Poems in this topic
Emotions and Feelings
James Whitcomb Riley
The Orchard Lands Of Long Ago
The Orchard Lands Of Long Ago
The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!
Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!
O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!
The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!
Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!
O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!
283
James Whitcomb Riley
The Old Tramp
The Old Tramp
A Old Tramp slep' in our stable wunst,
An' The Raggedy Man he caught
An' roust him up, an' chased him off
Clean out through our back lot!
An' th' Old Tramp hollered back an' said,-'
You're a _purty_ man!--_You_ air!--
With a pair o' eyes like two fried eggs,
An' a nose like a Bartlutt pear!'
A Old Tramp slep' in our stable wunst,
An' The Raggedy Man he caught
An' roust him up, an' chased him off
Clean out through our back lot!
An' th' Old Tramp hollered back an' said,-'
You're a _purty_ man!--_You_ air!--
With a pair o' eyes like two fried eggs,
An' a nose like a Bartlutt pear!'
338
James Whitcomb Riley
The Old Swimmin' Hole
The Old Swimmin' Hole
1
2
3
4
6
7
8
Oh! the old swimmin'-hole! whare the crick so still and deep
Looked like a baby-river that was laying half asleep,
And the gurgle of the worter round the drift jest below
Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole.
9 Oh! the old swimmin'-hole! In the happy days of yore,
When I ust to lean above it on the old sickamore,
11
12
13
14
16
Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness.
But them days is past and gone, and old Time's tuck his toll
From the old man come back to the old swimmin'-hole.
17
18
19
21
22
23
24
Oh! the old swimmin'-hole! In the long, lazy days
When the humdrum of school made so many run-a-ways,
How plesant was the jurney down the old dusty lane,
Whare the tracks of our bare feet was all printed so plane
You could tell by the dent of the heel and the sole
They was lots o' fun on hands at the old swimmin'-hole.
But the lost joys is past! Let your tears in sorrow roll
Like the rain that ust to dapple up the old swimmin'-hole.
26
Thare the bullrushes growed, and the cattails so tall,
And the sunshine and shadder fell over it all;
27
28
29
31
32
And it mottled the worter with amber and gold
Tel the glad lilies rocked in the ripples that rolled;
And the snake-feeder's four gauzy wings fluttered by
Like the ghost of a daisy dropped out of the sky,
Or a wownded apple-blossom in the breeze's controle
As it cut acrost some orchard to'rds the old swimmin'-hole.
33
34
36
37
38
39
Oh! the old swimmin'-hole! When I last saw the place,
The scenes was all changed, like the change in my face;
The bridge of the railroad now crosses the spot
Whare the old divin'-log lays sunk and fergot.
And I stray down the banks whare the trees ust to be --
But never again will theyr shade shelter me!
And I wish in my sorrow I could strip to the soul,
And dive off in my grave like the old swimmin'-hole.
1
2
3
4
6
7
8
Oh! the old swimmin'-hole! whare the crick so still and deep
Looked like a baby-river that was laying half asleep,
And the gurgle of the worter round the drift jest below
Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole.
9 Oh! the old swimmin'-hole! In the happy days of yore,
When I ust to lean above it on the old sickamore,
11
12
13
14
16
Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness.
But them days is past and gone, and old Time's tuck his toll
From the old man come back to the old swimmin'-hole.
17
18
19
21
22
23
24
Oh! the old swimmin'-hole! In the long, lazy days
When the humdrum of school made so many run-a-ways,
How plesant was the jurney down the old dusty lane,
Whare the tracks of our bare feet was all printed so plane
You could tell by the dent of the heel and the sole
They was lots o' fun on hands at the old swimmin'-hole.
But the lost joys is past! Let your tears in sorrow roll
Like the rain that ust to dapple up the old swimmin'-hole.
26
Thare the bullrushes growed, and the cattails so tall,
And the sunshine and shadder fell over it all;
27
28
29
31
32
And it mottled the worter with amber and gold
Tel the glad lilies rocked in the ripples that rolled;
And the snake-feeder's four gauzy wings fluttered by
Like the ghost of a daisy dropped out of the sky,
Or a wownded apple-blossom in the breeze's controle
As it cut acrost some orchard to'rds the old swimmin'-hole.
33
34
36
37
38
39
Oh! the old swimmin'-hole! When I last saw the place,
The scenes was all changed, like the change in my face;
The bridge of the railroad now crosses the spot
Whare the old divin'-log lays sunk and fergot.
And I stray down the banks whare the trees ust to be --
But never again will theyr shade shelter me!
