Others

Good-By Now or Pardon My Gauntlet
Bring down the moon for genteel Janet;
She's too refined for this gross planet.
She wears garments and you wear clothes,
You buy stockings, she purchases hose.
She say That is correct, and you say Yes,
And she disrobes and you undress.
Confronted by a mouse or moose,
You turn green, she turns chartroose.
Her speech is new-minted, freshly quarried;
She has a fore-head, you have a forehead.
Nor snake nor slowworm draweth nigh her;
You go to bed, she doth retire.
To Janet, births are blessed events,
And odors that you smell she scents.
Replete she feels, when her food is yummy,
Not in the stomach but the tummy.
If urged some novel step to show,
You say Like this, she says Like so.
Her dear ones don't die, but pass away;
Beneath her formal is lonjeray.
Of refinement she's a fount, or fountess,
And that is why she's now a countess.
She was asking for the little girls' room
And a flunky though she said the earl's room.

Biological Reflection
A girl whose cheeks are covered with paint
Has an advantage with me over one whose ain't.

A Lady Who Thinks She Is Thirty
Unwillingly Miranda wakes,
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.
Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.
Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.
Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.
Time is timelessness for you;
Calendars for the human;
What's a year, or thirty, to
Loveliness made woman?
Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then--
How old is Spring, Miranda?

Hymns to the Night :
Now I know when will come the last morning -- when the Light no more scares away
Night and Love -- when sleep shall be without waking, and but one continuous dream. I
feel in me a celestial exhaustion. Long and weariful was my pilgrimage to the holy
grave, and crushing was the cross. The crystal wave, which, imperceptible to the
ordinary sense, springs in the dark bosom of the mound against whose foot breaks the
flood of the world, he who has tasted it, he who has stood on the mountain frontier of
the world, and looked across into the new land, into the abode of the Night -- truly he
turns not again into the tumult of the world, into the land where dwells the Light in
ceaseless unrest.
On those heights he builds for himself tabernacles -- tabernacles of peace, there longs
and loves and gazes across, until the welcomest of all hours draws him down into the
waters of the spring -- afloat above remains what is earthly, and is swept back in
storms, but what became holy by the touch of love, runs free through hidden ways to
the region beyond, where, like fragrances, it mingles with love asleep.
Still wakest thou, cheerful Light, that weary man to his labor -- and into me pourest
joyous life -- but thou wilest me not away from Memory's moss-grown monument.
Gladly will I stir busy hands, everywhere behold where thou hast need of me -- praise
the lustre of thy splendor -- pursue unwearied the lovely harmonies of thy skilled
handicraft -- gladly contemplate the clever pace of thy mighty, luminous clock --
explore the balance of the forces and the laws of the wondrous play of countless worlds
and their seasons. But true to the Night remains my secret heart, and to creative Love,
her daughter. Canst thou show me a heart eternally true? has thy sun friendly eyes
that know me? do thy stars lay hold of my longing hand? and return me the tender
pressure and the caressing word? was it thou did adorn them with colors and a
flickering outline -- or was it she who gave to thy jewels a higher, a dearer weight?
What delight, what pleasure offers thy life, to outweigh the transports of Death? Wears
not everything that inspires us the color of the Night? She sustains thee mother-like,
and to her thou owest all thy glory. Thou wouldst vanish into thyself -- in boundless
space thou wouldst dissolve, if she did not hold thee fast, if she swaddled thee not, so
that thou grewest warm, and flaming, begot the universe. Truly I was, before thou
wast -- the mother sent me with my brothers and sisters to inhabit thy world, to hallow
it with love that it might be an ever-present memorial -- to plant it with flowers
unfading. As yet they have not ripened, these thoughts divine -- as yet is there small
trace of our coming revelation -- One day thy clock will point to the end of time, and
then thou shalt be as one of us, and shalt, full of ardent longing, be extinguished and
die. I feel in me the close of thy activity -- heavenly freedom, and blessed return. With
wild pangs I recognize thy distance from our home, thy resistance against the ancient,
glorious heaven. Thy rage and thy raving are in vain. Unscorchable stands the cross --
victory-banner of our breed.
Over I journey
And for each pain
A pleasant sting only
Shall one day remain.
Yet in a few moments
Then free am I,
And intoxicated
In Love's lap lie.
Life everlasting
Lifts, wave-like, at me,


I gaze from its summit
Down after thee.
Your lustre must vanish
Yon mound underneath --
A shadow will bring thee
Thy cooling wreath.
Oh draw at my heart, love,
Draw till I'm gone,
That, fallen asleep, I
Still may love on.
I feel the flow of
Death's youth-giving flood
To balsam and ether
Transform my blood --
I live all the daytime
In faith and in might
And in holy fire
I die every night.

