Henry Lawson

Henry Lawson

1867–1922 · lived 55 years -- --

Henry Lawson was an Australian writer and poet, celebrated for his vivid portrayals of Australian bush life, identity, and the struggles of ordinary people. He is considered one of Australia's greatest literary figures, known for his realistic and often melancholic depiction of the Australian landscape and its inhabitants. His work frequently captures the hardship, mateship, and resilience of the Australian spirit.

n. 1867-06-17, Grenfell · m. 1922-09-02, Sydney

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Years After the War In Australia

Years After the War In Australia

The Big rough boys from the runs out back were first where the balls flew free,
And yelled in the slang of the Outside Track: ‘By God, it’s a Christmas spree!’
‘It’s not too rusty’—and ‘Wool away!’—‘stand clear of the blazing shoots!’—
‘Sheep O! Sheep O!’—‘We’ll cut out to-day’—‘Look out for the boss’s boots!’
‘What price the tally in camp to-night!’—‘What price the boys Out Back!’
‘Go it, you tigers, for Right or Might and the pride of the Outside Track!’
‘Needle and thread!’—‘I have broke my comb!’—‘Now ride, you flour-bags, ride!’
‘Fight for your mates and the folk at home!’—‘Here’s for the Lachlan side!’
Those men of the West would sneer and scoff at the gates of hell ajar,
And oft the sight of a head cut off was hailed by a yell for ‘Tar!’


I heard the push in the Red Redoubt, irate at a luckless shot:
‘Look out for the blooming shell, look out!’—‘Gor’ bli’me, but that’s red-hot!’
‘It’s Bill the Slogger—poor bloke—he’s done. A chunk of the shell was his;
‘I wish the beggar that fired that gun could get within reach of Liz.’
‘Those foreign gunners will give us rats, but I wish it was Bill they missed.’
‘I’d like to get at their bleeding hats with a rock in my (something) fist.’
‘Hold up, Billy; I’ll stick to you; they’ve hit you under the belt;
‘If we get the waddle I’ll swag you through, if the blazing mountains melt;
‘You remember the night when the traps got me for stoushing a bleeding Chow,
‘And you went for ’em proper and laid out three, and I won’t forget it now.’
And, groaning and swearing, the pug replied: ‘I’m done . . . they’ve knocked me out!
‘I’d fight them all for a pound a-side, from the boss to the rouseabout.
‘My nut is cracked and my legs is broke, and it gives me worse than hell;
‘I trained for a scrap with a twelve-stone bloke, and not with a bursting shell.
‘You needn’t mag, for I knowed, old chum, I knowed, old pal, you’d stick;
‘But you can’t hold out till the reg’lars come, and you’d best be nowhere quick.
‘They’ve got a force and a gun ashore, both of our wings is broke;
‘They’ll storm the ridge in a minute more, and the best you can do is smoke.’


And Jim exclaimed: ‘You can smoke, you chaps, but me—Gor’ bli’me, no!
‘The push that ran from the George-street traps won’t run from a foreign foe.
‘I’ll stick to the gun while she makes them sick, and I’ll stick to what’s left of Bill.’
And they hiss through their blackened teeth: ‘We’ll stick! by the blazing flame, we will!’
And long years after the war was past, they told in the town and bush
How the ridge of death to the bloody last was held by a Sydney push;
How they fought to the end in a sheet of flame, how they fought with their rifle-stocks,
And earned, in a nobler sense, the name of their ancient weapons—‘rocks.’


In the western camps it was ever our boast, when ’twas bad for the kangaroo:
If the enemy’s forces take the coast, they must take the mountains, too;
‘They may force their way by the western line or round by a northern track,
But they won’t run short of a decent spree with the men who are left out back!’
When we burst the enemy’s ironclads and won by a run of luck,
We whooped as loudly as Nelson’s lads when a French three-decker struck—
And when the enemy’s troops prevailed the truth was never heard—
We lied like heroes who never failed explaining how that occurred.
You bushmen sneer in the old bush way at the new-chum jackeroo,
But ‘cuffs-’n’-collers’ were out that day, and they stuck to their posts like glue;
I never believed that a dude could fight till a Johnny led us then;
We buried his bits in the rear that night for the honour of George-street men.