And I wish in my sorrow I could strip to the soul,
And dive off in my grave like the old swimmin'-hole.
318
James Whitcomb Riley
The Old Guitar
The Old Guitar
Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.
The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.
But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory
Of a flower-and-perfume-haunted place
And a moonlit balcony.
Music sweeter than words confess,
Or the minstrel's powers invent,
Thrilled here once at the light caress
Of the fairy hands that lent
This excuse for the kiss I press
On the dear old instrument.
The rose of pearl with the jeweled stem
Still blooms; and the tiny sets
In the circle all are here; the gem
In the keys, and the silver frets;
But the dainty fingers that danced o'er them--
Alas for the heart's regrets!--
Alas for the loosened strings to-day,
And the wounds of rift and scar
On a worn old heart, with its roundelay
Enthralled with a stronger bar
That Fate weaves on, through a dull decay
Like that of the old guitar!
Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.
The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.
But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory
Of a flower-and-perfume-haunted place
And a moonlit balcony.
Music sweeter than words confess,
Or the minstrel's powers invent,
Thrilled here once at the light caress
Of the fairy hands that lent
This excuse for the kiss I press
On the dear old instrument.
The rose of pearl with the jeweled stem
Still blooms; and the tiny sets
In the circle all are here; the gem
In the keys, and the silver frets;
But the dainty fingers that danced o'er them--
Alas for the heart's regrets!--
Alas for the loosened strings to-day,
And the wounds of rift and scar
On a worn old heart, with its roundelay
Enthralled with a stronger bar
That Fate weaves on, through a dull decay
Like that of the old guitar!
323
James Whitcomb Riley
The Old Guitar
The Old Guitar
Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.
The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.
But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory
Of a flower-and-perfume-haunted place
And a moonlit balcony.
Music sweeter than words confess,
Or the minstrel's powers invent,
Thrilled here once at the light caress
Of the fairy hands that lent
This excuse for the kiss I press
On the dear old instrument.
The rose of pearl with the jeweled stem
Still blooms; and the tiny sets
In the circle all are here; the gem
In the keys, and the silver frets;
But the dainty fingers that danced o'er them--
Alas for the heart's regrets!--
Alas for the loosened strings to-day,
And the wounds of rift and scar
On a worn old heart, with its roundelay
Enthralled with a stronger bar
That Fate weaves on, through a dull decay
Like that of the old guitar!
Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.
The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.
But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory
Of a flower-and-perfume-haunted place
And a moonlit balcony.
Music sweeter than words confess,
Or the minstrel's powers invent,
Thrilled here once at the light caress
Of the fairy hands that lent
This excuse for the kiss I press
On the dear old instrument.
The rose of pearl with the jeweled stem
Still blooms; and the tiny sets
In the circle all are here; the gem
In the keys, and the silver frets;
But the dainty fingers that danced o'er them--
Alas for the heart's regrets!--
Alas for the loosened strings to-day,
And the wounds of rift and scar
On a worn old heart, with its roundelay
Enthralled with a stronger bar
That Fate weaves on, through a dull decay
Like that of the old guitar!
323
James Whitcomb Riley
The Old Home By The Mill
The Old Home By The Mill
This is 'The old Home by the Mill'--far we still call it so,
Although the old mill, roof and sill, is all gone long ago.
The old home, though, and old folks, and the old spring, and a few
Old cat-tails, weeds and hartychokes, is left to welcome you!
Here, Marg'et, fetch the man a tin to drink out of' Our spring
Keeps kindo-sorto cavin' in, but don't 'taste' anything!
She's kindo agein', Marg'et is--'the old process,' like me,
All ham-stringed up with rheumatiz, and on in seventy-three.
Jes' me and Marg'et lives alone here--like in long ago;
The childern all put off and gone, and married, don't you know?
One's millin' way out West somewhere; two other miller-boys
In Minnyopolis they air; and one's in Illinoise.
The oldest gyrl--the first that went--married and died right here;
The next lives in Winn's Settlement--for purt' nigh thirty year!
And youngest one--was allus far the old home here--but no!--
Her man turns in and he packs her 'way off to Idyho!
I don't miss them like _Marg'et_ does--'cause I got _her_, you see;
And when she pines for them--that's 'cause _she's_ only jes' got
_me_!
I laugh, and joke her 'bout it all.--But talkin' sense, I'll say,
When she was tuk so bad last Fall, I laughed the t'other way!
I haint so favorble impressed 'bout dyin'; but ef I
Found I was only second-best when _us two_ come to die,
I'd 'dopt the 'new process' in full, ef _Marg'et_ died, you see,-I'd
jes' crawl in my grave and pull the green grass over me!
