Poems in this topic
Relationships and Family
Ted Hughes
The Minotaur
The Minotaur
The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.
That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.
'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,
'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?
The bloody end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.
Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.
The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.
That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.
'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,
'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?
The bloody end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.
Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.
378
Ted Hughes
Bride and Groom Lie Hidden for Three Days
Bride and Groom Lie Hidden for Three Days
She gives him his eyes, she found them
Among some rubble, among some beetles
He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment
She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her
He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous
Now she has brought his feet, she is connecting them
So that his whole body lights up
And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it
They keep taking each other to the sun, they find they can easily
To test each new thing at each new step
And now she smoothes over him the plates of his skull
So that the joints are invisible
And now he connects her throat, her breasts and the pit of her stomach
With a single wire
She gives him his teeth, tying the the roots to the centrepin of his body
He sets the little circlets on her fingertips
She stiches his body here and there with steely purple silk
He oils the delicate cogs of her mouth
She inlays with deep cut scrolls the nape of his neck
He sinks into place the inside of her thighs
So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
She gives him his eyes, she found them
Among some rubble, among some beetles
He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment
She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her
He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous
Now she has brought his feet, she is connecting them
So that his whole body lights up
And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it
They keep taking each other to the sun, they find they can easily
To test each new thing at each new step
And now she smoothes over him the plates of his skull
So that the joints are invisible
And now he connects her throat, her breasts and the pit of her stomach
With a single wire
She gives him his teeth, tying the the roots to the centrepin of his body
He sets the little circlets on her fingertips
She stiches his body here and there with steely purple silk
He oils the delicate cogs of her mouth
She inlays with deep cut scrolls the nape of his neck
He sinks into place the inside of her thighs
So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
334
Spike Milligan
Unto Us...
Unto Us...
Somewhere at some time
They committed themselves to me
And so, I was!
Small, but I WAS!
Tiny, in shape
Lusting to live
I hung in my pulsing cave.
Soon they knew of me
My mother --my father.
I had no say in my being
I lived on trust
And love
Tho' I couldn't think
Each part of me was saying
A silent 'Wait for me
I will bring you love!'
I was taken
Blind, naked, defenseless
By the hand of one
Whose good name
Was graven on a brass plate
in Wimpole Street,
and dropped on the sterile floor
of a foot operated plastic waste
bucket.
There was no Queens Counsel
To take my brief.
The cot I might have warmed
Stood in Harrod's shop window.
When my passing was told
My father smiled.
No grief filled my empty space.
My death was celebrated
With tickets to see Danny la Rue
Who was pretending to be a woman
Like my mother was.
Somewhere at some time
They committed themselves to me
And so, I was!
Small, but I WAS!
Tiny, in shape
Lusting to live
I hung in my pulsing cave.
Soon they knew of me
My mother --my father.
I had no say in my being
I lived on trust
And love
Tho' I couldn't think
Each part of me was saying
A silent 'Wait for me
I will bring you love!'
I was taken
Blind, naked, defenseless
By the hand of one
Whose good name
Was graven on a brass plate
in Wimpole Street,
and dropped on the sterile floor
of a foot operated plastic waste
bucket.
There was no Queens Counsel
To take my brief.
The cot I might have warmed
Stood in Harrod's shop window.
When my passing was told
My father smiled.
No grief filled my empty space.
My death was celebrated
With tickets to see Danny la Rue
Who was pretending to be a woman
Like my mother was.
291
Spike Milligan
Unto Us...
Unto Us...
Somewhere at some time
They committed themselves to me
And so, I was!
Small, but I WAS!
Tiny, in shape
Lusting to live
I hung in my pulsing cave.
Soon they knew of me
My mother --my father.
I had no say in my being
I lived on trust
And love
Tho' I couldn't think
Each part of me was saying
A silent 'Wait for me
I will bring you love!'
I was taken
Blind, naked, defenseless
By the hand of one
Whose good name
Was graven on a brass plate
in Wimpole Street,
and dropped on the sterile floor
of a foot operated plastic waste
bucket.
There was no Queens Counsel
To take my brief.
The cot I might have warmed
Stood in Harrod's shop window.