Hymns to the Night :
Must the morning always return? Will the despotism of the earthly never cease? Unholy
activity consumes the angel-visit of the Night. Will the time never come when Love's
hidden sacrifice shall burn eternally? To the Light a season was set; but everlasting and
boundless is the dominion of the Night. -- Endless is the duration of sleep. Holy Sleep
-- gladden not too seldom in this earthly day-labor, the devoted servant of the Night.
Fools alone mistake thee, knowing nought of sleep but the shadow which, in the
twilight of the real Night, thou pitifully castest over us. They feel thee not in the golden
flood of the grapes -- in the magic oil of the almond tree -- and the brown juice of the
poppy. They know not that it is thou who hauntest the bosom of the tender maiden,
and makest a heaven of her lap -- never suspect it is thou, opening the doors to
Heaven, that steppest to meet them out of ancient stories, bearing the key to the
dwellings of the blessed, silent messenger of secrets infinite.

Hymns to the Night :
Before all the wondrous shows of the widespread space around him, what living,
sentient thing loves not the all-joyous light -- with its colors, its rays and undulations,
its gentle omnipresence in the form of the wakening Day? The giant-world of the
unresting constellations inhales it as the innermost soul of life, and floats dancing in its
blue flood -- the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the
wild, burning multiform beast inhales it -- but more than all, the lordly stranger with
the sense-filled eyes, the swaying walk, and the sweetly closed, melodious lips. Like a
king over earthly nature, it rouses every force to countless transformations, binds and
unbinds innumerable alliances, hangs its heavenly form around every earthly
substance. -- Its presence alone reveals the marvelous splendor of the kingdoms of the
world.
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world -- sunk in a
deep grave -- waste and lonely is its place. In the chords of the bosom blows a deep
sadness. I am ready to sink away in drops of dew, and mingle with the ashes. -- The
distances of memory, the wishes of youth, the dreams of childhood, the brief joys and
vain hopes of a whole long life, arise in gray garments, like an evening vapor after the
sunset. In other regions the light has pitched its joyous tents. What if it should never
return to its children, who wait for it with the faith of innocence?
What springs up all at once so sweetly boding in my heart, and stills the soft air of
sadness? Dost thou also take a pleasure in us, dark Night? What holdest thou under
thy mantle, that with hidden power affects my soul? Precious balm drips from thy hand
out of its bundle of poppies. Thou upliftest the heavy-laden wings of the soul. Darkly
and inexpressibly are we moved -- joy-startled, I see a grave face that, tender and
worshipful, inclines toward me, and, amid manifold entangled locks, reveals the
youthful loveliness of the Mother. How poor and childish a thing seems to me now the
Light -- how joyous and welcome the departure of the day -- because the Night turns
away from thee thy servants, you now strew in the gulfs of space those flashing
globes, to proclaim thy omnipotence -- thy return -- in seasons of thy absence. More
heavenly than those glittering stars we hold the eternal eyes which the Night hath
opened within us. Farther they see than the palest of those countless hosts -- needing
no aid from the light, they penetrate the depths of a loving soul -- that fills a loftier
region with bliss ineffable. Glory to the queen of the world, to the great prophet of the
holier worlds, to the guardian of blissful love -- she sends thee to me -- thou tenderly
beloved -- the gracious sun of the Night, -- now am I awake -- for now am I thine and
mine -- thou hast made me know the Night -- made of me a man -- consume with
spirit-fire my body, that I, turned to finer air, may mingle more closely with thee, and
then our bridal night endure forever.