This is 'The old Home by the Mill'--far we still call it so,
Although the old mill, roof and sill, is all gone long ago.
The old home, though, and old folks, and the old spring, and a few
Old cat-tails, weeds and hartychokes, is left to welcome you!
Here, Marg'et, fetch the man a tin to drink out of' Our spring
Keeps kindo-sorto cavin' in, but don't 'taste' anything!
She's kindo agein', Marg'et is--'the old process,' like me,
All ham-stringed up with rheumatiz, and on in seventy-three.
Jes' me and Marg'et lives alone here--like in long ago;
The childern all put off and gone, and married, don't you know?
One's millin' way out West somewhere; two other miller-boys
In Minnyopolis they air; and one's in Illinoise.
The oldest gyrl--the first that went--married and died right here;
The next lives in Winn's Settlement--for purt' nigh thirty year!
And youngest one--was allus far the old home here--but no!--
Her man turns in and he packs her 'way off to Idyho!
I don't miss them like _Marg'et_ does--'cause I got _her_, you see;
And when she pines for them--that's 'cause _she's_ only jes' got
_me_!
I laugh, and joke her 'bout it all.--But talkin' sense, I'll say,
When she was tuk so bad last Fall, I laughed the t'other way!
I haint so favorble impressed 'bout dyin'; but ef I
Found I was only second-best when _us two_ come to die,
I'd 'dopt the 'new process' in full, ef _Marg'et_ died, you see,-I'd
jes' crawl in my grave and pull the green grass over me!
299
James Whitcomb Riley
The Nine Little Goblins
The Nine Little Goblins
They all climbed up on a high board-fence--
Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat--
And I asked them what they were staring at.
And the first one said, as he scratched his head
With a queer little arm that reached out of his ear
And rasped its claws in his hair so red-'
This is what this little arm is fer!'
And he scratched and stared, and the next one said,
'How on earth do _you_ scratch your head?'
And he laughed like the screech of a rusty hinge--
Laughed and laughed till his face grew black;
And when he choked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.
And the third little Goblin leered round at me--
And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
'What is the style of your socks this fall?'
And he clapped his heels--and I sighed to see
That he had hands where his feet should be.
Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain-'
Would--Ah, would I'd me brows again!'
And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know--
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.
And ever they kept their green-glass eyes
Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.
And they sang 'You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!-'
Tis only a vision the mind invents
After a supper of cold mince-pies,--
And you're doomed to dream this way,' they said,-'_
And you sha'n't wake up till you're clean plum dead!_'
They all climbed up on a high board-fence--
Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat--
And I asked them what they were staring at.
And the first one said, as he scratched his head
With a queer little arm that reached out of his ear
And rasped its claws in his hair so red-'
This is what this little arm is fer!'
And he scratched and stared, and the next one said,
'How on earth do _you_ scratch your head?'
And he laughed like the screech of a rusty hinge--
Laughed and laughed till his face grew black;
And when he choked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.
And the third little Goblin leered round at me--
And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
'What is the style of your socks this fall?'
And he clapped his heels--and I sighed to see
That he had hands where his feet should be.
Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain-'
Would--Ah, would I'd me brows again!'
And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know--
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.
And ever they kept their green-glass eyes
Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.
And they sang 'You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!-'
Tis only a vision the mind invents
After a supper of cold mince-pies,--
And you're doomed to dream this way,' they said,-'_
And you sha'n't wake up till you're clean plum dead!_'
271
James Whitcomb Riley
The Nine Little Goblins
The Nine Little Goblins
They all climbed up on a high board-fence--
Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat--
And I asked them what they were staring at.
And the first one said, as he scratched his head
With a queer little arm that reached out of his ear
And rasped its claws in his hair so red-'
This is what this little arm is fer!'
And he scratched and stared, and the next one said,
'How on earth do _you_ scratch your head?'
And he laughed like the screech of a rusty hinge--
Laughed and laughed till his face grew black;
And when he choked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.
And the third little Goblin leered round at me--
And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
'What is the style of your socks this fall?'
And he clapped his heels--and I sighed to see
That he had hands where his feet should be.
Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain-'
Would--Ah, would I'd me brows again!'
And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know--
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.
And ever they kept their green-glass eyes
Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.
And they sang 'You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!-'
Tis only a vision the mind invents
After a supper of cold mince-pies,--
And you're doomed to dream this way,' they said,-'_
And you sha'n't wake up till you're clean plum dead!_'
They all climbed up on a high board-fence--
Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat--
And I asked them what they were staring at.
