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Home and Household

James Whitcomb Riley

James Whitcomb Riley

Dead Leaves

DAWN

As though a gipsy maiden with dim look,
Sat crooning by the roadside of the year,
So, Autumn, in thy strangeness, thou art here
To read dark fortunes for us from the book
Of fate; thou flingest in the crinkled brook
The trembling maple's gold, and frosty-clear
Thy mocking laughter thrills the atmosphere,
And drifting on its current calls the rook
To other lands. As one who wades, alone,
Deep in the dusk, and hears the minor talk
Of distant melody, and finds the tone,
In some wierd way compelling him to stalk
The paths of childhood over,--so I moan,
And like a troubled sleeper, groping, walk.


DUSK


The frightened herds of clouds across the sky
Trample the sunshine down, and chase the day
Into the dusky forest-lands of gray
And somber twilight. Far, and faint, and high
The wild goose trails his harrow, with a cry
Sad as the wail of some poor castaway
Who sees a vessel drifting far astray
Of his last hope, and lays him down to die.
The children, riotous from school, grow bold
And quarrel with the wind, whose angry gust
Plucks off the summer hat, and flaps the fold
Of many a crimson cloak, and twirls the dust
In spiral shapes grotesque, and dims the gold
Of gleaming tresses with the blur of rust.


NIGHT


Funereal Darkness, drear and desolate,
Muffles the world. The moaning of the wind
Is piteous with sobs of saddest kind;
And laughter is a phantom at the gate
Of memory. The long-neglected grate
Within sprouts into flame and lights the mind
With hopes and wishes long ago refined
To ashes,--long departed friends await
Our words of welcome: and our lips are dumb
And powerless to greet the ones that press
Old kisses there. The baby beats its drum,
And fancy marches to the dear caress
Of mother-arms, and all the gleeful hum
Of home intrudes upon our loneliness.
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James Whitcomb Riley

James Whitcomb Riley

The Old Home By The Mill

This is 'The old Home by the Mill'--far we still call it so,
Although the old mill, roof and sill, is all gone long ago.
The old home, though, and old folks, and the old spring, and a few
Old cat-tails, weeds and hartychokes, is left to welcome you!


Here, Marg'et, fetch the man a tin to drink out of' Our spring
Keeps kindo-sorto cavin' in, but don't 'taste' anything!
She's kindo agein', Marg'et is--'the old process,' like me,
All ham-stringed up with rheumatiz, and on in seventy-three.


Jes' me and Marg'et lives alone here--like in long ago;
The childern all put off and gone, and married, don't you know?
One's millin' way out West somewhere; two other miller-boys
In Minnyopolis they air; and one's in Illinoise.


The oldest gyrl--the first that went--married and died right here;
The next lives in Winn's Settlement--for purt' nigh thirty year!
And youngest one--was allus far the old home here--but no!--
Her man turns in and he packs her 'way off to Idyho!


I don't miss them like _Marg'et_ does--'cause I got _her_, you see;
And when she pines for them--that's 'cause _she's_ only jes' got
_me_!
I laugh, and joke her 'bout it all.--But talkin' sense, I'll say,
When she was tuk so bad last Fall, I laughed the t'other way!


I haint so favorble impressed 'bout dyin'; but ef I
Found I was only second-best when _us two_ come to die,
I'd 'dopt the 'new process' in full, ef _Marg'et_ died, you see,-I'd
jes' crawl in my grave and pull the green grass over me!
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Gwendolyn Brooks

Gwendolyn Brooks

The Ballad of Rudolph Reed

Rudolph Reed was oaken.
His wife was oaken too.
And his two good girls and his good little man
Oakened as they grew.


"I am not hungry for berries.
I am not hungry for bread.
But hungry hungry for a house
Where at night a man in bed


"May never hear the plaster
Stir as if in pain.
May never hear the roaches
Falling like fat rain.


"Where never wife and children need
Go blinking through the gloom.
Where every room of many rooms
Will be full of room.


"Oh my home may have its east or west
Or north or south behind it.
All I know is I shall know it,
And fight for it when I find it."


The agent's steep and steady stare
Corroded to a grin.
Why you black old, tough old hell of a man,
Move your family in!


Nary a grin grinned Rudolph Reed,
Nary a curse cursed he,
But moved in his House. With his dark little wife,
And his dark little children three.


A neighbor would look, with a yawning eye
That squeezed into a slit.
But the Rudolph Reeds and children three
Were too joyous to notice it.


For were they not firm in a home of their own
With windows everywhere
And a beautiful banistered stair
And a front yard for flowers and a back for grass?


