Desire

A lily-girl, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.

I
You say you love ; but with a voice
Chaster than a nun's, who singeth
The soft Vespers to herself
While the chime-bell ringeth-
O love me truly!


II
You say you love; but with a smile
Cold as sunrise in September,
As you were Saint Cupid 's nun,
And kept his weeks of Ember.
O love me truly!


III
You say you love but then your lips
Coral tinted teach no blisses,
More than coral in the sea
They never pout for kisses
O love me truly!


IV
You say you love ; but then your hand
No soft squeeze for squeeze returneth,
It is like a statue's dead
While mine to passion burneth
O love me truly!


V
O breathe a word or two of fire!
Smile, as if those words should bum me,
Squeeze as lovers should O kiss
And in thy heart inurn me!
O love me truly!

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.


Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.


My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.


My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.


Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.


Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.

The western wind is blowing fair
Across the dark AEgean sea,
And at the secret marble stair
My Tyrian galley waits for thee.
Come down! the purple sail is spread,
The watchman sleeps within the town,
O leave thy lily-flowered bed,
O Lady mine come down, come down!

She will not come, I know her well,
Of lover's vows she hath no care,
And little good a man can tell
Of one so cruel and so fair.
True love is but a woman's toy,
They never know the lover's pain,
And I who loved as loves a boy
Must love in vain, must love in vain.

O noble pilot, tell me true,
Is that the sheen of golden hair?
Or is it but the tangled dew
That binds the passion-flowers there?
Good sailor come and tell me now
Is that my Lady's lily hand?
Or is it but the gleaming prow,
Or is it but the silver sand?

No! no! 'tis not the tangled dew,
'Tis not the silver-fretted sand,
It is my own dear Lady true
With golden hair and lily hand!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
This is the Queen of life and joy
Whom we must bear from Grecian shore!

The waning sky grows faint and blue,
It wants an hour still of day,
Aboard! aboard! my gallant crew,
O Lady mine, away! away!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
O loved as only loves a boy!
O loved for ever evermore!

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

Translated by Stephen Tapscott

Anonymous Submission

With the same heart, I said, I'll answer thee
As those, when thou shalt call me by my name--
Lo, the vain promise! is the same, the same,
Perplexed and ruffled by life's strategy?
When called before, I told how hastily
I dropped my flowers or brake off from a game,
To run and answer with the smile that came
At play last moment, and went on with me
Through my obedience. When I answer now,
I drop a grave thought, break from solitude;
Yet still my heart goes to thee--ponder how--
Not as to a single good, but all my good!
Lay thy hand on it, best one, and allow
That no child's foot could run as fast as this blood.

When in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee--and then my state,
Like to the lark at break of day arising
From sullen earth sings hymns at heaven's gate;
For thy sweet love remembered such wealth brings,
That then I scorn to change my state with kings.

Unlike are we, unlike, O princely Heart !
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree ?
The chrism is on thine head,--on mine, the dew,--
And Death must dig the level where these agree.

NOW sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The firefly wakens: waken thou with me.


Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.


Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.


Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.


Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.

Night, the black summer, simplifies her smells
into a village; she assumes the impenetrable

musk of the negro, grows secret as sweat,
her alleys odorous with shucked oyster shells,

coals of gold oranges, braziers of melon.
Commerce and tambourines increase her heat.

Hellfire or the whorehouse: crossing Park Street,
a surf of sailor's faces crest, is gone

with the sea's phosphoresence; the boites-de-nuit
tinkle like fireflies in her thick hair.

Blinded by headlamps, deaf to taxi klaxons,
she lifts her face from the cheap, pitch oil flare

toward white stars, like cities, flashing neon,
burning to be the bitch she must become.

As daylight breaks the coolie turns his tumbril
of hacked, beheaded coconuts towards home.

On the day when the lotus bloomed, alas, my mind was straying,
and I knew it not. My basket was empty and the flower remained unheeded.

Only now and again a sadness fell upon me, and I started up from my
dream and felt a sweet trace of a strange fragrance in the south wind.

