Poems List

Repentance

Repentance


Lord, I confess my sin is great;
Great is my sin. Oh! gently treat
With thy quick flow'r, thy momentany bloom;
Whose life still pressing
Is one undressing,
A steady aiming at a tomb.


Man's age is two hours' work, or three:
Each day doth round about us see.
Thus are we to delights: but we are all
To sorrows old,
If life be told
From what life feeleth, Adam's fall.


O let thy height of mercy then
Compassionate short-breathed men.
Cut me not off for my most foul transgression:
I do confess
My foolishness;
My God, accept of my confession.


Sweeten at length this bitter bowl,
Which thou hast pour'd into my soul;
Thy wormwood turn to health, winds to fair weather:
For if thou stay,
I and this day,
As we did rise, we die together.


When thou for sin rebukest man,
Forthwith he waxeth woe and wan:
Bitterness fills our bowels; all our hearts
Pine, and decay,
And dropp away,
And carry with them th'other parts.


But thou wilt sin and grief destroy;
That so the broken bones may joy,
And tune together in a well-set song,
Full of his praises,
Who dead men raises;
Fractures well cur'd make us more strong.
289

Sighs And Groans

Sighs And Groans

O do not use me
After my sins! look not on my dessert,
But on your glory! Then you will reform
And not refuse me: for you only art
The mighty God, but I a silly worm;

O do not bruise me!

O do not urge me!
For what account can your ill steward make?
I have abused your stock, destroyed your woods,
Sucked all your storehouses: my head did ache,
Till it found out how to consume your goods:

O do not scourge me!

O do not blind me!
I have deserved that an Egyptian night
Should thicken all my powers; because my lust
Has still sewed fig-leaves to exclude your light:
But I am frailty, and already dust;

O do not grind me!

O do not fill me
With the turned vial of your bitter wrath!
For you have other vessels full of blood,
A part whereof my Savior emptied hath,
Even unto death: since he died for my good,


O do not kill me!

But O reprieve me!
For you have life and death at your command;
You are both Judge and Savior, feast and rod,
Cordial and Corrosive: put not your hand
Into the bitter box; but O my God,

My God, relieve me!
235

Providence

Providence


O Sacred Providence, who from end to end
Strongly and sweetly movest! shall I write,
And not of thee, through whom my fingers bend
To hold my quill? shall they not do thee right?


Of all the creatures both in sea and land
Onely to Man thou hast made known thy wayes,
And put the penne alone into his hand,
And made him Secretarie of thy praise.


Beasts fain would sing; birds dittie to their notes;
Trees would be tuning on their native lute
To thy renown: but all their hands and throats
Are brought to Man, while they are lame and mute.


Man is the worlds high Priest: he doth present
The sacrifice for all; while they below
Unto the service mutter an assent,
Such as springs use that fall, and windes that blow.


He that to praise and laud thee doth refrain,
Doth not refrain unto himself alone,
But robs a thousand who would praise thee fain,
And doth commit a world of sinne in one.


The beasts say, Eat me: but, if beasts must teach,
The tongue is yours to eat, but mine to praise.
The trees say, Pull me: but the hand you stretch,
Is mine to write, as it is yours to raise.


Wherefore, most sacred Spirit, I here present
For me and all my fellows praise to thee:
And just it is that I should pay the rent,
Because the benefit accrues to me.


We all acknowledge both thy power and love
To be exact, transcendent, and divine;
Who dost so strongly and so sweetly move,
While all things have their will, yet none but thine.


For either thy command, or thy permission
Lay hands on all: they are thy right and left.
The first puts on with speed and expedition;
The other curbs sinnes stealing pace and theft.


Nothing escapes them both; all must appeare,
And be dispos'd, and dress'd, and tun'd by thee,
Who sweetly temper'st all. If we could heare
Thy skill and art, what musick would it be!


Thou art in small things great, not small in any:
Thy even praise can neither rise, nor fall.



Thou art in all things one, in each thing many:
For thou art infinite in one and all.


Tempests are calm to thee; they know thy hand,
And hold it fast, as children do their fathers,
Which crie and follow. Thou hast made poore sand
Check the proud sea, ev'n when it swells and gathers.


Thy cupboard serves the world: the meat is set,
Where all may reach: no beast but knows his feed.
Birds teach us hawking; fishes have their net:
The great prey on the lesse, they on some weed.


Nothing ingendred doth prevent his meat:
Flies have their table spread, ere they appeare.
Some creatures have in winter what to eat;
Others do sleep, and envie not their cheer.


