Poemas neste tema
Outros
Fernando Pessoa
1 - THE MAD FIDDLER
THE MAD FIDDLER
I
THE MAD FIDDLER
THE MAD FIDDLER
Not from the northern road,
Not from the southern way
First his wild music flowed
Into the village that day.
He suddenly was in the lane,
The people came out to hear
He suddenly went, and in vain
Their hopes wished him to appear.
His music strange did fret
Each heart to wish 'twas free.
If was not a melody yet
It was not no melody.
Somewhere far away
Somewhere far outside
Being forced to live, they
Felt this tune replied.
Replied to that longing
All have in their breasts,
To lost sense belonging
To forgotten quests.
The happy wife now knew
That she had married ill,
The glad fond lover grew
Weary of loving still,
The maid and the boy felt glad
That they had dreaming only
The lone hearts that were sad
Felt somewhere less lonely.
In each soul woke the flower
Whose touch leaves earthless dust,
The soul's husband's first hour,
The thing completing us,
The shadow that comes to bless
From kissed depths unexpressed,
The luminous restlessness
That is better than rest.
As he came, he went.
They felt him but half-be.
Then he was quietly blent
With silence and memory.
Sleep left again their laughter,
Their tranced hope ceased to last,
And but a small time after
They knew not he had passed.
Yet when the sorrow of living,
Because life is not willed,
Comes back in dreams' hours, giving
A sense of life being chilled,
Suddenly each remembers –
It glows like a coming moon
On where their dream-life embers –
The mad fiddlers tune.
I
THE MAD FIDDLER
THE MAD FIDDLER
Not from the northern road,
Not from the southern way
First his wild music flowed
Into the village that day.
He suddenly was in the lane,
The people came out to hear
He suddenly went, and in vain
Their hopes wished him to appear.
His music strange did fret
Each heart to wish 'twas free.
If was not a melody yet
It was not no melody.
Somewhere far away
Somewhere far outside
Being forced to live, they
Felt this tune replied.
Replied to that longing
All have in their breasts,
To lost sense belonging
To forgotten quests.
The happy wife now knew
That she had married ill,
The glad fond lover grew
Weary of loving still,
The maid and the boy felt glad
That they had dreaming only
The lone hearts that were sad
Felt somewhere less lonely.
In each soul woke the flower
Whose touch leaves earthless dust,
The soul's husband's first hour,
The thing completing us,
The shadow that comes to bless
From kissed depths unexpressed,
The luminous restlessness
That is better than rest.
As he came, he went.
They felt him but half-be.
Then he was quietly blent
With silence and memory.
Sleep left again their laughter,
Their tranced hope ceased to last,
And but a small time after
They knew not he had passed.
Yet when the sorrow of living,
Because life is not willed,
Comes back in dreams' hours, giving
A sense of life being chilled,
Suddenly each remembers –
It glows like a coming moon
On where their dream-life embers –
The mad fiddlers tune.
4 739
Fernando Pessoa
IX - Oh to be idle loving idleness!
Oh to be idle loving idleness!
But I am idle all in hate of me;
Ever in action's dream, in the false stress
Of purposed action never act to be.
Like a fierce beast self-penned in a bait-lair,
My will to act binds with excess my action,
Not-acting coils the thought with raged despair,
And acting rage doth paint despair distraction.
Like someone sinking in a treacherous sand,
Each gesture to deliver sinks the more;
The struggle avails not, and to raise no hand,
Though but more slowly useless, we've no power.
Hence live I the dead life each day doth bring,
Repurposed for next day's repurposing.
But I am idle all in hate of me;
Ever in action's dream, in the false stress
Of purposed action never act to be.
Like a fierce beast self-penned in a bait-lair,
My will to act binds with excess my action,
Not-acting coils the thought with raged despair,
And acting rage doth paint despair distraction.
Like someone sinking in a treacherous sand,
Each gesture to deliver sinks the more;
The struggle avails not, and to raise no hand,
Though but more slowly useless, we've no power.
Hence live I the dead life each day doth bring,
Repurposed for next day's repurposing.
4 155
Fernando Pessoa
XII - As the lone, frightèd user of a night-road
As the lone, frighted user of a night-road
Suddenly turns round, nothing to detect,
Yet on his fear's sense keepeth still the load
Of that brink-nothing he doth but suspect;
And the cold terror moves to him more near
Of something that from nothing casts a spell,
That, when he moves, to fright more is not there,
And's only visible when invisible:
So I upon the world turn round in thought,
And nothing viewing do no courage take,
But my more terror, from no seen cause got,
To that felt corporate emptiness forsake,
And draw my sense of mystery's horror from
Seeing no mystery's mystery alone.