And Jim the Ringer—he fought, he did. The regiment nicknamed Jim,
‘Old Heads a Caser’ and ‘Heads a Quid,’ but it never was ‘tails’ with him.
The way that he rode was a racing rhyme, and the way that he finished grand;
He backed the enemy every time, and died in a hand-to-hand!


I’ll never forget when the ringer and I were first in the Bush Brigade,
With Warrego Bill, from the Live-till-you-Die, in the last grand charge we made.
And Billy died—he was full of sand—he said, as I raised his head:
‘I’m full of love for my native land, but a lot too full of lead.
‘Tell ’em,’ said Billy, ‘and tell old dad, to look after the cattle pup;’
But his eyes grew bright, though his voice was sad, and he said, as I held him up:
‘I have been happy on western farms. And once, when I first went wrong,
‘Around my neck were the trembling arms of the girl I’d loved so long.
‘Far out on the southern seas I’ve sailed, and ridden where brumbies roam,
‘And oft, when all on the station failed, I’ve driven the outlaw home.
‘I’ve spent a cheque in a day and night, and I’ve made a cheque as quick;
‘I struck a nugget when times were tight, and the stores had stopped our tick.
‘I’ve led the field on the old bay mare, and I hear the cheering still,
‘When mother and sister and she were there, and the old man yelled for Bill;
‘But, save for her, could I live my while again in the old bush way,
‘I’d give it all for the last half-mile in the race we rode to-day!’
And he passed away as the stars came out—he died as old heroes die—
I heard the sound of the distant rout, and the Southern Cross was high.
Read full poem
Bio

Identification and basic context

Henry Lawson was a highly influential Australian writer and poet. He is best known for his short stories and poems that vividly depicted Australian bush life, the lives of selectors, shearers, and swagmen, and the harsh realities of the Australian landscape.

Childhood and education

Born in the Blue Mountains, New South Wales, Lawson had a difficult childhood marked by poverty and his parents' strained relationship. He received little formal schooling and was largely self-educated, developing a passion for reading and writing.

Literary trajectory

Lawson began his writing career submitting poems and stories to magazines. His work gained popularity in the 1890s, particularly through 'The Bulletin' magazine. His early collections, such as 'Short Stories in Verse' (1894) and 'While the Billy Boils' (1896), established him as a major voice in Australian literature.

Works, style, and literary characteristics

Lawson's most famous works include 'The Drover's Wife', 'The Loaded Dog', 'The Union Buries Its Dead', and poems like 'The:]. He explored themes of hardship, mateship, the Australian identity, loneliness, drought, and the vastness of the outback. His style is characterized by realism, stark simplicity, direct language, and a profound understanding of the Australian character and environment. He often used colloquialisms and captured the authentic voice of the bush.

Cultural and historical context

Lawson wrote during a pivotal period in Australian history, the late 19th and early 20th centuries, a time of economic depression, burgeoning nationalism, and the formation of the Commonwealth of Australia. His work reflected the social and economic conditions of the time, particularly the struggles of rural workers and the mythos of the bushman.

Personal life

Lawson's life was marked by personal struggles, including alcoholism, financial difficulties, and mental health issues. His marriage to Bertha Bredon ended in separation. Despite his literary success, he often lived in poverty and faced periods of institutionalization.

Recognition and reception

Lawson is considered a national icon in Australia. His work was immediately popular with readers for its authentic portrayal of Australian life. He is widely regarded as Australia's 'bush poet' and a foundational figure in Australian literature.

Influences and legacy

He was influenced by American writers like Bret Harte and Mark Twain, as well as English poets. Lawson's legacy lies in his shaping of the Australian literary identity and his realistic portrayal of Australian life. He inspired generations of Australian writers to explore their own national themes and characters.

Interpretation and critical analysis

His work is often analyzed for its social commentary, its depiction of the Australian landscape as both beautiful and harsh, and its exploration of the 'masculine' Australian identity characterized by resilience and stoicism.

Curiosities and lesser-known aspects

He famously wrote a petition for a public holiday to commemorate the 'Day of the Shearer'. His relationship with 'The Bulletin' magazine was central to his career.

