Poems in this topic
Emotions and Feelings
Henry Wadsworth Longfellow
By The Fireside : Resignation
By The Fireside : Resignation
There is no flock, however watched and tended,
But one dead lamb is there!
There is no fireside, howsoe'er defended,
But has one vacant chair!
The air is full of farewells to the dying,
And mournings for the dead;
The heart of Rachel, for her children crying,
Will not be comforted!
Let us be patient! These severe afflictions
Not from the ground arise,
But oftentimes celestial benedictions
Assume this dark disguise.
We see but dimly through the mists and vapors;
Amid these earthly damps
What seem to us but sad, funereal tapers
May be heaven's distant lamps.
There is no Death! What seems so is transition;
This life of mortal breath
Is but a suburb of the life elysian,
Whose portal we call Death.
She is not dead,--the child of our affection,--
But gone unto that school
Where she no longer needs our poor protection,
And Christ himself doth rule.
In that great cloister's stillness and seclusion,
By guardian angels led,
Safe from temptation, safe from sin's pollution,
She lives, whom we call dead.
Day after day we think what she is doing
In those bright realms of air;
Year after year, her tender steps pursuing,
Behold her grown more fair.
Thus do we walk with her, and keep unbroken
The bond which nature gives,
Thinking that our remembrance, though unspoken,
May reach her where she lives.
Not as a child shall we again behold her;
For when with raptures wild
In our embraces we again enfold her,
She will not be a child;
But a fair maiden, in her Father's mansion,
Clothed with celestial grace;
And beautiful with all the soul's expansion
Shall we behold her face.
And though at times impetuous with emotion
And anguish long suppressed,
The swelling heart heaves moaning like the ocean,
That cannot be at rest,--
We will be patient, and assuage the feeling
We may not wholly stay;
By silence sanctifying, not concealing,
The grief that must have way.
There is no flock, however watched and tended,
But one dead lamb is there!
There is no fireside, howsoe'er defended,
But has one vacant chair!
The air is full of farewells to the dying,
And mournings for the dead;
The heart of Rachel, for her children crying,
Will not be comforted!
Let us be patient! These severe afflictions
Not from the ground arise,
But oftentimes celestial benedictions
Assume this dark disguise.
We see but dimly through the mists and vapors;
Amid these earthly damps
What seem to us but sad, funereal tapers
May be heaven's distant lamps.
There is no Death! What seems so is transition;
This life of mortal breath
Is but a suburb of the life elysian,
Whose portal we call Death.
She is not dead,--the child of our affection,--
But gone unto that school
Where she no longer needs our poor protection,
And Christ himself doth rule.
In that great cloister's stillness and seclusion,
By guardian angels led,
Safe from temptation, safe from sin's pollution,
She lives, whom we call dead.
Day after day we think what she is doing
In those bright realms of air;
Year after year, her tender steps pursuing,
Behold her grown more fair.
Thus do we walk with her, and keep unbroken
The bond which nature gives,
Thinking that our remembrance, though unspoken,
May reach her where she lives.
Not as a child shall we again behold her;
For when with raptures wild
In our embraces we again enfold her,
She will not be a child;
But a fair maiden, in her Father's mansion,
Clothed with celestial grace;
And beautiful with all the soul's expansion
Shall we behold her face.
And though at times impetuous with emotion
And anguish long suppressed,
The swelling heart heaves moaning like the ocean,
That cannot be at rest,--
We will be patient, and assuage the feeling
We may not wholly stay;
By silence sanctifying, not concealing,
The grief that must have way.
367
Henry Wadsworth Longfellow
Birds Of Passage
Birds Of Passage
Black shadows fall
From the lindens tall,
That lift aloft their massive wall
Against the southern sky;
And from the realms
Of the shadowy elms
A tide-like darkness overwhelm
The fields that round us lie.
But the night is fair,
And everywhere
A warm, soft vapor fills the air,
And distant sounds seem near;
And above, in the light
Of the star-lit night,
Swift birds of passage wing their flight
Through the dewy atmosphere.
I hear the beat
Of their pinions fleet,
As from the land of snow and sleet
They seek a southern lea.
I hear the cry
Of their voices high
Falling dreamily through the sky,
But their forms I cannot see.
Oh, say not so!
Those sounds that flow
In murmurs of delight and woe
Come not from wings of birds.
They are the throngs
Of the poet's songs,
Murmurs of pleasures, and pains, and wrongs,
The sound of winged words.
This is the cry
Of souls, that high
On toiling, beating pinions, fly,
Seeking a warmer clime.
From their distant flight
Through realms of light
It falls into our world of night,
With the murmuring sound of rhyme.
Black shadows fall
From the lindens tall,
That lift aloft their massive wall
Against the southern sky;
And from the realms
Of the shadowy elms
A tide-like darkness overwhelm
The fields that round us lie.
But the night is fair,
And everywhere
A warm, soft vapor fills the air,
And distant sounds seem near;
And above, in the light
Of the star-lit night,
Swift birds of passage wing their flight
Through the dewy atmosphere.
I hear the beat
Of their pinions fleet,
As from the land of snow and sleet
They seek a southern lea.
I hear the cry
Of their voices high
Falling dreamily through the sky,
But their forms I cannot see.
Oh, say not so!
Those sounds that flow
In murmurs of delight and woe
Come not from wings of birds.
They are the throngs
Of the poet's songs,
Murmurs of pleasures, and pains, and wrongs,
The sound of winged words.
This is the cry
Of souls, that high
On toiling, beating pinions, fly,
Seeking a warmer clime.
From their distant flight
Through realms of light
It falls into our world of night,
With the murmuring sound of rhyme.
376
Henry Wadsworth Longfellow
Birds Of Passage
Birds Of Passage
Black shadows fall
From the lindens tall,
That lift aloft their massive wall
Against the southern sky;
And from the realms
Of the shadowy elms
A tide-like darkness overwhelm
The fields that round us lie.
But the night is fair,
And everywhere
A warm, soft vapor fills the air,
And distant sounds seem near;
And above, in the light
Of the star-lit night,
Swift birds of passage wing their flight
Through the dewy atmosphere.