The first night, a rock, big as two fists.
The second, a rock big as three.
But nary a curse cursed Rudolph Reed.
(Though oaken as man could be.)


The third night, a silvery ring of glass.
Patience arched to endure,



But he looked, and lo! small Mabel's blood
Was staining her gaze so pure.


Then up did rise our Roodoplh Reed
And pressed the hand of his wife,
And went to the door with a thirty-four
And a beastly butcher knife.


He ran like a mad thing into the night
And the words in his mouth were stinking.
By the time he had hurt his first white man
He was no longer thinking.


By the time he had hurt his fourth white man
Rudolph Reed was dead.
His neighbors gathered and kicked his corpse.
"Nigger--" his neighbors said.


Small Mabel whimpered all night long,
For calling herself the cause.
Her oak-eyed mother did no thing
But change the bloody gauze.
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John Greenleaf Whittier

John Greenleaf Whittier

The Pumpkin

Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.


On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold
Through orange-leaves shining the broad spheres of gold;
Yet with dearer delight from his home in the North,
On the fields of his harvest the Yankee looks forth,
Where crook-necks are coiling and yellow fruit shines,
And the sun of September melts down on his vines.


Ah! on Thanksgiving day, when from East and from West,
From North and from South comes the pilgrim and guest;
When the gray-haired New Englander sees round his board
The old broken links of affection restored;
When the care-wearied man seeks his mother once more,
And the worn matron smiles where the girl smiled before;
What moistens the lip and what brightens the eye,
What calls back the past, like the rich Pumpkin pie?


Oh, fruit loved of boyhood! the old days recalling,
When wood-grapes were purpling and brown nuts were falling!
When wild, ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
When we laughed round the corn-heap, with hearts all in tune,
Our chair a broad pumpkin, -- our lantern the moon,
Telling tales of the fairy who travelled like steam
In a pumpkin-shell coach, with two rats for her team!


Then thanks for thy present! none sweeter or better
E'er smoked from an oven or circled a platter!
Fairer hands never wrought at a pastry more fine,
Brighter eyes never watched o'er its baking, than thine!
And the prayer, which my mouth is too full to express,
Swells my heart that thy shadow may never be less,
That the days of thy lot may be lengthened below,
And the fame of thy worth like a pumpkin-vine grow,
And thy life be as sweet, and its last sunset sky
Golden-tinted and fair as thy own Pumpkin pie!
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James Whitcomb Riley

James Whitcomb Riley

Kingry's Mill

On old Brandywine-- about
Where White's Lots is now laid out,
And the old crick narries down
To the ditch that splits the town--,
Kingry's Mill stood. Hardly see
Where the old dam ust to be;
Shallor, long, dry trought o' grass
Where the old race ust to pass!


That's be'n forty years ago--
Forty years o' frost and snow--
Forty years o' shade and shine
Sence them boyhood-days o' mine--!
All the old landmarks o' town.
Changed about, er rotted down!
Where's the Tanyard? Where's the Still?
Tell me where's old Kingry's Mill?


Don't seem furder back, to me,
I'll be dogg'd! Than yisterd'y,
Since us fellers, in bare feet
And straw hats, went through the wheat,
Cuttin' 'crost the shortest shoot
Fer that-air old ellum root
Jest above the mill-dam-- where
The blame' cars now crosses there!


Through the willers down the crick
We could see the old mill stick
Its red gable up, as if
It jest knowed we'd stol'd the skiff!
See the winders in the sun
Blink like they wuz wonderun'
What the miller ort to do
With sich boys as me and you!


But old Kingry--! Who could fear
That old chap, with all his cheer--?
Leanin' at the window-sill,
Er the half-door o' the mill,
Swoppin' lies, and pokin' fun,
'N jigglin' like his hoppers done--
Laughin' grists o' gold and red
Right out o' the wagon-bed!


What did he keer where we went--?
'Jest keep out o' devilment,
And don't fool around the belts,
Bolts, ner burrs, ner nothin' else
'Bout the blame machinery,
And that's all I ast!' says-ee.
Then we'd climb the stairs, and play



In the bran-bins half the day!


Rickollect the dusty wall,
And the spider-webs, and all!
Rickollect the trimblin' spout
Where the meal come josslln' out--
Stand and comb yer fingers through
The fool-truck an hour er two--
Felt so sorto' warm-like and
Soothin' to a feller's hand!


Climb, high up above the stream,
And 'coon' out the wobbly beam
And peek down from out the lof'
Where the weather-boards was off-Gee-
mun-nee! w'y, it takes grit
Even jest to think of it--!
Lookin' 'way down there below
On the worter roarin' so!


