the sadness of a great glee.
God in His altogetherness
Is whole‑part of each stone and tree.
An inner outward seeingness
Makes my clear self unknown.
(O Godfully alone!)
God in His overbeingness
Survives His death each tree and every stone
Ay, in the barkness and clodfulness
Of tree and sand and stone
God is only His Own,
God in all His godfulness,
Whose concrete soul's each thing's abstraction.
1 450
Fernando Pessoa
51 - INVERSION
Here in this wilderness
Each tree and stone fills me
With the sadness of a great glee.
God in His altogetherness
Is whole‑part of each stone and tree.
An inner outward seeingness
Makes my clear self unknown.
(O Godfully alone!)
God in His overbeingness
Survives His death each tree and every stone
Ay, in the barkness and clodfulness
Of tree and sand and stone
God is only His Own,
God in all His godfulness,
Whose concrete soul's each thing's abstraction.
Each tree and stone fills me
With the sadness of a great glee.
God in His altogetherness
Is whole‑part of each stone and tree.
An inner outward seeingness
Makes my clear self unknown.
(O Godfully alone!)
God in His overbeingness
Survives His death each tree and every stone
Ay, in the barkness and clodfulness
Of tree and sand and stone
God is only His Own,
God in all His godfulness,
Whose concrete soul's each thing's abstraction.
1 450