Poems List

Nel mezzo del cammin di nostra vita.

Midway along the path of our life.

1

LASCIATE OGNI SPERANZA VOI CH’ENTRATE!

Abandon all hope, you who enter!

2

There is no greater sorrow Than to be mindful of the happy time In misery. 9

The Divine Comedy. Inferno, V, l. 121

5

Love hath so long possessed me for his own And made his lordship so familiar.

La Vita Nuova

2

Love with delight discourses in my mind Upon my lady’s admirable gifts… Beyond the range of human intellect.

Il Convito (The Banquet), 2 treatise 3, l. 1

2

Ulysses' Last Voyage

Ulysses' Last Voyage

I launched her with my small remaining band
and, putting out to sea, we set the main
on that lone ship and said farewell to land.

Far to starboard rose the coast of Spain,
astern was Sardi, Islas at our bow,
and soon we saw Morocco port abeam.

Though I and comrades now were old and slow,
we hauled till nightfall for the narrow sound
where Hercules had shown what not to do,

by setting marks for men to stay behind.
At dawn the starboard lookout made Seville,
and at the straits stood Ceuta t'other hand.

'Brothers,' I shouted, 'who have had the will
to come through danger, and have reached the west!
our time awake is brief from now until

the senses die, and so I say we test
the sun's own motion and do not forego
the worlds beyond, unknown and peopleless.

Think of the roots from which you sprang, and show
that you are human: not unconscious brutes
but made to follow virtue and to know.'
264

There is a Gentle Thought

There is a Gentle Thought

There is a gentle thought that often springs
to life in me, because it speaks of you.
Its reasoning about love’s so sweet and true,
the heart is conquered, and accepts these things.
‘Who is this’ the mind enquires of the heart,
‘who comes here to seduce our intellect?
Is his power so great we must reject
every other intellectual art?
The heart replies ‘O, meditative mind
this is love’s messenger and newly sent
to bring me all Love’s words and desires.
His life, and all the strength that he can find,
from her sweet eyes are mercifully lent,
who feels compassion for our inner fires.’
280

Sonnet: Spirit Of Love

Sonnet: Spirit Of Love

I felt a spirit of love begin to stir
Within my heart, long time unfelt till then;
And saw Love coming towards me fair and fain
(That I scarce knew him for his joyful cheer),
Saying, 'Be now indeed my worshipper!'
And in his speech he laughed and laughed again.
Then, while it was his pleasure to remain,
I chanced to look the way he had drawn near,
And saw the Ladies Joan and Beatrice
Approach me, this the other following,
One and a second marvel instantly.
And even as now my memory speaketh this,
Love spake it then: 'The first is christened Spring;
The second Love, she is so like to me.'
285

Sonnet: Love and the Gentle

Sonnet: Love and the Gentle

Love and the gentle heart are one same thing,
Even as the wise man in his ditty saith.
Each, of itself, would be such life in death
As rational soul bereft of reasoning.
'Tis Nature makes them when she loves: a king
Love is, whose palace where he sojourneth
Is call'd the Heart; there draws he quiet breath
At first, with brief or longer slumbering.
Then beauty seen in virtuous womankind
Will make the eyes desire, and through the heart
Send the desiring of the eyes again;
Where often it abides so long enshrined
That Love at length out of his sleep will start.
And women feel the same for worthy men.
312

Sestina

Sestina


I have come, alas, to the great circle of shadow,
to the short day and to the whitening hills,
when the colour is all lost from the grass,
though my desire will not lose its green,
so rooted is it in this hardest stone,
that speaks and feels as though it were a woman.


And likewise this heaven-born woman
stays frozen, like the snow in shadow,
and is unmoved, or moved like a stone,
by the sweet season that warms all the hills,
and makes them alter from pure white to green,
so as to clothe them with the flowers and grass.


When her head wears a crown of grass
she draws the mind from any other woman,
because she blends her gold hair with the green
so well that Amor lingers in their shadow,
he who fastens me in these low hills,
more certainly than lime fastens stone.


Her beauty has more virtue than rare stone.
The wound she gives cannot be healed with grass,
since I have travelled, through the plains and hills,
to find my release from such a woman,
yet from her light had never a shadow
thrown on me, by hill, wall, or leaves’ green.


I have seen her walk all dressed in green,
so formed she would have sparked love in a stone,
that love I bear for her very shadow,
so that I wished her, in those fields of grass,
as much in love as ever yet was woman,
closed around by all the highest hills.


The rivers will flow upwards to the hills
before this wood, that is so soft and green,
takes fire, as might ever lovely woman,
for me, who would choose to sleep on stone,
all my life, and go eating grass,
only to gaze at where her clothes cast shadow.


Whenever the hills cast blackest shadow,
with her sweet green, the lovely woman
hides it, as a man hides stone in grass.
317

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Identification and basic context

Dante Alighieri was a central figure of medieval Italian literature, a poet, writer, and political thinker. He is best known for his epic poem, the *Divine Comedy* (*La Divina Commedia*), which is considered one of the greatest works of world literature and a foundational text of the Italian language. Born in Florence, Dante was deeply involved in the political life of his city-state, which significantly influenced his literary output. He wrote in Tuscan vernacular, elevating it to a literary language and contributing immensely to the development of modern Italian. His work is characterized by its profound theological content, intricate allegorical structure, and its synthesis of classical and Christian thought.