Hymns to the Night :
Before all the wondrous shows of the widespread space around him, what living,
sentient thing loves not the all-joyous light -- with its colors, its rays and undulations,
its gentle omnipresence in the form of the wakening Day? The giant-world of the
unresting constellations inhales it as the innermost soul of life, and floats dancing in its
blue flood -- the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the
wild, burning multiform beast inhales it -- but more than all, the lordly stranger with
the sense-filled eyes, the swaying walk, and the sweetly closed, melodious lips. Like a
king over earthly nature, it rouses every force to countless transformations, binds and
unbinds innumerable alliances, hangs its heavenly form around every earthly
substance. -- Its presence alone reveals the marvelous splendor of the kingdoms of the
world.
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world -- sunk in a
deep grave -- waste and lonely is its place. In the chords of the bosom blows a deep
sadness. I am ready to sink away in drops of dew, and mingle with the ashes. -- The
distances of memory, the wishes of youth, the dreams of childhood, the brief joys and
vain hopes of a whole long life, arise in gray garments, like an evening vapor after the
sunset. In other regions the light has pitched its joyous tents. What if it should never
return to its children, who wait for it with the faith of innocence?
What springs up all at once so sweetly boding in my heart, and stills the soft air of
sadness? Dost thou also take a pleasure in us, dark Night? What holdest thou under
thy mantle, that with hidden power affects my soul? Precious balm drips from thy hand
out of its bundle of poppies. Thou upliftest the heavy-laden wings of the soul. Darkly
and inexpressibly are we moved -- joy-startled, I see a grave face that, tender and
worshipful, inclines toward me, and, amid manifold entangled locks, reveals the
youthful loveliness of the Mother. How poor and childish a thing seems to me now the
Light -- how joyous and welcome the departure of the day -- because the Night turns
away from thee thy servants, you now strew in the gulfs of space those flashing
globes, to proclaim thy omnipotence -- thy return -- in seasons of thy absence. More
heavenly than those glittering stars we hold the eternal eyes which the Night hath
opened within us. Farther they see than the palest of those countless hosts -- needing
no aid from the light, they penetrate the depths of a loving soul -- that fills a loftier
region with bliss ineffable. Glory to the queen of the world, to the great prophet of the
holier worlds, to the guardian of blissful love -- she sends thee to me -- thou tenderly
beloved -- the gracious sun of the Night, -- now am I awake -- for now am I thine and
mine -- thou hast made me know the Night -- made of me a man -- consume with
spirit-fire my body, that I, turned to finer air, may mingle more closely with thee, and
then our bridal night endure forever.

Things I Didn't Know I Loved
it's March th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird
I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love
and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me
I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in I tied an embroidered linen handkerchief
to a pine bough for luck
I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
Koktebele
formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life


bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there's a lantern in the servant's hand
and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison
I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side
I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos
snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow
I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way


I didn't know I loved the sea
except the Sea of Azov
or how much
I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts
moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it
I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn't know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue
the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return
April
Moscow
Trans. by Randy Blasing and Mutlu Konuk ()

Letters From A Man In Solitary

I carved your name on my watchband
with my fingernail.
Where I am, you know,
I don't have a pearl-handled jackknife
(they won't give me anything sharp)
or a plane tree with its head in the clouds.
Trees may grow in the yard,
but I'm not allowed
to see the sky overhead...
How many others are in this place?
I don't know.
I'm alone far from them,
they're all together far from me.
To talk anyone besides myself
is forbidden.
So I talk to myself.
But I find my conversation so boring,
my dear wife, that I sing songs.
And what do you know,
that awful, always off-key voice of mine
touches me so
that my heart breaks.
And just like the barefoot orphan
lost in the snow
in those old sad stories, my heart
-- with moist blue eyes
and a little red runny rose --
wants to snuggle up in your arms.
It doesn't make me blush
that right now
I'm this weak,
this selfish,
this human simply.
No doubt my state can be explained
physiologically, psychologically, etc.
Or maybe it's
this barred window,
this earthen jug,
these four walls,
which for months have kept me from hearing
another human voice.
It's five o'clock, my dear.
Outside,
with its dryness,
eerie whispers,
mud roof,
and lame, skinny horse
standing motionless in infinity
-- I mean, it's enough to drive the man inside crazy with grief --
outside, with all its machinery and all its art,


