Poems in this topic
Others
Lewis Carroll
Echoes
Echoes
Lady Clara Vere de Vere
Was eight years old, she said:
Every ringlet, lightly shaken, ran itself in golden thread.
She took her little porringer:
Of me she shall not win renown:
For the baseness of its nature shall have strength to drag her
down.
"Sisters and brothers, little Maid?
There stands the Inspector at thy door:
Like a dog, he hunts for boys who know not two and two are four."
"Kind words are more than coronets,"
She said, and wondering looked at me:
"It is the dead unhappy night, and I must hurry home to tea."
Lady Clara Vere de Vere
Was eight years old, she said:
Every ringlet, lightly shaken, ran itself in golden thread.
She took her little porringer:
Of me she shall not win renown:
For the baseness of its nature shall have strength to drag her
down.
"Sisters and brothers, little Maid?
There stands the Inspector at thy door:
Like a dog, he hunts for boys who know not two and two are four."
"Kind words are more than coronets,"
She said, and wondering looked at me:
"It is the dead unhappy night, and I must hurry home to tea."
217
Lewis Carroll
Bessie's Song To Her Doll
Bessie's Song To Her Doll
Matilda Jane, you never look
At any toy or picturebook.
I show you pretty things in vain
You must be blind, Matilda Jane!
I ask you riddles, tell you tales,
But all our conversation fails.
You never answer me again
I fear you're dumb, Matilda Jane!
Matilda darling, when I call,
You never seem to hear at all.
I shout with all my might and main
But you're so deaf, Matilda Jane!
Matilda Jane, you needn't mind,
For, though you're deaf and dumb and blind,
There's some one loves you, it is plain
And that is me, Matilda Jane!
Matilda Jane, you never look
At any toy or picturebook.
I show you pretty things in vain
You must be blind, Matilda Jane!
I ask you riddles, tell you tales,
But all our conversation fails.
You never answer me again
I fear you're dumb, Matilda Jane!
Matilda darling, when I call,
You never seem to hear at all.
I shout with all my might and main
But you're so deaf, Matilda Jane!
Matilda Jane, you needn't mind,
For, though you're deaf and dumb and blind,
There's some one loves you, it is plain
And that is me, Matilda Jane!
291
Lewis Carroll
Alice And The White Knight
Alice And The White Knight
Alice was walking beside the White Knight in Looking Glass Land.
'You are sad.' the Knight said in an anxious tone: 'let me sing you a song to comfort
you.'
'Is it very long?' Alice asked, for she had heard a good deal of poetry that day.
'It's long.' said the Knight, 'but it's very, very beautiful. Everybody that hears me sing
it either
it brings tears to their eyes, or else '
'Or else what?' said Alice, for the Knight had made a sudden pause.
'Or else it doesn't, you know. The name of the song is called 'Haddocks' Eyes.''
'Oh, that's the name of the song, is it?' Alice said, trying to feel interested.
'No, you don't understand,' the Knight said, looking a little vexed. 'That's what the
name
is called. The name really is 'The Aged, Aged Man.''
'Then I ought to have said 'That's what the song is called'?' Alice corrected herself.
'No you oughtn't: that's another thing. The song is called 'Ways and Means' but that's
only
what it's called, you know!'
'Well, what is the song then?' said Alice, who was by this time completely bewildered.
'I was coming to that,' the Knight said. 'The song really is 'Asitting
On a Gate': and the
tune's my own invention.'
So saying, he stopped his horse and let the reins fall on its neck: then slowly beating
time
with one hand, and with a faint smile lighting up his gentle, foolish face, he began:
I'll tell thee everything I can;
There's little to relate.
I saw an aged, aged man,
Asitting
on a gate.
'Who are you, aged man?' I said,
' And how is it you live?'
And his answer trickled through my head
like water through a sieve.
He said 'I look for butterflies
That sleep among the wheat:
I make them into mutton pies,
And sell them in the street.
I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread
A trifle if you please.'
But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, 'Come tell me how you live!'
