Poems List

Requiescat

Requiescat
TREAD lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
AVIGNON.
187

Quia Multum Amavi

Quia Multum Amavi
DEAR Heart I think the young impassioned priest
When first he takes from out the hidden shrine
His God imprisoned in the Eucharist,
And eats the bread, and drinks the dreadful wine,
Feels not such awful wonder as I felt
When first my smitten eyes beat full on thee,
And all night long before thy feet I knelt
Till thou wert wearied of Idolatry.
Ah! had'st thou liked me less and loved me more,
Through all those summer days of joy and rain,
I had not now been sorrow's heritor,
Or stood a lackey in the House of Pain.
Yet, though remorse, youth's white-faced seneschal
Tread on my heels with all his retinue,
I am most glad I loved thee--think of all
The suns that go to make one speedwell blue!
220

Quantum Mutata

Quantum Mutata
THERE was a time in Europe long ago
When no man died for freedom anywhere,
But England's lion leaping from its lair
Laid hands on the oppressor! it was so
While England could a great Republic show.
Witness the men of Piedmont, chiefest care
Of Cromwell, when with impotent despair
The Pontiff in his painted portico
Trembled before our stern ambassadors.
How comes it then that from such high estate
We have thus fallen, save that Luxury
With barren merchandise piles up the gate
Where nobler thoughts and deeds should enter by:
Else might we still be Milton's heritors.
216

Phedre

Phedre
(To Sarah Bernhardt)
How vain and dull this common world must seem
To such a One as thou, who should'st have talked
At Florence with Mirandola, or walked
Through the cool olives of the Academe:
Thou should'st have gathered reeds from a green stream
For Goat-foot Pan's shrill piping, and have played
With the white girls in that Phaeacian glade
Where grave Odysseus wakened from his dream.
Ah! surely once some urn of Attic clay
Held thy wan dust, and thou hast come again
Back to this common world so dull and vain,
For thou wert weary of the sunless day,
The heavy fields of scentless asphodel,
The loveless lips with which men kiss in Hell.
190

On the Sale by Auction of Keat's Love-Letters

On the Sale by Auction of Keat's Love-Letters
These are the letters which Endymion wrote
To one he loved in secret and apart,
And now the brawlers of the auction-mart
Bargain and bid for each poor blotted note,
Aye! for each separate pulse of passion quote
The merchant's price! I think they love not art
Who break the crystal of a poet's heart,
That small and sickly eyes may glare or gloat.
Is it not said, that many years ago,
In a far Eastern town some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God's wonder, or his woe?
205

Panthea

Panthea
NAY, let us walk from fire unto fire,
From passionate pain to deadlier delight,--
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion--youth's first fiery glow,--
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love, and eyes to see!
Dost thou not hear the murmuring nightingale
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune,--
Mark how she wreathes each horn with mist, yon late and labouring
moon.
White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water,--are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each other's mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch a-blaze,


And when the gaudy web of noon is spun
By its twelve maidens through the crimson haze
Fresh from Endymion's arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely
bliss.
There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor doth the red-toothed lightning ever dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethæan spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance--O we are born too late!
What balm for us in bruisèd poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt,
Wearied of pleasure's paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death's river to the sunless land,


Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerve-less germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell,
The man's last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bride-groom at his lover's eyes,--these with the
same
One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood
We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew
Thy crimson-stainèd mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate, some faint joy
Will thrill our dust, and we will be again fond maid and boy.


And thus without life's conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet's throat will sing again,
And as two gorgeous-mailèd snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep
And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth's earliest conqueror becomes earth's last great prey.
O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature's mysteries, for we shall hear
The thrush's heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun,
Or is this dædal-fashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all æons mix and mingle with the Kosmic Soul!
We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,


And all the live World's throbbing heart shall be
One with our heart, the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality!
213

On Easter Day

On Easter Day
The silver trumpets rang across the Dome:
The people knelt upon the ground with awe:
And borne upon the necks of men I saw,
Like some great God, the Holy Lord of Rome.
Priest-like, he wore a robe more white than foam,
And, king-like, swathed himself in royal red,
Three crowns of gold rose high upon his head:
In splendor and in light the Pope passed home.
My heart stole back across wide wastes of years
To One who wandered by a lonely sea,
And sought in vain for any place of rest:
"Foxes have holes, and every bird its nest,
I, only I, must wander wearily,
And bruise My feet, and drink wine salt with tears."
191