And the first one said, as he scratched his head
With a queer little arm that reached out of his ear
And rasped its claws in his hair so red-'
This is what this little arm is fer!'
And he scratched and stared, and the next one said,
'How on earth do _you_ scratch your head?'
And he laughed like the screech of a rusty hinge--
Laughed and laughed till his face grew black;
And when he choked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.
And the third little Goblin leered round at me--
And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
'What is the style of your socks this fall?'
And he clapped his heels--and I sighed to see
That he had hands where his feet should be.
Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain-'
Would--Ah, would I'd me brows again!'
And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know--
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.
And ever they kept their green-glass eyes
Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.
And they sang 'You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!-'
Tis only a vision the mind invents
After a supper of cold mince-pies,--
And you're doomed to dream this way,' they said,-'_
And you sha'n't wake up till you're clean plum dead!_'
271
James Whitcomb Riley
The Lost Thrill
The Lost Thrill
I grow so weary, someway, of all things
That love and loving have vouchsafed to me,
Since now all dreamed-of sweets of ecstasy
Am I possessed of: The caress that clings—
The lips that mix with mine with murmurings
No language may interpret, and the free,
Unfettered brood of kisses, hungrily
Feasting in swarms on honeyed blossomings
Of passion's fullest flower—For yet I miss
The essence that alone makes love divine—
The subtle flavoring no tang of this
Weak wine of melody may here define:—
A something found and lost in the first kiss
A lover ever poured through lips of mine.
I grow so weary, someway, of all things
That love and loving have vouchsafed to me,
Since now all dreamed-of sweets of ecstasy
Am I possessed of: The caress that clings—
The lips that mix with mine with murmurings
No language may interpret, and the free,
Unfettered brood of kisses, hungrily
Feasting in swarms on honeyed blossomings
Of passion's fullest flower—For yet I miss
The essence that alone makes love divine—
The subtle flavoring no tang of this
Weak wine of melody may here define:—
A something found and lost in the first kiss
A lover ever poured through lips of mine.
314
James Whitcomb Riley
The Lost Kiss
The Lost Kiss
I put by the half-written poem,
While the pen, idly trailed in my hand,
Writes on--, 'Had I words to complete it,
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
So I gather it up-- where was broken
The tear-faded thread of my theme,
Telling how, as one night I sat writing,
A fairy broke in on my dream,
A little inquisitive fairy--
My own little girl, with the gold
Of the sun in her hair, and the dewy
Blue eyes of the fairies of old.
'Twas the dear little girl that I scolded-'
For was it a moment like this,'
I said, 'when she knew I was busy,
To come romping in for a kiss--?
Come rowdying up from her mother,
And clamoring there at my knee
For 'One 'ittle kiss for my dolly,
And one 'ittle uzzer for me!'
God pity, the heart that repelled her,
And the cold hand that turned her away,
And take, from the lips that denied her,
This answerless prayer of to-day!
Take Lord, from my mem'ry forever
That pitiful sob of despair,
And the patter and trip of the little bare feet,
And the one piercing cry on the stair!
I put by the half-written poem,
While the pen, idly trailed in my hand
Writes on--, 'Had I words to complete it
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
I put by the half-written poem,
While the pen, idly trailed in my hand,
Writes on--, 'Had I words to complete it,
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
So I gather it up-- where was broken
The tear-faded thread of my theme,
Telling how, as one night I sat writing,
A fairy broke in on my dream,
A little inquisitive fairy--
My own little girl, with the gold
Of the sun in her hair, and the dewy
Blue eyes of the fairies of old.
'Twas the dear little girl that I scolded-'
For was it a moment like this,'
I said, 'when she knew I was busy,
To come romping in for a kiss--?
Come rowdying up from her mother,
And clamoring there at my knee
For 'One 'ittle kiss for my dolly,
And one 'ittle uzzer for me!'
God pity, the heart that repelled her,
And the cold hand that turned her away,
And take, from the lips that denied her,
This answerless prayer of to-day!
Take Lord, from my mem'ry forever
That pitiful sob of despair,
And the patter and trip of the little bare feet,
And the one piercing cry on the stair!
I put by the half-written poem,
While the pen, idly trailed in my hand
Writes on--, 'Had I words to complete it
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
298
James Whitcomb Riley
The Lost Kiss
The Lost Kiss
I put by the half-written poem,
While the pen, idly trailed in my hand,
Writes on--, 'Had I words to complete it,
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
So I gather it up-- where was broken
The tear-faded thread of my theme,
Telling how, as one night I sat writing,
A fairy broke in on my dream,
A little inquisitive fairy--
My own little girl, with the gold
Of the sun in her hair, and the dewy
Blue eyes of the fairies of old.