And thumped him on the head.
His accents mild took up the tale:
He said, 'I go my ways,
And when I find a mountainrill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar Oil Yet
twopencehalfpenny
is all
They give me for my toil.'
But I was thinking of a way
To feed one's self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side
Until his face was blue:
'Come tell me how you live,' I cried,
'And what it is you do!'
He said 'I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.
'I sometimes dig for buttered rolls,
Or set limed twigs for crabs;
I sometimes search for grassy knolls
For wheels of hansomcabs.
And that's the way' (he gave a wink)
'By which I get my wealth And
very gladly will I drink
Your Honour's noble health.'
I heard him then, for I had just
Completed my design
To keep the Menai Bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for the wish that he
Might drink my noble health.
And now if e'er by chance I put
My fingers into glue,
Or madly squeeze a righthand
foot
Into a lefthand
shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know Whose
look was mild, whose speech was slow
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo That
summer evening long ago
Asitting
on a gate.
As the Knight sang the last words of the ballad, he gathered up the reins, and turned
his horse's head along the road by which they had come.
Alice was walking beside the White Knight in Looking Glass Land.
'You are sad.' the Knight said in an anxious tone: 'let me sing you a song to comfort
you.'
'Is it very long?' Alice asked, for she had heard a good deal of poetry that day.
'It's long.' said the Knight, 'but it's very, very beautiful. Everybody that hears me sing
it either
it brings tears to their eyes, or else '
'Or else what?' said Alice, for the Knight had made a sudden pause.
'Or else it doesn't, you know. The name of the song is called 'Haddocks' Eyes.''
'Oh, that's the name of the song, is it?' Alice said, trying to feel interested.
'No, you don't understand,' the Knight said, looking a little vexed. 'That's what the
name
is called. The name really is 'The Aged, Aged Man.''
'Then I ought to have said 'That's what the song is called'?' Alice corrected herself.
'No you oughtn't: that's another thing. The song is called 'Ways and Means' but that's
only
what it's called, you know!'
'Well, what is the song then?' said Alice, who was by this time completely bewildered.
'I was coming to that,' the Knight said. 'The song really is 'Asitting
On a Gate': and the
tune's my own invention.'
So saying, he stopped his horse and let the reins fall on its neck: then slowly beating
time
with one hand, and with a faint smile lighting up his gentle, foolish face, he began:
I'll tell thee everything I can;
There's little to relate.
I saw an aged, aged man,
Asitting
on a gate.
'Who are you, aged man?' I said,
' And how is it you live?'
And his answer trickled through my head
like water through a sieve.
He said 'I look for butterflies
That sleep among the wheat:
I make them into mutton pies,
And sell them in the street.
I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread
A trifle if you please.'
But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, 'Come tell me how you live!'
And thumped him on the head.
His accents mild took up the tale:
He said, 'I go my ways,
And when I find a mountainrill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar Oil Yet
twopencehalfpenny
is all
They give me for my toil.'
But I was thinking of a way
To feed one's self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side
Until his face was blue:
'Come tell me how you live,' I cried,
'And what it is you do!'
He said 'I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.
'I sometimes dig for buttered rolls,
Or set limed twigs for crabs;
I sometimes search for grassy knolls
For wheels of hansomcabs.
And that's the way' (he gave a wink)
'By which I get my wealth And
very gladly will I drink
Your Honour's noble health.'
I heard him then, for I had just
Completed my design
To keep the Menai Bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for the wish that he
Might drink my noble health.
And now if e'er by chance I put
My fingers into glue,
Or madly squeeze a righthand
foot
Into a lefthand
shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know Whose
look was mild, whose speech was slow
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo That
summer evening long ago
Asitting
on a gate.
As the Knight sang the last words of the ballad, he gathered up the reins, and turned
his horse's head along the road by which they had come.
207
Langston Hughes
Wisdom and War
Wisdom and War
We do not care-
That much is clear.
Not enough
Of us care
Anywhere.
We are not wise-
For that reason,
Mankind dies.