I hear the beat
Of their pinions fleet,
As from the land of snow and sleet
They seek a southern lea.
I hear the cry
Of their voices high
Falling dreamily through the sky,
But their forms I cannot see.
Oh, say not so!
Those sounds that flow
In murmurs of delight and woe
Come not from wings of birds.
They are the throngs
Of the poet's songs,
Murmurs of pleasures, and pains, and wrongs,
The sound of winged words.
This is the cry
Of souls, that high
On toiling, beating pinions, fly,
Seeking a warmer clime.
From their distant flight
Through realms of light
It falls into our world of night,
With the murmuring sound of rhyme.
Black shadows fall
From the lindens tall,
That lift aloft their massive wall
Against the southern sky;
And from the realms
Of the shadowy elms
A tide-like darkness overwhelm
The fields that round us lie.
But the night is fair,
And everywhere
A warm, soft vapor fills the air,
And distant sounds seem near;
And above, in the light
Of the star-lit night,
Swift birds of passage wing their flight
Through the dewy atmosphere.
I hear the beat
Of their pinions fleet,
As from the land of snow and sleet
They seek a southern lea.
I hear the cry
Of their voices high
Falling dreamily through the sky,
But their forms I cannot see.
Oh, say not so!
Those sounds that flow
In murmurs of delight and woe
Come not from wings of birds.
They are the throngs
Of the poet's songs,
Murmurs of pleasures, and pains, and wrongs,
The sound of winged words.
This is the cry
Of souls, that high
On toiling, beating pinions, fly,
Seeking a warmer clime.
From their distant flight
Through realms of light
It falls into our world of night,
With the murmuring sound of rhyme.
376
Henry Wadsworth Longfellow
Beowulf's Expedition To Heort
Beowulf's Expedition To Heort
Thus then, much care-worn,
The son of Healfden
Sorrowed evermore,
Nor might the prudent hero
His woes avert.
The war was too hard,
Too loath and longsome,
That on the people came,
Dire wrath and grim,
Of night-woes the worst.
This from home heard
Higelac's Thane,
Good among the Goths,
Grendel's deeds.
He was of mankind
In might the strongest,
At that day
Of this life,
Noble and stalwart.
He bade him a sea-ship,
A goodly one, prepare.
Quoth he, the war-king,
Over the swan's road,
Seek he would
The mighty monarch,
Since he wanted men.
For him that journey
His prudent fellows
Straight made ready,
Those that loved him.
They excited their souls,
The omen they beheld.
Had the good-man
Of the Gothic people
Champions chosen,
Of those that keenest
He might find,
Some fifteen men.
The sea-wood sought he.
The warrior showed,
Sea-crafty man!
The land-marks,
And first went forth.
The ship was on the waves,
Boat under the cliffs.
The barons ready
To the prow mounted.
The streams they whirled
The sea against the sands.
The chieftains bore
On the naked breast
Bright ornaments,
War-gear, Goth-like.
The men shoved off,
Men on their willing way,
The bounden wood.
Then went over the sea-waves,
Hurried by the wind,
The ship with foamy neck,
Most like a sea-fowl,
Till about one hour
Of the second day
The curved prow
Had passed onward
So that the sailors
The land saw,
The shore-cliffs shining,
Mountains steep,
And broad sea-noses.
Then was the sea-sailing
Of the Earl at an end.
Then up speedily
The Weather people
On the land went,
The sea-bark moored,
Their mail-sarks shook,
Their war-weeds.
God thanked they,
That to them the sea-journey
Easy had been.
Then from the wall beheld
The warden of the Scyldings,
He who the sea-cliffs
Had in his keeping,
Bear o'er the balks
The bright shields,
The war-weapons speedily.
Him the doubt disturbed
In his mind's thought,
What these men might be.
Went then to the shore,
On his steed riding,
The Thane of Hrothgar.
Before the host he shook
His warden's-staff in hand,
In measured words demanded:
'What men are ye
War-gear wearing,
Host in harness,
Who thus the brown keel
Over the water-street
Leading come
Hither over the sea?
I these boundaries
As shore-warden hold,
That in the Land of the Danes
Nothing loathsome
With a ship-crew
Scathe us might. . . .
Ne'er saw I mightier
Earl upon earth
Than is your own,
Hero in harness.
Not seldom this warrior
Is in weapons distinguished;
Never his beauty belies him,
His peerless countenance!
Now would I fain
Your origin know,
Ere ye forth
As false spies
Into the Land of the Danes
Farther fare.
Now, ye dwellers afar-off!
Ye sailors of the sea!
Listen to my
One-fold thought.
Quickest is best
To make known
Whence your coming may be.'
Thus then, much care-worn,
The son of Healfden
Sorrowed evermore,
Nor might the prudent hero
His woes avert.
The war was too hard,
Too loath and longsome,
That on the people came,
Dire wrath and grim,
Of night-woes the worst.
This from home heard
Higelac's Thane,
Good among the Goths,
Grendel's deeds.
He was of mankind
In might the strongest,
At that day
Of this life,
Noble and stalwart.
He bade him a sea-ship,
A goodly one, prepare.
Quoth he, the war-king,
Over the swan's road,
Seek he would
The mighty monarch,
Since he wanted men.
For him that journey
His prudent fellows
Straight made ready,
Those that loved him.
They excited their souls,
The omen they beheld.
Had the good-man
Of the Gothic people
Champions chosen,
Of those that keenest
He might find,
Some fifteen men.
The sea-wood sought he.
The warrior showed,
Sea-crafty man!
The land-marks,
And first went forth.
The ship was on the waves,
Boat under the cliffs.
The barons ready
To the prow mounted.
The streams they whirled
The sea against the sands.
The chieftains bore
On the naked breast
Bright ornaments,
War-gear, Goth-like.
The men shoved off,
Men on their willing way,
The bounden wood.
Then went over the sea-waves,
Hurried by the wind,
The ship with foamy neck,
Most like a sea-fowl,
Till about one hour
Of the second day
The curved prow
Had passed onward
So that the sailors
The land saw,
The shore-cliffs shining,
Mountains steep,
And broad sea-noses.