Death and memory

Henry Lawson died in Sydney. He is commemorated by statues, street names, and numerous studies of his life and work, solidifying his status as a cherished figure in Australian culture.

Poems

251

That Great Waiting Silence

That Great Waiting Silence

Where shall we go for prophecy? Where shall we go for proof?
The holiday street is crowded, pavement, window and roof;
Band and banner pass by us, and the old tunes rise and fall—
But that great waiting silence is on the people all!


Where is the cheering and laughter of the eight-hour days gone by?
When the holiday heart was careless, and the holiday spirit high—
The friendly jostling and banter, the wit and the jovial call?
But that great waiting silence is over the people all.


Oh! but my heart beats faster—and a gush that was nearly tears:
Clatter of hammers on iron! and Australian Engineers!
Goods from Australian workshops—proud to the world at last
(And I see, in a flash from the future, Australian guns go past).


The morning sun-glare, softened by a veil, like frosted glass—
There is no breath of a head-breeze as the Labour banners pass,
There seems no sign of a danger or a change for the workers now—
But for some great, new-born spirit the banners seem to bow.


Where shall we go for our platforms? Where shall we go, indeed?
Shall we follow the cackle of women that follow the jesting Reid,
Through indifferent-seeming cities—and the browned men straight and tall?
But that great waiting silence is on the people all.


Twist and tangle and mystify, bully, and weep and bluff;
Marry the truth to a glaring lie, and say it is good enough;
Boast of your vice and villainy—in your virtue rant and bawl—
But that great waiting silence is over the people all!


Brothers, who work with shovel or pen, labour by day and night:
Brothers, who think of the hearts of men, ponder and speak and write;
Work for Australia’s destiny, content till you hear the call,
For the spirit that builds a nation is over the people all.
194

That There Dog O' Mine

That There Dog O' Mine

Macquarie the shearer had met with an accident. To tell the truth, he had been in a
drunken row at a wayside shanty, from which he had escaped with three fractured ribs,
a cracked head, and various minor abrasions. His dog, Tally, had been a sober but
savage participator in the drunken row, and had escaped with a broken leg.

Macquarie afterwards shouldered his swag and staggered and struggled along the track
ten miles to the Union-Town Hospital. Lord knows how he did it. He didn't exactly know
himself. Tally limped behind all the way on three legs. The doctors examined the man's
injuries and were surprised at his endurance.

Even doctors are surprised sometimes - though they don't always show it. Of course
they would take him in, but they objected to Tally. Dogs were not allowed on the
premises. 'You will have to turn that dog out,' they said to the shearer, as he sat on
the edge of a bed.

Macquarie said nothing. 'We cannot allow dogs about the place, my man,' said the
doctor in a louder tone, thinking the man was deaf. 'Tie him up in the yard then.' 'No.
He must go out. Dogs are not permitted on the grounds.'

Macquarie rose slowly to his feet, shut his agony behind his set teeth painfully
buttoned his shirt over his hairy chest, took up his waistcoat, and staggered to the
comer where the swag lay. 'What are you going to do?' they asked.

'You ain't going to let my dog stop?' 'No. It's against the rules. There are no dogs
allowed on the premises.' He stooped and lifted his swag, but the pain was too great,
and he leaned back against the wall.

'Come, come now! man alive!' exclaimed the doctor, impatiently. 'You must be mad.
You know you are not in a fit state to go out. Let the wardsman help you to undress.'
'No!' said Macquarie. 'No. If you won't take my dog in you don't take me. He's got a
broken leg and wants fixing up just - just as much as - as I do.

If I'm good enough to come in, he's good enough - and - and better.' He paused
awhile, breathing painfully, and then went on. 'That - that there old dog of mine has
follered me faithful and true, these twelve long hard and hungry years. He's about about
the only thing that ever cared whether I lived or fell and rotted on the cursed
track.'