To think
Is much against
The will.
Better-
And easier-
To kill.
We do not care-
That much is clear.
Not enough
Of us care
Anywhere.
We are not wise-
For that reason,
Mankind dies.
To think
Is much against
The will.
Better-
And easier-
To kill.
355
Langston Hughes
When Sue Wears Red
When Sue Wears Red
When Susanna Jones wears red
her face is like an ancient cameo
Turned brown by the ages.
Come with a blast of trumphets, Jesus!
When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.
Blow trumphets, Jesus!
And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like a pain.
Sweet silver trumphets, Jesus!
When Susanna Jones wears red
her face is like an ancient cameo
Turned brown by the ages.
Come with a blast of trumphets, Jesus!
When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.
Blow trumphets, Jesus!
And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like a pain.
Sweet silver trumphets, Jesus!
369
Langston Hughes
To Artina
To Artina
I will take you heart.
I will take your soul out of your body
As though I were God.
I will not be satisfied
With the touch of your hand
Nor the sweet of your lips alone.
I will take your heart for mine.
I will take your soul.
I will be God when it comes to you.
I will take you heart.
I will take your soul out of your body
As though I were God.
I will not be satisfied
With the touch of your hand
Nor the sweet of your lips alone.
I will take your heart for mine.
I will take your soul.
I will be God when it comes to you.
524
Langston Hughes
Trumpet Player
Trumpet Player
The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs
The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jetwere
jet a crown
the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-
Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size
The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips
It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note
The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs
The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jetwere
jet a crown
the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-
Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size
The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips
It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note
440
Langston Hughes
Trumpet Player
Trumpet Player
The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs
The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jetwere
jet a crown
the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-
Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size
The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips
It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note
The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs
The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jetwere
jet a crown
the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-
Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size
The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips
It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note
440
Langston Hughes
The Weary Blues
The Weary Blues
Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway ....
He did a lazy sway ....
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man's soul.
O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan-"
Ain't got nobody in all this world,
Ain't got nobody but ma self.
I's gwine to quit ma frownin'
And put ma troubles on the shelf."
Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more-"
I got the Weary Blues
And I can't be satisfied.
Got the Weary Blues
And can't be satisfied--
I ain't happy no mo'
And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.
Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway ....
He did a lazy sway ....
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man's soul.
O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan-"
Ain't got nobody in all this world,
Ain't got nobody but ma self.
I's gwine to quit ma frownin'
And put ma troubles on the shelf."
Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more-"
I got the Weary Blues
And I can't be satisfied.
Got the Weary Blues
And can't be satisfied--
I ain't happy no mo'
And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.
703
Langston Hughes
The Negro Mother
The Negro Mother
Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --
Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.
Three hundred years in the deepest South:
But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.
Now, through my children, young and free,
I realized the blessing deed to me.
I couldn't read then. I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears,
But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun,
But I had to keep on till my work was done:
I had to keep on! No stopping for me --
I was the seed of the coming Free.
I nourished the dream that nothing could smother
Deep in my breast -- the Negro mother.
I had only hope then , but now through you,
Dark ones of today, my dreams must come true:
All you dark children in the world out there,
Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow --
And make of those years a torch for tomorrow.
Make of my pass a road to the light
Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife
Still bar you the way, and deny you life --
But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers
Impel you forever up the great stairs --
For I will be with you till no white brother
Dares keep down the children of the Negro Mother.
Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --
Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.
Three hundred years in the deepest South:
But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.
Now, through my children, young and free,
I realized the blessing deed to me.
I couldn't read then. I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears,
But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun,
But I had to keep on till my work was done:
I had to keep on! No stopping for me --
I was the seed of the coming Free.
I nourished the dream that nothing could smother
Deep in my breast -- the Negro mother.
I had only hope then , but now through you,
Dark ones of today, my dreams must come true:
All you dark children in the world out there,
Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow --
And make of those years a torch for tomorrow.
Make of my pass a road to the light
Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife
Still bar you the way, and deny you life --
But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers
Impel you forever up the great stairs --
For I will be with you till no white brother
Dares keep down the children of the Negro Mother.
