Emotions and Feelings

Woods in Winter

When winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.

O'er the bare upland, and away
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.

Where, twisted round the barren oak,
The summer vine in beauty clung,
And summer winds the stillness broke,
The crystal icicle is hung.

Where, from their frozen urns, mute springs
Pour out the river's gradual tide,
Shrilly the skater's iron rings,
And voices fill the woodland side.

Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day!

But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long.

Wanderer's Night Songs. (From Goethe)

I.
Thou that from the heavens art,
Every pain and sorrow stillest,
And the doubly wretched heart
Doubly with refreshment fillest,
I am weary with contending!
Why this rapture and unrest?
Peace descending
Come ah, come into my breast!
II.
O'er all the hill-tops
Is quiet now,
In all the tree-tops
Hearest thou
Hardly a breath;
The birds are asleep in the trees:
Wait; soon like these
Thou too shalt rest.

Wanderer's Night Songs. (From Goethe)

I.
Thou that from the heavens art,
Every pain and sorrow stillest,
And the doubly wretched heart
Doubly with refreshment fillest,
I am weary with contending!
Why this rapture and unrest?
Peace descending
Come ah, come into my breast!
II.
O'er all the hill-tops
Is quiet now,
In all the tree-tops
Hearest thou
Hardly a breath;
The birds are asleep in the trees:
Wait; soon like these
Thou too shalt rest.

Voices Of The Night : The Light Of Stars

The night is come, but not too soon;
And sinking silently,
All silently, the little moon
Drops down behind the sky.


There is no light in earth or heaven
But the cold light of stars;
And the first watch of night is given
To the red planet Mars.


Is it the tender star of love?
The star of love and dreams?
O no! from that blue tent above,
A hero's armor gleams.


And earnest thoughts within me rise,
When I behold afar,
Suspended in the evening skies,
The shield of that red star.


O star of strength! I see thee stand
And smile upon my pain;
Thou beckonest with thy mailed hand,
And I am strong again.


Within my breast there is no light
But the cold light of stars;
I give the first watch of the night
To the red planet Mars.


The star of the unconquered will,
He rises in my breast,
Serene, and resolute, and still,
And calm, and self-possessed.


And thou, too, whosoe'er thou art,
That readest this brief psalm,
As one by one thy hopes depart,
Be resolute and calm.


O fear not in a world like this,
And thou shalt know erelong,
Know how sublime a thing it is
To suffer and be strong.

Voices Of The Night : The Light Of Stars

The night is come, but not too soon;
And sinking silently,
All silently, the little moon
Drops down behind the sky.


There is no light in earth or heaven
But the cold light of stars;
And the first watch of night is given
To the red planet Mars.


Is it the tender star of love?
The star of love and dreams?
O no! from that blue tent above,
A hero's armor gleams.


And earnest thoughts within me rise,
When I behold afar,
Suspended in the evening skies,
The shield of that red star.


O star of strength! I see thee stand
And smile upon my pain;
Thou beckonest with thy mailed hand,
And I am strong again.


Within my breast there is no light
But the cold light of stars;
I give the first watch of the night
To the red planet Mars.


The star of the unconquered will,
He rises in my breast,
Serene, and resolute, and still,
And calm, and self-possessed.


And thou, too, whosoe'er thou art,
That readest this brief psalm,
As one by one thy hopes depart,
Be resolute and calm.


O fear not in a world like this,
And thou shalt know erelong,
Know how sublime a thing it is
To suffer and be strong.

Voices Of The Night : Prelude

Pleasant it was, when woods were green,
And winds were soft and low,
To lie amid some sylvan scene,
Where, the long drooping boughs between
Shadows dark and sunlight sheen
Alternate come and go;


Or where the denser grove receives
No sunlight from above
But the dark foliage interweaves
In one unbroken roof of leaves,
Underneath whose sloping eaves
The shadows hardly move.


Beneath some patriarchal tree
I lay upon the ground;
His hoary arms uplifted he,
And all the broad leaves over me
Clapped their little hands in glee,
With one continuous sound;--


A slumberous sound,--a sound that brings
The feelings of a dream,--
As of innumerable wings,
As, when a bell no longer swings,
Faint the hollow murmur rings
O'er meadow, lake, and stream.


And dreams of that which cannot die,
Bright visins, came to me,
As lapped in thought I used to lie,
And gaze into the summer sky,
Where the sailing clouds went by,
Like ships upon the sea;


Dreams that the soul of youth engage
Ere Fancy has been quelled;
Old legends of the monkish page.
Traditions of the saint and sage,
Tales that have the rime of age,
And chronicles of Eld.