Rickollect the flume, and wheel,
And the worter slosh and reel
And jest ravel out in froth
Flossier'n satin cloth!
Rickollect them paddles jest
Knock the bubbles galley-west,
And plunge under, and come up
Drippin' like a worter-pup!


And to see them old things gone
That I onc't was bettin' on,
In rale p'int o' fact, I feel
kindo' like that worter-wheel--,
Sorto' drippy-like and wet
Round the eyes-- but paddlin' yet,
And in mem'ry, loafin' still
Down around old Kingry's Mill!
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John Greenleaf Whittier

John Greenleaf Whittier

Haverhill

1640-1890.

O river winding to the sea!
We call the old time back to thee;
From forest paths and water-ways
The century-woven veil we raise.


The voices of to-day are dumb,
Unheard its sounds that go and come;
We listen, through long-lapsing years,
To footsteps of the pioneers.


Gone steepled town and cultured plain,
The wilderness returns again,
The drear, untrodden solitude,
The gloom and mystery of the wood!


Once more the bear and panther prowl,
The wolf repeats his hungry howl,
And, peering through his leafy screen,
The Indian's copper face is seen.


We see, their rude-built huts beside,
Grave men and women anxious-eyed,
And wistful youth remembering still
Dear homes in England's Haverhill.


We summon forth to mortal view
Dark Passaquo and Saggahew,-Wild
chiefs, who owned the mighty sway
Of wizard Passaconaway.


Weird memories of the border town,
By old tradition handed down,
In chance and change before us pass
Like pictures in a magic glass,-


The terrors of the midnight raid,
The-death-concealing ambuscade,
The winter march, through deserts wild,
Of captive mother, wife, and child.


Ah! bleeding hands alone subdued
And tamed the savage habitude
Of forests hiding beasts of prey,
And human shapes as fierce as they.


Slow from the plough the woods withdrew,
Slowly each year the corn-lands grew;
Nor fire, nor frost, nor foe could kill
The Saxon energy of will.



And never in the hamlet's bound
Was lack of sturdy manhood found,
And never failed the kindred good
Of brave and helpful womanhood.


That hamlet now a city is,
Its log-built huts are palaces;
The wood-path of the settler's cow
Is Traffic's crowded highway now.


And far and wide it stretches still,
Along its southward sloping hill,
And overlooks on either hand
A rich and many-watered land.


And, gladdening all the landscape, fair
As Pison was to Eden's pair,
Our river to its valley brings
The blessing of its mountain springs.


And Nature holds with narrowing space,
From mart and crowd, her old-time grace,
And guards with fondly jealous arms
The wild growths of outlying farms.


Her sunsets on Kenoza fall,
Her autumn leaves by Saltonstall;
No lavished gold can richer make
Her opulence of hill and lake.


Wise was the choice which led out sires
To kindle here their household fires,
And share the large content of all
Whose lines in pleasant places fall.


More dear, as years on years advance,
We prize the old inheritance,
And feel, as far and wide we roam,
That all we seek we leave at home.


Our palms are pines, our oranges
Are apples on our orchard trees;
Our thrushes are our nightingales,
Our larks the blackbirds of our vales.


No incense which the Orient burns
Is sweeter than our hillside ferns;
What tropic splendor can outvie
Our autumn woods, our sunset sky?


If, where the slow years came and went,
And left not affluence, but content,



Now flashes in our dazzled eyes
The electric light of enterprise;


And if the old idyllic ease
Seems lost in keen activities,
And crowded workshops now replace
The hearth's and farm-field's rustic grace;


No dull, mechanic round of toil
Life's morning charm can quite despoil;
And youth and beauty, hand in hand,
Will always find enchanted land.


No task is ill where hand and brain
And skill and strength have equal gain,
And each shall each in honor hold,
And simple manhood outweigh gold.


Earth shall be near to Heaven when all
That severs man from man shall fall,
For, here or there, salvation's plan
Alone is love of God and man.


O dwellers by the Merrimac,
The heirs of centuries at your back,
Still reaping where you have not sown,
A broader field is now your own.


Hold fast your Puritan heritage,
But let the free thought of the age
Its light and hope and sweetness add
To the stern faith the fathers had.


Adrift on Time's returnless tide,
As waves that follow waves, we glide.
God grant we leave upon the shore
Some waif of good it lacked before;


Some seed, or flower, or plant of worth,
Some added beauty to the earth;
Some larger hope, some thought to make
The sad world happier for its sake.


As tenants of uncertain stay,
So may we live our little day
That only grateful hearts shall fill
The homes we leave in Haverhill.


The singer of a farewell rhyme,
Upon whose outmost verge of time
The shades of night are falling down,



I pray, God bless the good old town!
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