When my passing was told
My father smiled.
No grief filled my empty space.
My death was celebrated
With tickets to see Danny la Rue
Who was pretending to be a woman
Like my mother was.
Somewhere at some time
They committed themselves to me
And so, I was!
Small, but I WAS!
Tiny, in shape
Lusting to live
I hung in my pulsing cave.
Soon they knew of me
My mother --my father.
I had no say in my being
I lived on trust
And love
Tho' I couldn't think
Each part of me was saying
A silent 'Wait for me
I will bring you love!'
I was taken
Blind, naked, defenseless
By the hand of one
Whose good name
Was graven on a brass plate
in Wimpole Street,
and dropped on the sterile floor
of a foot operated plastic waste
bucket.
There was no Queens Counsel
To take my brief.
The cot I might have warmed
Stood in Harrod's shop window.
When my passing was told
My father smiled.
No grief filled my empty space.
My death was celebrated
With tickets to see Danny la Rue
Who was pretending to be a woman
Like my mother was.
291
Spike Milligan
Welcome Home
Welcome Home
Unaware of my crime
they stood me in the dock.
I was sentenced to life....
without her.
Strange trial.
No judge.
No jury.
I wonder who my visitors will be.
Unaware of my crime
they stood me in the dock.
I was sentenced to life....
without her.
Strange trial.
No judge.
No jury.
I wonder who my visitors will be.
261
Spike Milligan
The Soldiers at Lauro
The Soldiers at Lauro
Young are our dead
Like babies they lie
The wombs they blest once
Not healed dry
And yet - too soon
Into each space
A cold earth falls
On colder face.
Quite still they lie
These fresh-cut reeds
Clutched in earth
Like winter seeds
But they will not bloom
When called by spring
To burst with leaf
And blossoming
They sleep on
In silent dust
As crosses rot
And helmets rust.
Young are our dead
Like babies they lie
The wombs they blest once
Not healed dry
And yet - too soon
Into each space
A cold earth falls
On colder face.
Quite still they lie
These fresh-cut reeds
Clutched in earth
Like winter seeds
But they will not bloom
When called by spring
To burst with leaf
And blossoming
They sleep on
In silent dust
As crosses rot
And helmets rust.
221
Spike Milligan
So Fair is She
So Fair is She
So fair is she!
So fair her face
So fair her pulsing figure
Not so fair
The maniacal stare
Of a husband who's much bigger.
So fair is she!
So fair her face
So fair her pulsing figure
Not so fair
The maniacal stare
Of a husband who's much bigger.
237
Spike Milligan
Halved
Halved
The essence of true beauty
Lingers in all-encompassing rainbows
Of your joy and laughter
You hold my hand and smile
As we ensconce ourselves in our world of fire
Our love is all there is
I touch your face
Your gentleness astounds me
I'm held in the honour of your love
Then overnight, the wrold truns suor
mInnIts past the ELevenTHH HouRR
I'M A L N E
The essence of true beauty
Lingers in all-encompassing rainbows
Of your joy and laughter
You hold my hand and smile
As we ensconce ourselves in our world of fire
Our love is all there is
I touch your face
Your gentleness astounds me
I'm held in the honour of your love
Then overnight, the wrold truns suor
mInnIts past the ELevenTHH HouRR
I'M A L N E
261
Spike Milligan
Feelings
Feelings
There must be a wound!
No one can be this hurt
and not bleed.
How could she injure me so?
No marks
No bruise
Worse!
People say 'My, you're looking well'
.....God help me!
She's mummified me -
ALIVE!
There must be a wound!
No one can be this hurt
and not bleed.
How could she injure me so?
No marks
No bruise
Worse!
People say 'My, you're looking well'
.....God help me!
She's mummified me -
ALIVE!
288
Spike Milligan
Goodbye S.S.
Goodbye S.S.
Go away girl, go away
and let me pack my dreams
Now where did I put those yesteryears
made up with broken seams
Where shall I sweep the pieces
my God they still look new
There's a taxi waiting at the door
but there's only room for you
Go away girl, go away
and let me pack my dreams
Now where did I put those yesteryears
made up with broken seams
Where shall I sweep the pieces
my God they still look new
There's a taxi waiting at the door
but there's only room for you
216
Spike Milligan
Goodbye S.S.
