Relationships and Family

A Noted Traveler

Even in such a scene of senseless play
The children were surprised one summer-day
By a strange man who called across the fence,
Inquiring for their father's residence;
And, being answered that this was the place,
Opened the gate, and with a radiant face,
Came in and sat down with them in the shade
And waited--till the absent father made
His noon appearance, with a warmth and zest
That told he had no ordinary guest
In this man whose low-spoken name he knew
At once, demurring as the stranger drew
A stuffy notebook out and turned and set
A big fat finger on a page and let
The writing thereon testify instead
Of further speech. And as the father read
All silently, the curious children took
Exacting inventory both of book
And man:--He wore a long-napped white fur-hat
Pulled firmly on his head, and under that
Rather long silvery hair, or iron-gray--
For he was not an old man,--anyway,
Not beyond sixty. And he wore a pair
Of square-framed spectacles--or rather there
Were two more than a pair,--the extra two
Flared at the corners, at the eyes' side-view,
In as redundant vision as the eyes
Of grasshoppers or bees or dragonflies.
Later the children heard the father say
He was 'A Noted Traveler,' and would stay
Some days with them--In which time host and guest
Discussed, alone, in deepest interest,
Some vague, mysterious matter that defied
The wistful children, loitering outside
The spare-room door. There Bud acquired a quite
New list of big words--such as 'Disunite,'
And 'Shibboleth,' and 'Aristocracy,'
And 'Juggernaut,' and 'Squatter Sovereignty,'
And 'Anti-slavery,' 'Emancipate,'
'Irrepressible conflict,' and 'The Great
Battle of Armageddon'--obviously
A pamphlet brought from Washington, D. C.,
And spread among such friends as might occur
Of like views with 'The Noted Traveler.'

A Parent Reprimanded

Sometimes I think 'at Parents does
Things ist about as bad as _us_--


Wite 'fore our vurry eyes, at that!
Fer one time Pa he scold' my Ma
'Cause he can't find his hat;
An' she ist _cried_, she did! An' I
Says, 'Ef you scold my Ma
Ever again an' make her cry,
Wy, you sha'n't _be_ my Pa!'
An' nen he laugh' an' find his hat
Ist wite where Ma she said it's at!

A New Year's Time At Willards's

1
The Hired Man Talks

There's old man Willards; an' his wife;
An' Marg'et-- S'repty's sister--; an'
There's me-- an' I'm the hired man;
An' Tomps McClure, you better yer life!

Well now, old Willards hain't so bad,
Considerin' the chance he's had.
Of course, he's rich, an' sleeps an' eats
Whenever he's a mind to: Takes
An' leans back in the Amen-seats
An' thanks the Lord fer all he makes--.
That's purty much all folks has got
Ag'inst the old man, like as not!
But there's his woman-- jes the turn
Of them-air two wild girls o' hern-Marg'et
an' S'repty-- allus in
Fer any cuttin'-up concern--
Church festibals, and foolishin'
Round Christmas-trees, an' New Year's sprees--
Set up to watch the Old Year go
An' New Year come-- sich things as these;
An' turkey-dinners, don't you know!
S'repty's younger, an' more gay,
An' purtier, an' finer dressed
Than Marg'et is-- but, lawzy-day!
She hain't the independentest!
'Take care!' old Willards used to say,
'Take care--! Let Marg'et have her way,
An' S'repty, you go off an' play
On your melodeum--!' But, best
Of all, comes Tomps! An' I'll be bound,
Ef he hain't jes the beatin'est
Young chap in all the country round!
Ef you knowed Tomps you'd like him, shore!
They hain't no man on top o' ground
Walks into my affections more--!
An' all the Settlement'll say
That Tomps was liked jes thataway
By ever'body, till he tuk
A shine to S'repty Willards--. Then
You'd ort'o see the old man buck
An' h'ist hisse'f, an' paw the dirt,
An' hint that 'common workin'-men
That didn't want their feelin's hurt
'Ud better hunt fer 'comp'ny' where
The folks was pore an' didn't care--!'
The pine-blank facts is--, the old man,
Last Christmas was a year ago,
Found out some presents Tomps had got