Suddenly turns round, nothing to detect,
Yet on his fear's sense keepeth still the load
Of that brink-nothing he doth but suspect;
And the cold terror moves to him more near
Of something that from nothing casts a spell,
That, when he moves, to fright more is not there,
And's only visible when invisible:
So I upon the world turn round in thought,
And nothing viewing do no courage take,
But my more terror, from no seen cause got,
To that felt corporate emptiness forsake,
And draw my sense of mystery's horror from
Seeing no mystery's mystery alone.
4 593
Fernando Pessoa
VI - As a bad orator, badly o'er-book-skilled,
As a bad orator, badly o'er-book-skilled,
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless are labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever.
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless are labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever.
4 202
Fernando Pessoa
VI - As a bad orator, badly o'er-book-skilled,
As a bad orator, badly o'er-book-skilled,
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless are labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever.
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless are labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever.
4 202
Fernando Pessoa
VI - As a bad orator, badly o'er-book-skilled,
As a bad orator, badly o'er-book-skilled,
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless are labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever.
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless are labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever.
4 202
Fernando Pessoa
PRAYER
PRAYER
Our lady of Useless Tears,
Thine is my heart's best shrine.
I am sick with the gorging years,
I am drunk with the bitter wine
Of having but cares and fears,
Of knowing but how to pine.
It is useless to pray to thee,
But my heart is full of pain.
Thy glance would be charity,
Even if the look were disdain.
Give me that I may be
A child like thine again.
My sense of me is all tears.
I pity my heart too much.
O a cradle for my fears
And the hem of thy garment to clutch!
O wert thou alive and near us,
And thy hand a hand that could touch!
I do not know how to pray.
My heart is a torn pall.
See how my hair grows gray.
O teach my lips to call
On thy name night and day
As if that name were all.
My fathers' faith doth rise
To my lips this sick hour.
I pray to thee with mine eyes
Rosaries of anguish. O dower
My soul with a least sweet lies
Of thy suffering son's power!
I have forgotten the taste
Of faith, and ache for prayer.
My heart is a garden laid waste.
O thy hand on my hair
Like a mother's hand let rest
And let me die with it there!
Our lady of Useless Tears,
Thine is my heart's best shrine.
I am sick with the gorging years,
I am drunk with the bitter wine
Of having but cares and fears,
Of knowing but how to pine.
It is useless to pray to thee,
But my heart is full of pain.
Thy glance would be charity,
Even if the look were disdain.
Give me that I may be
A child like thine again.
My sense of me is all tears.
I pity my heart too much.
O a cradle for my fears
And the hem of thy garment to clutch!
O wert thou alive and near us,
And thy hand a hand that could touch!
I do not know how to pray.
My heart is a torn pall.
See how my hair grows gray.
O teach my lips to call
On thy name night and day
As if that name were all.
My fathers' faith doth rise
To my lips this sick hour.
I pray to thee with mine eyes
Rosaries of anguish. O dower
My soul with a least sweet lies
Of thy suffering son's power!
I have forgotten the taste
Of faith, and ache for prayer.
My heart is a garden laid waste.
O thy hand on my hair
Like a mother's hand let rest
And let me die with it there!
4 671
Fernando Pessoa
6 - DREAM
DREAM
It was somewhere secluded
In silence and moon.
All like a lagoon.
No cares there intruded
Save the vague winds swoon.
Landscape intermediate
Between dreams and land.
The wind slept, calm-fanned.
The waters were weedy at
Where we plunged our hand.
We let the hand wander
In the water unseen.
Our eyes were with th' sheen
Of the moonlit meander
Of the forest scene.
There we lost the spirit
Of our still being we.
We were fairy-free,
Having to inherit
Nothing from to be.
The fairies there and the elves
Damasked their moonlit train.
There we shall awhile gain
All the elusive selves
We never can obtain.
I feel pale and I shiver.
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon-pain the sense-giving
That I am vainly king
In some spell-bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
It was somewhere secluded
In silence and moon.
All like a lagoon.
No cares there intruded
Save the vague winds swoon.
Landscape intermediate
Between dreams and land.
The wind slept, calm-fanned.
The waters were weedy at
Where we plunged our hand.