629
Langston Hughes
Still Here
Still Here
been scared and battered.
My hopes the wind done scattered.
Snow has friz me,
Sun has baked me,
Looks like between 'em they done
Tried to make me
Stop laughin', stop lovin', stop livin'--
But I don't care!
I'm still here!
been scared and battered.
My hopes the wind done scattered.
Snow has friz me,
Sun has baked me,
Looks like between 'em they done
Tried to make me
Stop laughin', stop lovin', stop livin'--
But I don't care!
I'm still here!
332
Langston Hughes
Quiet Girl
Quiet Girl
I would liken you
To a night without stars
Were it not for your eyes.
I would liken you
To a sleep without dreams
Were it not for your songs.
I would liken you
To a night without stars
Were it not for your eyes.
I would liken you
To a sleep without dreams
Were it not for your songs.
424
Langston Hughes
Quiet Girl
Quiet Girl
I would liken you
To a night without stars
Were it not for your eyes.
I would liken you
To a sleep without dreams
Were it not for your songs.
I would liken you
To a night without stars
Were it not for your eyes.
I would liken you
To a sleep without dreams
Were it not for your songs.
424
Langston Hughes
Personal
Personal
In an envelope marked:
PERSONAL
God addressed me a letter.
In an envelope marked:
PERSONAL
I have given my answer.
In an envelope marked:
PERSONAL
God addressed me a letter.
In an envelope marked:
PERSONAL
I have given my answer.
434
Langston Hughes
My People
My People
The night is beautiful,
So the faces of my people.
The stars are beautiful,
So the eyes of my people.
Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.
The night is beautiful,
So the faces of my people.
The stars are beautiful,
So the eyes of my people.
Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.
417
Langston Hughes
My People
My People
The night is beautiful,
So the faces of my people.
The stars are beautiful,
So the eyes of my people.
Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.
The night is beautiful,
So the faces of my people.
The stars are beautiful,
So the eyes of my people.
Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.
417
Langston Hughes
Negro Speaks of Rivers
Negro Speaks of Rivers
I've known rivers:
I've known rivers ancient as the world and older than the
flow of human blood in human veins
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset
I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
I've known rivers:
I've known rivers ancient as the world and older than the
flow of human blood in human veins
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset
I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
472
Langston Hughes
I Dream A World
I Dream A World
I dream a world where man
No other man will scorn,
Where love will bless the earth
And peace its paths adorn
I dream a world where all
Will know sweet freedom's way,
Where greed no longer saps the soul
Nor avarice blights our day.
A world I dream where black or white,
Whatever race you be,
Will share the bounties of the earth
And every man is free,
Where wretchedness will hang its head
And joy, like a pearl,
Attends the needs of all mankind-
Of such I dream, my world!
I dream a world where man
No other man will scorn,
Where love will bless the earth
And peace its paths adorn
I dream a world where all
Will know sweet freedom's way,
Where greed no longer saps the soul
Nor avarice blights our day.
A world I dream where black or white,
Whatever race you be,
Will share the bounties of the earth
And every man is free,
Where wretchedness will hang its head
And joy, like a pearl,
Attends the needs of all mankind-
Of such I dream, my world!
675
Langston Hughes
Helen Keller
Helen Keller
She,
In the dark,
Found light
Brighter than many ever see.
She,
Within herself,
Found loveliness,
Through the soul's own mastery.
And now the world receives
From her dower:
The message of the strength
Of inner power.
She,
In the dark,
Found light
Brighter than many ever see.
She,
Within herself,
Found loveliness,
Through the soul's own mastery.
And now the world receives
From her dower:
The message of the strength
Of inner power.
498
Langston Hughes
Helen Keller
Helen Keller
She,
In the dark,
Found light
Brighter than many ever see.
She,
Within herself,
Found loveliness,
Through the soul's own mastery.
And now the world receives
From her dower:
The message of the strength
Of inner power.
