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Outros
Fernando Pessoa
Quantas vezes a memória
Quantas vezes a memória
Para fingir que inda é gente,
Nos conta uma grande história
Em que ninguém está presente.
Para fingir que inda é gente,
Nos conta uma grande história
Em que ninguém está presente.
1 294
Fernando Pessoa
Amanhã estas letras em que te amo
Amanhã estas letras em que te amo.
Serão vistas, tu morta.
Corpo, eras vida para que o não foras,
Tão bela! Versos restam.
Quem o (...)
Serão vistas, tu morta.
Corpo, eras vida para que o não foras,
Tão bela! Versos restam.
Quem o (...)
1 387
Fernando Pessoa
Amanhã estas letras em que te amo
Amanhã estas letras em que te amo.
Serão vistas, tu morta.
Corpo, eras vida para que o não foras,
Tão bela! Versos restam.
Quem o (...)
Serão vistas, tu morta.
Corpo, eras vida para que o não foras,
Tão bela! Versos restam.
Quem o (...)
1 387
Fernando Pessoa
Nada fica de nada. Nada somos. [1]
Nada fica de nada. Nada somos.
Um pouco ao sol e ao ar nos atrasamos
Da irrespirável treva que nos pese
Da húmida terra imposta,
Cadáveres adiados que procriam.
Leis feitas, estátuas vistas, odes findas —
Tudo tem cova sua. Se nós, carnes
A que um íntimo sol dá sangue, temos
Poente, porque não elas?
Somos contos contando contos, nada.
Um pouco ao sol e ao ar nos atrasamos
Da irrespirável treva que nos pese
Da húmida terra imposta,
Cadáveres adiados que procriam.
Leis feitas, estátuas vistas, odes findas —
Tudo tem cova sua. Se nós, carnes
A que um íntimo sol dá sangue, temos
Poente, porque não elas?
Somos contos contando contos, nada.
1 006
Fernando Pessoa
Se houver alguém que me diga
Se houver alguém que me diga
Que disseste bem de mim,
Farei uma outra cantiga,
Porque esta não é assim.
Que disseste bem de mim,
Farei uma outra cantiga,
Porque esta não é assim.
1 465
Fernando Pessoa
FLASHES OF MADNESS — IV
IV.
1.
When thou didst speak but now I felt
A terror mad and strange.
Conceive it thou. I could have knelt
To thy lips, to their curve, to its change.
The talking curve of thy lips
And thy teeth but slightly shown
Were my delirium's waking whips.
I felt my reason overthrown.
A super-sensual fetichism
Haunts my deep-raving brain.
Greater than ever grows the abysm
Of my reason's and feeling's schism,
Cut with the pickaxe of pain.
More than they show all things contain.
2.
Something not of this world doth lie
In thy smile, in thy lips live turn;
A figure, a form I know not why
That wakes in me — without a sigh
But with terror I cannot spurn
With terror wild and mute —
Is it remembrances, is it
Desires so vague half-known they flit
And not in thought nor sentiment take root?
My mind grows madder and more fit
In everything to catch and find
Meanings, resemblances defined
By not a form that thought can hit.
Smile not. Thou canst not comprehend!
What is this? What truth doth sleep
In these ravings without end
And beyond notion deep?
Laugh not. Know'st thou what madness is?
Wonder not. All is mysteries.
Ask not. For who can reply?
Weep for me, child, but do not love me
Who have in me too much that is above me,
Too much I cannot call «I».
Weep for the ruin of my mind
Weep rather, child, that things so deep should move me
To lose the clear thoughts that could prove me
One worthy of mankind.
1.
When thou didst speak but now I felt
A terror mad and strange.
Conceive it thou. I could have knelt
To thy lips, to their curve, to its change.
The talking curve of thy lips
And thy teeth but slightly shown
Were my delirium's waking whips.
I felt my reason overthrown.
A super-sensual fetichism
Haunts my deep-raving brain.
Greater than ever grows the abysm
Of my reason's and feeling's schism,
Cut with the pickaxe of pain.
More than they show all things contain.
2.