We let the hand wander
In the water unseen.
Our eyes were with th' sheen
Of the moonlit meander
Of the forest scene.
There we lost the spirit
Of our still being we.
We were fairy-free,
Having to inherit
Nothing from to be.
The fairies there and the elves
Damasked their moonlit train.
There we shall awhile gain
All the elusive selves
We never can obtain.
I feel pale and I shiver.
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon-pain the sense-giving
That I am vainly king
In some spell-bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
4 516
Fernando Pessoa
6 - DREAM
DREAM
It was somewhere secluded
In silence and moon.
All like a lagoon.
No cares there intruded
Save the vague winds swoon.
Landscape intermediate
Between dreams and land.
The wind slept, calm-fanned.
The waters were weedy at
Where we plunged our hand.
We let the hand wander
In the water unseen.
Our eyes were with th' sheen
Of the moonlit meander
Of the forest scene.
There we lost the spirit
Of our still being we.
We were fairy-free,
Having to inherit
Nothing from to be.
The fairies there and the elves
Damasked their moonlit train.
There we shall awhile gain
All the elusive selves
We never can obtain.
I feel pale and I shiver.
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon-pain the sense-giving
That I am vainly king
In some spell-bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
It was somewhere secluded
In silence and moon.
All like a lagoon.
No cares there intruded
Save the vague winds swoon.
Landscape intermediate
Between dreams and land.
The wind slept, calm-fanned.
The waters were weedy at
Where we plunged our hand.
We let the hand wander
In the water unseen.
Our eyes were with th' sheen
Of the moonlit meander
Of the forest scene.
There we lost the spirit
Of our still being we.
We were fairy-free,
Having to inherit
Nothing from to be.
The fairies there and the elves
Damasked their moonlit train.
There we shall awhile gain
All the elusive selves
We never can obtain.
I feel pale and I shiver.
What power of the moonlight
Tremulous under the river
Thus pains me with delight?
What spell told by the moon
Unlooses all my soul?
O speak to me! I swoon!
I fade from life's control!
I am a far spirit, e'en
In the felt place of me.
O river too serene
For my tranquillity!
O ache somehow of living!
O sorrow for something!
O moon-pain the sense-giving
That I am vainly king
In some spell-bound realm mute,
In a lunar land lone!
O ache as of a dying flute
When we would have't play on!
4 516
Fernando Pessoa
XXI - Thought was born blind
Thought was born blind, but Thought knows what is seeing.
Its careful touch, deciphering forms from shapes,
Still suggests form as aught whose proper being
Mere finding touch with erring darkness drapes.
Yet whence, except from guessed sight, does touch teach
That touch is but a close and empty sense?
How does more touch, self-uncontented, reach
For some truer sense's whole intelligence?
The thing once touched, if touch be now omitted,
Stands yet in memory real and outward known,
So the untouching memory of touch is fitted
With sense of a sense whereby far things are shown
So, by touch of untouching, wrongly aright,
Touch' thought of seeing sees not things but Sight.
Its careful touch, deciphering forms from shapes,
Still suggests form as aught whose proper being
Mere finding touch with erring darkness drapes.
Yet whence, except from guessed sight, does touch teach
That touch is but a close and empty sense?
How does more touch, self-uncontented, reach
For some truer sense's whole intelligence?
The thing once touched, if touch be now omitted,
Stands yet in memory real and outward known,
So the untouching memory of touch is fitted
With sense of a sense whereby far things are shown
So, by touch of untouching, wrongly aright,
Touch' thought of seeing sees not things but Sight.
4 292
Fernando Pessoa
XXI - Thought was born blind
Thought was born blind, but Thought knows what is seeing.
Its careful touch, deciphering forms from shapes,
Still suggests form as aught whose proper being
Mere finding touch with erring darkness drapes.
Yet whence, except from guessed sight, does touch teach
That touch is but a close and empty sense?
How does more touch, self-uncontented, reach
For some truer sense's whole intelligence?
The thing once touched, if touch be now omitted,
Stands yet in memory real and outward known,
So the untouching memory of touch is fitted
With sense of a sense whereby far things are shown
So, by touch of untouching, wrongly aright,
Touch' thought of seeing sees not things but Sight.
Its careful touch, deciphering forms from shapes,
Still suggests form as aught whose proper being
Mere finding touch with erring darkness drapes.
Yet whence, except from guessed sight, does touch teach
That touch is but a close and empty sense?