Fer S'repty, an' hit made him hot--
Set down an' tuk his pen in hand
An' writ to Tomps an' told him so
On legal cap, in white an' black,
An' give him jes to understand
'No Christmas-gifts o' 'lily-white'
An' bear's-ile could fix matters right,'
An' wropped 'em up an' sent 'em back!
Well, S'repty cried an' snuffled round
Consid'able. But Marg'et she
Toed out another sock, an' wound
Her knittin' up, an' drawed the tea,
An' then set on the supper-things,
An' went up in the loft an' dressed--
An' through it all you'd never guessed
What she was up to! An' she brings
Her best hat with her an her shawl,
An' gloves, an' redicule, an' all,
An' injirubbers, an' comes down
An' tells 'em she's a-goin' to town
To he'p the Christmas goin's-on
Her Church got up. An' go she does--
The best hosswoman ever was!
'An' what'll We do while you're gone?'
The old man says, a-tryin' to be
Agreeable. 'Oh! You?' says she--,
'You kin jaw S'repty, like you did,
An' slander Tomps!' An' off she rid!


Now, this is all I'm goin' to tell
Of this-here story-- that is, I
Have done my very level best
As fur as this, an' here I 'dwell,'
As auctioneers says, winkin' sly:
Hit's old man Willards tells the rest.


2
The Old Man Talks


Adzackly jes one year ago,
This New Year's day, Tomps comes to me--
In my own house, an' whilse the folks
Was gittin' dinner--, an' he pokes
His nose right in, an' says, says he:
'I got yer note-- an' read it slow!
You don't like me, ner I don't you,'
He says--, 'we're even there, you know!
But you've said, furder that no gal
Of yourn kin marry me, er shall,
An' I'd best shet off comin', too!'
An' then he says--, 'Well, them's Your views--;
But havin' talked with S'repty, we



Have both agreed to disagree
With your peculiar notions-- some;
An', that s the reason, I refuse
To quit a-comin' here, but come--
Not fer to threat, ner raise no skeer
An' spile yer turkey-dinner here--,
But jes fer S'repty's sake, to sheer
Yer New Year's. Shall I take a cheer?'


Well, blame-don! Ef I ever see
Sich impidence! I couldn't say
Not nary word! But Mother she
Sot out a cheer fer Tomps, an' they
Shuk hands an' turnt their back on me.
Then I riz-- mad as mad could be--!
But Marg'et says--, 'Now, Pap! You set
Right where you're settin'--! Don't you fret!
An' Tomps-- you warm yer feet!' says she,
'An throw yer mitts an' comfert on
The bed there! Where is S'repty gone!
The cabbage is a-scortchin'! Ma,
Stop cryin' there an' stir the slaw!'
Well--! What was Mother cryin' fer--?
I half riz up-- but Marg'et's chin
Hit squared-- an' I set down ag'in--
I allus was afeard o' her,
I was, by jucks! So there I set,
Betwixt a sinkin'-chill an' sweat,
An' scuffled with my wrath, an' shet
My teeth to mighty tight, you bet!
An' yit, fer all that I could do,
I eeched to jes git up an' whet
The carvin'-knife a rasp er two
On Tomps's ribs-- an' so would you--!
Fer he had riz an' faced around,
An' stood there, smilin', as they brung
The turkey in, all stuffed an' browned--
Too sweet fer nose, er tooth, er tongue!
With sniffs o' sage, an' p'r'aps a dash
Of old burnt brandy, steamin'-hot
Mixed kindo' in with apple-mash
An' mince-meat, an' the Lord knows what!
Nobody was a-talkin' then,
To 'filiate any awk'ardness--
No noise o' any kind but jes
The rattle o' the dishes when
They'd fetch 'em in an' set 'em down,
An' fix an' change 'em round an' round,
Like women does-- till Mother says--,
'Vittels is ready; Abner, call
Down S'repty-- she's up-stairs, I guess--.'
And Marg'et she says, 'Ef you bawl