She,
In the dark,
Found light
Brighter than many ever see.
She,
Within herself,
Found loveliness,
Through the soul's own mastery.
And now the world receives
From her dower:
The message of the strength
Of inner power.
498
Langston Hughes
Acceptance
Acceptance
God in His infinite wisdom
Did not make me very wise-
So when my actions are stupid
They hardly take God by surprise
God in His infinite wisdom
Did not make me very wise-
So when my actions are stupid
They hardly take God by surprise
531
Khalil Gibran
Vision X
Vision X
There in the middle of the field, by the side of a crystalline stream, I saw a bird-cage
whose rods and hinges were fashioned by an expert's hands. In one corner lay a dead
bird, and in another were two basins -- one empty of water and the other of seeds. I
stood there reverently, as if the lifeless bird and the murmur of the water were worthy
of deep silence and respect -- something worth of examination and meditation by the
heard and conscience.
As I engrossed myself in view and thought, I found that the poor creature had died of
thirst beside a stream of water, and of hunger in the midst of a rich field, cradle of life;
like a rich man locked inside his iron safe, perishing from hunger amid heaps of gold.
Before my eyes I saw the cage turned suddenly into a human skeleton, and the dead
bird into a man's heart which was bleeding from a deep wound that looked like the lips
of a sorrowing woman. A voice came from that wound saying, "I am the human heart,
prisoner of substance and victim of earthly laws.
"In God's field of Beauty, at the edge of the stream of life, I was imprisoned in the cage
of laws made by man.
"In the center of beautiful Creation I died neglected because I was kept from enjoying
the freedom of God's bounty.
"Everything of beauty that awakens my love and desire is a disgrace, according to
man's conceptions; everything of goodness that I crave is but naught, according to his
judgment.
"I am the lost human heart, imprisoned in the foul dungeon of man's dictates, tied with
chains of earthly authority, dead and forgotten by laughing humanity whose tongue is
tied and whose eyes are empty of visible tears."
All these words I heard, and I saw them emerging with a stream of ever thinning blood
from that wounded heart.
More was said, but my misted eyes and crying should prevented further sight or
hearing.
There in the middle of the field, by the side of a crystalline stream, I saw a bird-cage
whose rods and hinges were fashioned by an expert's hands. In one corner lay a dead
bird, and in another were two basins -- one empty of water and the other of seeds. I
stood there reverently, as if the lifeless bird and the murmur of the water were worthy
of deep silence and respect -- something worth of examination and meditation by the
heard and conscience.
As I engrossed myself in view and thought, I found that the poor creature had died of
thirst beside a stream of water, and of hunger in the midst of a rich field, cradle of life;
like a rich man locked inside his iron safe, perishing from hunger amid heaps of gold.
Before my eyes I saw the cage turned suddenly into a human skeleton, and the dead
bird into a man's heart which was bleeding from a deep wound that looked like the lips
of a sorrowing woman. A voice came from that wound saying, "I am the human heart,
prisoner of substance and victim of earthly laws.
"In God's field of Beauty, at the edge of the stream of life, I was imprisoned in the cage
of laws made by man.
"In the center of beautiful Creation I died neglected because I was kept from enjoying
the freedom of God's bounty.
"Everything of beauty that awakens my love and desire is a disgrace, according to
man's conceptions; everything of goodness that I crave is but naught, according to his
judgment.
"I am the lost human heart, imprisoned in the foul dungeon of man's dictates, tied with
chains of earthly authority, dead and forgotten by laughing humanity whose tongue is
tied and whose eyes are empty of visible tears."
All these words I heard, and I saw them emerging with a stream of ever thinning blood
from that wounded heart.
More was said, but my misted eyes and crying should prevented further sight or
hearing.
366
Khalil Gibran
Vision X
Vision X
There in the middle of the field, by the side of a crystalline stream, I saw a bird-cage
whose rods and hinges were fashioned by an expert's hands. In one corner lay a dead
bird, and in another were two basins -- one empty of water and the other of seeds. I
stood there reverently, as if the lifeless bird and the murmur of the water were worthy
of deep silence and respect -- something worth of examination and meditation by the
heard and conscience.