Goodbye S.S.
Go away girl, go away
and let me pack my dreams
Now where did I put those yesteryears
made up with broken seams
Where shall I sweep the pieces
my God they still look new
There's a taxi waiting at the door
but there's only room for you
Go away girl, go away
and let me pack my dreams
Now where did I put those yesteryears
made up with broken seams
Where shall I sweep the pieces
my God they still look new
There's a taxi waiting at the door
but there's only room for you
216
Spike Milligan
Bazonka
Bazonka
Say Bazonka every day
That's what my grandma used to say
It keeps at bay the Asian Flu'
And both your elbows free from glue.
So say Bazonka every day
(That's what my grandma used to say)
Don't say it if your socks are dry!
Or when the sun is in your eye!
Never say it in the dark
(The word you see emits a spark)
Only say it in the day
(That's what my grandma used to say)
Young Tiny Tim took her advice
He said it once, he said it twice
he said it till the day he died
And even after that he tried
To say Bazonka! every day
Just like my grandma used to say.
Now folks around declare it's true
That every night at half past two
If you'll stand upon your head
And shout Bazonka! from your bed
You'll hear the word as clear as day
Just like my grandma used to say!
Say Bazonka every day
That's what my grandma used to say
It keeps at bay the Asian Flu'
And both your elbows free from glue.
So say Bazonka every day
(That's what my grandma used to say)
Don't say it if your socks are dry!
Or when the sun is in your eye!
Never say it in the dark
(The word you see emits a spark)
Only say it in the day
(That's what my grandma used to say)
Young Tiny Tim took her advice
He said it once, he said it twice
he said it till the day he died
And even after that he tried
To say Bazonka! every day
Just like my grandma used to say.
Now folks around declare it's true
That every night at half past two
If you'll stand upon your head
And shout Bazonka! from your bed
You'll hear the word as clear as day
Just like my grandma used to say!
267
Siegfried Sassoon
Twelve Months After
Twelve Months After
Hullo! here’s my platoon, the lot I had last year.
‘The war’ll be over soon.’
‘What ’opes?’
‘No bloody fear!’
Then, ‘Number Seven, ’shun! All present and correct.’
They’re standing in the sun, impassive and erect.
Young Gibson with his grin; and Morgan, tired and white;
Jordan, who’s out to win a D.C.M. some night;
And Hughes that’s keen on wiring; and Davies (’),
Who always must be firing at the Boche front line.
. . . .
‘Old soldiers never die; they simply fide a-why!’
That’s what they used to sing along the roads last spring;
That’s what they used to say before the push began;
That’s where they are to-day, knocked over to a man.
Hullo! here’s my platoon, the lot I had last year.
‘The war’ll be over soon.’
‘What ’opes?’
‘No bloody fear!’
Then, ‘Number Seven, ’shun! All present and correct.’
They’re standing in the sun, impassive and erect.
Young Gibson with his grin; and Morgan, tired and white;
Jordan, who’s out to win a D.C.M. some night;
And Hughes that’s keen on wiring; and Davies (’),
Who always must be firing at the Boche front line.
. . . .
‘Old soldiers never die; they simply fide a-why!’
That’s what they used to sing along the roads last spring;
That’s what they used to say before the push began;
That’s where they are to-day, knocked over to a man.
119
Siegfried Sassoon
To My Brother
To My Brother
Give me your hand, my brother, search my face;
Look in these eyes lest I should think of shame;
For we have made an end of all things base.
We are returning by the road we came.
Your lot is with the ghosts of soldiers dead,
And I am in the field where men must fight.
But in the gloom I see your laurell’d head
And through your victory I shall win the light.
Give me your hand, my brother, search my face;
Look in these eyes lest I should think of shame;
For we have made an end of all things base.
We are returning by the road we came.
Your lot is with the ghosts of soldiers dead,
And I am in the field where men must fight.
But in the gloom I see your laurell’d head
And through your victory I shall win the light.