Then was the sea-sailing
Of the Earl at an end.
Then up speedily
The Weather people
On the land went,
The sea-bark moored,
Their mail-sarks shook,
Their war-weeds.
God thanked they,
That to them the sea-journey
Easy had been.
Then from the wall beheld
The warden of the Scyldings,
He who the sea-cliffs
Had in his keeping,
Bear o'er the balks
The bright shields,
The war-weapons speedily.
Him the doubt disturbed
In his mind's thought,
What these men might be.
Went then to the shore,
On his steed riding,
The Thane of Hrothgar.
Before the host he shook
His warden's-staff in hand,
In measured words demanded:
'What men are ye
War-gear wearing,
Host in harness,
Who thus the brown keel
Over the water-street
Leading come
Hither over the sea?
I these boundaries
As shore-warden hold,
That in the Land of the Danes
Nothing loathsome
With a ship-crew
Scathe us might. . . .
Ne'er saw I mightier
Earl upon earth
Than is your own,
Hero in harness.
Not seldom this warrior
Is in weapons distinguished;
Never his beauty belies him,
His peerless countenance!
Now would I fain
Your origin know,
Ere ye forth
As false spies
Into the Land of the Danes
Farther fare.
Now, ye dwellers afar-off!
Ye sailors of the sea!
Listen to my
One-fold thought.
Quickest is best
To make known
Whence your coming may be.'
439
Henry Wadsworth Longfellow
Beatrice. (From Dante. Purgatorio, XXX., XXXI.)
Beatrice. (From Dante. Purgatorio, XXX., XXXI.)
Even as the Blessed, at the final summons,
Shall rise up quickened, each one from his grave,
Wearing again the garments of the flesh,
So, upon that celestial chariot,
A hundred rose
ad vocem tanti senis
,
Ministers and messengers of life eternal.
They all were saying, '
Benedictus qui venis
,'
And scattering flowers above and round about,
'
Manibus o date lilia plenis
.'
Oft have I seen, at the approach of day,
The orient sky all stained with roseate hues,
And the other heaven with light serene adorned,
And the sun's face uprising, overshadowed,
So that, by temperate influence of vapors,
The eye sustained his aspect for long while;
Thus in the bosom of a cloud of flowers,
Which from those hands angelic were thrown up,
And down descended inside and without,
With crown of olive o'er a snow-white veil,
Appeared a lady, under a green mantle,
Vested in colors of the living flame.
. . . . . .
Even as the snow, among the living rafters
Upon the back of ltaly, congeals,
Blown on and beaten by Sclavonian winds,
And then, dissolving, filters through itself,
Whene'er the land, that loses shadow, breathes,
Like as a taper melts before a fire,
Even such I was, without a sigh or tear,
Before the song of those who chime forever
After the chiming of the eternal spheres;
But, when I heard in those sweet melodies
Compassion for me, more than had they said,
'O wherefore, lady, dost thou thus consume him?'
The ice, that was about my heart congealed,
To air and water changed, and, in my anguish,
Through lips and eyes came gushing from my breast.
. . . . . .
Confusion and dismay, together mingled,
Forced such a feeble 'Yes!' out of my mouth,
To understand it one had need of sight.
Even as a cross-bow breaks, when 't is discharged,
Too tensely drawn the bow-string and the bow,
And with less force the arrow hits the mark;
So I gave way beneath this heavy burden,
Gushing forth into bitter tears and sighs,
And the voice, fainting, flagged upon its passage.
Even as the Blessed, at the final summons,
Shall rise up quickened, each one from his grave,
Wearing again the garments of the flesh,
So, upon that celestial chariot,
A hundred rose
ad vocem tanti senis
,
Ministers and messengers of life eternal.
They all were saying, '
Benedictus qui venis
,'
And scattering flowers above and round about,
'
Manibus o date lilia plenis
.'
Oft have I seen, at the approach of day,
The orient sky all stained with roseate hues,
And the other heaven with light serene adorned,
And the sun's face uprising, overshadowed,
So that, by temperate influence of vapors,
The eye sustained his aspect for long while;
Thus in the bosom of a cloud of flowers,
Which from those hands angelic were thrown up,
And down descended inside and without,
With crown of olive o'er a snow-white veil,
Appeared a lady, under a green mantle,
Vested in colors of the living flame.
. . . . . .
Even as the snow, among the living rafters
Upon the back of ltaly, congeals,
Blown on and beaten by Sclavonian winds,
And then, dissolving, filters through itself,
Whene'er the land, that loses shadow, breathes,
Like as a taper melts before a fire,
Even such I was, without a sigh or tear,
Before the song of those who chime forever
After the chiming of the eternal spheres;
But, when I heard in those sweet melodies
Compassion for me, more than had they said,
'O wherefore, lady, dost thou thus consume him?'
The ice, that was about my heart congealed,
To air and water changed, and, in my anguish,
Through lips and eyes came gushing from my breast.
. . . . . .
Confusion and dismay, together mingled,
Forced such a feeble 'Yes!' out of my mouth,
To understand it one had need of sight.
Even as a cross-bow breaks, when 't is discharged,
Too tensely drawn the bow-string and the bow,
And with less force the arrow hits the mark;
So I gave way beneath this heavy burden,
Gushing forth into bitter tears and sighs,
And the voice, fainting, flagged upon its passage.
347
Henry Wadsworth Longfellow
Autumnal Nightfall
Autumnal Nightfall
Round Autumn's mouldering urn
Loud mourns the chill and cheerless gale,
When nightfall shades the quiet vale
And stars in beauty burn.
'Tis the year's eventide.
The wind, like one that sighs in pain
O?er joys that ne'er will bloom again
Mourns on the far hillside.
And yet my pensive eye
Rests on the faint blue mountain long;
And for the fairy-land of song,
That lies beyond, I sigh.
The moon unveils her brow;
In the mid-sky her urn glows bright,
And in her sad and mellowing light
The valley sleeps below.
Upon the hazel gray
The lyre of Autumn hangs unstrung
And o?er its tremulous chords are flung
The fringes of decay.