a plains night comes down red on treeless space.
Again today, night will fall in no time.
A light will circle the lame, skinny horse.
And the treeless space, in this hopeless landscape
stretched out before me like the body of a hard man,
will suddenly be filled with stars.
We'll reach the inevitable end once more,
which is to say the stage is set
again today for an elaborate nostalgia.
Me,
the man inside,
once more I'll exhibit my customary talent,
and singing an old-fashioned lament
in the reedy voice of my childhood,
once more, by God, it will crush my unhappy heart
to hear you inside my head,
so far
away, as if I were watching you
in a smoky, broken mirror...

It's spring outside, my dear wife, spring.
Outside on the plain, suddenly the smell
of fresh earth, birds singing, etc.
It's spring, my dear wife,
the plain outside sparkles...
And inside the bed comes alive with bugs,
the water jug no longer freezes,
and in the morning sun floods the concrete...
The sun--
every day till noon now
it comes and goes
from me, flashing off
and on...
And as the day turns to afternoon, shadows climb the walls,
the glass of the barred window catches fire,
and it's night outside,
a cloudless spring night...
And inside this is spring's darkest hour.
In short, the demon called freedom,
with its glittering scales and fiery eyes,
possesses the man inside
especially in spring...
I know this from experience, my dear wife,
from experience...

Sunday today.
Today they took me out in the sun for the first time.
And I just stood there, struck for the first time in my life
by how far away the sky is,


how blue
and how wide.
Then I respectfully sat down on the earth.
I leaned back against the wall.
For a moment no trap to fall into,
no struggle, no freedom, no wife.
Only earth, sun, and me...
I am happy.
Trans. by Randy Blasing and Mutlu Konuk ()

Hymn To Life
The hair falling on your forehead
suddenly lifted.
Suddenly something stirred on the ground.
The trees are whispering
in the dark.
Your bare arms will be cold.
Far off
where we can't see,
the moon must be rising.
It hasn't reached us yet,
slipping through the leaves
to light up your shoulder.
But I know
a wind comes up with the moon.
The trees are whispering.
Your bare arms will be cold.
From above,
from the branches lost in the dark,
something dropped at your feet.
You moved closer to me.
Under my hand your bare flesh is like the fuzzy skin of a fruit.
Neither a song of the heart nor "common sense"--
before the trees, birds, and insects,
my hand on my wife's flesh
is thinking.
Tonight my hand
can't read or write.
Neither loving nor unloving...
It's the tongue of a leopard at a spring,
a grape leaf,
a wolf's paw.
To move, breathe, eat, drink.
My hand is like a seed
splitting open underground.
Neither a song of the heart nor "common sense,"
neither loving nor unloving.
My hand thinking on my wife's flesh
is the hand of the first man.
Like a root that finds water underground,
it says to me:
"To eat, drink, cold, hot, struggle, smell, color--
not to live in order to die
but to die to live..."
And now
as red female hair blows across my face,
as something stirs on the ground,
as the trees whisper in the dark,
and as the moon rises far off
where we can't see,


my hand on my wife's flesh
before the trees, birds, and insects,
I want the right of life,
of the leopard at the spring, of the seed splitting open--
I want the right of the first man.
Trans. by Randy Blasing and Mutlu Konuk ()

Angina Pectoris
If half my heart is here, doctor,
the other half is in China
with the army flowing
toward the Yellow River.
And, every morning, doctor,
every morning at sunrise my heart
is shot in Greece.
And every night,c doctor,
when the prisoners are asleep and the infirmary is deserted,
my heart stops at a run-down old house
in Istanbul.
And then after ten years
all i have to offer my poor people
is this apple in my hand, doctor,
one read apple:
my heart.
And that, doctor, that is the reason
for this angina pectoris--
not nicotine, prison, or arteriosclerosis.
I look at the night through the bars,
and despite the weight on my chest
my heart still beats with the most distant stars.
Trans. by Randy Blasing and Mutlu Konuk ()