114
Siegfried Sassoon
To His Dead Body
To His Dead Body
When roaring gloom surged inward and you cried,
Groping for friendly hands, and clutched, and died,
Like racing smoke, swift from your lolling head
phantoms of thought and memory thinned and fled.
Yet, though my dreams that throng the darkened stair
Can bring me no report of how you fare,
Safe quit of wars, I speed you on your way
Up lonely, glimmering fields to find new day,
Slow-rising, saintless, confident and kind—
Dear, red-faced father God who lit your mind.
When roaring gloom surged inward and you cried,
Groping for friendly hands, and clutched, and died,
Like racing smoke, swift from your lolling head
phantoms of thought and memory thinned and fled.
Yet, though my dreams that throng the darkened stair
Can bring me no report of how you fare,
Safe quit of wars, I speed you on your way
Up lonely, glimmering fields to find new day,
Slow-rising, saintless, confident and kind—
Dear, red-faced father God who lit your mind.
112
Siegfried Sassoon
The Fathers
The Fathers
Snug at the club two fathers sat,
Gross, goggle-eyed, and full of chat.
One of them said: ‘My eldest lad
Writes cheery letters from Bagdad.
But Arthur’s getting all the fun
At Arras with his nine-inch gun.’
‘Yes,’ wheezed the other, ‘that’s the luck!
My boy’s quite broken-hearted, stuck
In England training all this year.
Still, if there’s truth in what we hear,
The Huns intend to ask for more
Before they bolt across the Rhine.’
I watched them toddle through the door—
These impotent old friends of mine.
Snug at the club two fathers sat,
Gross, goggle-eyed, and full of chat.
One of them said: ‘My eldest lad
Writes cheery letters from Bagdad.
But Arthur’s getting all the fun
At Arras with his nine-inch gun.’
‘Yes,’ wheezed the other, ‘that’s the luck!
My boy’s quite broken-hearted, stuck
In England training all this year.
Still, if there’s truth in what we hear,
The Huns intend to ask for more
Before they bolt across the Rhine.’
I watched them toddle through the door—
These impotent old friends of mine.
98
Siegfried Sassoon
Slumber-Song
Slumber-Song
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.
148
Siegfried Sassoon
Parted
Parted
Sleepless I listen to the surge and drone
And drifting roar of the town’s undertone;
Till through quiet falling rain I hear the bells
Tolling and chiming their brief tune that tells
Day’s midnight end. And from the day that’s over
No flashes of delight I can recover;
But only dreary winter streets, and faces
Of people moving in loud clanging places:
And I in my loneliness, longing for you...
For all I did to-day, and all I’ll do
To-morrow, in this city of intense
Arteried activities that throb and strive,
Is but a beating down of that suspense
Which holds me from your arms.
I am alive
Only that I may find you at the end
Of these slow-striking hours I toil to spend,
Putting each one behind me, knowing but this—
That all my days are turning toward your kiss;
That all expectancy awaits the deep
Consoling passion of your eyes, that keep
Their radiance for my coming, and their peace
For when I find in you my love’s release.
Sleepless I listen to the surge and drone
And drifting roar of the town’s undertone;
Till through quiet falling rain I hear the bells
Tolling and chiming their brief tune that tells
Day’s midnight end. And from the day that’s over
No flashes of delight I can recover;
But only dreary winter streets, and faces
Of people moving in loud clanging places:
And I in my loneliness, longing for you...
For all I did to-day, and all I’ll do
To-morrow, in this city of intense
Arteried activities that throb and strive,
Is but a beating down of that suspense
Which holds me from your arms.
I am alive
Only that I may find you at the end
Of these slow-striking hours I toil to spend,
Putting each one behind me, knowing but this—
That all my days are turning toward your kiss;
That all expectancy awaits the deep
Consoling passion of your eyes, that keep
Their radiance for my coming, and their peace
For when I find in you my love’s release.
100
Siegfried Sassoon
'In the Pink'
'In the Pink'
So Davies wrote: ' This leaves me in the pink. '
Then scrawled his name: ' Your loving sweetheart Willie '
With crosses for a hug. He'd had a drink
Of rum and tea; and, though the barn was chilly,
For once his blood ram warm; he had pay to spend,
Winter was passing; soon the year would mend.