I stand deep musing here,
Beneath the dark and motionless beech,
Whilst wandering winds of nightfall reach
My melancholy ear.
The air breathes chill and free:
A spirit in soft music calls
From Autumn's gray and moss-grown halls,
And round her withered tree.
The hoar and mantled oak,
With moss and twisted ivy brown,
Bends in its lifeless beauty down
Where weeds the fountain choke.
That fountain's hollow voice
Echoes the sound of precious things;
Of early feeling's tuneful springs
Choked with our blighted joys.
Leaves, that the night-wind bears
To earth's cold bosom with a sign,
Are types of our mortality,
And of our fading years.
The tree that shades the plain,
Wasting and hoar as time decays,
Spring shall renew with cheerful days,--
But not my joys again.
Round Autumn's mouldering urn
Loud mourns the chill and cheerless gale,
When nightfall shades the quiet vale
And stars in beauty burn.
'Tis the year's eventide.
The wind, like one that sighs in pain
O?er joys that ne'er will bloom again
Mourns on the far hillside.
And yet my pensive eye
Rests on the faint blue mountain long;
And for the fairy-land of song,
That lies beyond, I sigh.
The moon unveils her brow;
In the mid-sky her urn glows bright,
And in her sad and mellowing light
The valley sleeps below.
Upon the hazel gray
The lyre of Autumn hangs unstrung
And o?er its tremulous chords are flung
The fringes of decay.
I stand deep musing here,
Beneath the dark and motionless beech,
Whilst wandering winds of nightfall reach
My melancholy ear.
The air breathes chill and free:
A spirit in soft music calls
From Autumn's gray and moss-grown halls,
And round her withered tree.
The hoar and mantled oak,
With moss and twisted ivy brown,
Bends in its lifeless beauty down
Where weeds the fountain choke.
That fountain's hollow voice
Echoes the sound of precious things;
Of early feeling's tuneful springs
Choked with our blighted joys.
Leaves, that the night-wind bears
To earth's cold bosom with a sign,
Are types of our mortality,
And of our fading years.
The tree that shades the plain,
Wasting and hoar as time decays,
Spring shall renew with cheerful days,--
But not my joys again.
500
Henry Wadsworth Longfellow
Autumnal Nightfall
Autumnal Nightfall
Round Autumn's mouldering urn
Loud mourns the chill and cheerless gale,
When nightfall shades the quiet vale
And stars in beauty burn.
'Tis the year's eventide.
The wind, like one that sighs in pain
O?er joys that ne'er will bloom again
Mourns on the far hillside.
And yet my pensive eye
Rests on the faint blue mountain long;
And for the fairy-land of song,
That lies beyond, I sigh.
The moon unveils her brow;
In the mid-sky her urn glows bright,
And in her sad and mellowing light
The valley sleeps below.
Upon the hazel gray
The lyre of Autumn hangs unstrung
And o?er its tremulous chords are flung
The fringes of decay.
I stand deep musing here,
Beneath the dark and motionless beech,
Whilst wandering winds of nightfall reach
My melancholy ear.
The air breathes chill and free:
A spirit in soft music calls
From Autumn's gray and moss-grown halls,
And round her withered tree.
The hoar and mantled oak,
With moss and twisted ivy brown,
Bends in its lifeless beauty down
Where weeds the fountain choke.
That fountain's hollow voice
Echoes the sound of precious things;
Of early feeling's tuneful springs
Choked with our blighted joys.
Leaves, that the night-wind bears
To earth's cold bosom with a sign,
Are types of our mortality,
And of our fading years.
The tree that shades the plain,
Wasting and hoar as time decays,
Spring shall renew with cheerful days,--
But not my joys again.
Round Autumn's mouldering urn
Loud mourns the chill and cheerless gale,
When nightfall shades the quiet vale
And stars in beauty burn.
'Tis the year's eventide.
The wind, like one that sighs in pain
O?er joys that ne'er will bloom again
Mourns on the far hillside.
And yet my pensive eye
Rests on the faint blue mountain long;
And for the fairy-land of song,
That lies beyond, I sigh.
The moon unveils her brow;
In the mid-sky her urn glows bright,
And in her sad and mellowing light
The valley sleeps below.
Upon the hazel gray
The lyre of Autumn hangs unstrung
And o?er its tremulous chords are flung
The fringes of decay.
I stand deep musing here,
Beneath the dark and motionless beech,
Whilst wandering winds of nightfall reach
My melancholy ear.
The air breathes chill and free:
A spirit in soft music calls
From Autumn's gray and moss-grown halls,
And round her withered tree.
The hoar and mantled oak,
With moss and twisted ivy brown,
Bends in its lifeless beauty down
Where weeds the fountain choke.
That fountain's hollow voice
Echoes the sound of precious things;
Of early feeling's tuneful springs
Choked with our blighted joys.
Leaves, that the night-wind bears
To earth's cold bosom with a sign,
Are types of our mortality,
And of our fading years.
The tree that shades the plain,
Wasting and hoar as time decays,
Spring shall renew with cheerful days,--
But not my joys again.
500
Henry Wadsworth Longfellow
Arrow and the Song, The
Arrow and the Song, The
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.
I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?
Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.
I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?
Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
523
Henry Wadsworth Longfellow
Allah. (From The German Of Mahlmann)
Allah. (From The German Of Mahlmann)
Allah gives light in darkness,
Allah gives rest in pain,
Cheeks that are white with weeping
Allah paints red again.
The flowers and the blossoms wither,
Years vanish with flying fleet;
But my heart will live on forever,
That here in sadness beat.
Gladly to Allah's dwelling
Yonder would I take flight;
There will the darkness vanish,
There will my eyes have sight.
Allah gives light in darkness,
Allah gives rest in pain,
Cheeks that are white with weeping
Allah paints red again.
The flowers and the blossoms wither,
Years vanish with flying fleet;
But my heart will live on forever,
That here in sadness beat.
Gladly to Allah's dwelling
Yonder would I take flight;
There will the darkness vanish,
There will my eyes have sight.
366
Henry Wadsworth Longfellow
Allah. (From The German Of Mahlmann)
Allah. (From The German Of Mahlmann)
Allah gives light in darkness,
Allah gives rest in pain,
Cheeks that are white with weeping
Allah paints red again.