Something not of this world doth lie
In thy smile, in thy lips live turn;
A figure, a form I know not why
That wakes in me — without a sigh
But with terror I cannot spurn
With terror wild and mute —
Is it remembrances, is it
Desires so vague half-known they flit
And not in thought nor sentiment take root?
My mind grows madder and more fit
In everything to catch and find
Meanings, resemblances defined
By not a form that thought can hit.
Smile not. Thou canst not comprehend!
What is this? What truth doth sleep
In these ravings without end
And beyond notion deep?
Laugh not. Know'st thou what madness is?
Wonder not. All is mysteries.
Ask not. For who can reply?
Weep for me, child, but do not love me
Who have in me too much that is above me,
Too much I cannot call «I».
Weep for the ruin of my mind
Weep rather, child, that things so deep should move me
To lose the clear thoughts that could prove me
One worthy of mankind.
1 466
Fernando Pessoa
Grinalda ou coroa
Grinalda ou coroa
É só peso posto
Na fronte antes limpa.
Grinalda de rosas,
Coroa de louros,
A fronte transtornam.
Que o vento nos possa
Mexer nos cabelos,
Refrescar a fronte!
Que a fronte despida
Possa reclinar-se,
Serena, onde durma.
Cloé! Não conheço
Melhor alegria
Que esta fronte lisa.
É só peso posto
Na fronte antes limpa.
Grinalda de rosas,
Coroa de louros,
A fronte transtornam.
Que o vento nos possa
Mexer nos cabelos,
Refrescar a fronte!
Que a fronte despida
Possa reclinar-se,
Serena, onde durma.
Cloé! Não conheço
Melhor alegria
Que esta fronte lisa.
2 031
Fernando Pessoa
Grinalda ou coroa
Grinalda ou coroa
É só peso posto
Na fronte antes limpa.
Grinalda de rosas,
Coroa de louros,
A fronte transtornam.
Que o vento nos possa
Mexer nos cabelos,
Refrescar a fronte!
Que a fronte despida
Possa reclinar-se,
Serena, onde durma.
Cloé! Não conheço
Melhor alegria
Que esta fronte lisa.
É só peso posto
Na fronte antes limpa.
Grinalda de rosas,
Coroa de louros,
A fronte transtornam.
Que o vento nos possa
Mexer nos cabelos,
Refrescar a fronte!
Que a fronte despida
Possa reclinar-se,
Serena, onde durma.
Cloé! Não conheço
Melhor alegria
Que esta fronte lisa.
2 031
Fernando Pessoa
OH, SOLITARY STAR
Oh, solitary star, that with bright ray
Lookst from the bosom of envolving night,
Loveliest that none contests thy spaceful way
Now when with rivals is the sky not dight.
Vouch safe on me to keep thy tiny stare
Blinking at night as if in sleepy joy,
Or as the sleepy eyes of some young fair
Who chides their closing to her thought's warm toy.
That there are other stars I well do know
And others that may shine more bright and true;
And yet I wish them not, for one doth so
Outwit decision and attention sue.
And if from this thou can no lesson learn.
Much hast thou spurned that Goodness may not spurn
Lookst from the bosom of envolving night,
Loveliest that none contests thy spaceful way
Now when with rivals is the sky not dight.
Vouch safe on me to keep thy tiny stare
Blinking at night as if in sleepy joy,
Or as the sleepy eyes of some young fair
Who chides their closing to her thought's warm toy.
That there are other stars I well do know
And others that may shine more bright and true;
And yet I wish them not, for one doth so
Outwit decision and attention sue.
And if from this thou can no lesson learn.
Much hast thou spurned that Goodness may not spurn
1 548
Fernando Pessoa
OH, SOLITARY STAR
Oh, solitary star, that with bright ray
Lookst from the bosom of envolving night,
Loveliest that none contests thy spaceful way
Now when with rivals is the sky not dight.
Vouch safe on me to keep thy tiny stare
Blinking at night as if in sleepy joy,
Or as the sleepy eyes of some young fair
Who chides their closing to her thought's warm toy.