'Twas the dear little girl that I scolded-'
For was it a moment like this,'
I said, 'when she knew I was busy,
To come romping in for a kiss--?
Come rowdying up from her mother,
And clamoring there at my knee
For 'One 'ittle kiss for my dolly,
And one 'ittle uzzer for me!'
God pity, the heart that repelled her,
And the cold hand that turned her away,
And take, from the lips that denied her,
This answerless prayer of to-day!
Take Lord, from my mem'ry forever
That pitiful sob of despair,
And the patter and trip of the little bare feet,
And the one piercing cry on the stair!
I put by the half-written poem,
While the pen, idly trailed in my hand
Writes on--, 'Had I words to complete it
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
I put by the half-written poem,
While the pen, idly trailed in my hand,
Writes on--, 'Had I words to complete it,
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
So I gather it up-- where was broken
The tear-faded thread of my theme,
Telling how, as one night I sat writing,
A fairy broke in on my dream,
A little inquisitive fairy--
My own little girl, with the gold
Of the sun in her hair, and the dewy
Blue eyes of the fairies of old.
'Twas the dear little girl that I scolded-'
For was it a moment like this,'
I said, 'when she knew I was busy,
To come romping in for a kiss--?
Come rowdying up from her mother,
And clamoring there at my knee
For 'One 'ittle kiss for my dolly,
And one 'ittle uzzer for me!'
God pity, the heart that repelled her,
And the cold hand that turned her away,
And take, from the lips that denied her,
This answerless prayer of to-day!
Take Lord, from my mem'ry forever
That pitiful sob of despair,
And the patter and trip of the little bare feet,
And the one piercing cry on the stair!
I put by the half-written poem,
While the pen, idly trailed in my hand
Writes on--, 'Had I words to complete it
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
298
James Whitcomb Riley
The Little Fat Doctor
The Little Fat Doctor
He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!
To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.
But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--
Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.
But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!
'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!
To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.
But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--
Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.
But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!
'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
258
James Whitcomb Riley
The Little Fat Doctor
The Little Fat Doctor
He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!
To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.
But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--
Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.
But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!
'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!
To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.
But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--
Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.
But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!
'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
258
James Whitcomb Riley
The Little Fat Doctor
The Little Fat Doctor
He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!
To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.
But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--
Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.
But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!
'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!
To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.
But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--
Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.
But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!
'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
258
James Whitcomb Riley
The Little Town O' Tailholt
The Little Town O' Tailholt
You kin boast about yer cities, and their stiddy growth and size,
And brag about yer County-seats, and business enterprise,
And railroads, and factories, and all sich foolery--
But the little Town o' Tailholt is big enough fer me!
You kin harp about yer churches, with their steeples in the clouds,
And gas about yer graded streets, and blow about yer crowds;
You kin talk about yer 'theaters,' and all you've got to see--
But the little Town o' Tailholt is show enough fer me!
They hain't no style in our town-- hit's little-like and small--
They hain't no 'churches,' nuther--, jes' the meetin' house is all;
They's no sidewalks, to speak of-- but the highway's allus free,
And the little Town o' Tailholt is wide enough fer me!
Some find it discommodin'-like, I'm willin' to admit,
To hev but one post-office, and a womern keepin' hit,
And the drug-store, and shoe-shop, and grocery, all three--
But the little Town o' Tailholt is handy 'nough fer me!
You kin smile and turn yer nose up, and joke and hev yer fun,
And laugh and holler 'Tail-holts is better holts'n none!
Ef the city suits you better w'y, hit's where you'd ort'o be--
But the little Town o' Tailholt's good enough fer me!
You kin boast about yer cities, and their stiddy growth and size,
And brag about yer County-seats, and business enterprise,
And railroads, and factories, and all sich foolery--
But the little Town o' Tailholt is big enough fer me!
You kin harp about yer churches, with their steeples in the clouds,
And gas about yer graded streets, and blow about yer crowds;
You kin talk about yer 'theaters,' and all you've got to see--
But the little Town o' Tailholt is show enough fer me!
They hain't no style in our town-- hit's little-like and small--
They hain't no 'churches,' nuther--, jes' the meetin' house is all;
They's no sidewalks, to speak of-- but the highway's allus free,
And the little Town o' Tailholt is wide enough fer me!
Some find it discommodin'-like, I'm willin' to admit,
To hev but one post-office, and a womern keepin' hit,
And the drug-store, and shoe-shop, and grocery, all three--
But the little Town o' Tailholt is handy 'nough fer me!