He couldn't sleep that night. Stiff in the dark
He groaned and thought of Sundays at the farm,
When he'd go out as cheerful as a lark
In his best suit to wander arm-in-arm
With brown-eyed Gwen, and whisper in her ear
The simple, silly things she liked to hear.
And then he thought: to-morrow night we trudge
Up to the trenches, and my boots are rotten.
Five miles of stodgy clay and freezing sludge,
And everything but wretchedness forgotten.
To-night he's in the pink; but soon he'll die.
And still the war goes on; he don't know why.
So Davies wrote: ' This leaves me in the pink. '
Then scrawled his name: ' Your loving sweetheart Willie '
With crosses for a hug. He'd had a drink
Of rum and tea; and, though the barn was chilly,
For once his blood ram warm; he had pay to spend,
Winter was passing; soon the year would mend.
He couldn't sleep that night. Stiff in the dark
He groaned and thought of Sundays at the farm,
When he'd go out as cheerful as a lark
In his best suit to wander arm-in-arm
With brown-eyed Gwen, and whisper in her ear
The simple, silly things she liked to hear.
And then he thought: to-morrow night we trudge
Up to the trenches, and my boots are rotten.
Five miles of stodgy clay and freezing sludge,
And everything but wretchedness forgotten.
To-night he's in the pink; but soon he'll die.
And still the war goes on; he don't know why.
112
Siegfried Sassoon
Hero
Hero
'Jack fell as he'd have wished,' the Mother said,
And folded up the letter that she'd read.
'The Colonel writes so nicely.' Something broke
In the tired voice that quavered to a choke.
She half looked up. 'We mothers are so proud
Of our dead soldiers.' Then her face was bowed.
Quietly the Brother Officer went out.
He'd told the poor old dear some gallant lies
That she would nourish all her days, no doubt.
For while he coughed and mumbled, her weak eyes
Had shone with gentle triumph, brimmed with joy,
Because he'd been so brave, her glorious boy.
He thought how 'Jack', cold-footed, useless swine,
Had panicked down the trench that night the mine
Went up at Wicked Corner; how he'd tried
To get sent home, and how, at last, he died,
Blown to small bits. And no one seemed to care
Except that lonely woman with white hair.
'Jack fell as he'd have wished,' the Mother said,
And folded up the letter that she'd read.
'The Colonel writes so nicely.' Something broke
In the tired voice that quavered to a choke.
She half looked up. 'We mothers are so proud
Of our dead soldiers.' Then her face was bowed.
Quietly the Brother Officer went out.
He'd told the poor old dear some gallant lies
That she would nourish all her days, no doubt.
For while he coughed and mumbled, her weak eyes
Had shone with gentle triumph, brimmed with joy,
Because he'd been so brave, her glorious boy.
He thought how 'Jack', cold-footed, useless swine,
Had panicked down the trench that night the mine
Went up at Wicked Corner; how he'd tried
To get sent home, and how, at last, he died,
Blown to small bits. And no one seemed to care
Except that lonely woman with white hair.
139
Siegfried Sassoon
Hero
Hero
'Jack fell as he'd have wished,' the Mother said,
And folded up the letter that she'd read.
'The Colonel writes so nicely.' Something broke
In the tired voice that quavered to a choke.
She half looked up. 'We mothers are so proud
Of our dead soldiers.' Then her face was bowed.
Quietly the Brother Officer went out.
He'd told the poor old dear some gallant lies
That she would nourish all her days, no doubt.
For while he coughed and mumbled, her weak eyes
Had shone with gentle triumph, brimmed with joy,
Because he'd been so brave, her glorious boy.
He thought how 'Jack', cold-footed, useless swine,
Had panicked down the trench that night the mine
Went up at Wicked Corner; how he'd tried
To get sent home, and how, at last, he died,
Blown to small bits. And no one seemed to care
Except that lonely woman with white hair.
'Jack fell as he'd have wished,' the Mother said,
And folded up the letter that she'd read.