The flowers and the blossoms wither,
Years vanish with flying fleet;
But my heart will live on forever,
That here in sadness beat.
Gladly to Allah's dwelling
Yonder would I take flight;
There will the darkness vanish,
There will my eyes have sight.
Allah gives light in darkness,
Allah gives rest in pain,
Cheeks that are white with weeping
Allah paints red again.
The flowers and the blossoms wither,
Years vanish with flying fleet;
But my heart will live on forever,
That here in sadness beat.
Gladly to Allah's dwelling
Yonder would I take flight;
There will the darkness vanish,
There will my eyes have sight.
366
Henry Wadsworth Longfellow
Afternoon in February
Afternoon in February
The day is ending,
The night is descending;
The marsh is frozen,
The river dead.
Through clouds like ashes
The red sun flashes
On village windows
That glimmer red.
The snow recommences;
The buried fences
Mark no longer
The road o'er the plain;
While through the meadows,
Like fearful shadows,
Slowly passes
A funeral train.
The bell is pealing,
And every feeling
Within me responds
To the dismal knell;
Shadows are trailing,
My heart is bewailing
And tolling within
Like a funeral bell.
The day is ending,
The night is descending;
The marsh is frozen,
The river dead.
Through clouds like ashes
The red sun flashes
On village windows
That glimmer red.
The snow recommences;
The buried fences
Mark no longer
The road o'er the plain;
While through the meadows,
Like fearful shadows,
Slowly passes
A funeral train.
The bell is pealing,
And every feeling
Within me responds
To the dismal knell;
Shadows are trailing,
My heart is bewailing
And tolling within
Like a funeral bell.
391
Henry Wadsworth Longfellow
A Song Of Savoy
A Song Of Savoy
As the dim twilight shrouds
The mountain's purple crest,
And Summer's white and folded clouds
Are glowing in the west,
Loud shouts come up the rocky dell,
And voices hail the evening-bell.
Faint is the goatherd's song,
And sighing comes the breeze;
The silent river sweeps along
Amid its bending trees -
And the full moon shines faintly there,
And music fills the evening air.
Beneath the waving firs
The tinkling cymbals sound;
And as the wind the foliage stirs,
I see the dancers bound
Where the green branches, arched above,
Bend over this fair scene of love.
And he is there, that sought
My young heart long ago!
But he has left me - though I thought
He ne'er could leave me so.
Ah! lover's vows - how frail are they!
And his - were made but yesterday.
Why comes he not? I call
In tears upon him yet;
'Twere better ne'er to love at all,
Than love, and then forget!
Why comes he not? Alas! I should
Reclaim him still, if weeping could.
But see - he leaves the glade,
And beckons me away:
He comes to seek his mountain maid!
I cannot chide his stay.
Glad sounds along the valley swell,
And voices hail the evening-bell.
As the dim twilight shrouds
The mountain's purple crest,
And Summer's white and folded clouds
Are glowing in the west,
Loud shouts come up the rocky dell,
And voices hail the evening-bell.
Faint is the goatherd's song,
And sighing comes the breeze;
The silent river sweeps along
Amid its bending trees -
And the full moon shines faintly there,
And music fills the evening air.
Beneath the waving firs
The tinkling cymbals sound;
And as the wind the foliage stirs,
I see the dancers bound
Where the green branches, arched above,
Bend over this fair scene of love.
And he is there, that sought
My young heart long ago!
But he has left me - though I thought
He ne'er could leave me so.
Ah! lover's vows - how frail are they!
And his - were made but yesterday.
Why comes he not? I call
In tears upon him yet;
'Twere better ne'er to love at all,
Than love, and then forget!
Why comes he not? Alas! I should
Reclaim him still, if weeping could.
But see - he leaves the glade,
And beckons me away:
He comes to seek his mountain maid!
I cannot chide his stay.
Glad sounds along the valley swell,
And voices hail the evening-bell.
341
Henry Wadsworth Longfellow
A Wraith In The Mist. (Birds Of Passage. Flight The Fifth)
A Wraith In The Mist. (Birds Of Passage. Flight The Fifth)
On the green little isle of Inchkenneth,
Who is it that walks by the shore,
So gay with his Highland blue bonnet,
So brave with his targe and claymore?
His form is the form of a giant,
But his face wears an aspect of pain;
Can this be the Laird of Inchkenneth?
Can this be Sir Allan McLean?
Ah, no! It is only the Rambler,
The Idler, who lives in Bolt Court,
And who says, were he Laird of Inchkenneth,
He would wall himself round with a fort.
On the green little isle of Inchkenneth,
Who is it that walks by the shore,
So gay with his Highland blue bonnet,
So brave with his targe and claymore?
His form is the form of a giant,
But his face wears an aspect of pain;
Can this be the Laird of Inchkenneth?
Can this be Sir Allan McLean?
Ah, no! It is only the Rambler,
The Idler, who lives in Bolt Court,
And who says, were he Laird of Inchkenneth,
He would wall himself round with a fort.
332
Henry Wadsworth Longfellow
A Gleam of Sunshine
A Gleam of Sunshine
This is the place. Stand still, my steed,
Let me review the scene,
And summon from the shadowy Past
The forms that once have been.
The Past and Present here unite
Beneath Time's flowing tide,
Like footprints hidden by a brook,
But seen on either side.
Here runs the highway to the town;
There the green lane descends,
Through which I walked to church with thee,
O gentlest of my friends!
The shadow of the linden-trees
Lay moving on the grass;
Between them and the moving boughs,
A shadow, thou didst pass.
Thy dress was like the lilies,
And thy heart as pure as they:
One of God's holy messengers
Did walk with me that day.
I saw the branches of the trees
Bend down thy touch to meet,
The clover-blossoms in the grass
Rise up to kiss thy feet,
"Sleep, sleep to-day, tormenting cares,
Of earth and folly born!"
Solemnly sang the village choir
On that sweet Sabbath morn.
Through the closed blinds the golden sun
Poured in a dusty beam,
Like the celestial ladder seen
By Jacob in his dream.
