Poems List

The Wheel of the Breast

The Wheel of the Breast

Through rivers of veins on the nameless quest
The tide of my life goes hurriedly sweeping,
Till it reaches that curious wheel o' the breast,
The human heart, which is never at rest.
Faster, faster, it cries, and leaping,
Plunging, dashing, speeding away,
The wheel and the river work night and day.
I know not wherefore, I know not whither,
This strange tide rushes with such mad force:
It glides on hither, it slides on thither,
Over and over the selfsame course,
With never an outlet and never a source;
And it lashes itself to the heat of passion
And whirls the heart in a mill-wheel fashion.
I can hear in the hush of the still, still night,
The ceaseless sound of that mighty river;
I can hear it gushing, gurgling, rushing,
With a wild, delirious, strange delight,
And a conscious pride in its sense of might,
As it hurries and worries my heart forever.
And I wonder oft as I lie awake,
And list to the river that seethes and surges
Over the wheel that it chides and urges—
I wonder oft if that wheel will break
With the mighty pressure it bears, some day,
Or slowly and wearily wear away.
For little by little the heart is wearing,
Like the wheel of the mill, as the tide goes tearing
And plunging hurriedly through my breast,
In a network of veins on a nameless quet,
From and forth, unto unknown oceans,
Bringing its cargoes of fierce emotions,
With never a pause or an hour for rest.
314

The Way Of It

The Way Of It

This is the way of it, wide world over,
One is beloved, and one is the lover,

One gives and the other receives.
One lavishes all in a wild emotion,
One offers a smile for a life’s devotion,

One hopes and the other believes,
One lies awake in the night to weep,
And the other drifts off in a sweet sound sleep.

One soul is aflame with a godlike passion,
One plays with love in an idler’s fashion,

One speaks and the other hears.
One sobs, ‘I love you, ’ and wet eyes to show it,
And one laughs lightly, and says, ‘I know it, ’

With smiles for the other’s tears.
One lives for the other and nothing beside,
And the other remembers the world is wide.

This is the way of it, sad earth over,
The heart that breaks is the heart of the lover,


And the other learns to forget.
‘For what is the use in endless sorrow?
Though the sun goes down, it will rise tomorrow;

And life is not over yet.’
Oh! I know this truth, if I know no other,
That passionate Love is Pain’s own mother.
363

The Voice

The Voice

I dreamed a Voice, of one God-authorised,
Cried loudly thro’ the world, ‘Disarm! Disarm! ’
And there was consernation in the camps;
And men who strutted under braid and lace
Beat on their medalled breasts, and wailed,

‘Undone! ’
The word was echoed from a thousand hills,
And shop and mill, and factory and forge,
Where throve the awful industries of death,
Hushed into silence. Scrawled upon the doors,
The passer read, ‘Peace bids her children

Starve.’
But foolish women clasped their little sons
And wept for joy, not reasoning like men.

Again the Voice commanded: ‘Now go forth
And build a world for Progress and for Peace.
This world had waited since the earth was

Shaped;
But men were fighting, and they could not

Toil.
The needs of life outnumbered needs of death.
Leave death with God. Go forth, I say, and

Build.’

And then a sudden comprehensive joy
Shone in the eyes of men; and one who thought
Only of conquests and of victories
Woke from his gloomy reverie and cried,
‘Ay, come and build! I challenge all to try.
And I will make a world more beautiful
Then Eden was before the serpent came.’
And like a running flame on western wilds,
Ambition spread from mind to listening mind,
And lo! the looms were busy once again,
And all the earth resounded with men’s toil.


Vast palaces of Science graced the world;
Their banquet tables spread with feasts of truth
For all who hungered. Music kissed the air,
Once rent with boom of cannons. Statues gleamed
From wooded ways, where ambushed armies hid
In times of old. The sea and air were gay
With shining sails that soared from land to land.
A universal language of the world
Made nations kin, and poverty was known


But as a word marked ‘obsolete, ’ like war.
The arts were kindled with celestial fire;
New poets sang so Homer’s fame grew dim;
And brush and chisel gave the wondering race
Sublimer treasures than old Greece displayed.



Men differed still; fierce argument arose,
For men are human in this human sphere;
But unarmed Arbitration stood between
And Reason settled in a hundred hours
What War disputed for a hundred years.

Oh, that a Voice, of one God-authorised
Might cry to all mankind, Disarm! Disarm!

Remembered

His art was loving; Eres set his sign
Upon that youthful forehead, and he drew
The hearts of women, as the sun draws dew.