Like that, she'll not come down at all!
Besides, we needn't wait till she
Gits down! Here Temps, set down by me,
An' Pap: say grace...!' Well, there I was--!
What could I do! I drapped my head
Behind my fists an' groaned; an' said--:
'Indulgent Parent! In Thy cause
We bow the head an' bend the knee
An' break the bread, an' pour the wine,
Feelin'--' (The stair-door suddently
Went bang! An' S'repty flounced by me--)
'Feelin',' I says, 'this feast is Thine--
This New Year's feast--' an' rap-rap-rap!
Went Marg'ets case-knife on her plate--
An' next, I heerd a sasser drap--,
Then I looked up, an' strange to state,
There S'repty set in Tomps lap--
An' huggin' him, as shore as fate!
An' Mother kissin' him k-slap!
An' Marg'et-- she chips in to drap
The ruther peert remark to me--:
'That 'grace' o' yourn,' she says, 'won't 'gee'--
This hain't no 'New Year's feast,'' says she--,
'This is a' Infair-Dinner, Pap!'


An' so it was--! Be'n married fer
Purt' nigh a week--! 'Twas Marg'et planned
The whole thing fer 'em, through an' through.
I'm rickonciled; an' understand,
I take things jes as they occur--,
Ef Marg'et liked Tomps, Tomps 'ud do--!
But I-says-I, a-holt his hand--,
'I'm glad you didn't marry Her-'
Cause Marg'et's my guardeen-- yes-sir--!
An' S'repty's good enough fer you!'

A Diverted Tragedy

Gracie wuz allus a _careless_ tot;
But Gracie dearly loved her doll,
An' played wiv it on the winder-sill
'Way up-stairs, when she ought to _not_,
An' her muvver _telled_ her so an' all;
But she won't _mind_ what _she_ say--till,
First thing she know, her dolly fall
Clean spang out o' the winder plumb
Into the street! An' here Grace come
Down-stairs, two at a time, ist wild
An' a-screamin', 'Oh, my child! my child!'


Jule wuz a-bringin' their basket o' clo'es
Ist then into their hall down there,--
An' she ist stop' when Gracie bawl,
An' Jule she say 'She ist declare
She's ist in time!' An' what you s'pose?
She sets her basket down in the hall,
An' wite on top o' the snowy clo'es
Wuz Gracie's dolly a-layin' there
An' ist ain't bu'st ner hurt a-tall!


Nen Gracie smiled--ist _sobbed_ an' smiled--
An' cried, 'My child! my precious child!'

A Discouraging Model

Just the airiest, fairiest slip of a thing,
With a Gainsborough hat, like a butterfly's wing,
Tilted up at one side with the jauntiest air,
And a knot of red roses sown in under there
Where the shadows are lost in her hair.


Then a cameo face, carven in on a ground
Of that shadowy hair where the roses are wound;
And the gleam of a smile, O as fair and as faint
And as sweet as the master of old used to paint
Round the lips of their favorite saint!


And that lace at her throat-- and fluttering hands
Snowing there, with a grace that no art understands,
The flakes of their touches-- first fluttering at
The bow-- then the roses-- the hair and then that
Little tilt of the Gainsborough hat.


Ah, what artist on earth with a model like this,
Holding not on his palette the tint of a kiss,
Nor a pigment to hint of the hue of her hair
Nor the gold of her smile-- O what artist could dare
To expect a result half so fair?