That there are other stars I well do know
And others that may shine more bright and true;
And yet I wish them not, for one doth so
Outwit decision and attention sue.
And if from this thou can no lesson learn.
Much hast thou spurned that Goodness may not spurn
Lookst from the bosom of envolving night,
Loveliest that none contests thy spaceful way
Now when with rivals is the sky not dight.
Vouch safe on me to keep thy tiny stare
Blinking at night as if in sleepy joy,
Or as the sleepy eyes of some young fair
Who chides their closing to her thought's warm toy.
That there are other stars I well do know
And others that may shine more bright and true;
And yet I wish them not, for one doth so
Outwit decision and attention sue.
And if from this thou can no lesson learn.
Much hast thou spurned that Goodness may not spurn
1 548
Fernando Pessoa
FLASHES OF MADNESS — III
III.
Eyes are strange things.
Meaning in them becomes life,
Life in them has wings.
Look at me thus. Thy glance is mad and rare.
Thine eyes show deep and wild an inner strife.
How they are more than Horror fair!
Eyes are strange things.
Meaning in them becomes life,
Life in them has wings.
Look at me thus. Thy glance is mad and rare.
Thine eyes show deep and wild an inner strife.
How they are more than Horror fair!
1 179
Fernando Pessoa
FLASHES OF MADNESS — III
III.
Eyes are strange things.
Meaning in them becomes life,
Life in them has wings.
Look at me thus. Thy glance is mad and rare.
Thine eyes show deep and wild an inner strife.
How they are more than Horror fair!
Eyes are strange things.
Meaning in them becomes life,
Life in them has wings.
Look at me thus. Thy glance is mad and rare.
Thine eyes show deep and wild an inner strife.
How they are more than Horror fair!
1 179
Fernando Pessoa
Cada um é um mundo; e como em cada fonte
Cada um é um mundo; e como em cada fonte
Uma deidade vela, em cada homem
Porque não há de haver
Um deus só de ele homem?
Na encoberta sucessão das cousas,
Só o sábio sente, que não foi mais nada
Que a vida que deixou.
Uma deidade vela, em cada homem
Porque não há de haver
Um deus só de ele homem?
Na encoberta sucessão das cousas,
Só o sábio sente, que não foi mais nada
Que a vida que deixou.
1 031
Fernando Pessoa
Cada um é um mundo; e como em cada fonte
Cada um é um mundo; e como em cada fonte
Uma deidade vela, em cada homem
Porque não há de haver
Um deus só de ele homem?
Na encoberta sucessão das cousas,
Só o sábio sente, que não foi mais nada
Que a vida que deixou.
Uma deidade vela, em cada homem
Porque não há de haver
Um deus só de ele homem?
Na encoberta sucessão das cousas,
Só o sábio sente, que não foi mais nada
Que a vida que deixou.
1 031
Fernando Pessoa
Roseiral que não dás rosas
Roseiral que não dás rosas
Senão quando as rosas vêm,
Há muitas que são formosas
Sem que o amor lhes vá bem.
Senão quando as rosas vêm,
Há muitas que são formosas
Sem que o amor lhes vá bem.
1 573
Fernando Pessoa
Mother, my cheeks are wet.
Mother, my cheeks are wet.
Let down my hair and kiss
My brow. I seem to forget
Even if I think of this.
Lullaby to me, mother,
Lullaby to me.
I loved and was not loved, mother.
Kiss me and let me be.
Let me sleep as of old, thy hand
On my brow, so calm and so deep,
That I feel't on my soul, my soul fanned
By thy breath on the face of my sleep.
I am but a little ship, mother,
Lost out in the sea.
Lullaby to me, mother,
Lullaby to me.
Let down my hair and kiss
My brow. I seem to forget
Even if I think of this.
Lullaby to me, mother,
Lullaby to me.
I loved and was not loved, mother.
Kiss me and let me be.
Let me sleep as of old, thy hand
On my brow, so calm and so deep,
That I feel't on my soul, my soul fanned
By thy breath on the face of my sleep.
I am but a little ship, mother,
Lost out in the sea.
Lullaby to me, mother,
Lullaby to me.