And ever and anon, the wind,
Sweet-scented with the hay,
Turned o'er the hymn-book's fluttering leaves
That on the window lay.
Long was the good man's sermon,
Yet it seemed not so to me;
For he spake of Ruth the beautiful,
And still I thought of thee.
Long was the prayer he uttered,
Yet it seemed not so to me;
For in my heart I prayed with him,
And still I thought of thee.
But now, alas! the place seems changed;
Thou art no longer here:
Part of the sunshine of the scene
With thee did disappear.
Though thoughts, deep-rooted in my heart,
Like pine-trees dark and high,
Subdue the light of noon, and breathe
A low and ceaseless sigh;
This memory brightens o'er the past,
As when the sun, concealed
Behind some cloud that near us hangs
Shines on a distant field.
This is the place. Stand still, my steed,
Let me review the scene,
And summon from the shadowy Past
The forms that once have been.
The Past and Present here unite
Beneath Time's flowing tide,
Like footprints hidden by a brook,
But seen on either side.
Here runs the highway to the town;
There the green lane descends,
Through which I walked to church with thee,
O gentlest of my friends!
The shadow of the linden-trees
Lay moving on the grass;
Between them and the moving boughs,
A shadow, thou didst pass.
Thy dress was like the lilies,
And thy heart as pure as they:
One of God's holy messengers
Did walk with me that day.
I saw the branches of the trees
Bend down thy touch to meet,
The clover-blossoms in the grass
Rise up to kiss thy feet,
"Sleep, sleep to-day, tormenting cares,
Of earth and folly born!"
Solemnly sang the village choir
On that sweet Sabbath morn.
Through the closed blinds the golden sun
Poured in a dusty beam,
Like the celestial ladder seen
By Jacob in his dream.
And ever and anon, the wind,
Sweet-scented with the hay,
Turned o'er the hymn-book's fluttering leaves
That on the window lay.
Long was the good man's sermon,
Yet it seemed not so to me;
For he spake of Ruth the beautiful,
And still I thought of thee.
Long was the prayer he uttered,
Yet it seemed not so to me;
For in my heart I prayed with him,
And still I thought of thee.
But now, alas! the place seems changed;
Thou art no longer here:
Part of the sunshine of the scene
With thee did disappear.
Though thoughts, deep-rooted in my heart,
Like pine-trees dark and high,
Subdue the light of noon, and breathe
A low and ceaseless sigh;
This memory brightens o'er the past,
As when the sun, concealed
Behind some cloud that near us hangs
Shines on a distant field.
451
Henry Wadsworth Longfellow
A Psalm of Life
A Psalm of Life
Tell me not in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou are, to dust thou returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each tomorrow
Find us farther than today.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act, - act in the living Present!
Heart within, and God o'erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sand of time;
Footprints, that perhaps another,
Sailing o'er life's solenm main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us then be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
Tell me not in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou are, to dust thou returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each tomorrow
Find us farther than today.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act, - act in the living Present!
Heart within, and God o'erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sand of time;
Footprints, that perhaps another,
Sailing o'er life's solenm main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us then be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
766
Henry Wadsworth Longfellow
A Day Of Sunshine. (Birds Of Passage. Flight The Second)
A Day Of Sunshine. (Birds Of Passage. Flight The Second)
O gift of God! O perfect day:
Whereon shall no man work, but play;
Whereon it is enough for me,
Not to be doing, but to be!
Through every fibre of my brain,
Through every nerve, through every vein,
I feel the electric thrill, the touch
Of life, that seems almost too much.
I hear the wind among the trees
Playing celestial symphonies;
I see the branches downward bent,
Like keys of some great instrument.
And over me unrolls on high
The splendid scenery of the sky,
Where though a sapphire sea the sun
Sails like a golden galleon,
Towards yonder cloud-land in the West,
Towards yonder Islands of the Blest,
Whose steep sierra far uplifts
Its craggy summits white with drifts.
Blow, winds! and waft through all the rooms
The snow-flakes of the cherry-blooms!
Blow, winds! and bend within my reach
The fiery blossoms of the peach!
O Life and Love! O happy throng
Of thoughts, whose only speech is song!
O heart of man! canst thou not be
Blithe as the air is, and as free?
O gift of God! O perfect day:
Whereon shall no man work, but play;
Whereon it is enough for me,
Not to be doing, but to be!
Through every fibre of my brain,
Through every nerve, through every vein,
I feel the electric thrill, the touch
Of life, that seems almost too much.
I hear the wind among the trees
Playing celestial symphonies;
I see the branches downward bent,
Like keys of some great instrument.
And over me unrolls on high
The splendid scenery of the sky,
Where though a sapphire sea the sun
Sails like a golden galleon,
Towards yonder cloud-land in the West,
Towards yonder Islands of the Blest,
Whose steep sierra far uplifts
Its craggy summits white with drifts.
Blow, winds! and waft through all the rooms
The snow-flakes of the cherry-blooms!
Blow, winds! and bend within my reach
The fiery blossoms of the peach!
O Life and Love! O happy throng
Of thoughts, whose only speech is song!
O heart of man! canst thou not be
Blithe as the air is, and as free?
344
Henry Van Dyke
Work
Work
Let me but do my work from day to day,
In field or forest, at the desk or loom,
In roaring market-place or tranquil room;
Let me but find it in my heart to say,
When vagrant wishes beckon me astray,
"This is my work; my blessing, not my doom;
"Of all who live, I am the one by whom
"This work can best be done in the right way."
Then shall I see it not too great, nor small,
To suit my spirit and to prove my powers;
Then shall I cheerful greet the labouring hours,
And cheerful turn, when the long shadows fall
At eventide, to play and love and rest,
Because I know for me my work is best.
Let me but do my work from day to day,
In field or forest, at the desk or loom,
In roaring market-place or tranquil room;
Let me but find it in my heart to say,
When vagrant wishes beckon me astray,
"This is my work; my blessing, not my doom;
"Of all who live, I am the one by whom
"This work can best be done in the right way."