You kin smile and turn yer nose up, and joke and hev yer fun,
And laugh and holler 'Tail-holts is better holts'n none!
Ef the city suits you better w'y, hit's where you'd ort'o be--
But the little Town o' Tailholt's good enough fer me!
279
James Whitcomb Riley
The Little Town O' Tailholt
The Little Town O' Tailholt
You kin boast about yer cities, and their stiddy growth and size,
And brag about yer County-seats, and business enterprise,
And railroads, and factories, and all sich foolery--
But the little Town o' Tailholt is big enough fer me!
You kin harp about yer churches, with their steeples in the clouds,
And gas about yer graded streets, and blow about yer crowds;
You kin talk about yer 'theaters,' and all you've got to see--
But the little Town o' Tailholt is show enough fer me!
They hain't no style in our town-- hit's little-like and small--
They hain't no 'churches,' nuther--, jes' the meetin' house is all;
They's no sidewalks, to speak of-- but the highway's allus free,
And the little Town o' Tailholt is wide enough fer me!
Some find it discommodin'-like, I'm willin' to admit,
To hev but one post-office, and a womern keepin' hit,
And the drug-store, and shoe-shop, and grocery, all three--
But the little Town o' Tailholt is handy 'nough fer me!
You kin smile and turn yer nose up, and joke and hev yer fun,
And laugh and holler 'Tail-holts is better holts'n none!
Ef the city suits you better w'y, hit's where you'd ort'o be--
But the little Town o' Tailholt's good enough fer me!
You kin boast about yer cities, and their stiddy growth and size,
And brag about yer County-seats, and business enterprise,
And railroads, and factories, and all sich foolery--
But the little Town o' Tailholt is big enough fer me!
You kin harp about yer churches, with their steeples in the clouds,
And gas about yer graded streets, and blow about yer crowds;
You kin talk about yer 'theaters,' and all you've got to see--
But the little Town o' Tailholt is show enough fer me!
They hain't no style in our town-- hit's little-like and small--
They hain't no 'churches,' nuther--, jes' the meetin' house is all;
They's no sidewalks, to speak of-- but the highway's allus free,
And the little Town o' Tailholt is wide enough fer me!
Some find it discommodin'-like, I'm willin' to admit,
To hev but one post-office, and a womern keepin' hit,
And the drug-store, and shoe-shop, and grocery, all three--
But the little Town o' Tailholt is handy 'nough fer me!
You kin smile and turn yer nose up, and joke and hev yer fun,
And laugh and holler 'Tail-holts is better holts'n none!
Ef the city suits you better w'y, hit's where you'd ort'o be--
But the little Town o' Tailholt's good enough fer me!
279
James Whitcomb Riley
The Katydids
The Katydids
Sometimes I keep
From going to sleep,
To hear the katydids 'cheep-cheep!'
And think they say
Their prayers that way;
But _katydids_ don't have to _pray_!
I listen when
They cheep again
And so, I think, they're _singing_ then!
But, no; I'm wrong,--
The sound's too long
And all-alike to be a song!
I think, 'Well, there!
I do declare,
If it is neither song nor prayer,
It's _talk_--and quite
Too vain and light
For me to listen to all night!'
And so, I smile,
And think,--'Now I'll
Not listen for a little while!'--
Then, sweet and clear,
Next '_cheep_' I hear
'S a _kiss_.... Good morning, Mommy dear!
Sometimes I keep
From going to sleep,
To hear the katydids 'cheep-cheep!'
And think they say
Their prayers that way;
But _katydids_ don't have to _pray_!
I listen when
They cheep again
And so, I think, they're _singing_ then!
But, no; I'm wrong,--
The sound's too long
And all-alike to be a song!
I think, 'Well, there!
I do declare,
If it is neither song nor prayer,
It's _talk_--and quite
Too vain and light
For me to listen to all night!'
And so, I smile,
And think,--'Now I'll
Not listen for a little while!'--
Then, sweet and clear,
Next '_cheep_' I hear
'S a _kiss_.... Good morning, Mommy dear!
294
James Whitcomb Riley
The Legend Glorified
The Legend Glorified
'I deem that God is not disquieted'--
This in a mighty poet's rhymes I read;
And blazoned so forever doth abide
Within my soul the legend glorified.
Though awful tempests thunder overhead,
I deem that God is not disquieted,--
The faith that trembles somewhat yet is sure
Through storm and darkness of a way secure.