1 388
Fernando Pessoa
Tenho uma pena que escreve
Tenho uma pena que escreve
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
2 303
Fernando Pessoa
Tenho uma pena que escreve
Tenho uma pena que escreve
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
2 303
Fernando Pessoa
Tenho uma pena que escreve
Tenho uma pena que escreve
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
2 303
Fernando Pessoa
Tenho uma pena que escreve
Tenho uma pena que escreve
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
Aquilo que eu sempre sinta.
Se é mentira, escreve leve.
Se é verdade, não tem tinta.
2 303
Fernando Pessoa
«Vou trabalhando a peneira
«Vou trabalhando a peneira
E pensando assim assim.
Eu não nasci para freira.
Gosto que gostem de mim.»
E pensando assim assim.
Eu não nasci para freira.
Gosto que gostem de mim.»
1 364
Fernando Pessoa
A WINTER DAY
I
'Tis a void winter day, sad as a moan.
A sense of loneliness, as of a stone
Upon a grave, or of a rock in sea
Rests like a mighty shadow over me.
I am unnerved, unminded by the pall
Of solemn clouds that, weighty over all,
Curtail the vision; and upon mine ear
The City's rumble brings despair and fear
To crush my spirit free and wild.
The rain,
Reiterated horribly, again
Beast with its drops at my cold window‑pane
With such a sound as makes us know it cold.
The world is ghostly, undaylike and old,
And weary passengers, with cautious tread,
Yet hurried, walk within the streets soul‑dead
In the unkindness of their hue of lead.
The streets are streamlets, and perpetual
A sound of little waters, on roof, on wall,
Down in the streets, in pipes, in window‑glass
And into rooms doth wetly come and pass.
All is the rain's.
All is pale wetness, darkness inly cold,
A sentiment of waste things and of old
Making all things exterior sorrows, pains;
And all we hear and feel and know and see
Is wrapt around as with a masking cloak
In inconceivable monotony.
All in the houses and up from the street
Is a long watery shuffle of heavy feet,
A sound of drenched garments, and a sense
Of a sad chillness, latently intense.
Through cracks in doors and windows a gust cold
Of wind penetrates like a memory of old
Times to make freeze my body, ill reclined
Upon a couch, a sufferer with my mind.
Life in the streets is sad, a monotone
More dull than usual ordinariness:
Business and work have lost their usual stress,
The vender's cries are each of them a moan
Grotesque, desolate, as forlorn and half‑dead
Hearts might produce which make a war (?) attempt
At talking normally, as if they not bled.
Half‑childish urchins, gloriously unkempt
Laugh at the water that cart‑wheels upshed.
The muddy urchins in the streets that play
Make shades of envy in my soul to stay.
Couples, some newly‑married, others not,
Who in the commonness of their no‑thought
Have a deep happiness I would not have,
A joy to which I would prefer the grave,
Pass in the street. some gay and some sedate.
I feel me no like men in any way.
I envy those - I speak true - without hate
And without admiration, isolate (?).
I would that l were happy as they are
But not with that their happiness. Thus far
Such living as theirs is were unto me
Misery, penury, monotony.
Alas for all who dream! Alas for us,
Poor poets, more or less mad, more or less
Foolish! In this consists true happiness!
In knowing how to be monotonous.
Happy are they who can see without sorrow
To‑day yield us to‑morrow
And yet to‑morrow and to‑day to them
Different days because different days,
Which are to me (save that they pass) the same.
II
The view I have of this cold winter day,
The deep depression that makes my thoughts stray
Is but a symbol and a synthesis
Of what my life perpetually is.
How deep my thoughts in pain and sadness are!
How wreck'd my soul in its intense despair!
How desolate, disconsolately mute
My heart is of the words that like scents shoot
From the full flower of true youthfulness!
How locked am I within my own distress!
How in the tragic circle soul‑confined
Of my abhorred self!
Not one ambition leads me - power nor pelf,
No wish for fame, no love of poor mankind.
But I am weary, desolate and cold
E'vn as this winter day. I have grown old
In watching dreams go by and pass away
Leaving a memory pure and bright
Of aught that was and died as light
Without the living horror of decay.
