Emily Dickinson

Emily Dickinson

1830–1886 · lived 55 years US US

Emily Dickinson was a prolific American poet whose work was largely unknown during her lifetime. Her poems are characterized by their unconventional style, exploring themes of nature, death, immortality, and faith with unique imagery and introspective depth. She is now recognized as one of the most important figures in American poetry, known for her distinct voice and innovative approach to form and language.

n. 1830-12-10, Amherst · m. 1886-05-15, Amherst

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We see-Comparatively

We see-Comparatively

534

We see-Comparatively-
The Thing so towering high
We could not grasp its segment
Unaided-Yesterday-

This Morning's finer Verdict-
Makes scarcely worth the toil-
A furrow-Our Cordillera-
Our Apennine-a Knoll-

Perhaps 'tis kindly-done us-
The Anguish-and the loss-
The wrenching-for His Firmament
The Thing belonged to us-

To spare these Striding Spirits
Some Morning of Chagrin-
The waking in a Gnat's-embrace-
Our Giants-further on-
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Bio

Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.

Poems

541

Besides the Autumn poets sing

Besides the Autumn poets sing

131

Besides the Autumn poets sing
A few prosaic days
A little this side of the snow
And that side of the Haze-

A few incisive Mornings-
A few Ascetic EvesGone-
Mr. Bryant's "Golden Rod"-
And Mr. Thomson's "sheaves."

Still, is the bustle in the Brook-
Sealed are the spicy valves-
Mesmeric fingers softly touch
The Eyes of many Elves-

Perhaps a squirrel may remain-
My sentiments to share-
Grant me, Oh Lord, a sunny mind-
Thy windy will to bear!
360

Before you thought of spring,

Before you thought of spring,

Before you thought of spring,
Except as a surmise,
You see, God bless his suddenness,
A fellow in the skies
Of independent hues,
A little weather-worn,
Inspiriting habiliments
Of indigo and brown.


With specimens of song,
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!
274

Before I got my eye put out

Before I got my eye put out

327

Before I got my eye put out
I liked as well to see-
As other Creatures, that have Eyes
And know no other way-

But were it told to me-Today-
That I might have the sky
For mine-I tell you that my Heart
Would split, for size of me-

The Meadows-mine-
The Mountains-mine-
All Forests-Stintless Stars-
As much of Noon as I could take
Between my finite eyes-

The Motions of the Dipping Birds-
The Morning's Amber Road-
For mine-to look at when I liked-
The News would strike me dead-

So safer-guess-with just my soul
Upon the Window pane-
Where other Creatures put their eyesIncautious-
of the Sun-
385

Because the Bee may blameless hum

Because the Bee may blameless hum

869

Because the Bee may blameless hum
For Thee a Bee do I become
List even unto Me.

Because the Flowers unafraid
May lift a look on thine, a Maid
Alway a Flower would be.

Nor Robins, Robins need not hide
When Thou upon their Crypts intrude
So Wings bestow on Me
Or Petals, or a Dower of Buzz
That Bee to ride, or Flower of Furze
I that way worship Thee.
242

Bee! I'm expecting you!

Bee! I'm expecting you!

1035

Bee! I'm expecting you!
Was saying Yesterday
To Somebody you know
That you were due-

The Frogs got Home last Week-
Are settled, and at work-
Birds, mostly back-
The Clover warm and thick


You'll get my Letter by
The seventeenth; Reply
Or better, be with me-
Yours, Fly.
312

Beauty-be not caused-It Is

Beauty-be not caused-It Is

516

Beauty-be not caused-It Is-
Chase it, and it ceases-
Chase it not, and it abides-

Overtake the Creases

In the Meadow-when the Wind
Runs his fingers thro' it-
Deity will see to it
That You never do it-
313

Banish Air from Air

Banish Air from Air


854

Banish Air from Air-
Divide Light if you dareThey'll
meet
While Cubes in a Drop
Or Pellets of Shape
Fit
Films cannot annul
Odors return whole
Force Flame
And with a Blonde push
Over your impotence
Flits Steam.
454

Autumn-overlooked my Knitting

Autumn-overlooked my Knitting

748

Autumn-overlooked my KnittingDyes-
said He-have I-
Could disparage a Flamingo-
Show Me them-said I


Cochineal-I chose-for deeming
It resemble Thee-
And the little Border-Dusker-
For resembling Me-
389

Away from Home are some and I—

Away from Home are some and I—

821

Away from Home are some and I—
An Emigrant to be
In a Metropolis of Homes
Is easy, possibly—


The Habit of a Foreign Sky
We—difficult—acquire
As Children, who remain in Face
The more their Feet retire.
204

As the Starved Maelstrom laps the Navies

As the Starved Maelstrom laps the Navies

872

As the Starved Maelstrom laps the Navies
As the Vulture teased
Forces the Broods in lonely Valleys
As the Tiger eased

By but a Crumb of Blood, fasts Scarlet
Till he meet a Man
Dainty adorned with Veins and Tissues
And partakes-his Tongue

Cooled by the Morsel for a moment
Grows a fiercer thing
Till he esteem his Dates and Cocoa
A Nutrition mean

I, of a finer Famine
Deem my Supper dry
For but a Berry of Domingo
And a Torrid Eye.
271

Quotes

40

Videos

50

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