That vague sweetness made my heart ache with longing and it seemed to
me that is was the eager breath of the summer seeking for its completion.

I knew not then that it was so near, that it was mine, and that this
perfect sweetness had blossomed in the depth of my own heart.

Under the rose-tree's dancing shade
There stands a little ivory girl,
Pulling the leaves of pink and pearl
With pale green nails of polished jade.

The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.

The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.

She takes an amber lute and sings,
And as she sings a silver crane
Begins his scarlet neck to strain,
And flap his burnished metal wings.

She takes a lute of amber bright,
And from the thicket where he lies
Her lover, with his almond eyes,
Watches her movements in delight.

And now she gives a cry of fear,
And tiny tears begin to start:
A thorn has wounded with its dart
The pink-veined sea-shell of her ear.

And now she laughs a merry note:
There has fallen a petal of the rose
Just where the yellow satin shows
The blue-veined flower of her throat.

With pale green nails of polished jade,
Pulling the leaves of pink and pearl,
There stands a little ivory girl
Under the rose-tree's dancing shade.

Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle to my window
A wholly imaginary house
It is there that from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness
The elusive angle of a curtain
It's a field of jasmine I gazed upon at dawn on a road in the vicinity of Grasse
With the diagonal slant of its girls picking
Behind them the dark falling wing of the plants stripped bare
Before them a T-square of dazzling light
The curtain invisibly raised
In a frenzy all the flowers swarm back in
It is you at grips with that too long hour never dim enough until sleep
You as though you could be
The same except that I shall perhaps never meet you
You pretend not to know I am watching you
Marvelously I am no longer sure you know
You idleness brings tears to my eyes
A swarm of interpretations surrounds each of your gestures
It's a honeydew hunt
There are rocking chairs on a deck there are branches that may well scratch you in the
forest
There are in a shop window in the rue Notre-Dame-de-Lorette
Two lovely crossed legs caught in long stockings
Flaring out in the center of a great white clover
There is a silken ladder rolled out over the ivy
There is
By my leaning over the precipice
Of your presence and your absence in hopeless fusion
My finding the secret
Of loving you
Always for the first time

It's no use
Mother dear, I
can't finish my
weaving
You may
blame Aphrodite
soft as she is
she has almost
killed me with
love for that boy
Sappho
tr. Barnard

Out of the mid-wood's twilight
Into the meadow's dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!

Mine to hold,
To feel,
To breathe in,
To delve into artificial machinations,

Taste the salty oil of the body
My body
His body
Her body

Look at the curl of her lobe
Her ear
Pink and flustered
Disappearing into his mouth
Red and puckered

Invisible to the face
Only to the eyes
Their eyes

Let me feel
Find new places for me to explore
For you all to find

Discover
Pleasure
Annihilate
Be mine
Mine alone

Birth of Venus
I
The Sun, the hearth of affection and life,
Pours burning love on the delighted earth,
And when you lie down in the valley, you can smell
How the earth is nubile and very full-blooded;
How its huge breast, heaved up by a soul,
Is, like God, made of love, and, like woman, of flesh,
And that it contains, big with sap and with sunlight,
The vast pullulation of all embryos!
And everything grows, and everything rises!


-O Venus, O Goddess!
I long for the days of antique youth,
Of lascivious satyrs, and animal fauns,
Gods who bit, mad with love, the bark of the boughs,
And among water-lilies kissed the Nymph with fair hair!
I long for the time when the sap of the world,
River water, the rose-coloured blood of green trees
Put into the veins of Pan a whole universe!
When the earth trembled, green,beneath his goat-feet;
When, softly kissing the fair Syrinx, his lips formed
Under heaven the great hymn of love;
When, standing on the plain, he heard round about him
Living Nature answer his call;
When the silent trees cradling the singing bird,
Earth cradling mankind, and the whole blue Ocean,
And all living creatures loved, loved in God!
I long for the time of great Cybele,
Who was said to travel, gigantically lovely,
In a great bronze chariot, through splendid cities;
Her twin breasts poured, through the vast deeps,
The pure streams of infinite life.
Mankind sucked joyfully at her blessed nipple,
Like a small child playing on her knees.