Love feeds love’s thirst as wine feeds love of wine;

Nor is there any potion from the vine
Which makes men drunken like the subtle brew
Of kisses crushed by kisses; and he grew

Inebriated with that draught divine.

Yet in his sober moments, when the sun
Of radiant summer paled to lonely fall,
And passion’s sea had grown an ebbing tide,
From out the many, Memory singled one
Full cup that seemed the sweetest of them all –
The warm red mouth that mocked him and denied.
396

The Unattained

The Unattained

A vision beauteous as the morn,
With heavenly eyes and tresses streaming,
Slow glided o'er a field late shorn
Where walked a poet idly dreaming.
He saw her, and joy lit his face.
"Oh, vanish not at human speaking,"
He cried, "thou form of magic grace,
Thou art the poem I am seeking.


"I've sought thee long! I claim thee now---
My thought embodied, living, real."
She shook the tresses from her brow.
"Nay, nay!" she said, "I am ideal.
I am the phantom of desire---
The spirit of all great endeavour,
I am the voice that says, 'Come higher.'
That calls men up and up for ever.


"'Tis not alone the thought supreme
That here upon thy path has risen;
I am the artist's highest dream,
The ray of light he cannot prison.
I am the sweet ecstatic note
Than all glad music gladder, clearer,
That trembles in the singer's throat,
And dies without a human hearer.


"I am the greater, better yield,
That leads and cheers thy farmer neighbour,
For me he bravely tills the field
And whistles gaily at his labour.
Not thou alone, O poet soul,
Dost seek me through an endless morrow,
But to the toiling, hoping whole
I am at once the hope and sorrow.
The spirit of the unattained,
I am to those who seek to name me,
A good desired but never gained.
All shall pursue, but none shall claim me."
363

The Universal Route

The Universal Route

As we journey along, with a laugh and a song,
We see, on youth’s flower-decked slope,

Like a beacon of light, shining fair on the sight,
The beautiful Station of Hope.

But the wheels of old Time roll along as we climb,
And our youth speeds away on the years;

And with hearts that are numb with life’s sorrows we come
To the mist-covered Station of Tears.

Still onward we pass, where the milestones, alas!
Are tombs of our dead, to the West,

Where glitters and gleams, in the dying sunbeams,
The sweet, silent Station of Rest.

All rest is but change, and no grave can estrange
The soul from its Parent above;

And, scorning the rod, it soars back to God,
To the limitless City of Love.
388

The Two Glasses

The Two Glasses

There sat two glasses, filled to the brim,
On a rich man's table, rim to rim.
One was ruddy and red as blood,
And one was clear as the crystal flood.


Said the glass of wine to his paler brother,
"Let us tell tales of the past to each other;
I can tell of banquet, and revel, and mirth,
Where I was a king, for I ruled in might;
For the proudest and grandest souls on earth
Fell under my touch, as though struck with blight.
From the heads of kings I have torn the crown;
From the heights of fame I have hurled men down.
I have blasted many an honored name;
I have taken virtue and given shame;
I have tempted the youth with a sip, a taste,
That has made his future a barren waste.
Far greater than any king am I,
Or than any army beneath the sky.
I have made the arm of the driver fail,
And sent the train from the iron rail.
I have made good ships go down at sea,
And the shrieks of the lost were sweet to me.
Fame, strength, wealth, genius before me fall;
Ho, ho! pale brother," said the wine,
"Can you boast of deeds as great as mine?"


Said the water-glass: "I cannot boast
Of a king dethroned, or a murdered host,
But I can tell of hearts that were sad
By my crystal drops made bright and glad;
Of thirsts I have quenched, and brows I have laved;
Of hands I have cooled, and souls I have saved.
I have leaped through the valley, dashed down the mountain,
Slept in the sunshine, and dripped from the fountain.
I have burst my cloud-fetters, and dropped from the sky,
And everywhere gladdened the prospect and eye;
I have eased the hot forehead of fever and pain;
I have made the parched meadows grow fertile with grain.
I can tell of the powerful wheel of the mill,
That ground out the flower, and turned at my will.
I can tell of manhood debased by you,
That I have uplifted and crowned anew;
I cheer, I help, I strengthen and aid;
I gladden the heart of man and maid;
I set the wine-chained captive free,
And all are better for knowing me."


These are the tales they told each other,
The glass of wine and its paler brother,
As they sat together, filled to the brim,
On a rich man's table, rim to rim.
434

The Tulip Bed At Greeley Square

The Tulip Bed At Greeley Square

You know that oasis, fresh and fair
In the city desert, as Greeley square?