Bleak winters, when the naked spirit hears
The break of hearts, through stinging sleet of tears,
I deem that God is not disquieted;
Against all stresses am I clothed and fed.
Nay, even with fixed eyes and broken breath,
My feet dip down into the tides of death,
Nor any friend be left, nor prayer be said,
I deem that God is not disquieted.
'I deem that God is not disquieted'--
This in a mighty poet's rhymes I read;
And blazoned so forever doth abide
Within my soul the legend glorified.
Though awful tempests thunder overhead,
I deem that God is not disquieted,--
The faith that trembles somewhat yet is sure
Through storm and darkness of a way secure.
Bleak winters, when the naked spirit hears
The break of hearts, through stinging sleet of tears,
I deem that God is not disquieted;
Against all stresses am I clothed and fed.
Nay, even with fixed eyes and broken breath,
My feet dip down into the tides of death,
Nor any friend be left, nor prayer be said,
I deem that God is not disquieted.
275
James Whitcomb Riley
The Jaybird
The Jaybird
The Jaybird he's my _favorite_
Of all the birds they is!
I think he's quite a stylish sight
In that blue suit of his:
An' when he' lights an' shuts his wings,
His coat's a 'cutaway'--
I guess it's only when he sings
You'd know he wuz a jay.
I like to watch him when he's lit
In top of any tree,
'Cause all birds git wite out of it
When _he_ 'lights, an' they see
How proud he act', an' swell an' spread
His chest out more an' more,
An' raise the feathers on his head
Like it's cut pompadore!
The Jaybird he's my _favorite_
Of all the birds they is!
I think he's quite a stylish sight
In that blue suit of his:
An' when he' lights an' shuts his wings,
His coat's a 'cutaway'--
I guess it's only when he sings
You'd know he wuz a jay.
I like to watch him when he's lit
In top of any tree,
'Cause all birds git wite out of it
When _he_ 'lights, an' they see
How proud he act', an' swell an' spread
His chest out more an' more,
An' raise the feathers on his head
Like it's cut pompadore!
261
James Whitcomb Riley
The Home-Going
The Home-Going
We must get home--for we have been away
So long it seems forever and a day!
And O so very homesick we have grown,
The laughter of the world is like a moan
In our tired hearing, and its songs as vain,--
We must get home--we must get home again!
We must get home: It hurts so, staying here,
Where fond hearts must be wept out tear by tear,
And where to wear wet lashes means, at best,
When most our lack, the least our hope of rest
When most our need of joy, the more our pain--
We must get home--we must get home again!
We must get home: All is so quiet there:
The touch of loving hands on brow and hair--
Dim rooms, wherein the sunshine is made mild---
The lost love of the mother and the child
Restored in restful lullabies of rain.--
We must get home--we must get home again!
We must get home, where, as we nod and drowse,
Time humors us and tiptoes through the house,
And loves us best when sleeping baby-wise,
With dreams--not tear-drops--brimming our clenched eyes,--
Pure dreams that know nor taint nor earthly stain--
We must get home--we must get home again!
We must get home; and, unremembering there
All gain of all ambitions otherwhere,
Rest--from the feverish victory, and the crown
Of conquest whose waste glory weighs us down.-Fame's
fairest gifts we toss back with disdain--
We must get home--we must get home again!
We must get home--for we have been away
So long it seems forever and a day!
And O so very homesick we have grown,
The laughter of the world is like a moan
In our tired hearing, and its songs as vain,--
We must get home--we must get home again!
We must get home: It hurts so, staying here,
Where fond hearts must be wept out tear by tear,
And where to wear wet lashes means, at best,
When most our lack, the least our hope of rest
When most our need of joy, the more our pain--
We must get home--we must get home again!
We must get home: All is so quiet there:
The touch of loving hands on brow and hair--
Dim rooms, wherein the sunshine is made mild---
The lost love of the mother and the child
Restored in restful lullabies of rain.--
We must get home--we must get home again!
We must get home, where, as we nod and drowse,
Time humors us and tiptoes through the house,
And loves us best when sleeping baby-wise,
With dreams--not tear-drops--brimming our clenched eyes,--
Pure dreams that know nor taint nor earthly stain--
We must get home--we must get home again!
We must get home; and, unremembering there
All gain of all ambitions otherwhere,
Rest--from the feverish victory, and the crown
Of conquest whose waste glory weighs us down.-Fame's
fairest gifts we toss back with disdain--
We must get home--we must get home again!
365
James Whitcomb Riley
The Home-Going
The Home-Going
We must get home--for we have been away
So long it seems forever and a day!