And, loving still these quaint old themes,
Even in the city's throng
I feel the freshness of the streams,
That, crossed by shades and sunny gleams,
Water the green land of dreams,
The holy land of song.


Therefore, at Pentecost, which brings
The Spring, clothed like a bride,
When nestling buds unfold their wings,



And bishop's-caps have golden rings,
Musing upon many things,
I sought the woodlands wide.


The green trees whispered low and mild,
It was a sound of joy!
They were my playmates when a child
And rocked me in their arms so wild!
Still they looked at me and smiled
As if I were a boy;


And ever whispered, mild and low,
'Come, be a child once more!'
And waved their long arms to and fro,
And beckoned solemnly and slow;
O, I could not choose but go
Into the woodlands hoar;


Into the blithe and breathing air,
Into the solemn wood.
Solemn and silent everywhere!
Nature with folded hands seemed there,
Kneeling at her evening prayer!
Like one in prayer I stood.


Before me rose an avenue
Of tall and sombrous pines;
Abroad their fan-like branches grew,
And, where the sunshine darted throught
Spread a vapor soft and blue,
In long and sloping lines.


And, falling on my weary brain,
Like a fast-falling shower,
The dreams of youth came back again,
Low lispings of the summer rain,
Dropping on the ripened grain,
As once upon the flower.


Visions of childhood! Stay, O stay!
Ye were so sweet and wild!
And distant voices seemed to say,
'It cannot be! They pass away!
Other themes demand thy lay;
Thou art no more a child!


'The land of Song within thee lies,
Watered by living springs;
The lids of Fancy's sleepless eyes
Are gates unto that Paradise;
Holy thoughts, like stars, arise,
Its clouds are angels' wings.



'Learn, that henceforth thy song shall be
Not mountains capped with snow,
Nor forests sounding like the sea,
Nor rivers flowing ceaselessly,
Where the woodlands bend to see
The bending heavens below.


'There is a forest where the din
Of iron branches sounds!
A mighty river roara between,
And whosoever looks therein,
Sees the heavens all black with sin,--
Sees not ita depths, nor bounds.


'Athwart the swinging branches cast,
Soft rays of sunshine pour;
Then comes the fearful wintry blast;
Our hopes, like withered leaves, fall fast;
Pallid lips say, 'It is past!
We can return no more!'


'Look, then, into thine heart, and write!
Yes, into Life's deep stream!
All forms of sorrow and delight,
All solemn Voices of the Night,
That can soothe thee, or affright,--
Be these henceforth thy theme.'

Voices Of The Night : L'Envoi

Ye voices, that arose
After the Evening's close,
And whispered to my restless heart repose!


Go, breathe it in the ear
Of all who doubt and fear,
And say to them, 'Be of good cheer!'


Ye sounds, so low and calm,
That in the groves of balm
Seemed to me like an angel's psalm!


Go, mingle yet once more
With the perpetual roar
Of the pine forest dark and hoar!


Tongues of the dead, not lost
But speaking from deaths frost,
Like fiery tongues at Pentecost!


Glimmer, as funeral lamps,
Amid the chills and damps
Of the vast plain where Death encamps!

Voices Of The Night : L'Envoi

Ye voices, that arose
After the Evening's close,
And whispered to my restless heart repose!


Go, breathe it in the ear
Of all who doubt and fear,
And say to them, 'Be of good cheer!'


Ye sounds, so low and calm,
That in the groves of balm
Seemed to me like an angel's psalm!


Go, mingle yet once more
With the perpetual roar
Of the pine forest dark and hoar!


Tongues of the dead, not lost
But speaking from deaths frost,
Like fiery tongues at Pentecost!


Glimmer, as funeral lamps,
Amid the chills and damps
Of the vast plain where Death encamps!

Vittoria Colonna

Once more, once more, Inarimé,
I see thy purple hills!--once more
I hear the billows of the bay
Wash the white pebbles on thy shore.


High o'er the sea-surge and the sands,
Like a great galleon wrecked and cast
Ashore by storms, thy castle stands,
A mouldering landmark of the Past.


Upon its terrace-walk I see
A phantom gliding to and fro;
It is Colonna,--it is she
Who lived and loved so long ago.


