Quotes

Quotes

Quotes to inspire and reflect

John Berryman
John Berryman

I don’t see how Henry, pried open for all the world to see, survived.

77 Dream Songs, 1

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John Berryman
John Berryman

Life, friends, is boring. We must not say so.

77 Dream Songs, 14

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John Berryman
John Berryman

Huffy Henry hid the day, Unappeasable Henry sulked.

77 Dream Songs [1964], poem no. 1

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John Berryman
John Berryman

Mountainous, woman not breaks and will bend: sways God nearby: anguish comes to an end. Blossomed Sarah, and I blossom. Is that thing alive? I hear a famisht howl.

Homage to Mistress Bradstreet [1953], st. 21

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Karl Shapiro
Karl Shapiro

One day beside some flowers near his nose He will be thinking, When will I look at it? And pain, still in the middle distance, will reply At what? and he will know it’s gone, O where! and begin to tremble and cry. He will begin to cry as a child cries Whose puppy is mangled under a screaming wheel.

V-Letter [1944]. The Leg

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Karl Shapiro
Karl Shapiro

To hurt the Negro and avoid the Jew Is the curriculum.

Poems of a Jew [1958]. University

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Delmore Schwartz
Delmore Schwartz

That inescapable animal walks with me. Has followed me since the black womb held, Moves where I move, distorting my gesture, A caricature, a swollen shadow, A stupid clown of the spirit’s motive, Perplexes and affronts with his own darkness, The secret life of belly and bone.

The Heavy Bear Who Goes with Me [1959], st. 3

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Delmore Schwartz
Delmore Schwartz

The mind is a city like London, Smoky and populous: it is a capital Like Rome, ruined and eternal, Marked by the monument which no one Now remembers.

The Mind Is an Ancient and Famous Capital [1959]

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Aimé Césaire
Aimé Césaire

my negritude riddles with holes the dense affliction of its worthy patience.

Notebook of a Return to the Native Land [1947]

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Delmore Schwartz
Delmore Schwartz

Time is the school in which we learn, Time is the fire in which we burn.

For Rhoda [1938]

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Jorge Amado
Jorge Amado

Color of cinnamon Clove’s sweet smell, I’ve come a long way To see Gabrielle.

Gabriela, Clove and Cinnamon (Gabriela, Cravo e Canela) [1958], epigraph

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Kenneth Patchen
Kenneth Patchen

Oh lonesome’s a bad place To get crowded into.

Lonesome Boy Blues [1952]

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Kenneth Patchen
Kenneth Patchen

I take the word Europe Or the word death And tear them into tiny pieces; I scatter them at your feet.

Cloth of the Tempest [1943]. The Dimensions of the Morning

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Kenneth Patchen
Kenneth Patchen

I am the magical mouse I don’t eat cheese I eat sunsets And the tops of trees.

The Magical Mouse [1952], st. 1

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Kenneth Patchen
Kenneth Patchen

I’d like to die like this… with the dark fingers of the water closing and unclosing over these sleepy lights and a sad bell somewhere murmuring good night.

Crossing on Staten Island Ferry [1939]

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Kenneth Patchen
Kenneth Patchen

Do I not deal with angels When her lips I touch.

For Miriam [1942]

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Czesław Miłosz
Czesław Miłosz

Human reason is beautiful and invincible. No bars, no barbed wire, no pulping of books, No sentence of banishment can prevail against it.

Collected Poems 1931–1987 . 1 Incantation

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Kenneth Patchen
Kenneth Patchen

Let us have madness openly, O men Of my generation. Let us follow The footsteps of this slaughtered age.

Let Us Have Madness Openly [1936]

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Czesław Miłosz
Czesław Miłosz

The purpose of poetry is to remind us how difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will.

Ars Poetica? [1968]

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Czesław Miłosz
Czesław Miłosz

May the gentle mountains and the bells of the flocks Remind us of everything we have lost, For we have seen on our way and fallen in love With the world that will pass in a twinkling.

Collected Poems 1931–1987. 1 On Pilgrimage

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Elizabeth Bishop
Elizabeth Bishop

Life and the memory of it cramped, dim, on a piece of Bristol board.