Is this thy life, irresolute soul of mine?
How pale the sun of thy sad morn doth shine!
How it forebodes the cloudiness that comes
Outstretched wings of the storm whose muffled drums
Of warning in the paling day are heard
Deep in the distance lesseningly blurred.
Thou look'st not death nor evil in the face
Poor soul despairing in life's troubled race!
All forms of life, all things have been to thee
Mutations of eternal misery.
All years, all homes to thee have been
In the same drama many a change of scene.
Thou hast not learned to live, but thou dost cling
Madly to life (dreading Death's night severe),
As if life or the world were anything!
'Tis a void winter day, sad as a moan.
A sense of loneliness, as of a stone
Upon a grave, or of a rock in sea
Rests like a mighty shadow over me.
I am unnerved, unminded by the pall
Of solemn clouds that, weighty over all,
Curtail the vision; and upon mine ear
The City's rumble brings despair and fear
To crush my spirit free and wild.
The rain,
Reiterated horribly, again
Beast with its drops at my cold window‑pane
With such a sound as makes us know it cold.
The world is ghostly, undaylike and old,
And weary passengers, with cautious tread,
Yet hurried, walk within the streets soul‑dead
In the unkindness of their hue of lead.
The streets are streamlets, and perpetual
A sound of little waters, on roof, on wall,
Down in the streets, in pipes, in window‑glass
And into rooms doth wetly come and pass.
All is the rain's.
All is pale wetness, darkness inly cold,
A sentiment of waste things and of old
Making all things exterior sorrows, pains;
And all we hear and feel and know and see
Is wrapt around as with a masking cloak
In inconceivable monotony.
All in the houses and up from the street
Is a long watery shuffle of heavy feet,
A sound of drenched garments, and a sense
Of a sad chillness, latently intense.
Through cracks in doors and windows a gust cold
Of wind penetrates like a memory of old
Times to make freeze my body, ill reclined
Upon a couch, a sufferer with my mind.
Life in the streets is sad, a monotone
More dull than usual ordinariness:
Business and work have lost their usual stress,
The vender's cries are each of them a moan
Grotesque, desolate, as forlorn and half‑dead
Hearts might produce which make a war (?) attempt
At talking normally, as if they not bled.
Half‑childish urchins, gloriously unkempt
Laugh at the water that cart‑wheels upshed.
The muddy urchins in the streets that play
Make shades of envy in my soul to stay.
Couples, some newly‑married, others not,
Who in the commonness of their no‑thought
Have a deep happiness I would not have,
A joy to which I would prefer the grave,
Pass in the street. some gay and some sedate.
I feel me no like men in any way.
I envy those - I speak true - without hate
And without admiration, isolate (?).
I would that l were happy as they are
But not with that their happiness. Thus far
Such living as theirs is were unto me
Misery, penury, monotony.
Alas for all who dream! Alas for us,
Poor poets, more or less mad, more or less
Foolish! In this consists true happiness!
In knowing how to be monotonous.
Happy are they who can see without sorrow
To‑day yield us to‑morrow
And yet to‑morrow and to‑day to them
Different days because different days,
Which are to me (save that they pass) the same.
II
The view I have of this cold winter day,
The deep depression that makes my thoughts stray
Is but a symbol and a synthesis
Of what my life perpetually is.
How deep my thoughts in pain and sadness are!
How wreck'd my soul in its intense despair!
How desolate, disconsolately mute
My heart is of the words that like scents shoot
From the full flower of true youthfulness!
How locked am I within my own distress!
How in the tragic circle soul‑confined
Of my abhorred self!
Not one ambition leads me - power nor pelf,
No wish for fame, no love of poor mankind.
But I am weary, desolate and cold
E'vn as this winter day. I have grown old
In watching dreams go by and pass away
Leaving a memory pure and bright
Of aught that was and died as light
Without the living horror of decay.
Is this thy life, irresolute soul of mine?
How pale the sun of thy sad morn doth shine!
How it forebodes the cloudiness that comes
Outstretched wings of the storm whose muffled drums
Of warning in the paling day are heard
Deep in the distance lesseningly blurred.