He rested again; then he continued: 'That - that there dog was pupped on the track,'
he said with a sad sort of smile. 'I carried him for months in a billy can and afterwards
on my swag when he was knocked up… And the old slut - his mother - she'd foller
along quite contented - sniff the billy now and again - just to see if he was all right…
She follered me for God knows how many years. She follered me till she was blind and
for a year after. She folleredme till she could crawl along through the dust no
longer, and - and then I killed her, because I couldn't leave her behind alive! '

He rested again. 'And this here old dog,' he continued, touching Tally's upturned nose
with his knotted fingers, 'this here old dog has follered me for - for ten years; through
floods and droughts, through fair times and - and hard - mostly hard; and kept me
from going mad when I had no mate nor money on the lonely track and watched over
me for weeks when I was drunk - drugged and poisoned at the cursed shanties; and
saved my life more'n once, and got kicks and curses very often for thanks; and forgave


me for it all; and - and fought for me.

He was the only living thing that stood up for me against that crawling push of curs
when they set onter me at the shanty back yonder - and he left his mark on some of
'em too; and - and so did I.' He took another spell.

Then he drew in his breath, shut his teeth hard, shouldered his swag, stepped into the
doorway, and faced round again. The dog limped out of the comer and looked up
anxiously. 'That there dog,' said Macquarie to the Hospital staff in general, 'is a better
dog than I'm a man - or you too, it seems - and a better Christian.

He's been a better mate to me than I ever was to any man - or any man to me. He's
watched over me; kep' me from getting robbed many a time; fought for me; saved my
life and took drunken kicks and curses for thanks - and forgave me. He's been a true,
straight, honest, and faithful mate to me - and I ain't going to desert him now. I ain't
going to kick him out in the road with a broken leg. I - Oh, my God! my back!'

He groaned and lurched forward, but they caught him, slipped off the swag, and laid
him on a bed. Half an hour later the shearer was comfortably fixed up. 'Where's my
dog?' he asked, when he came to himself.

'Oh, the dog's all right,' said the nurse, rather impatiently. 'Don't bother. The doctor's
setting his leg out in the yard.'
228

Take It Fightin’

Take It Fightin’

When you’ve got no chance at all,
Take it fightin’.
When you’re driven to the wall,
Take it fightin’.


There are things that we delight in
For the wrongin’ or the rightin’,
But the fool you cannot frighten
(That you cannot bluff nor frighten)
He is King of all.
(Take it fightin’.)


When you’re down an’ out an’ utter,
Take it fightin’;
When they’ve put you in the gutter,
Take it fightin’.


There are things that we delight in
For the wrongin’ or the rightin’,
But the fool you cannot frighten
(That you cannot bluff nor frighten)
He is King of all.
(Take it fightin’.)
168

Talbragar

Talbragar


Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver’s wife bowed down her head—her daughter’s grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the biggest funeral ever seen on Talbragar.


By station home
And shearing shed
Ben Duggan cried, “Jack Denver’s dead!
Roll up at Talbragar!”


He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment’s time the mournful news to leave;
He rode by lonely huts and farms, until the day was done
And then he turned his horse’s head and made for Ross’s Run.
No Bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.


By diggers’ camps
Ben Duggan sped—
At each he cried, “Jack Denver’s dead!
Roll up at Talbragar!”


That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante’s Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away—for blinding things they are—
But ’twas his best and truest friend who died on Talbragar.


At Blackman’s Run
Before the dawn,
Ben Duggan cried, “Jack Denver’s gone!
Roll up at Talbragar!”


At all the shanties round the place they‘d beard his horse’s tramp,
He took the track to Wilson’s Luck, and told the diggers’ camp;
But in the gorge by Deadman’s Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track—
He saw too late, and then he heard the swift hoof ’s sudden jar,
And big Ben Duggan ne’er again rode home to Talbragar.


“The wretch is drunk,
And Denver’s dead—
A burning shame!” the people said
Next day at Talbragar.


For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver’s grave that Christmas day rough Bushmen’s eyes were dim—
The Western Bushmen knew the way to bury dead like him;



But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, ten miles from Talbragar.


They knelt around.
He raised his head
And faintly gasped, “Jack Denver’s dead,
Roll up at Talbragar!”


But one short hour before he died he woke and understood;
They told him, when he asked them, that the funeral was good;
And then there came into his eyes a sad and softened light.
He said. “Poor Denver’s wife and kids—you’ll see that they’re all right?”
And still the careless Bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.