-Because he was strong, Man was gentle and chaste.
Misfortune! Now he says: I understand things,
And goes about with eyes shut and ears closed.

-And again, no more gods! no more gods! Man is King,
Man is God! But the great faith is Love!
Oh! if only man still drew sustenance from your nipple,
Great mother of gods and of men, Cybele;
If only he had not forsaken immortal Astarte
Who long ago, rising in the tremendous brightness
Of blue waters, flower-flesh perfumed by the wave,
Showed her rosy navel, towards which the foam came snowing
And , being a goddess with the great conquering black eyes,
Made the nightingale sing in the woods and love in men's hearts!
The Birth of Venus


II

I believe! I believe in you! divine mother,
Sea-born Aphrodite! - Oh! the path is bitter
Since the other God harnessed us to his cross;
Flesh, Marble, Flower, Venus, in you I believe!

-yes, Man is sad and ugly, sad under the vast sky.
He possesses clothes, because he is no longer chaste,
Because he has defiled his proud, godlike head
And because he has bent, like an idol in the furnace,
His Olympian form towards base slaveries!
Yes, even after death, in the form of pale skeletons
He wishes to live and insult the original beauty!
-And the Idol in whom you placed such maidenhood,
Woman, in whom you rendered our clay divine,
So that Man might bring light into his poor soul
And slowly ascend, in unbounded love,
From the earthly prison to the beauty of day,
Woman no longer knows even how to be a Courtesan!
-It's a fine farce! and the world snickers
At the sweet and sacred name of great Venus!
III

If only the times which have come and gone might come again!

-For Man is finished! Man has played all the parts!
In the broad daylight, wearied with breaking idols
He will revive, free of all his gods,
And, since he is of heaven, he will scan the heavens!
The Ideal, that eternal, invincible thought, which is
All; The living god within his fleshly clay,
Will rise, mount, burn beneath his brow!
An when you see him plumbing the whole horizon,
Despising old yokes, and free from all fear,
You will come and give him holy Redemption!
-Resplendent, radiant, from the bosom of the huge seas
You will rise up and give to the vast Universe
Infinite Love with its eternal smile!
The World will vibrate like an immense lyre
In the trembling of an infinite kiss!
-The World thirsts for love: you will come and slake its thirst.
....................................................


O! Man has raised his free, proud head!
And the sudden blaze of primordial beauty
Makes the god quiver in the altar of the flesh!



Happy in the present good, pale from the ill suffered,
Man wishes to plumb all depths, - and know all things! Thought,
So long a jade, and for so long oppressed,
Springs from his forehead! She will know Why!...
Let her but gallop free, and Man will find Faith!


-Why the blue silence, unfathomable space?
Why the golden stars, teeming like sands?
If one ascended forever, what would one see up there?
Does a sheperd drive this enormous flock
Of worlds on a journey through this horror of space?
And do all these worlds contained in the vast ether,
tremble at the tones of an eternal voice?
-And Man, can he see? can he say: I believe?
Is the langage of thought anymore than a dream?
If man is born so quickly, if life is so short
Whence does he come? Does he sink into the deep Ocean
Of Germs, of Foetuses, of Embryos, to the bottom
of the huge Crucible where Nature the Mother
Will resuscitate him, a living creature,
To love in the rose and to grow in the corn?...
We cannot know! - We are weighed down
With a cloak of ignorance, hemmed in by chimaeras!
Men like apes, dropped from our mothers' wombs,
Our feeble reason hides the infinite from us!
We wish to perceive: - and Doubt punishes us!
Doubt, dismal bird, beat us down with its wing...


-And the horizon rushes away in endless flight!...
.......................................................