'The Colonel writes so nicely.' Something broke
In the tired voice that quavered to a choke.
She half looked up. 'We mothers are so proud
Of our dead soldiers.' Then her face was bowed.
Quietly the Brother Officer went out.
He'd told the poor old dear some gallant lies
That she would nourish all her days, no doubt.
For while he coughed and mumbled, her weak eyes
Had shone with gentle triumph, brimmed with joy,
Because he'd been so brave, her glorious boy.
He thought how 'Jack', cold-footed, useless swine,
Had panicked down the trench that night the mine
Went up at Wicked Corner; how he'd tried
To get sent home, and how, at last, he died,
Blown to small bits. And no one seemed to care
Except that lonely woman with white hair.
139
Siegfried Sassoon
Blighters
Blighters
The House is crammed: tier beyond tier they grin
And cackle at the Show, while prancing ranks
Of harlots shrill the chorus, drunk with din;
‘We’re sure the Kaiser loves our dear old Tanks!’
I’d like to see a Tank come down the stalls,
Lurching to rag-time tunes, or ‘Home, sweet Home’,
And there’d be no more jokes in Music-halls
To mock the riddled corpses round Bapaume.
The House is crammed: tier beyond tier they grin
And cackle at the Show, while prancing ranks
Of harlots shrill the chorus, drunk with din;
‘We’re sure the Kaiser loves our dear old Tanks!’
I’d like to see a Tank come down the stalls,
Lurching to rag-time tunes, or ‘Home, sweet Home’,
And there’d be no more jokes in Music-halls
To mock the riddled corpses round Bapaume.
114
Siegfried Sassoon
Arms and the Man
Arms and the Man
Young Croesus went to pay his call
On Colonel Sawbones, Caxton Hall:
And, though his wound was healed and mended,
He hoped he’d get his leave extended.
The waiting-room was dark and bare.
He eyed a neat-framed notice there
Above the fireplace hung to show
Disabled heroes where to go
For arms and legs; with scale of price,
And words of dignified advice
How officers could get them free.
Elbow or shoulder, hip or knee,
Two arms, two legs, though all were lost,
They’d be restored him free of cost.
Then a Girl Guide looked to say,
‘Will Captain Croesus come this way?’
Young Croesus went to pay his call
On Colonel Sawbones, Caxton Hall:
And, though his wound was healed and mended,
He hoped he’d get his leave extended.
The waiting-room was dark and bare.
He eyed a neat-framed notice there
Above the fireplace hung to show
Disabled heroes where to go
For arms and legs; with scale of price,
And words of dignified advice
How officers could get them free.
Elbow or shoulder, hip or knee,
Two arms, two legs, though all were lost,
They’d be restored him free of cost.
Then a Girl Guide looked to say,
‘Will Captain Croesus come this way?’
120
Siegfried Sassoon
Ancient History
Ancient History
Adam, a brown old vulture in the rain,
Shivered below his wind-whipped olive-trees;
Huddling sharp chin on scarred and scraggy knees,
He moaned and mumbled to his darkening brain;
‘He was the grandest of them all was Cain!
‘A lion laired in the hills, that none could tire:
‘Swift as a stag: a stallion of the plain,
‘Hungry and fierce with deeds of huge desire.’
Grimly he thought of Abel, soft and fair
A lover with disaster in his face,
And scarlet blossom twisted in bright hair.
‘Afraid to fight; was murder more disgrace?’
‘God always hated Cain’ He bowed his head
The gaunt wild man whose lovely sons were dead.
Adam, a brown old vulture in the rain,
Shivered below his wind-whipped olive-trees;
Huddling sharp chin on scarred and scraggy knees,
He moaned and mumbled to his darkening brain;
‘He was the grandest of them all was Cain!
‘A lion laired in the hills, that none could tire:
‘Swift as a stag: a stallion of the plain,
‘Hungry and fierce with deeds of huge desire.’
Grimly he thought of Abel, soft and fair
A lover with disaster in his face,
And scarlet blossom twisted in bright hair.
‘Afraid to fight; was murder more disgrace?’
‘God always hated Cain’ He bowed his head
The gaunt wild man whose lovely sons were dead.
108