A Spring Piece Left In The Middle
Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,
I fly out of the printer's,
I'm on the street.
The lead dirt of the composing room
on my face,
seventy-five cents in my pocket.
SPRING IN THE AIR...
In the barbershops
they're powdering
the sallow cheeks
of the pariah of Publishers Row.
And in the store windows
three-color bookcovers
flash like sunstruck mirrors.
But me,
I don't have even a book of ABC's
that lives on this street
and carries my name on its door!
But what the hell...
I don't look back,
the lead dirt of the composing room
on my face,
seventy-five cents in my pocket,
SPRING IN THE AIR...
*
The piece got left in the middle.
It rained and swamped the lines.
But oh! what I would have written...
The starving writer sitting on his three-thousand-page
three-volume manuscript
wouldn't stare at the window of the kebab joint


but with his shining eyes would take
the Armenian bookseller's dark plump daughter by storm...
The sea would start smelling sweet.
Spring would rear up
like a sweating red mare
and, leaping onto its bare back,
I'd ride it
into the water.
Then
my typewriter would follow me
every step of the way.
I'd say:
"Oh, don't do it!
Leave me alone for an hour..."
then
my head-my hair failing out--
would shout into the distance:
"I AM IN LOVE..."
*
I'm twenty-seven,
she's seventeen.
"Blind Cupid,
lame Cupid,
both blind and lame Cupid
said, Love this girl,"
I was going to write;
I couldn't say it
but still can!
But if
it rained,
if the lines I wrote got swamped,
if I have twenty-five cents left in my pocket,
what the hell...
Hey, spring is here spring is here spring
spring is here!
My blood is budding inside me!
and April
Trans. by Randy Blasing and Mutlu Konuk ()

A Spring Piece Left In The Middle
Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,
I fly out of the printer's,
I'm on the street.
The lead dirt of the composing room
on my face,
seventy-five cents in my pocket.
SPRING IN THE AIR...
In the barbershops
they're powdering
the sallow cheeks
of the pariah of Publishers Row.
And in the store windows
three-color bookcovers
flash like sunstruck mirrors.
But me,
I don't have even a book of ABC's
that lives on this street
and carries my name on its door!
But what the hell...
I don't look back,
the lead dirt of the composing room
on my face,
seventy-five cents in my pocket,
SPRING IN THE AIR...
*
The piece got left in the middle.
It rained and swamped the lines.
But oh! what I would have written...
The starving writer sitting on his three-thousand-page
three-volume manuscript
wouldn't stare at the window of the kebab joint


but with his shining eyes would take
the Armenian bookseller's dark plump daughter by storm...
The sea would start smelling sweet.
Spring would rear up
like a sweating red mare
and, leaping onto its bare back,
I'd ride it
into the water.
Then
my typewriter would follow me
every step of the way.
I'd say:
"Oh, don't do it!
Leave me alone for an hour..."
then
my head-my hair failing out--
would shout into the distance:
"I AM IN LOVE..."
*
I'm twenty-seven,
she's seventeen.
"Blind Cupid,
lame Cupid,
both blind and lame Cupid
said, Love this girl,"
I was going to write;
I couldn't say it
but still can!
But if
it rained,
if the lines I wrote got swamped,
if I have twenty-five cents left in my pocket,
what the hell...
Hey, spring is here spring is here spring
spring is here!
My blood is budding inside me!
and April
Trans. by Randy Blasing and Mutlu Konuk ()

These Divine Verses

These divine verses,
As I write
Are
The hallowed revelations
Descending
From on high
The sound of the scribe's pen
In the stillness of the night is indeed
The heavenly muse
Uttering her immortal words

These Divine Verses

These divine verses,
As I write
Are
The hallowed revelations
Descending
From on high
The sound of the scribe's pen
In the stillness of the night is indeed
The heavenly muse
Uttering her immortal words

These Divine Verses

These divine verses,
As I write
Are
The hallowed revelations
Descending
From on high
The sound of the scribe's pen
In the stillness of the night is indeed
The heavenly muse
Uttering her immortal words

The dropp dies in the river

The dropp dies in the riverof its joy

Pain goes so far it cures itself
In the spring after the heavy rain the cloud disappears
That was nothing but tears

In the spring the mirror turns green
holding a miracle
Change the shining wind

The rose led us to our eyes
Let whatever is be open.
[Translated by W. S. Merwin and Aijaz Ahmed]

Let the ascetics sing of the garden of Paradise --

Let the ascetics sing of the garden of Paradise --
We who dwell in the true ecstasy can forget their vase-tamed bouquet.