How does more touch, self-uncontented, reach
For some truer sense's whole intelligence?
The thing once touched, if touch be now omitted,
Stands yet in memory real and outward known,
So the untouching memory of touch is fitted
With sense of a sense whereby far things are shown
So, by touch of untouching, wrongly aright,
Touch' thought of seeing sees not things but Sight.
4 292
Fernando Pessoa
XXV - We are in Fate and Fate's and do but lack
We are in Fate and Fate's and do but lack
Outness from soul to know ourselves its dwelling,
And do but compel Fate aside or back
By Fate's own immanence in the compelling.
We are too far in us from outward truth
To know how much we are not what we are,
And live but in the heat of error's youth,
Yet young enough its acting youth to ignore.
The doubleness of mind fails us, to glance
At our exterior presence amid things,
Sizing from otherness our countenance
And seeing our puppet will's act-acting strings.
An unknown language speaks in us, which we
Are at the words of, fronted from reality.
Outness from soul to know ourselves its dwelling,
And do but compel Fate aside or back
By Fate's own immanence in the compelling.
We are too far in us from outward truth
To know how much we are not what we are,
And live but in the heat of error's youth,
Yet young enough its acting youth to ignore.
The doubleness of mind fails us, to glance
At our exterior presence amid things,
Sizing from otherness our countenance
And seeing our puppet will's act-acting strings.
An unknown language speaks in us, which we
Are at the words of, fronted from reality.
4 226
Fernando Pessoa
XXV - We are in Fate and Fate's and do but lack
We are in Fate and Fate's and do but lack
Outness from soul to know ourselves its dwelling,
And do but compel Fate aside or back
By Fate's own immanence in the compelling.
We are too far in us from outward truth
To know how much we are not what we are,
And live but in the heat of error's youth,
Yet young enough its acting youth to ignore.
The doubleness of mind fails us, to glance
At our exterior presence amid things,
Sizing from otherness our countenance
And seeing our puppet will's act-acting strings.
An unknown language speaks in us, which we
Are at the words of, fronted from reality.
Outness from soul to know ourselves its dwelling,
And do but compel Fate aside or back
By Fate's own immanence in the compelling.
We are too far in us from outward truth
To know how much we are not what we are,
And live but in the heat of error's youth,
Yet young enough its acting youth to ignore.
The doubleness of mind fails us, to glance
At our exterior presence amid things,
Sizing from otherness our countenance
And seeing our puppet will's act-acting strings.
An unknown language speaks in us, which we
Are at the words of, fronted from reality.
4 226
Fernando Pessoa
XXXIII - He that goes back does, since he goes, advance,
He that goes back does, since he goes, advance,
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
4 024
Fernando Pessoa
XXXIII - He that goes back does, since he goes, advance,
He that goes back does, since he goes, advance,
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
4 024
Fernando Pessoa
XXXIII - He that goes back does, since he goes, advance,
He that goes back does, since he goes, advance,
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
Though he doth not advance who goeth back,
And he that seeks, though he on nothing chance.
May still by words be said to find a lack.
This paradox of having, that is nought
In the world's meaning of the things it screens,
Is yet true of the substance of pure thought
And there means something by the nought it means.
For thinking nought does on nought being confer,
As giving not is acting not to give,
And, to the same unbribed true thought, to err
Is to find truth, though by its negative.
So why call this world false, if false to be
Be to be aught, and being aught Being to be?
4 024
Fernando Pessoa
XVII - In a red bacchic surge of thoughts that beat
In a red bacchic surge of thoughts that beat
On the mad temples like an ire's amaze,
In a fury that hurts the eyes, and yet
Doth make all things clear with a blur around,
The whole group's soul like a glad drunkard sways
And bounds up from the ground!
Ay, though all these be common people heaping
To church, from church, the bridal keeping,
Yet all the satyrs and big pagan haunches
That in taut flesh delight and teats and paunches,
And whose course, trailing through the foliage, nears
The crouched nymph that half fears,
In invisible rush, behind, before
This decent group move, and with hot thoughts store
The passive souls round which their mesh they wind,
The while their rout, loud stumbling as if blind,
Makes the hilled earth wake echoing from her sleep
To the lust in their leap.
On the mad temples like an ire's amaze,
In a fury that hurts the eyes, and yet
Doth make all things clear with a blur around,
The whole group's soul like a glad drunkard sways
And bounds up from the ground!
