Poems List

He would adore my gifts instead of me, And rest in Nature, not the God of Nature: So both should losers be.

The Temple. The Church. The Pulley, st. 3

1

Call in thy death’s head there: tie up thy fears.

The Temple. The Church. The Collar

I struck the board, and cried, No more: I will abroad. What? shall I ever sigh and pine? My lines and life are free; free as the road, Loose as the wind, as large as store. Shall I be still in suit? Have I no harvest but a thorn To let me blood, and not restore What I have lost with cordial fruit? Sure there was wine Before my sighs did dry it; there was corn Before my tears did drown it; Is the year only lost to me? Have I no bays to crown it?

The Temple. The Church. The Collar

1

God’s works are wide, and let in future times; His ancient justice overflows our crimes.

The Temple. The Church. The Bunch of Grapes, st. 2

1

Most things move th’ under-jaw, the crocodile not. 4 Most things sleep lying, th’ elephant leans or stands. 5

The Temple. The Church. Providence, st. 35

1

Nothing wears clothes, but Man; nothing doth need But he to wear them.

The Temple. The Church. Providence, st. 28

1

Who goes to bed and does not pray, Maketh two nights to every day.

The Temple. The Church. Charms and Knots, st. 4

1

Sweet spring, full of sweet days and roses, A box where sweets compacted lie.

The Temple. The Church. Virtue, st. 3

2

Only a sweet and virtuous soul, Like season’d timber, never gives.

The Temple. The Church. Virtue, st. 4

Who says that fictions only and false hair Become a verse? Is there in truth no beauty? 3

The Temple. The Church. Jordan, st. 1

2

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

George Herbert was a Welsh poet, rhetorician, and Anglican priest. He is best known for his religious poetry, which was published posthumously. His work is considered a significant part of the metaphysical poetry tradition. He wrote in English.

Childhood and education

Born into a prominent and wealthy family in Montgomeryshire, Wales, George Herbert received an excellent education. He attended Westminster School in London and later studied at Trinity College, Cambridge, where he earned degrees in Greek and Hebrew. At Cambridge, he developed a reputation for his intellectual prowess and poetic talent, becoming a Fellow of the college.

Literary trajectory

While Herbert composed poetry throughout his life, much of it was not published until after his death. His earliest poems showed promise, but his later devotional works reflect a deep engagement with his faith and his priestly duties. His close friend, Nicholas Ferrar, was instrumental in collecting and publishing Herbert's poems.

Works, style, and literary characteristics

Hermet's major work is "The Temple, Sacred Poems and Private Ejaculations," published in 1633. This collection explores the relationship between God and the soul through a wide range of poetic forms and ingenious metaphors. His style is characterized by its "wit" – in the Renaissance sense of intellectual ingenuity and cleverness – alongside profound emotional sincerity. He frequently uses "shape poems" or "carpentered poems," where the typography of the poem visually represents its subject matter (e.g., a poem about an altar shaped like an altar). Themes include the struggles of faith, the beauty of divine love, the nature of prayer, and the redemption of the soul.

Cultural and historical context

Herbert lived during a period of significant religious and political upheaval in England, the early 17th century. As a priest in the Church of England, his work engaged with the theological debates and spiritual concerns of his time. He was part of the broader metaphysical poets movement, alongside contemporaries like John Donne and Andrew Marvell, though his focus was primarily devotional.

Personal life

Hermet was born into a noble family and had connections to the English court. However, he eventually renounced worldly ambitions to pursue a life of religious service. He was ordained as a priest in the Church of England and served as rector of Bemerton, Wiltshire, for the last three years of his life. His personal spirituality and dedication to his pastoral duties are central to his poetry.

Recognition and reception

Hermet's poetry gained considerable popularity shortly after its publication and has remained influential ever since. His work is admired for its technical skill, its spiritual depth, and its unique blend of intellectualism and heartfelt devotion. He is considered one of the foremost English devotional poets.

Influences and legacy

Hermet was influenced by classical literature and the Bible. His own influence on subsequent religious poetry is profound. Poets like John Keats and Samuel Taylor Coleridge admired his work. His legacy endures through "The Temple," which continues to be read and studied for its spiritual insights and poetic artistry.

Interpretation and critical analysis

Critical analysis of Herbert's work often focuses on his use of religious imagery, his exploration of spiritual conflict and resolution, and his innovative poetic forms. His poems are seen as profound meditations on faith, doubt, and the divine.

Curiosities and lesser-known aspects

Herbert was known for his musicality and was skilled in playing the lute and viol. His decision to pursue a humble clerical life over a potentially more prestigious courtly career is often highlighted as a testament to his spiritual convictions.

Death and memory

George Herbert died of consumption (tuberculosis) in 1633 at the age of 39. His memory is preserved through his enduring poetic works, particularly "The Temple."