As I engrossed myself in view and thought, I found that the poor creature had died of
thirst beside a stream of water, and of hunger in the midst of a rich field, cradle of life;
like a rich man locked inside his iron safe, perishing from hunger amid heaps of gold.
Before my eyes I saw the cage turned suddenly into a human skeleton, and the dead
bird into a man's heart which was bleeding from a deep wound that looked like the lips
of a sorrowing woman. A voice came from that wound saying, "I am the human heart,
prisoner of substance and victim of earthly laws.
"In God's field of Beauty, at the edge of the stream of life, I was imprisoned in the cage
of laws made by man.
"In the center of beautiful Creation I died neglected because I was kept from enjoying
the freedom of God's bounty.
"Everything of beauty that awakens my love and desire is a disgrace, according to
man's conceptions; everything of goodness that I crave is but naught, according to his
judgment.
"I am the lost human heart, imprisoned in the foul dungeon of man's dictates, tied with
chains of earthly authority, dead and forgotten by laughing humanity whose tongue is
tied and whose eyes are empty of visible tears."
All these words I heard, and I saw them emerging with a stream of ever thinning blood
from that wounded heart.
More was said, but my misted eyes and crying should prevented further sight or
hearing.
There in the middle of the field, by the side of a crystalline stream, I saw a bird-cage
whose rods and hinges were fashioned by an expert's hands. In one corner lay a dead
bird, and in another were two basins -- one empty of water and the other of seeds. I
stood there reverently, as if the lifeless bird and the murmur of the water were worthy
of deep silence and respect -- something worth of examination and meditation by the
heard and conscience.
As I engrossed myself in view and thought, I found that the poor creature had died of
thirst beside a stream of water, and of hunger in the midst of a rich field, cradle of life;
like a rich man locked inside his iron safe, perishing from hunger amid heaps of gold.
Before my eyes I saw the cage turned suddenly into a human skeleton, and the dead
bird into a man's heart which was bleeding from a deep wound that looked like the lips
of a sorrowing woman. A voice came from that wound saying, "I am the human heart,
prisoner of substance and victim of earthly laws.
"In God's field of Beauty, at the edge of the stream of life, I was imprisoned in the cage
of laws made by man.
"In the center of beautiful Creation I died neglected because I was kept from enjoying
the freedom of God's bounty.
"Everything of beauty that awakens my love and desire is a disgrace, according to
man's conceptions; everything of goodness that I crave is but naught, according to his
judgment.
"I am the lost human heart, imprisoned in the foul dungeon of man's dictates, tied with
chains of earthly authority, dead and forgotten by laughing humanity whose tongue is
tied and whose eyes are empty of visible tears."
All these words I heard, and I saw them emerging with a stream of ever thinning blood
from that wounded heart.
More was said, but my misted eyes and crying should prevented further sight or
hearing.
366
Khalil Gibran
The Widow and Her Son XXI
The Widow and Her Son XXI
Night fell over North Lebanon and snow was covering the villages surrounded by the
Kadeesha Valley, giving the fields and prairies the appearance of a great sheet of
parchment upon which the furious Nature was recording her many deeds. Men came
home from the streets while silence engulfed the night.
In a lone house near those villages lived a woman who sat by her fireside spinning
wool, and at her side was her only child, staring now at the fire and then at his mother.
A terrible roar of thunder shook the house and the little boy shook with fright. He threw
his arms about his mother, seeking protection from Nature in her affection. She took
him to her bosom and kissed him; then she say him on her lap and said, "Do not fear,
my son, for Nature is but comparing her great power to man's weakness. There is a
Supreme Being beyond the falling snow and the heavy clouds and the blowing wind,
and He knows the needs of the earth, for He made it; and He looks upon the weak with
merciful eyes.
"Be brave, my boy. Nature smiles in Spring and laughs in Summer and yawns in
Autumn, but now she is weeping; and with her tears she waters life, hidden under the
earth.