And far and wide
When Duggan died.
The bushmen of the western side
Rode in to Talbragar.
403

Sweethearts Wait on Every Shore

Sweethearts Wait on Every Shore

SHE SITS beside the tinted tide,
That’s reddened by the tortured sand;
And through the East, to ocean wide,
A vessel sails from sight of land.


But she will wait and watch in vain,
For it is said in Cupid’s lore,
“That he who loved will love again,
And sweethearts wait on every shore.”
201

Success

Success


Did you see that man riding past,
With shoulders bowed with care?
There’s failure in his eyes to last,
And in his heart despair.
He seldom looks to left or right,
He nods, but speaks to none,
And he’s a man who fought the fight—
God knows how hard!—and won.
No great “review” could rouse him now,
No printed lies could sting;
No kindness smooth his knitted brow,
Nor wrong one new line bring.
Through dull, dumb days and brooding nights,
From years of storm and stress,
He’s riding down from lonely heights—
The Mountains of Success.


He sees across the darkening land
The graveyards on the coasts;
He sees the broken columns stand
Like cold and bitter ghosts;
His world is dead while yet he lives,
Though known in continents;
His camp is where his country gives
Its pauper monuments.
272

Song of the Old Bullock-Driver

Song of the Old Bullock-Driver

Far back in the days when the blacks used to ramble
In long single file ’neath the evergreen tree,
The wool-teams in season came down from Coonamble,
And journeyed for weeks on their way to the sea,
’Twas then that our hearts and our sinews were stronger,
For those were the days when the bushman was bred.
We journeyed on roads that were rougher and longer
Than roads where the feet of our grandchildren tread.
With mates who have gone to the great Never-Never,
And mates whom I’ve not seen for many a day,
I camped on the banks of the Cudgegong River
And yarned at the fire by the old bullock-dray.
I would summon them back from the far Riverina,
From days that shall be from all others distinct,
And sing to the sound of an old concertina
Their rugged old songs where strange fancies were linked.


We never were lonely, for, camping together,
We yarned and we smoked the long evenings away,
And little I cared for the signs of the weather
When snug in my hammock slung under the dray.
We rose with the dawn, were it ever so chilly,
When yokes and tarpaulins were covered with frost,
And toasted the bacon and boiled the black billy,
Where high on the camp-fire the branches were tossed.


On flats where the air was suggestive of ’possums,
And homesteads and fences were hinting of change,
We saw the faint glimmer of appletree blossoms
And far in the distance the blue of the range;
And here in the rain, there was small use in flogging
The poor, tortured bullocks that tugged at the load,
When down to the axles the waggons were bogging
And traffic was making a marsh of the road.


’Twas hard on the beasts on the terrible pinches,
Where two teams of bullocks were yoked to a load,
And tugging and slipping, and moving by inches,
Half-way to the summit they clung to the road.
And then, when the last of the pinches was bested,
(You’ll surely not say that a glass was a sin?)
The bullocks lay down ’neath the gum trees and rested —
The bullockies steered for the bar of the inn.


Then slowly we crawled by the trees that kept tally
Of miles that were passed on the long journey down.
We saw the wild beauty of Capertee Valley,
As slowly we rounded the base of the Crown.
But, ah! the poor bullocks were cruelly goaded
While climbing the hills from the flats and the vales;
’Twas here that the teams were so often unloaded
That all knew the meaning of ‘counting your bales.’



And, oh! but the best-paying load that I carried
Was one to the run where my sweetheart was nurse.
We courted awhile, and agreed to get married,
And couple our futures for better or worse.
And as my old feet grew too weary to drag on
The miles of rough metal they met by the way,
My eldest grew up and I gave him the waggon —
He’s plodding along by the bullocks to-day.
255

Stand by the Engines

Stand by the Engines

On the moonlighted decks there are children at play,
While smoothly the steamer is holding her way;
And the old folks are chatting on deck-seats and chairs,
And the lads and the lassies go strolling in pairs.


Some gaze half-entranced on the beautiful sea,
And wonder perhaps if a vision it be:
And surely their journeys no sorrow nor care,
For wealth, love, and beauty are passengers there.


But down underneath, ’mid the coal dust that smears
The face and the hands, work the ship’s engineers.
Whate’er be the duty of others, ’tis theirs
To stand by their engines whatever occurs.