Pescara's beautiful young wife,
The type of perfect womanhood,
Whose life was love, the life of life,
That time and change and death withstood.


For death, that breaks the marriage band
In others, only closer pressed
The wedding-ring upon her hand
And closer locked and barred her breast.


She knew the life-long martyrdom,
The weariness, the endless pain
Of waiting for some one to come
Who nevermore would come again.


The shadows of the chestnut trees,
The odor of the orange blooms,
The song of birds, and, more than these,
The silence of deserted rooms;


The respiration of the sea,
The soft caresses of the air,
All things in nature seemed to be
But ministers of her despair;


Till the o'erburdened heart, so long
Imprisoned in itself, found vent
And voice in one impassioned song
Of inconsolable lament.


Then as the sun, though hidden from sight,
Transmutes to gold the leaden mist,
Her life was interfused with light,
From realms that, though unseen, exist,


Inarimé! Inarimé!
Thy castle on the crags above



In dust shall crumble and decay,
But not the memory of her love.

Vittoria Colonna

Once more, once more, Inarimé,
I see thy purple hills!--once more
I hear the billows of the bay
Wash the white pebbles on thy shore.


High o'er the sea-surge and the sands,
Like a great galleon wrecked and cast
Ashore by storms, thy castle stands,
A mouldering landmark of the Past.


Upon its terrace-walk I see
A phantom gliding to and fro;
It is Colonna,--it is she
Who lived and loved so long ago.


Pescara's beautiful young wife,
The type of perfect womanhood,
Whose life was love, the life of life,
That time and change and death withstood.


For death, that breaks the marriage band
In others, only closer pressed
The wedding-ring upon her hand
And closer locked and barred her breast.


She knew the life-long martyrdom,
The weariness, the endless pain
Of waiting for some one to come
Who nevermore would come again.


The shadows of the chestnut trees,
The odor of the orange blooms,
The song of birds, and, more than these,
The silence of deserted rooms;


The respiration of the sea,
The soft caresses of the air,
All things in nature seemed to be
But ministers of her despair;


Till the o'erburdened heart, so long
Imprisoned in itself, found vent
And voice in one impassioned song
Of inconsolable lament.


Then as the sun, though hidden from sight,
Transmutes to gold the leaden mist,
Her life was interfused with light,
From realms that, though unseen, exist,


Inarimé! Inarimé!
Thy castle on the crags above



In dust shall crumble and decay,
But not the memory of her love.

Vittoria Colonna

Once more, once more, Inarimé,
I see thy purple hills!--once more
I hear the billows of the bay
Wash the white pebbles on thy shore.


High o'er the sea-surge and the sands,
Like a great galleon wrecked and cast
Ashore by storms, thy castle stands,
A mouldering landmark of the Past.


Upon its terrace-walk I see
A phantom gliding to and fro;
It is Colonna,--it is she
Who lived and loved so long ago.


Pescara's beautiful young wife,
The type of perfect womanhood,
Whose life was love, the life of life,
That time and change and death withstood.


For death, that breaks the marriage band
In others, only closer pressed
The wedding-ring upon her hand
And closer locked and barred her breast.


She knew the life-long martyrdom,
The weariness, the endless pain
Of waiting for some one to come
Who nevermore would come again.


The shadows of the chestnut trees,
The odor of the orange blooms,
The song of birds, and, more than these,
The silence of deserted rooms;


The respiration of the sea,
The soft caresses of the air,
All things in nature seemed to be
But ministers of her despair;


Till the o'erburdened heart, so long
Imprisoned in itself, found vent
And voice in one impassioned song
Of inconsolable lament.


Then as the sun, though hidden from sight,
Transmutes to gold the leaden mist,
Her life was interfused with light,
From realms that, though unseen, exist,


Inarimé! Inarimé!
Thy castle on the crags above



In dust shall crumble and decay,
But not the memory of her love.

Voices Of The Night : A Psalm Of Life

Tell me not, in mournful numbers,
Life is but an empty dream! -
For the soul is dead that slumbers,
And things are not what they seem.


Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.


Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.


Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.


In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!


Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act, - act in the living Present!
Heart within, and God o'erhead!


Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;


Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.


Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.

Village Blacksmith, The

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,

His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face


For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;

He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.
Toiling, rejoicing,-sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend
For the lesson thou hast taught!

Thus at the flaming forge of life
Our fortunes must be wrought;


Thus on its sounding anvil shaped
Each burning deed and thought!