Thou look'st not death nor evil in the face
Poor soul despairing in life's troubled race!
All forms of life, all things have been to thee
Mutations of eternal misery.
All years, all homes to thee have been
In the same drama many a change of scene.
Thou hast not learned to live, but thou dost cling
Madly to life (dreading Death's night severe),
As if life or the world were anything!
1 742
Fernando Pessoa
A WINTER DAY
I
'Tis a void winter day, sad as a moan.
A sense of loneliness, as of a stone
Upon a grave, or of a rock in sea
Rests like a mighty shadow over me.
I am unnerved, unminded by the pall
Of solemn clouds that, weighty over all,
Curtail the vision; and upon mine ear
The City's rumble brings despair and fear
To crush my spirit free and wild.
The rain,
Reiterated horribly, again
Beast with its drops at my cold window‑pane
With such a sound as makes us know it cold.
The world is ghostly, undaylike and old,
And weary passengers, with cautious tread,
Yet hurried, walk within the streets soul‑dead
In the unkindness of their hue of lead.
The streets are streamlets, and perpetual
A sound of little waters, on roof, on wall,
Down in the streets, in pipes, in window‑glass
And into rooms doth wetly come and pass.
All is the rain's.
All is pale wetness, darkness inly cold,
A sentiment of waste things and of old
Making all things exterior sorrows, pains;
And all we hear and feel and know and see
Is wrapt around as with a masking cloak
In inconceivable monotony.
All in the houses and up from the street
Is a long watery shuffle of heavy feet,
A sound of drenched garments, and a sense
Of a sad chillness, latently intense.
Through cracks in doors and windows a gust cold
Of wind penetrates like a memory of old
Times to make freeze my body, ill reclined
Upon a couch, a sufferer with my mind.
Life in the streets is sad, a monotone
More dull than usual ordinariness:
Business and work have lost their usual stress,
The vender's cries are each of them a moan
Grotesque, desolate, as forlorn and half‑dead
Hearts might produce which make a war (?) attempt
At talking normally, as if they not bled.
Half‑childish urchins, gloriously unkempt
Laugh at the water that cart‑wheels upshed.
The muddy urchins in the streets that play
Make shades of envy in my soul to stay.
Couples, some newly‑married, others not,
Who in the commonness of their no‑thought
Have a deep happiness I would not have,
A joy to which I would prefer the grave,
Pass in the street. some gay and some sedate.
I feel me no like men in any way.
I envy those - I speak true - without hate
And without admiration, isolate (?).
I would that l were happy as they are
But not with that their happiness. Thus far
Such living as theirs is were unto me
Misery, penury, monotony.
Alas for all who dream! Alas for us,
Poor poets, more or less mad, more or less
Foolish! In this consists true happiness!
In knowing how to be monotonous.
Happy are they who can see without sorrow
To‑day yield us to‑morrow
And yet to‑morrow and to‑day to them
Different days because different days,
Which are to me (save that they pass) the same.
II
The view I have of this cold winter day,
The deep depression that makes my thoughts stray
Is but a symbol and a synthesis
Of what my life perpetually is.
How deep my thoughts in pain and sadness are!
How wreck'd my soul in its intense despair!
How desolate, disconsolately mute
My heart is of the words that like scents shoot
From the full flower of true youthfulness!
How locked am I within my own distress!
How in the tragic circle soul‑confined
Of my abhorred self!
Not one ambition leads me - power nor pelf,
No wish for fame, no love of poor mankind.
But I am weary, desolate and cold
E'vn as this winter day. I have grown old
In watching dreams go by and pass away
Leaving a memory pure and bright
Of aught that was and died as light
Without the living horror of decay.
Is this thy life, irresolute soul of mine?
How pale the sun of thy sad morn doth shine!
How it forebodes the cloudiness that comes
Outstretched wings of the storm whose muffled drums
Of warning in the paling day are heard
Deep in the distance lesseningly blurred.
Thou look'st not death nor evil in the face
Poor soul despairing in life's troubled race!