How finely dost thou times and seasons spin.
And make a twist checker'd with night and day!
Which as it lengthens windes, and windes us in,
As bouls go on, but turning all the way.


Each creature hath a wisdome for his good.
The pigeons feed their tender off-spring, crying,
When they are callow; but withdraw their food
When they are fledge, that need may teach them flying.


Bees work for man; and yet they never bruise
Their masters flower, but leave it, having done,
As fair as ever, and as fit to use;
So both the flower doth stay, and hony run.


Sheep eat the grasse, and dung the ground for more:
Trees after bearing drop their leaves for soil:
Springs vent their streams, and by expense get store:
Clouds cool by heat, and baths by cooling boil.


Who hath the vertue to expresse the rare
And curious vertues both of herbs and stones?
Is there a herb for that? O that thy care
Would show a root, that gives expressions!


And if an herb hath power, what have the starres?
A rose, besides his beautie, is a cure.
Doubtlesse our plagues and plentie, peace and warres
Are there much surer then our art is sure.


Thou hast hid metals: man may take them thence;
But at his peril: when he digs the place,
He makes a grave; as if the thing had sense,
And threatned man, that he should fill the space.



Ev'n poysons praise thee. Should a thing be lost?
Should creatures want for want of heed their due?
Since where are poysons, antidots are most:
The help stands close, and keeps the fear in view.


The sea, which seems to stop the traveller,
Is by a ship the speedier passage made.
The windes, who think they rule the mariner,
Are rul'd by him, and taught to serve his trade.


And as thy house is full, so I adore
Thy curious art in marshalling thy goods.
The hills and health abound; the vales with store;
The South with marble; North with furres & woods.


Hard things are glorious; easie things good cheap.
The common all men have; that which is rare,
Men therefore seek to have, and care to keep.
The healthy frosts with summer-fruits compare.


Light without winde is glasse: warm without weight
Is wooll and furres: cool without closenesse, shade:
Speed without pains, a horse: tall without height,
A servile hawk: low without losse, a spade.


All countreys have enough to serve their need:
If they seek fine things, thou dost make them run
For their offence; and then dost turn their speed
To be commerce and trade from sunne to sunne.


Nothing wears clothes, but Man; nothing doth need
But he to wear them. Nothing useth fire,
But Man alone, to show his heav'nly breed:
And onely he hath fuell in desire.


When th'earth was dry, thou mad'st a sea of wet:
When that lay gather'd, thou didst broach the mountains:
When yet some places could no moisture get,
The windes grew gard'ners, and the clouds good fountains.


Rain, do not hurt my flowers; but gently spend
Your hony drops: presse not to smell them here:
When they are ripe, their odour will ascend,
And at your lodging with their thanks appeare.


How harsh are thorns to pears! and yet they make
A better hedge, and need lesse reparation.
How smooth are silks compared with a stake,
Or with a stone! yet make no good foundation.


Sometimes thou dost divide thy gifts to man,



Sometimes unite. The Indian nut alone
Is clothing, meat and trencher, drink and kan,
Boat, cable, sail and needle, all in one.


Most herbs that grow in brooks, are hot and dry.
Cold fruits warm kernells help against the winde.
The lemmons juice and rinde cure mutually.
The whey of milk doth loose, the milk doth binde.


Thy creatures leap not, but expresse a feast,
Where all the guests sit close, and nothing wants.
Frogs marry fish and flesh; bats, bird and beast;
Sponges, non-sense and sense; mines, th'earth & plants.


To show thou art not bound, as if thy lot
Were worse then ours; sometimes thou shiftest hands.
Most things move th'under-jaw; the Crocodile not.
Most things sleep lying; th’ Elephant leans or stands.


But who hath praise enough? nay who hath any?
None can expresse thy works, but he that knows them:
And none can know thy works, which are so many,
And so complete, but onely he that owes them.


All things that are, though they have sev'rall wayes,
Yet in their being joyn with one advise
To honour thee: and so I give thee praise
In all my other hymnes, but in this twice.


Each thing that is, although in use and name
It go for one, hath many wayes in store
To honour thee; and so each hymne thy fame
Extolleth many wayes, yet this one more.
262

Prayer

Prayer


Prayer the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgramage,
The Christian plummet sounding heav'n and earth;
Engine against th'Almightie, sinners towre,
Reversed thunder, Christ-side-piercing spear,
The six-daies world-transposing in an houre,
A kinde of tune, which all things heare and fear;
Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The milkie way, the bird of Paradise,
Church-bels beyond the starres heard, the souls bloud,
The land of spices; something understood.
231

Mortification

Mortification


How soon doth man decay!
When clothes are taken from a chest of sweets
To swaddle infants, whose young breath
Scarce knows the way;
Those clouts are little winding-sheets,
Which do consign and send them unto Death.