The vast heaven is open! the mysteries lie dead
Before erect Man, who folds his strong arms
Among the vast splendour of abundant Nature!
He sings... and the woods sing, the river murmurs
A song full of happiness which rises towards the light!...

-it is Redemption! it is love! it is love!...
IV


O splendour of flesh! O ideal splendour!
O renewal of love, triumphal dawn
When, prostrating the Gods and the Heroes,
White Callipyge and little Eros
Covered with the snow of rose petals, will caress
Women and flowers beneath their lovely outstretched feet!


-O great Ariadne who pour out your tears
On the shore, as you see, out there on the waves,
The sail of Theseus flying white under the sun,
O sweet virgin child whom a night has broken,
Be silent! On his golden chariot studded with black grapes,

Lysios, who has been drawn through Phrygian fields
By lascivious tigers and russet panthers,
Reddens the dark mosses along the blue rivers.


-Zeus, the Bull, cradles on his neck like a child
The nude body of Europa who throws her white arm
Round the God's muscular neck which shivers in the wave.
Slowly he turns his dreamy eye towards her;
She, droops her pale flowerlike cheek
On the brow of Zeus; her eyes are closed; she is dying
In a divine kiss, and the murmuring waters
Strew the flowers of their golden foam on her hair.
-Between the oleander and the gaudy lotus tree
Slips amorously the great dreaming Swan
Enfloding Leda in the whiteness of his wing;
-And while Cypris goes by, strangely beautiful,
And, arching the marvellous curves of her back,
Proudly displays the golden vision of her big breasts
And snowy belly embroidered with black moss,
-Hercules, Tamer of beasts, in his Strength,
Robes his huge body with the lion's skin as with glory
And faces the horizons, his brow terrible and sweet!
Vaguely lit by the summer moon,
Erect, naked, dreaming in her pallor of gold
Streaked by the heavy wave of her long blue hair,
In the shadowy glade whenre stars spring in the moss,
The Dryade gazes up at the silent sky...


-White Selene, timidly, lets her veil float,
Over the feet of beautiful Endymion,
And throws him a kiss in a pale beam...
-The Spring sobs far off in a long ectasy...
Ii is the nymph who dreams with one elbow on her urn,
Of the handsome white stripling her wave has pressed against.
-A soft wind of love has passed in the night,
And in the sacred woods, amid the standing hair of the great trees,
Erect in majesty, the shadowly Marbles,
The Gods, on whose brows the Bullfinch has his nest,
-the Gods listen to Men, and to the infinite World!
Original French


Soleil et Chair
I


Le Soleil, le foyer de tendresse et de vie,
Verse l'amour brûlant à la terre ravie,
Et, quand on est couché sur la vallée, on sent
Que la terre est nubile et déborde de sang ;
Que son immense sein, soulevé par une âme,
Est d'amour comme Dieu, de chair comme la femme,
Et qu'il renferme, gros de sève et de rayons,



Le grand fourmillement de tous les embryons !

Et tout croît, et tout monte !

spacespacespacespacespacespace- O Vénus, ô Déesse !
Je regrette les temps de l'antique jeunesse,
Des satyres lascifs, des faunes animaux,
Dieux qui mordaient d'amour l'écorce des rameaux
Et dans les nénuphars baisaient la Nymphe blonde !
Je regrette les temps où la sève du monde,
L'eau du fleuve, le sang rose des arbres verts
Dans les veines de Pan mettaient un univers !.
Où le sol palpitait, vert, sous ses pieds de chèvre ;
Où, baisant mollement le clair syrinx, sa lèvre
Modulait sous le ciel le grand hymne d'amour ;
Où, debout sur la plaine, il entendait autour
Répondre à son appel la Nature vivante ;
Où les arbres muets, berçant l'oiseau qui chante,
La terre berçant l'homme, et tout l'Océan bleu
Et tous les animaux aimaient, aimaient en Dieu !