In our hall of mirrors, the map of the one Face appears
As the sun's splendor would spangle a world made of dew.


Hidden in this image is also its end,
As peasants' lives harbor revolt and unthreshed corn sparks with fire.


Hidden in my silence are a thousand abandoned longings:
My words the darkened oil lamp on a stranger's unspeaking grave.


Ghalib, the road of change is before you always:
The only line stitching this world's scattered parts.

No Hope

I am left with no hope at all,
No possibility to reach my goal,


The Day of my death is fixed,
I am so very anxious that I can not sleep all night.


Though I know the reward of obedience and worship,
But I have no tendency for it.


I am silent for a certain reason,
Otherwise I can convince you with my words,


Why I shouldn't cry,
For when I don't, she asks about me,


My heart is burning, though you cannot see the spot,
But O my doctor, can't you smell my heart burn?


I have reached to a certain state,
From where even I cannot find myself.


I am dying (Waiting anxiously) for my death,
I don't know where the hell my death has gone.


With what face you will go to Ka'ba, O! Ghalib,
You should be ashamed of yourself while thinking to go there.

In Her Every Indication

Although in her every indication, the aim is something else
If she shows her affection(with me) , then different suspicion arises


Oh Lord, 'they' have not understood, nor will [they] understand, my speech
Give 'them' another heart, if you don't give me a different tongue


Does that glance of coquetry have a connection with the eyebrow?
It is certainly an arrow- perhaps it has a different bow


If you're in the city, then what grief do I have? when we get up
I will go and bring back from the bazaar a different heart and life


Although [I /we] became quick-handed / deft in idol-breaking
If I am alive, then in my path there will be many heavy-stones


The blood of the liver is in turmoil—or I would have wept to my heart's content
If I had had a number of different pure-blood-scattering eyes


I will die [of love] for that voice, although my head may fly off!
But let her keep saying to the executioner,'Yes, more/another! '


People are deceived about the world-{heating/burning} sun
Every day I show one different hidden scar/wound


There are many good poets in this world.
But it is said that Ghalib is in a league of his own.

It is not Love it is Madness

(You say) It is not love, it is madness
My madness may be the cause of your fame
Sever not my relationship with you
If nothing then be my enemy
What is the meaning of notoriety in meeting me
If not in public court meet me alone
I am not my own enemy
So what if the stranger is in love with you
Whatever you are, it is due to your own being
If this not known then it is ignorance
Life though fleets like a lightening flash
Yet it is abundant Time to be in love
I do not want debate on the sustenance of love
Be it not love but another dilemma
Give something O biased One
At least the sanction to cry and plea
I will perpetuate the rituals
Even if cruelty be your habit
Teasing and cajoling the beloved cannot leave 'Asad'
Even if there is no union and only the desire remains

He was, when it was aught

He was, when it was aught
He would still be, even if it might have been naught
Drowned I am in my ego
What would have happened if 'I' was not
Laden with distraught and feeling apathetic
do I have to worry about the head being severed
If it did not severe from the body
The head would have simply reposed on the lap
It has been ages that 'Ghalib' died
Yet the memories linger on
His saying this on every occasion
If it was 'like this' then what it would be!

Ghazal


I wish to go and dwell,
In such a place,
Where there's no one else.
No one to understand my speech,
No one around to talk with,
There, I want to reach.


I wish to build,
One such house,
Without a door to enter,
Without the boundary walls,
Thus there will be no neighbours,
And there will be no guard.


There will be no one thus,
To take care of me,
When I will fell ill.
And there will be no one,
To mourn or cry,
When I will die.

Ghazal


I wish to go and dwell,
In such a place,
Where there's no one else.
No one to understand my speech,
No one around to talk with,
There, I want to reach.


I wish to build,
One such house,
Without a door to enter,
Without the boundary walls,
Thus there will be no neighbours,
And there will be no guard.


There will be no one thus,
To take care of me,
When I will fell ill.
And there will be no one,
To mourn or cry,
When I will die.