That bright triangle of scented bloom
That lies surrounded by grime and gloom?


Right in the breast of the seething town
Like a gleaming gem or a wanton’s gown?


Ah, wonderful things that tulip bed
Unto my listening soul has said.


Over the rattle and roar of the street
I hear a chorus of voices sweet,


Day and night, when I pass that way,
And these are the things the voices say:


“Here, in the heart of the foolish strife,
We live a simple and natural life.


“Here, in the midst of the clash and din,
We know what it is to be calm within.


“Here, environed by sin and shame,
We do what we can with our pure white flame.


“We do what we can with our bloom and grace,
To make the city a fairer place.


“It is well to be good though the world is vile,
And so through the dust and the smoke we smile,


“We are but atoms in chaos tossed,
Yet never a purpose for truth was lost.”


Ah, many a sermon is uttered there
By the bed of blossoms in Greeley square.


And he who listens and hears aright,
Is better equipped for the world’s hard fight.
304

The Traveller

The Traveller

Reply to Rudyard Kipling’s ‘He travels the fastest who travels alone.’

Who travels alone with his eye on the heights,
Though he laughs in the day time oft weeps on the nights;
For courage goes down at the set of the sun,


When the toil of the journey is all borne by one.


He speeds but to grief though full gaily he ride
Who travels alone without love at his side.
Who travels alone without lover of friend


But hurries from nothing, to naught at the end.


Though great be his winnings and high be his goal,
He is bankrupt in wisdom and beggared in soul.
Life’s one gift of value to him is denied


Who travels alone without love at his side.


It is easy enough in this world to make haste
If one live for that purpose – but think of the waste;
For life is a poem to leisurely read,


And the joy of the journey lies not in its speed.


Oh! vain his achievement and petty his pride
Who travels alone without love at his side.
497

The Truth Teller

The Truth Teller

The Truth Teller lifts the curtain,
And shows us the people's plight;
And everything seems uncertain,
And nothing at all looks right.
Yet out of the blackness groping,
My heart finds a world in bloom;
For it somehow is fashioned for hoping,
And it cannot live in the gloom.


He tells us from border to border,
That race is warring with race;
With riot and mad disorder,
The earth is a wretched place;
And yet ere the sun is setting
I am thinking of peace, not strife;
For my heart has a way of forgetting
All things save the joy of life.


I heard in my Youth's beginning
That earth was a region of woe,
And trouble, and sorrow, and sinning:
The Truth Teller told me so.
I knew it was true, and tragic;
And I mourned over much that was wrong;
And then, by some curious magic,
The heart of me burst into song.


The years have been going, going,
A mixture of pleasure and pain;
But the Truth Teller's books are showing
That evil is on the gain.
And I know that I ought to be grieving,
And I should be too sad to sing;
But somehow I keep on believing
That life is a glorious thing.
364

The Temperance Army

The Temperance Army

Though you see no banded army,
Though you hear no cannons rattle,
We are in a mighty contest,
We are fighting a great battle.
We are few, but we are right:
And we wage the holy fight,
Night and day, and day and night.


If we do not fail or falter,
If we do not sleep or slumber,
We shall win in this great contest,
Though the foe is twice our number.
This the burden of our song,
'We are few, but we are strong,
And right must triumph over wrong.'


O my sisters! O my brothers!
There is death all round about us.
Must we, then, sit down discouraged?
Will you let the wine-cup rout us?
Hear the drunkard's awful wail!
See the mourners, bowed and pale!
Will you, coward, then say 'fail'?


Say not that your heart is with us
When you do not help or aid us.
All who love the cause sincerely
Can do something: God has made us
Tongues to talk with: you can say
Something, if you will, each day,
That will help us on our way,


Though you are not highly gifted,
Though you are not bard or poet,
Though you cannot preach or lecture,
You can love the cause, and show it
Boldly, in each thing you do.
Seeking all that's pure and true,
This will be a help from you.


You can say the liquor traffic
Is a curse to any nation;
You can say that prohibition
Is a blessing and salvation.
You can sow good seeds, and, though
You may never see them grow,
They will not be lost, I know.



In this mighty temperance contest,
Where no guns or cannons rattle,
Though you cannot lead the army
Or be chieftain of the battle,
With that mighty sword, the tongue,
You can fight against the wrong,
You can sing some temperance song.


Say not that you cannot aid us!
Drops of water make the river-
Make the mighty Mississippi,
That flows on hand on for ever.
Every word you say for Right
Gives us courage, gives us might,
And brings nearer, morn and night.
356

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.