Soleil et Chair, Suite


Je regrette les temps de la grande Cybèle
Qu'on disait parcourir, gigantesquement belle,
Sur un grand char d'airain, les splendides cités ;
Son double sein versait dans les immensités
Le pur ruissellement de la vie infinie.
L'Homme suçait, heureux, sa mamelle bénie,
Comme un petit enfant, jouant sur ses genoux.


-Parce qu'il était fort, l'Homme était chaste et doux.
Misère ! Maintenant il dit : Je sais les choses,
Et va, les yeux fermés et les oreille closes.

-Et pourtant, plus de dieux ! plus de dieux ! l'Homme est Roi,
L'Homme est Dieu ! Mais l'Amour, voilà la grande Foi !
Oh ! si l'homme puisait encore à ta mamelle,
Grande mère des dieux et des hommes, Cybèle ;
S'il n'avait pas laissé l'immortelle Astarté
Qui jadis, émergeant dans l'immense clarté
Des flots bleus, fleur de chair que la vague parfume,
Montra son nombril rose où vint neiger l'écume,
Et fit chanter, Déesse aux grands yeux noirs vainqueurs,
Le rossignol aux bois et l'amour dans les coeurs !
II

Je crois en toi ! Je crois en toi ! divine mère,
Aphrodite marine ! - Oh ! la route est amère
Depuis que l'autre Dieu nous attelle à sa croix ;


Chair, Marbre, Fleur, Vénus, c'est en toi que je crois !

-Oui, l'Homme est triste et laid, triste sous le ciel vaste,
Il a des vêtements, parce qu'il n'est plus chaste,
Parce qu'il a sali son fier buste de Dieu,
Et qu'il a rabougri, comme une idole au feu,
Son corps Olympien aux servitudes sales !
Oui, même après la mort, dans les squelettes pâles
Il veut vivre, insultant la première beauté !
-Et l'Idole où tu mis tant de virginité,
Où tu divinisas notre argile, la Femme,
Afin que l'Homme pût éclairer sa pauvre âme
Et monter lentement, dans un immense amour,
De la prison terrestre à la beauté du jour,
La Femme ne sait plus même être Courtisane !
-C'est une bonne farce ! et le monde ricane
Au nom doux et sacré de la grande Vénus !
III

Si les temps revenaient, les temps qui sont venus !

-Car l'Homme a fini ! l'Homme a joué tous les rôles !
Au grand jour, fatigué de briser des idoles
Il ressuscitera, libre de tous ses Dieux,
Et, comme il est du ciel, il scrutera les cieux !
L'idéal, la pensée invincible, éternelle,
Tout ; le dieu qui vit, sous son argile charnelle,
Montera, montera, brûlera sous son front !
Et quand tu le verras sonder tout l'horizon,
Contempteur des vieux jougs, libre de toute crainte,
Tu viendras lui donner la Rédemption sainte !
-Splendide, radieuse, au sein des grandes mers
Tu surgiras, jetant sur le vaste Univers
L'Amour infini dans un infini sourire !
Le Monde vibrera comme une immense lyre
Dans le frémissement d'un immense baiser
-Le Monde a soif d'amour : tu viendras l'apaiser.
IV


O splendeur de la chair ! ô splendeur idéale !
O renouveau d'amour, aurore triomphale
Où, courbant à leurs pieds les Dieux et les Héros,
Kallipyge la blanche et le petit Éros
Effleureront, couverts de la neige des roses,
Les femmes et les fleurs sous leurs beaux pieds écloses !


-O grande Ariadné, qui jette tes sanglots
Sur la rive, en voyant fuir là-bas sur les flots
Blanche sous le soleil, la voile de Thésée,

O douce vierge enfant qu'une nuit a brisée,
Tais-toi ! Sur son char d'or brodé de noirs raisins,
Lysios, promené dans les champs Phrygiens
Par les tigres lascifs et les panthères rousses,
Le long des fleuves bleus rougit les sombres mousses.