And O so very homesick we have grown,
The laughter of the world is like a moan
In our tired hearing, and its songs as vain,--
We must get home--we must get home again!
We must get home: It hurts so, staying here,
Where fond hearts must be wept out tear by tear,
And where to wear wet lashes means, at best,
When most our lack, the least our hope of rest
When most our need of joy, the more our pain--
We must get home--we must get home again!
We must get home: All is so quiet there:
The touch of loving hands on brow and hair--
Dim rooms, wherein the sunshine is made mild---
The lost love of the mother and the child
Restored in restful lullabies of rain.--
We must get home--we must get home again!
We must get home, where, as we nod and drowse,
Time humors us and tiptoes through the house,
And loves us best when sleeping baby-wise,
With dreams--not tear-drops--brimming our clenched eyes,--
Pure dreams that know nor taint nor earthly stain--
We must get home--we must get home again!
We must get home; and, unremembering there
All gain of all ambitions otherwhere,
Rest--from the feverish victory, and the crown
Of conquest whose waste glory weighs us down.-Fame's
fairest gifts we toss back with disdain--
We must get home--we must get home again!
We must get home--for we have been away
So long it seems forever and a day!
And O so very homesick we have grown,
The laughter of the world is like a moan
In our tired hearing, and its songs as vain,--
We must get home--we must get home again!
We must get home: It hurts so, staying here,
Where fond hearts must be wept out tear by tear,
And where to wear wet lashes means, at best,
When most our lack, the least our hope of rest
When most our need of joy, the more our pain--
We must get home--we must get home again!
We must get home: All is so quiet there:
The touch of loving hands on brow and hair--
Dim rooms, wherein the sunshine is made mild---
The lost love of the mother and the child
Restored in restful lullabies of rain.--
We must get home--we must get home again!
We must get home, where, as we nod and drowse,
Time humors us and tiptoes through the house,
And loves us best when sleeping baby-wise,
With dreams--not tear-drops--brimming our clenched eyes,--
Pure dreams that know nor taint nor earthly stain--
We must get home--we must get home again!
We must get home; and, unremembering there
All gain of all ambitions otherwhere,
Rest--from the feverish victory, and the crown
Of conquest whose waste glory weighs us down.-Fame's
fairest gifts we toss back with disdain--
We must get home--we must get home again!
365
James Whitcomb Riley
The Hereafter
The Hereafter
Hereafter! O we need not waste
Our smiles or tears, whatever befall:
No happiness but holds a taste
Of something sweeter, after all;--
No depth of agony but feels
Some fragment of abiding trust,--
Whatever death unlocks or seals,
The mute beyond is just.
Hereafter! O we need not waste
Our smiles or tears, whatever befall:
No happiness but holds a taste
Of something sweeter, after all;--
No depth of agony but feels
Some fragment of abiding trust,--
Whatever death unlocks or seals,
The mute beyond is just.
272
James Whitcomb Riley
The Hereafter
The Hereafter
Hereafter! O we need not waste
Our smiles or tears, whatever befall:
No happiness but holds a taste
Of something sweeter, after all;--
No depth of agony but feels
Some fragment of abiding trust,--
Whatever death unlocks or seals,
The mute beyond is just.
Hereafter! O we need not waste
Our smiles or tears, whatever befall:
No happiness but holds a taste
Of something sweeter, after all;--
No depth of agony but feels
Some fragment of abiding trust,--
Whatever death unlocks or seals,
The mute beyond is just.
272
James Whitcomb Riley
The Harp Of The Minstrel
The Harp Of The Minstrel
The harp of the minstrel has never a tone
As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
And cadence his grief into musical rhyme.
The faces have faded, the eyes have grown dim
That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
The grass and the stubble--the frost and the snow.
Then sigh, if thou wilt, as the whispering strings
Strive ever in vain for the utterance clear,
And think of the sorrowful spirit that sings,
And jewel the song with the gem of a tear.
For the harp of the minstrel has never a tone
As sad as the song in his bosom tonight,
And the magical touch of his fingers alone
Can not waken the echoes that breathe it aright.
The harp of the minstrel has never a tone
As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
And cadence his grief into musical rhyme.
The faces have faded, the eyes have grown dim
That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
The grass and the stubble--the frost and the snow.
Then sigh, if thou wilt, as the whispering strings
Strive ever in vain for the utterance clear,
And think of the sorrowful spirit that sings,
And jewel the song with the gem of a tear.
For the harp of the minstrel has never a tone
As sad as the song in his bosom tonight,
And the magical touch of his fingers alone
Can not waken the echoes that breathe it aright.
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