Childhood and education

Dante was born into a minor noble family in Florence. His early education was typical for a boy of his standing, including religious instruction and the rudiments of Latin. He is believed to have studied at the 'Dante Alighieri' school in Florence, though details are scarce. He likely received further education from scholars and clerics, immersing himself in classical literature, philosophy, and theology. His education was further shaped by his encounters with influential figures of his time, including the poet and philosopher Brunetto Latini, who became a mentor. His formative years were marked by the political turbulence of Florence, which instilled in him a deep understanding of civic life and a strong sense of justice.

Literary trajectory

Dante's literary career began in his youth. His early works, such as the *Vita Nuova* (New Life), blend poetry and prose to explore themes of love, loss, and spiritual aspiration, centered on his idealized love for Beatrice. This work established his reputation as a significant poet. His political involvement led to his exile from Florence in 1302, a pivotal event that profoundly shaped his masterpiece, the *Divine Comedy*. Written during his exile, this epic poem narrates his allegorical journey through Hell, Purgatory, and Paradise. The *Divine Comedy* became his magnum opus, cementing his place in literary history and demonstrating the artistic potential of the vernacular. He also produced important works of political and philosophical prose, such as *De Monarchia* (On Monarchy) and *Convivio* (The Banquet).

Works, style, and literary characteristics

Dante's most famous work is the *Divine Comedy*, an allegorical epic poem divided into three parts: *Inferno* (Hell), *Purgatorio* (Purgatory), and *Paradiso* (Paradise). Written in vernacular Tuscan, it describes Dante's journey through the afterlife, guided first by the Roman poet Virgil and then by his beloved Beatrice. Key themes include divine justice, sin and redemption, love, faith, reason, and the political and spiritual state of contemporary Europe. His style is characterized by its immense symbolic richness, vivid imagery, theological rigor, and rhetorical power. He utilized the terza rima, a three-line stanzaic form, which created a sense of continuous movement and interconnectedness. Dante's linguistic innovations and his ability to fuse classical learning with Christian doctrine were groundbreaking. Other significant works include the *Vita Nuova*, *De Monarchia*, and *Convivio*.

Cultural and historical context

Dante lived during a period of intense political and social change in Italy, marked by the struggles between the Guelphs and Ghibellines, papal and imperial power, and the rise of powerful city-states like Florence. His political involvement as a Guelph led to his exile, a profound experience that informed his critique of contemporary society and his vision of a just political order in *De Monarchia*. He was deeply influenced by Scholastic philosophy, particularly the works of Thomas Aquinas, and by classical authors such as Virgil, Ovid, and Aristotle. His work reflects the intellectual and spiritual climate of the late Middle Ages, synthesizing elements of theology, philosophy, and political thought.

Personal life

Dante's personal life was significantly shaped by his political activities and his idealized love for Beatrice Portinari, whom he met in childhood and who became his muse. His marriage to Gemma Donati was politically arranged and produced children, but it is Beatrice who occupies a central place in his literary imagination, symbolizing divine grace and spiritual enlightenment. His exile from Florence was a deeply traumatic experience that profoundly affected his life and work, forcing him to wander through various courts and cities. His friendships and rivalries, particularly within the complex political landscape of Florence, played a crucial role in his life. His strong sense of justice and his deep religious convictions were fundamental aspects of his character.

Recognition and reception

Dante Alighieri received considerable recognition during his lifetime, particularly for the *Vita Nuova*. However, the *Divine Comedy* gained widespread fame and critical acclaim posthumously, solidifying his status as a literary titan. His work was highly influential on subsequent generations of Italian writers and thinkers. The *Divine Comedy* became a cornerstone of Western literature, studied for its theological depth, poetic artistry, and profound human insights. His elevation of the vernacular Tuscan dialect to a literary standard also earned him immense respect and ensured the lasting legacy of the Italian language.

Influences and legacy

Dante was heavily influenced by classical poets like Virgil, Ovid, and Statius, as well as by biblical texts and medieval theologians such as Augustine and Thomas Aquinas. His major influence was on the development of the Italian language and literature; he is often called the "father of the Italian language." His *Divine Comedy* profoundly impacted subsequent European literature, art, and theology, inspiring countless writers, artists, and thinkers across centuries. His allegorical method, his theological framework, and his vivid portrayal of the afterlife became enduring elements in Western culture. His work continues to be translated, studied, and adapted, testament to its enduring power and universal appeal.

Interpretation and critical analysis

Interpretations of Dante's *Divine Comedy* are vast and varied, encompassing theological, philosophical, political, and literary analyses. Key critical debates revolve around the precise nature of his theological orthodoxy, the political allegories embedded in the poem, and the extent to which Beatrice represents a purely spiritual ideal or a more complex human figure. His portrayal of sin, justice, and divine love continues to be explored, as does his complex relationship with classical philosophy and its integration into Christian thought. The poem's enduring power lies in its multifaceted nature, allowing for continuous reinterpretation.

Curiosities and lesser-known aspects

While Dante is primarily known for the *Divine Comedy*, he was also a significant political figure in Florence, serving as one of its priors (chief magistrates). His exile was a deeply personal tragedy that fueled his artistic creation. He had a strong belief in the divine order and the interconnectedness of all things, which permeates his work. Despite his elevated status, his personal life was marked by the practicalities of exile, including reliance on patrons. His meticulous attention to detail and his profound intellectual curiosity are evident in the complex structure and rich allusions of his poetry.

Death and memory

Dante Alighieri died in Ravenna in 1321, likely from malaria, while still in exile. His death was mourned by many, and his tomb in Ravenna became a site of pilgrimage. His legacy has been meticulously preserved and celebrated, with numerous editions, translations, and scholarly studies of his work. The city of Florence has made repeated efforts to have his remains returned, though they remain in Ravenna. Dante's memory is honored through academies, festivals, and countless artistic and literary references, ensuring his enduring presence in global culture.