Magdalen Walks

Magdalen Walks
THE little white clouds are racing over the sky,
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze,
The odour of leaves, and of grass, and of newly up-turned earth,
The birds are singing for joy of the Spring's glad birth,
Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring,
And the rosebud breaks into pink on the climbing briar,
And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love
Till it rustles with laughter and tosses its mantle of green,
And the gloom of the wych-elm's hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there,
Breaking the gossamer threads and the nets of dew,
And flashing a-down the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.
197

Louis Napoleon

Louis Napoleon
EAGLE of Austerlitz! where were thy wings
When far away upon a barbarous strand,
In fight unequal, by an obscure hand,
Fell the last scion of thy brood of Kings!
Poor boy! thou wilt not flaunt thy cloak of red,
Nor ride in state through Paris in the van
Of thy returning legions, but instead
Thy mother France, free and republican,
Shall on thy dead and crownless forehead place
The better laurels of a soldier's crown,
That not dishonoured should thy soul go down
To tell the mighty Sire of thy race
That France hath kissed the mouth of Liberty,
And found it sweeter than his honied bees,
And that the giant wave Democracy
Breaks on the shores where Kings lay crouched at ease.
196

Les Silhouettes

Les Silhouettes
The sea is flecked with bars of grey,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
186

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Identification and basic context

Oscar Wilde was an Irish poet, playwright, novelist, and critic. He is renowned for his sharp wit, flamboyant personality, and his advocacy of the aesthetic movement.

Childhood and education

Wilde was born into a prominent Anglo-Irish family. His father was a surgeon and his mother a poet and nationalist. He received a classical education at Trinity College, Dublin, and later at Magdalen College, Oxford, where he excelled in classical studies and developed his aesthetic theories.

Literary trajectory

Wilde's literary career began with poetry, notably his collection 'Poems' (1881). He gained significant fame as a playwright with works like 'The Importance of Being Earnest' and 'Salomé'. His novel 'The Picture of Dorian Gray' (1890) also garnered attention. He was a prominent figure in the Aesthetic and Decadent movements.

Works, style, and literary characteristics

Wilde's most famous works include 'The Picture of Dorian Gray', 'The Importance of Being Earnest', 'An Ideal Husband', and 'A Woman of No Importance'. His style is characterized by epigrammatic wit, paradox, lyrical beauty, and a focus on aestheticism. Themes explored include beauty, art, morality, hypocrisy, and the duality of human nature. He often used satire to critique Victorian society.

Cultural and historical context

Wilde lived during the late Victorian era in Britain, a period of great industrial change, social reform, and imperial expansion, but also of strict social codes and moral hypocrisy. He was a prominent voice of the Aesthetic movement, which challenged the utilitarian and moralistic views of art prevalent at the time. He was a contemporary of writers like Algernon Charles Swinburne and Walter Pater.

Personal life

Wilde's personal life was marked by his marriage to Constance Lloyd, with whom he had two sons. He also had a notorious relationship with Lord Alfred Douglas, which ultimately led to his downfall. His flamboyant lifestyle and outspoken views on art and morality set him apart from conventional society.

Recognition and reception

Wilde achieved considerable fame during his lifetime, becoming a celebrated figure in London society. However, his trial for gross indecency in 1895 led to his imprisonment and public disgrace, severely damaging his reputation. Posthumously, his work has been re-evaluated, and he is now recognized as a major literary figure of the 19th century.

Influences and legacy

Wilde was influenced by Romantic poets and French Symbolists. His emphasis on beauty and art for art's sake, his wit, and his critique of social conventions have influenced numerous writers and artists. He is considered a key figure in the development of modern drama and aesthetic theory.

Interpretation and critical analysis

Wilde's work is often analyzed through the lens of aestheticism, dandyism, and his critique of Victorian morality. His life and work continue to be debated, particularly concerning his persecution and the relationship between art and life.

Curiosities and lesser-known aspects

Wilde famously declared, "I have put my genius into my life; I have put only my talent into my works." He was known for his elaborate dress and his love of paradox. His famous green carnation became a symbol of the aesthetic movement.

Death and memory

Oscar Wilde died in exile in Paris in 1900. His tomb in Père Lachaise Cemetery is a popular tourist destination. His literary and cultural significance has endured, and he remains a celebrated figure for his wit and artistic contributions.