Quotes

Quotes

Quotes to inspire and reflect

Jorge Amado
Jorge Amado

Color of cinnamon Clove’s sweet smell, I’ve come a long way To see Gabrielle.

Gabriela, Clove and Cinnamon (Gabriela, Cravo e Canela) [1958], epigraph

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Kenneth Patchen
Kenneth Patchen

Oh lonesome’s a bad place To get crowded into.

Lonesome Boy Blues [1952]

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Kenneth Patchen
Kenneth Patchen

I am the magical mouse I don’t eat cheese I eat sunsets And the tops of trees.

The Magical Mouse [1952], st. 1

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Kenneth Patchen
Kenneth Patchen

I take the word Europe Or the word death And tear them into tiny pieces; I scatter them at your feet.

Cloth of the Tempest [1943]. The Dimensions of the Morning

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Kenneth Patchen
Kenneth Patchen

Do I not deal with angels When her lips I touch.

For Miriam [1942]

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Kenneth Patchen
Kenneth Patchen

Let us have madness openly, O men Of my generation. Let us follow The footsteps of this slaughtered age.

Let Us Have Madness Openly [1936]

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Kenneth Patchen
Kenneth Patchen

I’d like to die like this… with the dark fingers of the water closing and unclosing over these sleepy lights and a sad bell somewhere murmuring good night.

Crossing on Staten Island Ferry [1939]

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Czesław Miłosz
Czesław Miłosz

May the gentle mountains and the bells of the flocks Remind us of everything we have lost, For we have seen on our way and fallen in love With the world that will pass in a twinkling.

Collected Poems 1931–1987. 1 On Pilgrimage

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Czesław Miłosz
Czesław Miłosz

Human reason is beautiful and invincible. No bars, no barbed wire, no pulping of books, No sentence of banishment can prevail against it.

Collected Poems 1931–1987 . 1 Incantation

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Elizabeth Bishop
Elizabeth Bishop

Life and the memory of it cramped, dim, on a piece of Bristol board.

Poem [1976]

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Czesław Miłosz
Czesław Miłosz

The purpose of poetry is to remind us how difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will.

Ars Poetica? [1968]

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Elizabeth Bishop
Elizabeth Bishop

—And Friday, my dear Friday, died of measles seventeen years ago come March.

Crusoe in England

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Elizabeth Bishop
Elizabeth Bishop

The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master.

Geography III [1976]. One Art

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Elizabeth Bishop
Elizabeth Bishop

Home-made, home-made! But aren’t we all?

Crusoe in England [1976]

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Elizabeth Bishop
Elizabeth Bishop

I’d have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands like frogs’ eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.

Crusoe in England

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Elizabeth Bishop
Elizabeth Bishop

How had I come to be here like them, and overhear a cry of pain that could have got loud and worse but hadn’t?

In the Waiting Room

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Elizabeth Bishop
Elizabeth Bishop

I knew that nothing stranger had ever happened.

In the Waiting Room [1976]

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Elizabeth Bishop
Elizabeth Bishop

The staring sailor that shakes his watch that tells the time of the poet, the man that lies in the house of Bedlam.

Visits to St. Elizabeths [1965], st. 11

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Elizabeth Bishop
Elizabeth Bishop

Time to plant tears, says the almanac. The grandmother sings to the marvelous stove and the child draws another inscrutable house.

Sestina [1965]

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Elizabeth Bishop
Elizabeth Bishop

Should we have stayed at home, wherever that may be?

Questions of Travel [1965]

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Elizabeth Bishop
Elizabeth Bishop

His beak is focussed; he is preoccupied, looking for something, something, something. Poor bird, he is obsessed! The millions of grains are black, white, tan, and gray, mixed with quartz grains, rose and amethyst.

Sandpiper [1965]

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Elizabeth Bishop
Elizabeth Bishop

It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.

At the Fishhouses

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Elizabeth Bishop
Elizabeth Bishop

Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals…

At the Fishhouses [1955]

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Elizabeth Bishop
Elizabeth Bishop

Until everything was rainbow, rainbow, rainbow! And I let the fish go.