All forms of life, all things have been to thee
Mutations of eternal misery.
All years, all homes to thee have been
In the same drama many a change of scene.
Thou hast not learned to live, but thou dost cling
Madly to life (dreading Death's night severe),
As if life or the world were anything!
'Tis a void winter day, sad as a moan.
A sense of loneliness, as of a stone
Upon a grave, or of a rock in sea
Rests like a mighty shadow over me.
I am unnerved, unminded by the pall
Of solemn clouds that, weighty over all,
Curtail the vision; and upon mine ear
The City's rumble brings despair and fear
To crush my spirit free and wild.
The rain,
Reiterated horribly, again
Beast with its drops at my cold window‑pane
With such a sound as makes us know it cold.
The world is ghostly, undaylike and old,
And weary passengers, with cautious tread,
Yet hurried, walk within the streets soul‑dead
In the unkindness of their hue of lead.
The streets are streamlets, and perpetual
A sound of little waters, on roof, on wall,
Down in the streets, in pipes, in window‑glass
And into rooms doth wetly come and pass.
All is the rain's.
All is pale wetness, darkness inly cold,
A sentiment of waste things and of old
Making all things exterior sorrows, pains;
And all we hear and feel and know and see
Is wrapt around as with a masking cloak
In inconceivable monotony.
All in the houses and up from the street
Is a long watery shuffle of heavy feet,
A sound of drenched garments, and a sense
Of a sad chillness, latently intense.
Through cracks in doors and windows a gust cold
Of wind penetrates like a memory of old
Times to make freeze my body, ill reclined
Upon a couch, a sufferer with my mind.
Life in the streets is sad, a monotone
More dull than usual ordinariness:
Business and work have lost their usual stress,
The vender's cries are each of them a moan
Grotesque, desolate, as forlorn and half‑dead
Hearts might produce which make a war (?) attempt
At talking normally, as if they not bled.
Half‑childish urchins, gloriously unkempt
Laugh at the water that cart‑wheels upshed.
The muddy urchins in the streets that play
Make shades of envy in my soul to stay.
Couples, some newly‑married, others not,
Who in the commonness of their no‑thought
Have a deep happiness I would not have,
A joy to which I would prefer the grave,
Pass in the street. some gay and some sedate.
I feel me no like men in any way.
I envy those - I speak true - without hate
And without admiration, isolate (?).
I would that l were happy as they are
But not with that their happiness. Thus far
Such living as theirs is were unto me
Misery, penury, monotony.
Alas for all who dream! Alas for us,
Poor poets, more or less mad, more or less
Foolish! In this consists true happiness!
In knowing how to be monotonous.
Happy are they who can see without sorrow
To‑day yield us to‑morrow
And yet to‑morrow and to‑day to them
Different days because different days,
Which are to me (save that they pass) the same.
II
The view I have of this cold winter day,
The deep depression that makes my thoughts stray
Is but a symbol and a synthesis
Of what my life perpetually is.
How deep my thoughts in pain and sadness are!
How wreck'd my soul in its intense despair!
How desolate, disconsolately mute
My heart is of the words that like scents shoot
From the full flower of true youthfulness!
How locked am I within my own distress!
How in the tragic circle soul‑confined
Of my abhorred self!
Not one ambition leads me - power nor pelf,
No wish for fame, no love of poor mankind.
But I am weary, desolate and cold
E'vn as this winter day. I have grown old
In watching dreams go by and pass away
Leaving a memory pure and bright
Of aught that was and died as light
Without the living horror of decay.
Is this thy life, irresolute soul of mine?
How pale the sun of thy sad morn doth shine!
How it forebodes the cloudiness that comes
Outstretched wings of the storm whose muffled drums
Of warning in the paling day are heard
Deep in the distance lesseningly blurred.
Thou look'st not death nor evil in the face
Poor soul despairing in life's troubled race!
All forms of life, all things have been to thee
Mutations of eternal misery.
All years, all homes to thee have been
In the same drama many a change of scene.
Thou hast not learned to live, but thou dost cling
Madly to life (dreading Death's night severe),
As if life or the world were anything!
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