"Sleep, my dear child; your father is viewing us from Eternity. The snow and thunder
bring us closer to him at this time.
"Sleep, my beloved, for this white blanket which makes us cold, keeps the seeds warm,
and these war-like things will produce beautiful flowers when Nisan comes.
"Thus, my child, man cannot reap love until after sad and revealing separation, and
bitter patience, and desperate hardship. Sleep, my little boy; sweet dreams will find
your soul who is unafraid of the terrible darkness of night and the biting frost."
The little boy looked upon his mother with sleep-laden eyes and said, "Mother, my eyes
are heavy, but I cannot go to bed without saying my prayer."
The woman looked at his angelic face, her vision blurred by misted eyes, and said,
"Repeat with me, my boy - 'God, have mercy on the poor and protect them from the
winter; warm their thin-clad bodies with Thy merciful hands; look upon the orphans
who are sleeping in wretched houses, suffering from hunger and cold. Hear, oh Lord,
the call of widows who are helpless and shivering with fear for their young. Open, oh
Lord, the hearts of all humans, that they may see the misery of the weak. Have mercy
upon the sufferers who knock on doors, and lead the wayfarers into warm places.
Watch, oh Lord, over the little birds and protect the trees and fields from the anger of
the storm; for Thou art merciful and full of love.'"
As Slumber captured the boy's spirit, his mother placed him in the bed and kissed his
eyes with quivering lips. Then she went back and sat by the hearth, spinning the wool
to make him raiment.
Night fell over North Lebanon and snow was covering the villages surrounded by the
Kadeesha Valley, giving the fields and prairies the appearance of a great sheet of
parchment upon which the furious Nature was recording her many deeds. Men came
home from the streets while silence engulfed the night.
In a lone house near those villages lived a woman who sat by her fireside spinning
wool, and at her side was her only child, staring now at the fire and then at his mother.
A terrible roar of thunder shook the house and the little boy shook with fright. He threw
his arms about his mother, seeking protection from Nature in her affection. She took
him to her bosom and kissed him; then she say him on her lap and said, "Do not fear,
my son, for Nature is but comparing her great power to man's weakness. There is a
Supreme Being beyond the falling snow and the heavy clouds and the blowing wind,
and He knows the needs of the earth, for He made it; and He looks upon the weak with
merciful eyes.
"Be brave, my boy. Nature smiles in Spring and laughs in Summer and yawns in
Autumn, but now she is weeping; and with her tears she waters life, hidden under the
earth.
"Sleep, my dear child; your father is viewing us from Eternity. The snow and thunder
bring us closer to him at this time.
"Sleep, my beloved, for this white blanket which makes us cold, keeps the seeds warm,
and these war-like things will produce beautiful flowers when Nisan comes.
"Thus, my child, man cannot reap love until after sad and revealing separation, and
bitter patience, and desperate hardship. Sleep, my little boy; sweet dreams will find
your soul who is unafraid of the terrible darkness of night and the biting frost."
The little boy looked upon his mother with sleep-laden eyes and said, "Mother, my eyes
are heavy, but I cannot go to bed without saying my prayer."
The woman looked at his angelic face, her vision blurred by misted eyes, and said,
"Repeat with me, my boy - 'God, have mercy on the poor and protect them from the
winter; warm their thin-clad bodies with Thy merciful hands; look upon the orphans
who are sleeping in wretched houses, suffering from hunger and cold. Hear, oh Lord,
the call of widows who are helpless and shivering with fear for their young. Open, oh
Lord, the hearts of all humans, that they may see the misery of the weak. Have mercy
upon the sufferers who knock on doors, and lead the wayfarers into warm places.
Watch, oh Lord, over the little birds and protect the trees and fields from the anger of
the storm; for Thou art merciful and full of love.'"
As Slumber captured the boy's spirit, his mother placed him in the bed and kissed his
eyes with quivering lips. Then she went back and sat by the hearth, spinning the wool
to make him raiment.
360