-Zeus, Taureau, sur son cou berce comme une enfant
Le corps nu d'Europé, qui jette son bras blanc
Au cou nerveux du Dieu frissonnant dans la vague
Il tourne lentement vers elle son oeil vague ;
Elle, laisse traîner sa pâle joue en fleur
Au front de Zeus ; ses yeux sont fermés ; elle meurt
Dans un divin baiser, et le flot qui murmure
De son écume d'or fleurit sa chevelure.
-Entre le laurier-rose et le lotus jaseur
Glisse amoureusement le grand Cygne rêveur
Embrassant la Léda des blancheurs de son aile ;
-Et tandis que Cypris passe, étrangement belle,
Et, cambrant les rondeurs splendides de ses reins,
Étale fièrement l'or de ses larges seins
Et son ventre neigeux brodé de mousse noire,
-Héraclès, le Dompteur, qui, comme d'une gloire
Fort, ceint son vaste corps de la peau du lion,
S'avance, front terrible et doux, à l'horizon !
Par la lune d'été vaguement éclairée,
Debout, nue, et rêvant dans sa pâleur dorée
Que tache le flot lourd de ses longs cheveux bleus,
Dans la clairière sombre, où la mousse s'étoile,
La Dryade regarde au ciel silencieux....


-La blanche Séléné laisse flotter son voile,
Craintive, sur les pieds du bel Endymion,
Et lui jette un baiser dans un pâle rayon...
-La Source pleure au loin dans une longue extase...
C'est la nymphe qui rêve, un coude sur son vase,
Au beau jeune homme blanc que son onde a pressé.
-Une brise d'amour dans la nuit a passé,
Et, dans les bois sacrés, dans l'horreur des grands arbres,
Majestueusement debout, les sombres Marbres,
Les Dieux, au front desquels le Bouvreuil fait son nid,
-Les Dieux écoutent l'homme et le Monde infini !

The only king by right divine
Is Ellen King, and were she mine
I'd strive for liberty no more,
But hug the glorious chains I wore.

Her bosom is an ivory throne,
Where tyrant virtue reigns alone ;
No subject vice dare interfere,
To check the power that governs here.

O! would she deign to rule my fate,
I'd worship Kings and kingly state,
And hold this maxim all life long,
The King — my King — can do no wrong.


1845

In deepest dream towards Rosemonde's palace
My barefoot brain inclined for the evening
Like a naked king the walls are waking
Beaten flesh and fresh-cut roses

You can see my thoughts immersed in roses
Smiling at the concert of the toads
They are in the mood for cypress bedposts
The sun is a broken mirror of the rose

What badly wounded bowman opened
Stigmata of palms on the windowpane
At the white lamb's love-feast I have tasted
Resins that bitter the Cyprian wine

On the jagged lap of the lascivious king
In the May-time of her age and finest frock
Mysterious Madame Rosemonde rolls
Her little round eyes like a Hun

Lady of my thoughts your pearly asshole
Is unrivalled by anything Oriental
For whom are you waiting
Deepest dreams en route to the Orient
Are my loveliest neighbors

Knock knock Come into the forecourt night is coming
In shadow the night-light is toasted tinsel
Hang your heads by the hair on the hat-rack
The evening sky is aglimmer with pins

We entered the dining room our noses
Caught a whiff of grease and mucus
Of twenty soup bowls three were urine
The king ate two poached eggs in bouillon

And then the scullions brought in the meat dishes
A standing roast of thoughts deceased in my brain
My lovely still-born dreams in slices still bloody
And gamy little meatballs of memory

Dead for millennia now these thoughts
Had a flavorless taste of frozen mammoth
Bones or visionaries danced out of ossuaries
The dance of death in the folds of my brain

And all those meats pronounced revelations
But Holy Christ!
A famished belly has no hearing

The guests continued their best mastications

Ah Holy Christ! cried out the rib-eyes


The huge pâtes the marrow and hot-pots
Tongues of fire o where is the pentecost
Of my thoughts for all places nations and times

