Poems List

A Death blow is a Life blow to Some

A Death blow is a Life blow to Some

816

A Death blow is a Life blow to Some
Who till they died, did not alive become-
Who had they lived, had died but when
They died, Vitality begun.
376

A doubt if it be Us

A doubt if it be Us

859

A doubt if it be Us
Assists the staggering Mind
In an extremer Anguish
Until it footing find.


An Unreality is lent,
A merciful Mirage
That makes the living possible
While it suspends the lives.
295

A Cloud withdrew from the Sky

A Cloud withdrew from the Sky

895

A Cloud withdrew from the Sky
Superior Glory be
But that Cloud and its Auxiliaries
Are forever lost to me

Had I but further scanned
Had I secured the Glow
In an Hermetic Memory
It had availed me now.

Never to pass the Angel
With a glance and a Bow
Till I am firm in Heaven
Is my intention now.
401

A darting fear-a pomp-a tear

A darting fear-a pomp-a tear

87

A darting fear-a pomp-a tear-
A waking on a morn
To find that what one waked for,
Inhales the different dawn.
430

A Book

A Book

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!
307

A Charm invests a face

A Charm invests a face

421

A Charm invests a face
Imperfectly beheld-
The Lady date not lift her Veil
For fear it be dispelled-

But peers beyond her mesh-
And wishes-and denies-
Lest Interview-annul a want
That Image-satisfies-
418

Why do I love You, Sir?

"Why do I love" You, Sir?

480

"Why do I love" You, Sir?
Because-
The Wind does not require the Grass
To answer-Wherefore when He pass
She cannot keep Her place.

Because He knows-and
Do not You-
And We know not-
Enough for Us
The Wisdom it be so-

The Lightning-never asked an Eye
Wherefore it shut-when He was by-
Because He knows it cannot speak-
And reasons not contained-
Of Talk-
There be-preferred by Daintier Folk-

The Sunrise-Sire-compelleth Me-
Because He's Sunrise-and I seeTherefore-
Then-
I love Thee-
335

Morning-means Milking-to the Farmer

"Morning"-means "Milking"-to the Farmer

300

"Morning"-means "Milking"-to the FarmerDawn-
to the TeneriffeDice-
to the Maid-
Morning means just Risk-to the Lover-
Just revelation-to the Beloved


Epicures-date a Breakfast-by itBrides-
an ApocalypseWorlds-
a FloodFaint-
going Lives-Their Lapse from SighingFaith-
The Experiment of Our Lord
241

Heaven-is what I cannot reach!

"Heaven"-is what I cannot reach!

239

"Heaven"-is what I cannot reach!
The Apple on the Tree-
Provided it do hopeless-hangThat-"
Heaven" is-to Me!


The Color, on the Cruising Cloud-
The interdicted Land-
Behind the Hill-the House behindThere-
Paradise-is found!


Her teasing Purples-Afternoons-
The credulous-decoyEnamored-
of the Conjuror-
That spurned us-Yesterday!
311

Houses so the Wise Men tell me

"Houses"-so the Wise Men tell me

127

"Houses"-so the Wise Men tell me"
Mansions"! Mansions must be warm!
Mansions cannot let the tears in,
Mansions must exclude the storm!


"Many Mansions," by "his Father,"
I don't know him; snugly built!
Could the Children find the way there-
Some, would even trudge tonight!
267

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.