The sailor may gaze on the sea and the sky;
The sailor may tell when the danger is nigh;
But when Death his black head o’er the waters uprears,
Unseen he is met by the ship’s engineers.


They are thrown from their feet by the force of a shock;
They know that their vessel has struck on a rock.
Now stand by your engines when danger appears,
For all may depend on the ship’s engineers!


No thought of their danger! No mad rush on deck!
They stand at their posts in the hull of a wreck,
Firm hands on the valves; and the white steam appears;
And down with their ship go the brave engineers!
283

Somewhere Up In Queensland

Somewhere Up In Queensland

He's somewhere up in Queensland,
The old folks used to say;
He’s somewhere up in Queensland,
The people say to-day.
But Somewhere (up in Queensland)
That uncle used to know—
That filled our hearts with wonder,
Seems vanished long ago.
He’s gone to Queensland, droving,
The old folks used to say;
He’s gone to Queensland, droving,
The people say to-day.
But “gone to Queensland, droving,”
Might mean, in language plain,
He follows stock in buggies,
And gets supplies by train.


He’s knocking round in Queensland,
The old folks used to say;
He’s gone to Queensland, roving,
His sweetheart says to-day.
But “gone to Queensland, roving”
By mighty plain and scrub,
Might mean he drives a motor-car
For Missus Moneygrub.


He’s looking for new country,
The old folks used to say;
Our boy has gone exploring,
Fond parents say to-day.
“Exploring” out in Queensland
Might only mean to some
He’s salesman in “the drapery”
Of a bush emporium.


To somewhere up in Queensland
Went Tom and Ted and Jack;
From somewhere up in Queensland
The dusty cheques come back:
From somewhere up in Queensland
Brown drovers used to come,
And someone up in Queensland
Kept many a southern home.


Somewhere up in Queensland,
How many black sheep roam,
Who never write a letter,
And never think of home.
For someone up in Queensland
How many a mother spoke;
For someone up in Queensland
How many a girl’s heart broke.
255

Skaal

Skaal


While they struggle on exhausted,
While they plough through bog and flood,
While they drag their sick and wounded
Where the tracks are drenched with blood;
While the Fates seemed joined to crush her
And her bravest hearts lie low,
I might sing one song for Russia,
Even though she be our foe.
Still be generous to foemen,
And have charity for all—
Right or wrong, fill up the wine cup;
‘Skaal!’ unto all brave men—‘Skaal!’


While they suffer, cold and hungry,
All the heart-break of defeat,
And the twice heroic rearguard
Grimly holds the grim retreat;
While they fight the last alive on
Fields where countless corpses are,
We might drop one tear for Ivan,
Dead for Russia and the Czar!


Sullen grief of boorish brother,
Sister’s scalding tears that flow,
Choking grief of grey-haired mother,
Father’s stony face bent low:
Hopeless stare of wife or daughter,
And the sweetheart dumb and white,
And the far-off fields of slaughter
Where their Ivan lies to-night.


Even England feared disaster,
With all Europe in despair,
In the days when Europe’s master
Baited Bruin in his lair.
Greater nations made submission,
And a tyrant’s yoke they earned;
But The Man with curbed ambition
Staggered back while Moscow burned,—


Burned to save the world from ruin
That dark winter long ago;
Ah! the gaunt and hunted Bruin
Hugged the tyrant in the snow!
We can cry the crimes of Russia,
Who know naught of Russia’s work—
We who died to conquer freemen,
We who fought to save the Turk.


Ah! we well may cant and cackle,
In the streets and in the clubs,
While the Russia that we know not



Licks her wounds and feeds her cubs.
But the Fates for ever beckon—
Every nation has its debt,
And her foes may have to reckon,
Reckon with ‘der Russland’ yet.


Through long ages slept the Dragon,
We have roused the ugly beast—
Russia still may stand the vanguard
Of the West against the East.
And though Ivan sees no farther
Than to-night through lurid gloom
Every hour he holds Port Arthur
May postpone the White Man’s doom.


Right or wrong—whate’er in future
May this blundering world befall,
Human kindness will survive it—
Brothers! ‘Skaal!’ to brave men, ‘Skaal!’
255

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