Remember that object we saw, dear soul,
In the sweetness of a summer morn:
At a bend of the path a loathsome carrion
On a bed with pebbles strewn,
With legs raised like a lustful woman,
Burning and sweating poisons,
It spread open, nonchalant and scornful,
Its belly, ripe with exhalations.
The sun shone onto the rotting heap,
As if to bring it to the boil,
And tender a hundredfold to vast Nature
All that together she had joined;
And the sky watched that superb carcass
Like a flower blossom out.
The stench was so strong that on the grass
You thought you would pass out.
Flies hummed upon the putrid belly,
Whence larvae in black battalions spread
And like a heavy liquid flowed
Along the tatters deliquescing.
All together it unfurled, and rose like a wave
And bubbling it sprang forth;
One might have believed that, with a faint breath filled,
The body, multiplying, lived.
And this world gave out a strange music
Like of running water and of wind,
Or of grain in a winnow
Rhythmically shaken and tossed.
Form was erased and all but a vision,
A sketch slow to take shape
On a forgotten canvas, which the artist finishes
From memory alone.
Behind the rocks a fretting bitch
Looked at us with fierce mien
Anxious to retrieve from the corpse
A morsel that she had dropped.
Yet to this rot you shall be like,
To this horrid corruption,
Star of my eyes, sun of desire,
You, my angel and my passion!
Yes, such you shall be, you, queen of all graces,
After the last sacraments,


When you go beneath the grass and waxy flowers,
To mold among the skeletons.
Then, oh my beauty! You must tell the vermin,
As it eats you up with kisses,
That I have preserved the form and essence divine
Of my decayed loves.

O Venus, the queen of Cnidos and Paphos,
spurn your beloved Cyprus, and summoned
by copious incense, come to the lovely shrine
of my Glycera.

And let that passionate boy of yours, Cupid,
and the Graces with loosened zones, and the Nymphs,
and Youth, less lovely without you, hasten here,
and Mercury too.

The Maiden caught me in the wild,
Where I was dancing merrily;
She put me into her Cabinet,
And lock'd me up with a golden key.
This cabinet is form'd of gold
And pearl and crystal shining bright,
And within it opens into a world
And a little lovely moony night.
Another England there I saw
Another London with its Tower,
Another Thames and other hills,
And another pleasant Surrey bower.
Another Maiden like herself,
Translucent, lovely, shining clear,
Threefold each in the other clos'd
O, what a pleasant trembling fear!
O, what a smile! a threefold smile
Fill'd me, that like a flame I burn'd;
I bent to kiss the lovely Maid,
And found a threefold kiss return'd.
I strove to seize the inmost form
With ardor fierce and hands of flame,
But burst the Crystal Cabinet,
And like a weeping Babe became--
A weeping Babe upon the wild,
And weeping Woman pale reclin'd,
And in the outward air again,
I fill'd with woes the passing wind.
.

I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd's fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd's note.
Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.
What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.
Hylas is dead,
Nor will he e'er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.

Though your wicked eyebrows call
Your nature into question
(Unangelic's their suggestion,
Witch whose eyes enthrall)
I adore you still
O foolish terrible emotion
Kneeling in devotion
As a priest to his idol will.
Your undone braids conceal
Desert, forest scents,
In your exotic countenance
Lie secrets unrevealed.
Over your flesh perfume drifts
Like incense 'round a censor,
Tantalizing dispenser
Of evening's ardent gifts.
No Philtres could compete
With your potent idleness:
You've mastered the caress
That raises dead me to their feet.
Your hips themselves are romanced
By your back and by your breasts:
By your languid dalliance.
Now and then, your appetite's
Uncontrolled, unassuaged:
Mysteriously enraged,
You kiss me and you bite.
Dark one, I am torn
By your savage ways,
Then, soft as the moon, your gaze
Sees my tortured heart reborn.
Beneath your satin shoe,
Beneath your charming silken foot.
My greatest joy I put
My genius and destiny, too.
You bring my spirit back,
Bringer of the light.
Exploding color in the night
Of my Siberia so black.