Ay, though all these be common people heaping
To church, from church, the bridal keeping,
Yet all the satyrs and big pagan haunches
That in taut flesh delight and teats and paunches,
And whose course, trailing through the foliage, nears
The crouched nymph that half fears,
In invisible rush, behind, before
This decent group move, and with hot thoughts store
The passive souls round which their mesh they wind,
The while their rout, loud stumbling as if blind,
Makes the hilled earth wake echoing from her sleep
To the lust in their leap.
4 286
Fernando Pessoa
XIV - We are born at sunset and we die ere morn,
We are born at sunset and we die ere morn,
And the whole darkness of the world we know,
How can we guess its truth, to darkness born,
The obscure consequence of absent glow?
Only the stars do teach us light. We grasp
Their scattered smallnesses with thoughts that stray,
And, though their eyes look through night's complete mask,
Yet they speak not the features of the day.
Why should these small denials of the whole
More than the black whole the pleased eyes attract?
Why what it calls «worth» does the captive soul
Add to the small and from the large detract?
So, out of light's love wishing it night's stretch,
A nightly thought of day we darkly reach.
And the whole darkness of the world we know,
How can we guess its truth, to darkness born,
The obscure consequence of absent glow?
Only the stars do teach us light. We grasp
Their scattered smallnesses with thoughts that stray,
And, though their eyes look through night's complete mask,
Yet they speak not the features of the day.
Why should these small denials of the whole
More than the black whole the pleased eyes attract?
Why what it calls «worth» does the captive soul
Add to the small and from the large detract?
So, out of light's love wishing it night's stretch,
A nightly thought of day we darkly reach.
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XVI - No matter now or past or future.
No matter now or past or future. Be
Lovers' age in your glee!
Give all your thoughts to this great muscled day
That like a courser tears
The bit of Time, to make night come and say
The maiden mount now her first rider bears!
Flesh pinched, flesh bit, flesh sucked, flesh girt around,
Flesh crushed and ground,
These things inflame your thoughts and make ye dim
In what ye say or seem!
Rage out in naked glances till ye fright
Your ague of delight,
In glances seeming clothes and thoughts to hate
That fleshes separate;
Stretch out your limbs to the warm day outside,
To feel it while it bide!
For the strong sun, the hot ground, the green grass,
Each far lake's dazzling glass,
And each one's flushed thought of the night to be
Are all one joy-hot unity.
Lovers' age in your glee!
Give all your thoughts to this great muscled day
That like a courser tears
The bit of Time, to make night come and say
The maiden mount now her first rider bears!
Flesh pinched, flesh bit, flesh sucked, flesh girt around,
Flesh crushed and ground,
These things inflame your thoughts and make ye dim
In what ye say or seem!
Rage out in naked glances till ye fright
Your ague of delight,
In glances seeming clothes and thoughts to hate
That fleshes separate;
Stretch out your limbs to the warm day outside,
To feel it while it bide!
For the strong sun, the hot ground, the green grass,
Each far lake's dazzling glass,
And each one's flushed thought of the night to be
Are all one joy-hot unity.
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XXX - I do not know what truth the false untruth
I do not know what truth the false untruth
Of this sad sense of the seen world may own,
Or if this flowered plant bears also a fruit
Unto the true reality unknown.
But as the rainbow, neither earth's nor sky's,
Stands in the dripping freshness of lulled rain,
A hope, note real yet not fancy's, lies
Athwart the moment of our ceasing pain.
Somehow, since pain is felt yet felt as ill,
Hope hath a better warrant than being hoped;
Since pain is felt as aught we should not feel
Man hath a Nature's reason for having groped,
Since Time was Time and age and grief his measures
Towards a better shelter than Time's pleasures.
Of this sad sense of the seen world may own,
Or if this flowered plant bears also a fruit
Unto the true reality unknown.
But as the rainbow, neither earth's nor sky's,
Stands in the dripping freshness of lulled rain,
A hope, note real yet not fancy's, lies
Athwart the moment of our ceasing pain.
Somehow, since pain is felt yet felt as ill,
Hope hath a better warrant than being hoped;
Since pain is felt as aught we should not feel
Man hath a Nature's reason for having groped,
Since Time was Time and age and grief his measures
Towards a better shelter than Time's pleasures.
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XXX - I do not know what truth the false untruth
I do not know what truth the false untruth
Of this sad sense of the seen world may own,
Or if this flowered plant bears also a fruit
Unto the true reality unknown.