Village Blacksmith, The

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,

His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face


For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;

He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.
Toiling, rejoicing,-sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend
For the lesson thou hast taught!

Thus at the flaming forge of life
Our fortunes must be wrought;


Thus on its sounding anvil shaped
Each burning deed and thought!

Ultima Thule: The Tide Rises, The Tide Falls

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.


Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.


The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
And the tide rises, the tide falls.

Ultima Thule: The Poet And His Songs

As the birds come in the Spring,
We know not from where;
As the stars come at evening
From depths of the air;


As the rain comes from the cloud,
And the brook from the ground;
As suddenly, low or loud,
Out of silence a sound;


As the grape comes to the vine,
The fruit to the tree;
As the wind comes to the pine,
And the tide to the sea;


As come the white sails of ships
O'er the ocean's verge;
As comes the smile to the lips,
The foam to the surge;


So come to the Poet his songs,
All hitherward blown
From the misty realm, that belongs
To the vast Unknown.


His, and not his, are the lays
He sings; and their fame
Is his, and not his; and the praise
And the pride of a name.


For voices pursue him by day,
And haunt him by night,
And he listens, and needs must obey,
When the Angel says: 'Write!'

Ultima Thule: Robert Burns

I see amid the fields of Ayr
A ploughman, who, in foul and fair,
Sings at his task
So clear, we know not if it is
The laverock's song we hear, or his,
Nor care to ask.


For him the ploughing of those fields
A more ethereal harvest yields
Than sheaves of grain;
Songs flush with purple bloom the rye,
The plover's call, the curlew's cry,
Sing in his brain.


Touched by his hand, the wayside weed
Becomes a flower; the lowliest reed
Beside the stream
Is clothed with beauty; gorse and grass
And heather, where his footsteps pass,
The brighter seem.


He sings of love, whose flame illumes
The darkness of lone cottage rooms;
He feels the force,
The treacherous undertow and stress
Of wayward passions, and no less
The keen remorse.


At moments, wrestling with his fate,
His voice is harsh, but not with hate;
The brushwood, hung
Above the tavern door, lets fall
Its bitter leaf, its drop of gall
Upon his tongue.


But still the music of his song
Rises o'er all, elate and strong;
Its master-chords
Are Manhood, Freedom, Brotherhood,
Its discords but an interlude
Between the words.


And then to die so young and leave
Unfinished what he might achieve!
Yet better sure
Is this, than wandering up and down
An old man in a country town,
Infirm and poor.


For now he haunts his native land
As an immortal youth; his hand
Guides every plough;



He sits beside each ingle-nook,
His voice is in each rushing brook,
Each rustling bough.


His presence haunts this room to-night,
A form of mingled mist and light
From that far coast.
Welcome beneath this roof of mine!
Welcome! this vacant chair is thine,
Dear guest and ghost!

Ultima Thule: Robert Burns

I see amid the fields of Ayr
A ploughman, who, in foul and fair,
Sings at his task
So clear, we know not if it is
The laverock's song we hear, or his,
Nor care to ask.


For him the ploughing of those fields
A more ethereal harvest yields
Than sheaves of grain;
Songs flush with purple bloom the rye,
The plover's call, the curlew's cry,
Sing in his brain.


Touched by his hand, the wayside weed
Becomes a flower; the lowliest reed
Beside the stream
Is clothed with beauty; gorse and grass
And heather, where his footsteps pass,
The brighter seem.


He sings of love, whose flame illumes
The darkness of lone cottage rooms;
He feels the force,
The treacherous undertow and stress
Of wayward passions, and no less
The keen remorse.


At moments, wrestling with his fate,
His voice is harsh, but not with hate;
The brushwood, hung
Above the tavern door, lets fall
Its bitter leaf, its drop of gall
Upon his tongue.


But still the music of his song
Rises o'er all, elate and strong;
Its master-chords
Are Manhood, Freedom, Brotherhood,
Its discords but an interlude
Between the words.


And then to die so young and leave
Unfinished what he might achieve!
Yet better sure
Is this, than wandering up and down
An old man in a country town,
Infirm and poor.


For now he haunts his native land
As an immortal youth; his hand
Guides every plough;



He sits beside each ingle-nook,
His voice is in each rushing brook,
Each rustling bough.


His presence haunts this room to-night,
A form of mingled mist and light
From that far coast.
Welcome beneath this roof of mine!
Welcome! this vacant chair is thine,
Dear guest and ghost!

