Poems List

An ignorance a Sunset

An ignorance a Sunset

552

An ignorance a Sunset
Confer upon the Eye-
Of Territory-ColorCircumference-
Decay-

Its Amber Revelation
Exhilirate-Debase-
Omnipotence' inspection
Of Our inferior face-

And when the solemn features
Confirm-in Victory-
We start-as if detected
In Immortality-
260

Angels, in the early morning

Angels, in the early morning

94

Angels, in the early morning
May be seen the Dews among,
Stooping-plucking-smiling-flying-
Do the Buds to them belong?


Angels, when the sun is hottest
May be seen the sands among,
Stooping-plucking-sighing-flying-
Parched the flowers they bear along.
260

An everywhere of silver

An everywhere of silver

An everywhere of silver,
With ropes of sand
To keep it from effacing
The track called land.
304

An awful Tempest mashed the air

An awful Tempest mashed the air

198

An awful Tempest mashed the air-
The clouds were gaunt, and few-
A Black-as of a Spectre's Cloak
Hid Heaven and Earth from view.

The creatures chuckled on the Roofs-
And whistled in the air-
And shook their fists-
And gnashed their teeth-
And swung their frenzied hair.

The morning lit-the Birds arose-
The Monster's faded eyes
Turned slowly to his native coast-
And peace-was Paradise!
285

Always Mine!

Always Mine!

839

Always Mine!
No more Vacation!
Term of Light this Day begun!
Failless as the fair rotation
Of the Seasons and the Sun.


Old the Grace, but new the Subjects-
Old, indeed, the East,
Yet upon His Purple Programme
Every Dawn, is first.
413

Ample make this bed.

Ample make this bed.

Ample make this bed.
Make this bed with awe;
In it wait till judgment break
Excellent and fair.


Be its mattress straight,
Be its pillow round;
Let no sunrise' yellow noise
Interrupt this ground.
376

Alter! When the Hills do

Alter! When the Hills do

729

Alter! When the Hills do-
Falter! When the Sun
Question if His Glory
Be the Perfect One-

Surfeit! When the Daffodil
Doth of the Dew-
Even as Herself-Sir-
I will-of You-
249

All these my banners be

All these my banners be

22

All these my banners be.
I sow my pageantry
In May-
It rises train by train-
Then sleeps in state again-
My chancel-all the plain

Today.

To lose-if one can find again-
To miss-if one shall meet-
The Burglar cannot rob-then-
The Broker cannot cheat.
So build the hillocks gaily
Thou little spade of mine
Leaving nooks for Daisy
And for Columbine-
You and I the secret
Of the Crocus know-
Let us chant it softly"
There is no more snow!"

To him who keeps an Orchis' heart-
The swamps are pink with June.
344

All overgrown by cunning moss

All overgrown by cunning moss

148

All overgrown by cunning moss,
All interspersed with weed,
The little cage of "Currer Bell"
In quiet "Haworth" laid.


Gathered from many wanderings-
Gethsemane can tell
Thro' what transporting anguish
She reached the Asphodel!


Soft falls the sounds of Eden
Upon her puzzled ear-
Oh what an afternoon for Heaven,
When "Bronte" entered there!
267

All forgot for recollecting

All forgot for recollecting

966

All forgot for recollecting
Just a paltry One-
All forsook, for just a Stranger's
New Accompanying-

Grace of Wealth, and Grace of Station
Less accounted than
An unknown Esteem possessingEstimate-
Who can-

Home effaced-Her faces dwindledNature-
altered smallSun-
if shone-or Storm-if shattered-
Overlooked I all


Dropped-my fate-a timid Pebble-
In thy bolder SeaProve-
me-Sweet-if I regret it-
Prove Myself-of Thee-
364

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.