Then shall I see it not too great, nor small,
To suit my spirit and to prove my powers;
Then shall I cheerful greet the labouring hours,
And cheerful turn, when the long shadows fall
At eventide, to play and love and rest,
Because I know for me my work is best.
344
Henry Van Dyke
Without Disguise
Without Disguise
If I have erred in showing all my heart,
And lost your favour by a lack of pride;
If standing like a beggar at your side
With naked feet, I have forgot the art
Of those who bargain well in passion's mart,
And win the thing they want by what they hide;
Be mine the fault as mine the hope denied,
Be mine the lover's and the loser's part.
The sin, if sin it was, I do repent,
And take the penance on myself alone;
Yet after I have borne the punishment,
I shall not fear to stand before the throne
Of Love with open heart, and make this plea:
"At least I have not lied to her nor Thee!"
If I have erred in showing all my heart,
And lost your favour by a lack of pride;
If standing like a beggar at your side
With naked feet, I have forgot the art
Of those who bargain well in passion's mart,
And win the thing they want by what they hide;
Be mine the fault as mine the hope denied,
Be mine the lover's and the loser's part.
The sin, if sin it was, I do repent,
And take the penance on myself alone;
Yet after I have borne the punishment,
I shall not fear to stand before the throne
Of Love with open heart, and make this plea:
"At least I have not lied to her nor Thee!"
354
Henry Van Dyke
Without Disguise
Without Disguise
If I have erred in showing all my heart,
And lost your favour by a lack of pride;
If standing like a beggar at your side
With naked feet, I have forgot the art
Of those who bargain well in passion's mart,
And win the thing they want by what they hide;
Be mine the fault as mine the hope denied,
Be mine the lover's and the loser's part.
The sin, if sin it was, I do repent,
And take the penance on myself alone;
Yet after I have borne the punishment,
I shall not fear to stand before the throne
Of Love with open heart, and make this plea:
"At least I have not lied to her nor Thee!"
If I have erred in showing all my heart,
And lost your favour by a lack of pride;
If standing like a beggar at your side
With naked feet, I have forgot the art
Of those who bargain well in passion's mart,
And win the thing they want by what they hide;
Be mine the fault as mine the hope denied,
Be mine the lover's and the loser's part.
The sin, if sin it was, I do repent,
And take the penance on myself alone;
Yet after I have borne the punishment,
I shall not fear to stand before the throne
Of Love with open heart, and make this plea:
"At least I have not lied to her nor Thee!"
354
Henry Van Dyke
Undine
Undine
'T was far away and long ago,
When I was but a dreaming boy,
This fairy tale of love and woe
Entranced my heart with tearful joy;
And while with white Undine I wept,
Your spirit, -- ah, how strange it seems, --
Was cradled in some star, and slept,
Unconscious of her coming dreams.
'T was far away and long ago,
When I was but a dreaming boy,
This fairy tale of love and woe
Entranced my heart with tearful joy;
And while with white Undine I wept,
Your spirit, -- ah, how strange it seems, --
Was cradled in some star, and slept,
Unconscious of her coming dreams.
352
Henry Van Dyke
Undine
Undine
'T was far away and long ago,
When I was but a dreaming boy,
This fairy tale of love and woe
Entranced my heart with tearful joy;
And while with white Undine I wept,
Your spirit, -- ah, how strange it seems, --
Was cradled in some star, and slept,
Unconscious of her coming dreams.
'T was far away and long ago,
When I was but a dreaming boy,
This fairy tale of love and woe
Entranced my heart with tearful joy;
And while with white Undine I wept,
Your spirit, -- ah, how strange it seems, --
Was cradled in some star, and slept,
Unconscious of her coming dreams.
352
Henry Van Dyke
Victor Hugo
Victor Hugo
Heart of France for a hundred years,
Passionate, sensitive, proud, and strong,
Quick to throb with her hopes and fears,
Fierce to flame with her sense of wrong!
You, who hailed with a morning song
Dream-light gilding a throne of old:
You, who turned when the dream grew cold,
Singing still, to the light that shone
Pure from Liberty's ancient throne,
Over the human throng!
You, who dared in the dark eclipse,--
When the pygmy heir of a giant name
Dimmed the face of the land with shame,--
Speak the truth with indignant lips,
Call him little whom men called great,
Scoff at him, scorn him, deny him,
Point to the blood on his robe of state,
Fling back his bribes and defy him!
You, who fronted the waves of fate
As you faced the sea from your island home,
Exiled, yet with a soul elate,
Sending songs o'er the rolling foam,
Bidding the heart of man to wait
For the day when all should see
Floods of wrath from the frowning skies
Fall on an Empire founded in lies,
And France again be free!
You, who came in the Terrible Year
Swiftly back to your broken land,
Now to your heart a thousand times more dear,--
Prayed for her, sung to her, fought for her,
Patiently, fervently wrought for her,
Till once again,
After the storm of fear and pain,
High in the heavens the star of France stood clear!
You, who knew that a man must take
Good and ill with a steadfast soul,
Holding fast, while the billows roll
Over his head, to the things that make
Life worth living for great and small,--
Honour and pity and truth,
The heart and the hope of youth,
And the good God over all!
You, to whom work was rest,
Dauntless Toiler of the Sea,
Following ever the joyful quest
Of beauty on the shores of old Romance,
Bard of the poor of France,
And warrior-priest of world-wide charity!
You who loved little children best
Of all the poets that ever sung,
Great heart, golden heart,
Old, and yet ever young,
Minstrel of liberty,
Lover of all free, winged things,
Now at last you are free,--
Your soul has its wings!
Heart of France for a hundred years,
Floating far in the light that never fails you,
Over the turmoil of mortal hopes and fears
Victor, forever victor, the whole world hails you!
Heart of France for a hundred years,
Passionate, sensitive, proud, and strong,
Quick to throb with her hopes and fears,
Fierce to flame with her sense of wrong!
You, who hailed with a morning song
Dream-light gilding a throne of old:
You, who turned when the dream grew cold,
Singing still, to the light that shone
Pure from Liberty's ancient throne,
Over the human throng!