When boyes go first to bed,
They step into their voluntarie graves;
Sleep binds them fast; onely their breath
Makes them not dead:
Successive nights, like rolling waves,
Convey them quickly who are bound for Death.


When Youth is frank and free,
And calls for musick, while his veins do swell,
All day exchanging mirth and breath
In companie,
That musick summons to the knell
Which shall befriend him at the house of Death.


When man grows staid and wise,
Getting a house and home, where he may move
Within the circle of his breath,
Schooling his eyes,
That dumbe inclosure maketh love
Unto the coffin, that attends his death.


When Age grows low and weak,
Marking his grave, and thawing ev'ry year,
Till all do melt and drown his breath
When he would speak,
A chair or litter shows the biere
Which shall convey him to the house of Death.


Man, ere he is aware,
Hath put together a solemnitie,
And drest his hearse, while he has breath
As yet to spare;
Yet, Lord, instruct us so to die,
That all these dyings may be LIFE in DEATH.
261

Peace

Peace


Sweet Peace, where dost thou dwell? I humbly crave,
Let me once know.
I sought thee in a secret cave,
And ask'd, if Peace were there,
A hollow wind did seem to answer, No:
Go seek elsewhere.


I did; and going did a rainbow note:
Surely, thought I,
This is the lace of Peace's coat:
I will search out the matter.
But while I looked the clouds immediately
Did break and scatter.


Then went I to a garden and did spy
A gallant flower,
The crown-imperial: Sure, said I,
Peace at the root must dwell.
But when I digged, I saw a worm devour
What showed so well.


At length I met a rev'rend good old man;
Whom when for Peace


I did demand, he thus began:
There was a Prince of old
At Salem dwelt, who lived with good increase
Of flock and fold.


He sweetly lived; yet sweetness did not save
His life from foes.
But after death out of his grave
There sprang twelve stalks of wheat;
Which many wond'ring at, got some of those
To plant and set.


It prospered strangely, and did soon disperse
Through all the earth:
For they that taste it do rehearse
That virtue lies therein;
A secret virtue, bringing peace and mirth
By flight of sin.


Take of this grain, which in my garden grows,
And grows for you;
Make bread of it: and that repose
And peace, which ev'ry where
With so much earnestness you do pursue,
Is only there.
256

Man's Medley

Man's Medley

Hark, how the birds do sing,
and woods do ring.
All creatures have their joy: and man hath his.
Yet if we rightly measure,
Man's joy and pleasure
Rather hereafter, than in present, is.


To this life things of sense
Make their pretense:
In th'other Angels have a right by birth:
Man ties them both alone,
And makes them one,
With th'one hand touching heav'n, with th'other earth.


In soul he mounts and flies,
In flesh he dies.
He wears a stuff whose thread is coarse and round,
But trimm'd with curious lace
And should take place
After the trimming, not the stuff and ground.


Not that he may not here
Taste of the cheer,
But as birds drink, and straight lift up their head,
So must he sip and think
Of better drink
He may attain to, after he is dead.


But as his joys are double,
So is his trouble.
He hath two winters, other things but one:
Both frosts and thoughts do nip,
And bite his lip;
And he of all things fears two deaths alone.


Yet ev'n the greatest griefs
May be reliefs,
Could he but take them right, and in their ways.
Happy is he, whose heart
Hath found the art
To turn his double pains to double praise.
233

Love (III)

Love (III)

Love bade me welcome: yet my soul drew back,
Guilty of dust and sin.
But quick-ey'd Love, observing me grow slack,
From my first entrance in,
Drew nearer to me, sweetly questioning,
If I lack'd anything.


A guest, I answer'd, worthy to be here:
Love said, You shall be he.
I the unkind, ungrateful? Ah my dear,
I cannot look on thee.
Love took my hand, and smiling did reply,
Who made the eyes but I?