Poem [1976]

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Elizabeth Bishop
Elizabeth Bishop

The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master.

Geography III [1976]. One Art

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Elizabeth Bishop
Elizabeth Bishop

I’d have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands like frogs’ eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.

Crusoe in England

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Elizabeth Bishop
Elizabeth Bishop

—And Friday, my dear Friday, died of measles seventeen years ago come March.

Crusoe in England

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Elizabeth Bishop
Elizabeth Bishop

How had I come to be here like them, and overhear a cry of pain that could have got loud and worse but hadn’t?

In the Waiting Room

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Elizabeth Bishop
Elizabeth Bishop

Home-made, home-made! But aren’t we all?

Crusoe in England [1976]

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Elizabeth Bishop
Elizabeth Bishop

I knew that nothing stranger had ever happened.

In the Waiting Room [1976]

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Elizabeth Bishop
Elizabeth Bishop

The staring sailor that shakes his watch that tells the time of the poet, the man that lies in the house of Bedlam.

Visits to St. Elizabeths [1965], st. 11

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Elizabeth Bishop
Elizabeth Bishop

Time to plant tears, says the almanac. The grandmother sings to the marvelous stove and the child draws another inscrutable house.

Sestina [1965]

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Elizabeth Bishop
Elizabeth Bishop

His beak is focussed; he is preoccupied, looking for something, something, something. Poor bird, he is obsessed! The millions of grains are black, white, tan, and gray, mixed with quartz grains, rose and amethyst.

Sandpiper [1965]

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Elizabeth Bishop
Elizabeth Bishop

It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.

At the Fishhouses

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Elizabeth Bishop
Elizabeth Bishop

Should we have stayed at home, wherever that may be?

Questions of Travel [1965]

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Elizabeth Bishop
Elizabeth Bishop

Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals…

At the Fishhouses [1955]

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Elizabeth Bishop
Elizabeth Bishop

Until everything was rainbow, rainbow, rainbow! And I let the fish go.

The Fish [1946]

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Elizabeth Bishop
Elizabeth Bishop

Icebergs behoove the soul (both being self-made from elements least visible) to see them so: fleshed, fair, erected, indivisible.

The Imaginary Iceberg, st. 3

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Elizabeth Bishop
Elizabeth Bishop

This iceberg cuts its facets from within. Like jewelry from a grave it saves itself perpetually and adorns Only itself.

The Imaginary Iceberg [1946], st. 3

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Charles Olson
Charles Olson

I have had to learn the simplest things last. Which made for difficulties.

The Maximus Poems [1953]. Maximus, to himself

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Charles Olson
Charles Olson

As the dead prey upon us, they are the dead in ourselves, awake, my sleeping ones, I cry out to you, disentangle the nets of being!

The Distances [1960]. As the Dead Prey upon Us

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Theodore Roethke
Theodore Roethke

Now I adore my life With the Bird, the abiding Leaf, With the Fish, the questing Snail, And the Eye altering all; And I dance with William Blake For love, for Love’s sake.

Once More, the Round [1964]

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Theodore Roethke
Theodore Roethke

Lord, hear me out, and hear me out this day: From me to Thee’s a long and terrible way.

The Marrow, III

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Theodore Roethke
Theodore Roethke

The soul has many motions, body one.

The Motion [1964], I

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Theodore Roethke
Theodore Roethke

Brooding on God, I may become a man. Pain wanders through my bones like a lost fire; What burns me now? Desire, desire, desire.

The Marrow [1964], II

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Theodore Roethke
Theodore Roethke

What I love is near at hand, Always, in earth and air.

The Far Field [1964], III

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Theodore Roethke
Theodore Roethke

In a dark time, the eye begins to see.

In a Dark Time [1964], st. 1

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Theodore Roethke
Theodore Roethke

I long for the imperishable quiet at the heart of form.

The Longing [1964]

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Theodore Roethke
Theodore Roethke

I see, in evening air, How slowly dark comes down on what we do.

In Evening Air [1964]

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Theodore Roethke
Theodore Roethke

I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain!

I Knew a Woman [1958]

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Theodore Roethke
Theodore Roethke

When I was a lark, I sang; When I was a worm, I devoured.

What Can I Tell My Bones? [1958]

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