A Christmas Memory

Pa he bringed me here to stay
'Til my Ma she's well.--An' nen
He's go' hitch up, Chris'mus-day,
An' come take me back again
Wher' my Ma's at! Won't I be
Tickled when he comes fer me!


My Ma an' my A'nty they
'Uz each-uvver's sisters. Pa-A'nty
telled me, th' other day,--
He comed here an' married Ma....
A'nty said nen, 'Go run play,
I must work now!' ... An' I saw,
When she turn' her face away,
She 'uz cryin'.--An' nen I
'Tend-like I 'run play'--an' cry.


This-here house o' A'nty's wher'
They 'uz borned--my Ma an' her!--
An' her Ma 'uz my Ma's Ma,
An' her Pa 'uz my Ma's Pa-


Ain't that funny?--An' they're dead:
An' this-here's 'th' ole Homestead.'--
An' my A'nty said, an' cried,
It's mine, too, ef my Ma died-Don't
know what she mean--'cause my
Ma she's nuvver go' to die!


When Pa bringed me here 't 'uz night-'
Way dark night! An' A'nty spread
Me a piece--an' light the light
An' say I must go to bed.--
I cry not to---but Pa said,
'Be good boy now, like you telled
Mommy 'at you're go' to be!'
An', when he 'uz kissin' me
My good night, his cheeks' all wet
An' taste salty.--An' he held
Wite close to me an' rocked some
An' langhed-like--'til A'nty come
Git me while he's rockin' yet.


A'nty he'p me, 'til I be
Purt'-nigh strip-pud--nen hug me
In bofe arms an' lif' me 'way
Up in her high bed--an' pray
Wiv me,--'bout my Ma--an' Pa--
An' ole Santy Claus--an' Sleigh--
An' Reindeers an' little Drum--
Yes, an' Picture-books, 'Tom Thumb,'
An' 'Three Bears,' an' ole 'Fee-Faw'-



Yes, an' 'Tweedle-Dee' an' 'Dum,'
An' 'White Knight' an' 'Squidjicum,'
An' most things you ever saw!--
An' when A'nty kissed me, she
'Uz all cryin' over me!


Don't want Santy Claus--ner things
Any kind he ever brings!-Don't
want A'nty!--Don't want Pa!--
I ist only want my Ma!

Winds of May

Winds of May, that dance on the sea,
Dancing a ring-around in glee
From furrow to furrow, while overhead
The foam flies up to be garlanded,
In silvery arches spanning the air,
Saw you my true love anywhere?
Welladay! Welladay!
For the winds of May!
Love is unhappy when love is away!

As she told me it was father
From a foreign land returned.


. . . . . . .


I said--when I was calm again,
And thoughtfully once more
Had dwelt upon my mother's words
Of just the day before,-


'I DON'T look like my father,
As you told me yesterday--
I know I don't--or father
Would have run the other way.'

When the Shy Star Goes Forth in Heaven

When the shy star goes forth in heaven
All maidenly, disconsolate,
Hear you amid the drowsy even
One who is singing by your gate.
His song is softer than the dew
And he is come to visit you.


O bend no more in revery
When he at eventide is calling.
Nor muse: Who may this singer be
Whose song about my heart is falling?
Know you by this, the lover's chant,
'Tis I that am your visitant.

Watching the Needleboats at San Sabba

I heard their young hearts crying
Loveward above the glancing oar
And heard the prairie grasses sighing:
No more, return no more!


O hearts, O sighing grasses,
Vainly your loveblown bannerets mourn!
No more will the wild wind that passes
Return, no more return.

The Twilight Turns

The twilight turns from amethyst
To deep and deeper blue,
The lamp fills with a pale green glow
The trees of the avenue.


The old piano plays an air,
Sedate and slow and gay;
She bends upon the yellow keys,
Her head inclines this way.


Shy thought and grave wide eyes and hands
That wander as they list -- -
The twilight turns to darker blue
With lights of amethyst.