You, who dared in the dark eclipse,--
When the pygmy heir of a giant name
Dimmed the face of the land with shame,--
Speak the truth with indignant lips,
Call him little whom men called great,
Scoff at him, scorn him, deny him,
Point to the blood on his robe of state,
Fling back his bribes and defy him!
You, who fronted the waves of fate
As you faced the sea from your island home,
Exiled, yet with a soul elate,
Sending songs o'er the rolling foam,
Bidding the heart of man to wait
For the day when all should see
Floods of wrath from the frowning skies
Fall on an Empire founded in lies,
And France again be free!
You, who came in the Terrible Year
Swiftly back to your broken land,
Now to your heart a thousand times more dear,--
Prayed for her, sung to her, fought for her,
Patiently, fervently wrought for her,
Till once again,
After the storm of fear and pain,
High in the heavens the star of France stood clear!
You, who knew that a man must take
Good and ill with a steadfast soul,
Holding fast, while the billows roll
Over his head, to the things that make
Life worth living for great and small,--
Honour and pity and truth,
The heart and the hope of youth,
And the good God over all!
You, to whom work was rest,
Dauntless Toiler of the Sea,
Following ever the joyful quest
Of beauty on the shores of old Romance,
Bard of the poor of France,
And warrior-priest of world-wide charity!
You who loved little children best
Of all the poets that ever sung,
Great heart, golden heart,
Old, and yet ever young,
Minstrel of liberty,
Lover of all free, winged things,
Now at last you are free,--
Your soul has its wings!
Heart of France for a hundred years,
Floating far in the light that never fails you,
Over the turmoil of mortal hopes and fears
Victor, forever victor, the whole world hails you!
384
Henry Van Dyke
To James Whitcomb Riley
To James Whitcomb Riley
On his "Book of Joyous Children"
Yours is a garden of old-fashioned flowers;
Joyous children delight to play there;
Weary men find rest in its bowers,
Watching the lingering light of day there.
Old-time tunes and young love's laughter
Ripple and run among the roses;
Memory's echoes, murmuring after,
Fill the dusk when the long day closes.
Simple songs with a cadence olden--
These you learned in the Forest of Arden:
Friendly flowers with hearts all golden--
These you borrowed from Eden's garden.
This is the reason why all men love you;
Truth to life is the charm of art:
Other poets may soar above you--
You keep close to the human heart.
On his "Book of Joyous Children"
Yours is a garden of old-fashioned flowers;
Joyous children delight to play there;
Weary men find rest in its bowers,
Watching the lingering light of day there.
Old-time tunes and young love's laughter
Ripple and run among the roses;
Memory's echoes, murmuring after,
Fill the dusk when the long day closes.
Simple songs with a cadence olden--
These you learned in the Forest of Arden:
Friendly flowers with hearts all golden--
These you borrowed from Eden's garden.
This is the reason why all men love you;
Truth to life is the charm of art:
Other poets may soar above you--
You keep close to the human heart.
301
Henry Van Dyke
Thomas Bailey Aldrich
Thomas Bailey Aldrich
I
BIRTHDAY VERSES
Dear Aldrich, now November's mellow days
Have brought another Festa round to you,
You can't refuse a loving-cup of praise
From friends the fleeting years have bound to you.
Here come your Marjorie Daw, your dear Bad Boy,
Prudence, and Judith the Bethulian,
And many more, to wish you birthday joy,
And sunny hours, and sky caerulean!
Your children all, they hurry to your den,
With wreaths of honour they have won for you,
To merry-make your threescore years and ten.
You, old? Why, life has just begun for you!
There's many a reader whom your silver songs
And crystal stories cheer in loneliness.
What though the newer writers come in throngs?
You're sure to keep your charm of only-ness.
You do your work with careful, loving touch, --
An artist to the very core of you, --
You know the magic spell of "not-too-much ":
We read, -- and wish that there was more of you.
And more there is: for while we love your books
Because their subtle skill is part of you;
We love you better, for our friendship looks
Behind them to the human heart of you.
November 24, 1906.
II
MEMORIAL SONNET
THIS is the house where little Aldrich read
The early pages of Life's wonder-book:
With boyish pleasure, in this ingle-nook
He watched the drift-wood fire of Fancy spread
Bright colours on the pictures, blue and red:
Boy-like he skipped the longer words, and took
His happy way, with searching, dreamful look
Among the deeper things more simply said.
Then, came his turn to write: and still the flame
Of Fancy played through all the tales he told,
And still he won the laurelled poet's fame
With simple words wrought into rhymes of gold.
Look, here's the face to which this house is frame, --
A man too wise to let his heart grow old!
I
BIRTHDAY VERSES
Dear Aldrich, now November's mellow days
Have brought another Festa round to you,
You can't refuse a loving-cup of praise
From friends the fleeting years have bound to you.
Here come your Marjorie Daw, your dear Bad Boy,
Prudence, and Judith the Bethulian,
And many more, to wish you birthday joy,
And sunny hours, and sky caerulean!
Your children all, they hurry to your den,
With wreaths of honour they have won for you,
To merry-make your threescore years and ten.
You, old? Why, life has just begun for you!
There's many a reader whom your silver songs
And crystal stories cheer in loneliness.
What though the newer writers come in throngs?
You're sure to keep your charm of only-ness.
You do your work with careful, loving touch, --
An artist to the very core of you, --
You know the magic spell of "not-too-much ":
We read, -- and wish that there was more of you.
And more there is: for while we love your books
Because their subtle skill is part of you;
We love you better, for our friendship looks
Behind them to the human heart of you.
November 24, 1906.
II
MEMORIAL SONNET
THIS is the house where little Aldrich read
The early pages of Life's wonder-book:
With boyish pleasure, in this ingle-nook
He watched the drift-wood fire of Fancy spread
Bright colours on the pictures, blue and red:
Boy-like he skipped the longer words, and took
His happy way, with searching, dreamful look
Among the deeper things more simply said.
Then, came his turn to write: and still the flame
Of Fancy played through all the tales he told,
And still he won the laurelled poet's fame
With simple words wrought into rhymes of gold.
Look, here's the face to which this house is frame, --
A man too wise to let his heart grow old!
305