But as the rainbow, neither earth's nor sky's,
Stands in the dripping freshness of lulled rain,
A hope, note real yet not fancy's, lies
Athwart the moment of our ceasing pain.
Somehow, since pain is felt yet felt as ill,
Hope hath a better warrant than being hoped;
Since pain is felt as aught we should not feel
Man hath a Nature's reason for having groped,
Since Time was Time and age and grief his measures
Towards a better shelter than Time's pleasures.
Of this sad sense of the seen world may own,
Or if this flowered plant bears also a fruit
Unto the true reality unknown.
But as the rainbow, neither earth's nor sky's,
Stands in the dripping freshness of lulled rain,
A hope, note real yet not fancy's, lies
Athwart the moment of our ceasing pain.
Somehow, since pain is felt yet felt as ill,
Hope hath a better warrant than being hoped;
Since pain is felt as aught we should not feel
Man hath a Nature's reason for having groped,
Since Time was Time and age and grief his measures
Towards a better shelter than Time's pleasures.
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XVI - We never joy enjoy to that full point
We never joy enjoy to that full point
Regret doth wish joy had enjoyed been,
Nor have the strength regret to disappoint
Recalling not past joy's thought, but its mien.
Yet joy was joy when it enjoyed was
And after-enjoyed when as joy recalled,
It must have been joy ere its joy did pass
And, recalled, joy still, since its being-past galled.
Alas! All this is useless, for joy's in
Enjoying, not in thinking of enjoying.
Its mere thougth-mirroring gainst itself doth sin.
By mere reflecting solid life destroying.
Yet the more thought we take to thought to prove
It must not think, doth further from joy move.
Regret doth wish joy had enjoyed been,
Nor have the strength regret to disappoint
Recalling not past joy's thought, but its mien.
Yet joy was joy when it enjoyed was
And after-enjoyed when as joy recalled,
It must have been joy ere its joy did pass
And, recalled, joy still, since its being-past galled.
Alas! All this is useless, for joy's in
Enjoying, not in thinking of enjoying.
Its mere thougth-mirroring gainst itself doth sin.
By mere reflecting solid life destroying.
Yet the more thought we take to thought to prove
It must not think, doth further from joy move.
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XVIII - Indefinite space, which, by co-substance night,
Indefinite space, which, by co-substance night,
In one black mystery two void mysteries blends;
The stray stars, whose innumerable light
Repeats one mystery till conjecture ends;
The stream of time, known by birth-bursting bubbles;
The gulf of silence, empty even of nought;
Thought's high-walled maze, which the outed owner troubles
Because the string's lost and the plan forgot:
When I think on this and that here I stand,
The thinker of these thoughts, emptily wise,
Holding up to my thinking my thing-hand
And looking at it with thought-alien eyes,
The prayer of my wonder looketh past
The universal darkness lone and vast.
In one black mystery two void mysteries blends;
The stray stars, whose innumerable light
Repeats one mystery till conjecture ends;
The stream of time, known by birth-bursting bubbles;
The gulf of silence, empty even of nought;
Thought's high-walled maze, which the outed owner troubles
Because the string's lost and the plan forgot:
When I think on this and that here I stand,
The thinker of these thoughts, emptily wise,
Holding up to my thinking my thing-hand
And looking at it with thought-alien eyes,
The prayer of my wonder looketh past
The universal darkness lone and vast.
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XVIII - Indefinite space, which, by co-substance night,
Indefinite space, which, by co-substance night,
In one black mystery two void mysteries blends;
The stray stars, whose innumerable light
Repeats one mystery till conjecture ends;
The stream of time, known by birth-bursting bubbles;
The gulf of silence, empty even of nought;
Thought's high-walled maze, which the outed owner troubles
Because the string's lost and the plan forgot:
When I think on this and that here I stand,
The thinker of these thoughts, emptily wise,
Holding up to my thinking my thing-hand
And looking at it with thought-alien eyes,
The prayer of my wonder looketh past
The universal darkness lone and vast.
In one black mystery two void mysteries blends;
The stray stars, whose innumerable light
Repeats one mystery till conjecture ends;
The stream of time, known by birth-bursting bubbles;
The gulf of silence, empty even of nought;
Thought's high-walled maze, which the outed owner troubles
Because the string's lost and the plan forgot:
When I think on this and that here I stand,
The thinker of these thoughts, emptily wise,
Holding up to my thinking my thing-hand
And looking at it with thought-alien eyes,
The prayer of my wonder looketh past
The universal darkness lone and vast.
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