Of That So Sweet Imprisonment

Of that so sweet imprisonment
My soul, dearest, is fain -- -
Soft arms that woo me to relent
And woo me to detain.
Ah, could they ever hold me there
Gladly were I a prisoner!


Dearest, through interwoven arms
By love made tremulous,
That night allures me where alarms
Nowise may trouble us;
But lseep to dreamier sleep be wed
Where soul with soul lies prisoned.

Now, O Now in This Brown Land

Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.


A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.


Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before
We take sad leave at close of day.
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.

O Sweetheart, Hear You

O Sweetheart, hear you
Your lover's tale;
A man shall have sorrow
When friends him fail.


For he shall know then
Friends be untrue
And a little ashes
Their words come to.


But one unto him
Will softly move
And softly woo him
In ways of love.


His hand is under
Her smooth round breast;
So he who has sorrow
Shall have rest.

My Love Is in a Light Attire

My love is in a light attire
Among the apple-trees,
Where the gay winds do most desire
To run in companies.


There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass;


And where the sky's a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.

Love Came to Us

Love came to us in time gone by
When one at twilight shyly played
And one in fear was standing nigh -- -
For Love at first is all afraid.


We were grave lovers. Love is past
That had his sweet hours many a one;
Welcome to us now at the last
The ways that we shall go upon.

Lean Out of the Window

Lean out of the window,
Goldenhair,
I hear you singing
A merry air.


My book was closed,
I read no more,
Watching the fire dance
On the floor.


I have left my book,
I have left my room,
For I heard you singing
Through the gloom.


Singing and singing
A merry air,
Lean out of the window,
Goldenhair.

I Would in That Sweet Bosom Be

I would in that sweet bosom be
(O sweet it is and fair it is!)
Where no rude wind might visit me.
Because of sad austerities
I would in that sweet bosom be.


I would be ever in that heart
(O soft I knock and soft entreat her!)
Where only peace might be my part.
Austerities were all the sweeter
So I were ever in that heart.

He Who Hath Glory Lost

He who hath glory lost, nor hath
Found any soul to fellow his,
Among his foes in scorn and wrath
Holding to ancient nobleness,
That high unconsortable one ---
His love is his companion.

Gentle Lady, Do Not Sing

Gentle lady, do not sing
Sad songs about the end of love;
Lay aside sadness and sing
How love that passes is enough.


Sing about the long deep sleep
Of lovers that are dead, and how
In the grave all love shall sleep:
Love is aweary now.

Dear Heart, Why Will You Use Me So?

Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- - but O,
How is your beauty raimented!


Through the clear mirror of your eyes,
Through the soft sigh of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.


And soon shall love dissolved be
When over us the wild winds blow -- -
But you, dear love, too dear to me,
Alas! why will you use me so?

Bid Adieu to Maidenhood

Bid adieu, adieu, adieu,
Bid adieu to girlish days,
Happy Love is come to woo
Thee and woo thy girlish ways—
The zone that doth become thee fair,
The snood upon thy yellow hair,


When thou hast heard his name upon
The bugles of the cherubim
Begin thou softly to unzone
Thy girlish bosom unto him
And softly to undo the snood
That is the sign of maidenhood.

At That Hour

At that hour when all things have repose,
O lonely watcher of the skies,
Do you hear the night wind and the sighs
Of harps playing unto Love to unclose
The pale gates of sunrise?


When all things repose, do you alone
Awake to hear the sweet harps play
To Love before him on his way,
And the night wind answering in antiphon
Till night is overgone?


Play on, invisible harps, unto Love,
Whose way in heaven is aglow
At that hour when soft lights come and go,
Soft sweet music in the air above
And in the earth below.

A Flower Given to My Daughter

Frail the white rose and frail are
Her hands that gave
Whose soul is sere and paler
Than time's wan wave.


Rosefrail and fair -- yet frailest
A wonder wild
In gentle eyes thou veilest,
My blueveined child.