Poems List

A Maypole

A Maypole

Deprived of root, and branch and rind,
Yet flowers I bear of every kind:
And such is my prolific power,
They bloom in less than half an hour;
Yet standers-by may plainly see
They get no nourishment from me.
My head with giddiness goes round,
And yet I firmly stand my ground:
All over naked I am seen,
And painted like an Indian queen.
No couple-beggar in the land
E'er joined such numbers hand in hand.
I joined them fairly with a ring;
Nor can our parson blame the thing.
And though no marriage words are spoke,
They part not till the ring is broke;
Yet hypocrite fanatics cry,
I'm but an idol raised on high;
And once a weaver in our town,
A damned Cromwellian, knocked me down.
I lay a prisoner twenty years,
And then the jovial cavaliers
To their old post restored all three -
I mean the church, the king, and me.
368

From whom she meets with frequent Rubs;

From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.
CORINNA wakes. A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaster stole,
Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd;
And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or show the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.


Submitted by Andrew Mayers
246

A Description of a City Shower

A Description of a City Shower

Careful Observers may fortel the Hour
(By sure Prognosticks) when to dread a Show'r:
While Rain depends, the pensive Cat gives o'er
Her Frolicks, and pursues her Tail no more.
Returning Home at Night, you'll find the Sink
Strike your offended Sense with double Stink.
If you be wise, then go not far to Dine,
You spend in Coach-hire more than save in Wine.
A coming Show'r your shooting Corns presage,
Old Aches throb, your hollow Tooth will rage.
Sauntring in Coffee-house is Dulman seen;
He damns the Climate, and complains of Spleen.


Mean while the South rising with dabbled Wings,
A Sable Cloud a-thwart the Welkin flings,
That swill'd more Liquor than it could contain,
And like a Drunkard gives it up again.
Brisk Susan whips her Linen from the Rope,
While the first drizzling Show'r is born aslope,
Such is that Sprinkling which some careless Quean
Flirts on you from her Mop, but not so clean.
You fly, invoke the Gods; then turning, stop
To rail; she singing, still whirls on her Mop.
Not yet, the Dust had shun'd th'unequal Strife,
But aided by the Wind, fought still for Life;
And wafted with its Foe by violent Gust,
'Twas doubtful which was Rain, and which was Dust.
Ah! where must needy Poet seek for Aid,
When Dust and Rain at once his Coat invade;
Sole Coat, where Dust cemented by the Rain,
Erects the Nap, and leaves a cloudy Stain.


Now in contiguous Drops the Flood comes down,
Threat'ning with Deloge this Devoted Town.
To Shops in Crouds the dagled Females fly,
Pretend to cheapen Goods, but nothing buy.
The Templer spruce, while ev'ry Spout's a-broach,
Stays till 'tis fair, yet seems to call a Coach.
The tuck'd-up Sempstress walks with hasty Strides,
While Streams run down her oil'd Umbrella's Sides.
Here various Kinds by various Fortunes led,
Commence Acquaintance underneath a Shed.
Triumphant Tories, and desponding Whigs,
Forget their Fewds, and join to save their Wigs.
Box'd in a Chair the Beau impatient sits,
While Spouts run clatt'ring o'er the Roof by Fits;
And ever and anon with frightful Din
The Leather sounds, he trembles from within.
So when Troy Chair-men bore the Wooden Steed,
Pregnant with Greeks, impatient to be freed,
(Those Bully Greeks, who, as the Moderns do,
Instead of paying Chair-men, run them thro'.)



Laoco'n struck the Outside with his Spear,
And each imprison'd Hero quak'd for Fear.


Now from all Parts the swelling Kennels flow,
And bear their Trophies with them as they go:
Filth of all Hues and Odours seem to tell
What Streets they sail'd from, by the Sight and Smell.
They, as each Torrent drives, with rapid Force
From Smithfield, or St.Pulchre's shape their Course,
And in huge Confluent join at Snow-Hill Ridge,
Fall from the Conduit prone to Holborn-Bridge.
Sweepings from Butchers Stalls, Dung, Guts, and Blood,
Drown'd Puppies, stinking Sprats, all drench'd in Mud,
Dead Cats and Turnips-Tops come tumbling down the Flood.
214

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Jonathan Swift was a preeminent satirist, essayist, and poet. He is primarily recognized for his allegorical works, most notably "Gulliver's Travels." Swift's writing often served as a vehicle for profound social and political critique, delivered with a characteristic blend of wit and cynicism.