Truth Lord, but I have marr'd them: let my shame
Go where it doth deserve.
And know you not, says Love, who bore the blame?
My dear, then I will serve.
You must sit down, says Love, and tast me meat:
So I did sit and eat.
310

Love (I)

Love (I)

Immortal love, authour of this great frame,
Sprung from that beautie which can never fade;
How hath man parcel’d out thy glorious name,
And thrown it on that dust which thou hast made,


While mortall love doth all the title gain!
Which siding with invention, they together
Bear all the sway, possessing heart and brain,
(Thy workmanship) and give thee share in neither.


Wit fancies beautie, beautie raiseth wit:
The world is theirs; they two play out the game,
Thou standing by: and though thy glorious name
Wrought our deliverance from th’ infernall pit,


Who sings thy praise? onely a skarf or glove
Doth warm our hands, and make them write of love.
253

Life

Life


I made a posie, while the day ran by:
Here will I smell my remnant out, and tie
My life within this band.
But time did becken to the flowers, and they
By noon most cunningly did steal away
And wither'd in my hand.


My hand was next to them, and then my heart:
I took, without more thinking, in good part
Times gentle admonition:
Who did so sweetly deaths sad taste convey
Making my minde to smell my fatall day;
Yet sugring the suspicion.


Farewell deare flowers, sweetly your time ye spent,
Fit, while ye liv'd, for smell or ornament,
And after death for cures.
I follow straight without complaints or grief,
Since if my sent be good, I care not, if
It be as short as yours.
271

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Identification and basic context

George Herbert was a Welsh poet, rhetorician, and Anglican priest. He is best known for his religious poetry, which was published posthumously. His work is considered a significant part of the metaphysical poetry tradition. He wrote in English.

Childhood and education

Born into a prominent and wealthy family in Montgomeryshire, Wales, George Herbert received an excellent education. He attended Westminster School in London and later studied at Trinity College, Cambridge, where he earned degrees in Greek and Hebrew. At Cambridge, he developed a reputation for his intellectual prowess and poetic talent, becoming a Fellow of the college.

Literary trajectory

While Herbert composed poetry throughout his life, much of it was not published until after his death. His earliest poems showed promise, but his later devotional works reflect a deep engagement with his faith and his priestly duties. His close friend, Nicholas Ferrar, was instrumental in collecting and publishing Herbert's poems.

Works, style, and literary characteristics

Hermet's major work is "The Temple, Sacred Poems and Private Ejaculations," published in 1633. This collection explores the relationship between God and the soul through a wide range of poetic forms and ingenious metaphors. His style is characterized by its "wit" – in the Renaissance sense of intellectual ingenuity and cleverness – alongside profound emotional sincerity. He frequently uses "shape poems" or "carpentered poems," where the typography of the poem visually represents its subject matter (e.g., a poem about an altar shaped like an altar). Themes include the struggles of faith, the beauty of divine love, the nature of prayer, and the redemption of the soul.

Cultural and historical context

Herbert lived during a period of significant religious and political upheaval in England, the early 17th century. As a priest in the Church of England, his work engaged with the theological debates and spiritual concerns of his time. He was part of the broader metaphysical poets movement, alongside contemporaries like John Donne and Andrew Marvell, though his focus was primarily devotional.

Personal life

Hermet was born into a noble family and had connections to the English court. However, he eventually renounced worldly ambitions to pursue a life of religious service. He was ordained as a priest in the Church of England and served as rector of Bemerton, Wiltshire, for the last three years of his life. His personal spirituality and dedication to his pastoral duties are central to his poetry.

Recognition and reception

Hermet's poetry gained considerable popularity shortly after its publication and has remained influential ever since. His work is admired for its technical skill, its spiritual depth, and its unique blend of intellectualism and heartfelt devotion. He is considered one of the foremost English devotional poets.

Influences and legacy

Hermet was influenced by classical literature and the Bible. His own influence on subsequent religious poetry is profound. Poets like John Keats and Samuel Taylor Coleridge admired his work. His legacy endures through "The Temple," which continues to be read and studied for its spiritual insights and poetic artistry.

Interpretation and critical analysis

Critical analysis of Herbert's work often focuses on his use of religious imagery, his exploration of spiritual conflict and resolution, and his innovative poetic forms. His poems are seen as profound meditations on faith, doubt, and the divine.

Curiosities and lesser-known aspects

Herbert was known for his musicality and was skilled in playing the lute and viol. His decision to pursue a humble clerical life over a potentially more prestigious courtly career is often highlighted as a testament to his spiritual convictions.

Death and memory

George Herbert died of consumption (tuberculosis) in 1633 at the age of 39. His memory is preserved through his enduring poetic works, particularly "The Temple."