The Fish [1946]

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Elizabeth Bishop
Elizabeth Bishop

Icebergs behoove the soul (both being self-made from elements least visible) to see them so: fleshed, fair, erected, indivisible.

The Imaginary Iceberg, st. 3

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Elizabeth Bishop
Elizabeth Bishop

This iceberg cuts its facets from within. Like jewelry from a grave it saves itself perpetually and adorns Only itself.

The Imaginary Iceberg [1946], st. 3

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Charles Olson
Charles Olson

As the dead prey upon us, they are the dead in ourselves, awake, my sleeping ones, I cry out to you, disentangle the nets of being!

The Distances [1960]. As the Dead Prey upon Us

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Theodore Roethke
Theodore Roethke

Now I adore my life With the Bird, the abiding Leaf, With the Fish, the questing Snail, And the Eye altering all; And I dance with William Blake For love, for Love’s sake.

Once More, the Round [1964]

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Charles Olson
Charles Olson

I have had to learn the simplest things last. Which made for difficulties.

The Maximus Poems [1953]. Maximus, to himself

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Theodore Roethke
Theodore Roethke

Brooding on God, I may become a man. Pain wanders through my bones like a lost fire; What burns me now? Desire, desire, desire.

The Marrow [1964], II

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Theodore Roethke
Theodore Roethke

Lord, hear me out, and hear me out this day: From me to Thee’s a long and terrible way.

The Marrow, III

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Theodore Roethke
Theodore Roethke

In a dark time, the eye begins to see.

In a Dark Time [1964], st. 1

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Theodore Roethke
Theodore Roethke

The soul has many motions, body one.

The Motion [1964], I

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Theodore Roethke
Theodore Roethke

What I love is near at hand, Always, in earth and air.

The Far Field [1964], III

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Theodore Roethke
Theodore Roethke

I long for the imperishable quiet at the heart of form.

The Longing [1964]

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Theodore Roethke
Theodore Roethke

When I was a lark, I sang; When I was a worm, I devoured.

What Can I Tell My Bones? [1958]

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Theodore Roethke
Theodore Roethke

I see, in evening air, How slowly dark comes down on what we do.

In Evening Air [1964]

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Theodore Roethke
Theodore Roethke

I wake to sleep, and take my waking slow. I feel my fate in what I cannot fear. I learn by going where I have to go.

The Waking [1953]

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Theodore Roethke
Theodore Roethke

I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain!

I Knew a Woman [1958]

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Theodore Roethke
Theodore Roethke

And the new plants, still awkward in their soil, The lovely diminutives. I could watch! I could watch! I saw the separateness of all things!

A Field of Light [1948], III

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Theodore Roethke
Theodore Roethke

I remember the neckcurls, limp and damp as tendrils, And her quick look, a sidelong pickerel smile.

Elegy for Jane [1953]

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Theodore Roethke
Theodore Roethke

I study the lives on a leaf: the little Sleepers, numb nudgers in cold dimensions, Beetles in caves, newts, stone-deaf fishes, Lice tethered to long limp subterranean weeds, Squirmers in bogs, And bacterial creepers.

The Minimal [1948]

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Theodore Roethke
Theodore Roethke

A lively understandable spirit Once entertained you. It will come again. Be still. Wait.

The Lost Son, 5. “It was beginning winter”

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Theodore Roethke
Theodore Roethke

Tugging all day at perverse life: The indignity of it!

Weed Puller [1948]

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Theodore Roethke
Theodore Roethke

Nothing would give up life: Even the dirt kept breathing a small breath.

Root Cellar

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Theodore Roethke
Theodore Roethke

Nothing would sleep in that cellar.

Root Cellar [1948]

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Theodore Roethke
Theodore Roethke

This urge, wrestle, resurrection of dry sticks, Cut stems struggling to put down feet, What saint strained so much, Rose on such lopped limbs to a new life?

Cuttings (later) [1948]

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Theodore Roethke
Theodore Roethke

My secrets cry aloud. I have no need for tongue. My heart keeps open house, My doors are widely flung.

Open House [1941], st. 1

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