Childhood and education

Born into a precarious family situation in Ireland, Swift's early life was marked by instability. He received a solid education, attending Trinity College, Dublin. This academic grounding provided him with the intellectual tools that would later inform his sharp critiques of society and politics. His intellectual development was influenced by the prevailing intellectual currents of his time, though he often forged his own distinctive path.

Literary trajectory

Swift's literary career began with political and religious pamphlets, quickly establishing his reputation for sharp prose and incisive commentary. His early works often dealt with contemporary Irish issues, demonstrating his deep engagement with the political landscape. Over time, his writing evolved to encompass broader philosophical and social themes, particularly evident in his later, more famous works. He was also involved in various literary circles and contributed to periodicals of his era.

Works, style, and literary characteristics

Swift's major works include "A Tale of a Tub," "The Battle of the Books," "An Argument Against Abolishing Christianity," and the monumental "Gulliver's Travels." His dominant themes often revolve around human nature's follies, the corrupting influence of power, religious hypocrisy, and the absurdities of societal conventions. He masterfully employed satire, irony, and allegory to expose these vices. His style is characterized by clarity, precision, and a deceptively simple prose that masks a deep intellectual complexity. Swift's language is often precise and persuasive, making his critiques all the more potent. He is considered a master of prose satire, and his innovations in form and narrative technique, particularly in "Gulliver's Travels," have had a lasting impact.

Cultural and historical context

Swift lived during a period of significant political and social upheaval in Britain and Ireland. His works directly engaged with the political controversies of his time, including the relationship between England and Ireland, religious disputes, and the nature of governance. He was a contemporary of other prominent writers and thinkers, and his work reflects the intellectual debates of the Augustan age. Swift's strong Protestant background and his experiences in Ireland deeply informed his perspective on politics and society. He was often aligned with the Whig party but was also critical of political corruption across the spectrum.

Personal life

Swift's personal life was marked by complex relationships, most notably with Esther Johnson (Stella) and Esther Vanhomrigh (Vanessa). These relationships are often seen as having profoundly influenced his writing, particularly in its exploration of love, loyalty, and betrayal. He maintained friendships with other literary figures of his day, though his often-acerbic personality could lead to rivalries. Swift served as Dean of St. Patrick's Cathedral in Dublin, a position that afforded him a degree of financial independence and a platform for his social and political views. His personal experiences with illness and the political climate in Ireland also shaped his outlook and his work.

Recognition and reception

Swift was widely recognized as a major literary figure during his lifetime, though his sharp critiques also generated controversy. "Gulliver's Travels," in particular, was an immediate success and has remained a cornerstone of English literature. His works have been subject to continuous critical analysis and debate, with scholars appreciating his mastery of satire and his profound insights into human nature. While celebrated for his literary achievements, his political stances and personal life have also been subjects of ongoing discussion.

Influences and legacy

Swift was influenced by earlier satirists and by the intellectual climate of his time. His own legacy is immense; he is considered one of the greatest satirists in the English language and has influenced countless writers across various genres. His works continue to be studied for their literary merit, their historical significance, and their enduring commentary on human society. "Gulliver's Travels" has been widely translated and adapted into various forms, solidifying its place in global literary culture.

Interpretation and critical analysis

Swift's work invites multiple interpretations, often centered on his critique of human reason, vanity, and the corrupting nature of power. "Gulliver's Travels," for instance, can be read as a profound examination of the human condition, a political allegory, or a savage indictment of Enlightenment optimism. Debates have often centered on the extent of Swift's misanthropy or his genuine concern for humanity's betterment.

Curiosities and lesser-known aspects

Despite his public persona, Swift was known for his deep affection for his friends, particularly Stella. He was also a dedicated philanthropist, leaving a significant portion of his estate to charitable causes, including the founding of a hospital for the mentally ill. His habits of writing were often meticulous, and his correspondence reveals a keen intellect and a dry sense of humor. Anecdotes suggest a complex personality, capable of both great wit and profound melancholy.

Death and memory

Jonathan Swift died in Dublin. His death was mourned by many, and his literary reputation only grew in the years that followed. His will established foundations for charitable works, ensuring a lasting impact beyond his literary achievements. His memory is preserved through his enduring works and his status as a titan of English literature.