Ultima Thule: Night

Into the darkness and the hush of night
Slowly the landscape sinks, and fades away,
And with it fade the phantoms of the day,
The ghosts of men and things, that haunt the light,
The crowd, the clamor, the pursuit, the flight,
The unprofitable splendor and display,
The agitations, and the cares that prey
Upon our hearts, all vanish out of sight.
The better life begins; the world no more
Molests us; all its records we erase
From the dull commonplace book of our lives,
That like a palimpsest is written o'er
With trivial incidents of time and place,
And lo! the ideal, hidden beneath, revives.

Ultima Thule: Elegiac

Dark is the morning with mist; in the narrow mouth of the harbor
Motionless lies the sea, under its curtain of cloud;
Dreamily glimmer the sails of ships on the distant horizon,
Like to the towers of a town, built on the verge of the sea.


Slowly and stately and still, they sail forth into the ocean;
With them sail my thoughts over the limitless deep,
Farther and farther away, borne on by unsatisfied longings,
Unto Hesperian isles, unto Ausonian shores.


Now they have vanished away, have disappeared in the ocean;
Sunk are the towers of the town into the depths of the sea!
All have vanished but those that, moored in the neighboring
roadstead,
Sailless at anchor ride, looming so large in the mist.


Vanished, too, are the thoughts, the dim, unsatisfied longings;
Sunk are the turrets of cloud into the ocean of dreams;
While in a haven of rest my heart is riding at anchor,
Held by the chains of love, held by the anchors of trust!

Ultima Thule: Elegiac

Dark is the morning with mist; in the narrow mouth of the harbor
Motionless lies the sea, under its curtain of cloud;
Dreamily glimmer the sails of ships on the distant horizon,
Like to the towers of a town, built on the verge of the sea.


Slowly and stately and still, they sail forth into the ocean;
With them sail my thoughts over the limitless deep,
Farther and farther away, borne on by unsatisfied longings,
Unto Hesperian isles, unto Ausonian shores.


Now they have vanished away, have disappeared in the ocean;
Sunk are the towers of the town into the depths of the sea!
All have vanished but those that, moored in the neighboring
roadstead,
Sailless at anchor ride, looming so large in the mist.


Vanished, too, are the thoughts, the dim, unsatisfied longings;
Sunk are the turrets of cloud into the ocean of dreams;
While in a haven of rest my heart is riding at anchor,
Held by the chains of love, held by the anchors of trust!

Ultima Thule: Jugurtha

How cold are thy baths, Apollo!
Cried the African monarch, the splendid,
As down to his death in the hollow
Dark dungeons of Rome he descended,
Uncrowned, unthroned, unattended;
How cold are thy baths, Apollo!


How cold are thy baths, Apollo!
Cried the Poet, unknown, unbefriended,
As the vision, that lured him to follow,
With the mist and the darkness blended,
And the dream of his life was ended;
How cold are thy baths, Apollo!

Ultima Thule: Jugurtha

How cold are thy baths, Apollo!
Cried the African monarch, the splendid,
As down to his death in the hollow
Dark dungeons of Rome he descended,
Uncrowned, unthroned, unattended;
How cold are thy baths, Apollo!


How cold are thy baths, Apollo!
Cried the Poet, unknown, unbefriended,
As the vision, that lured him to follow,
With the mist and the darkness blended,
And the dream of his life was ended;
How cold are thy baths, Apollo!

Ultima Thule: Bayard Taylor

Dead he lay among his books!
The peace of God was in his looks.


As the statues in the gloom
Watch o'er Maximilian's tomb,


So those volumes from their shelves
Watched him, silent as themselves.


Ah! his hand will nevermore
Turn their storied pages o'er;


Nevermore his lips repeat
Songs of theirs, however sweet.


Let the lifeless body rest!
He is gone, who was its guest;


Gone, as travellers haste to leave
An inn, nor tarry until eve.


Traveller! in what realms afar,
In what planet, in what star,


In what vast, aerial space,
Shines the light upon thy face?


In what gardens of delight
Rest thy weary feet to-night?


Poet! thou, whose latest verse
Was a garland on thy hearse;


Thou hast sung, with organ tone,
In Deukalion's life, thine own;


On the ruins of the Past
Blooms the perfect flower at last.


Friend! but yesterday the bells
Rang for thee their loud farewells;


And to-day they toll for thee,
Lying dead beyond the sea;


Lying dead among thy books,
The peace of God in all thy looks!