Poems in this topic
Emotions and Feelings
Thomas Moore
Desmond's Song
Desmond's Song
By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.
Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.
You, who call it dishonour
To bow to this flame,
If you've eyes, look but on her,
And blush while you blame.
Hath the pearl less whiteness
Because of its birth?
Hath the violet less brightness
For growing near earth?
No -- Man for his glory
To ancestry flies;
But Woman's bright story
Is told in her eyes.
While the Monarch but traces
Through mortals his line,
Beauty, born of the Graces,
Ranks next to Divine!
By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.
Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.
You, who call it dishonour
To bow to this flame,
If you've eyes, look but on her,
And blush while you blame.
Hath the pearl less whiteness
Because of its birth?
Hath the violet less brightness
For growing near earth?
No -- Man for his glory
To ancestry flies;
But Woman's bright story
Is told in her eyes.
While the Monarch but traces
Through mortals his line,
Beauty, born of the Graces,
Ranks next to Divine!
208
Thomas Moore
Come, Send Round the Wine
Come, Send Round the Wine
Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment's a flower too fair and brief
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill'd from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly?
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valour, or love, by a standard like this!
Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment's a flower too fair and brief
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill'd from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly?
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valour, or love, by a standard like this!
179
Thomas Moore
Come, Send Round the Wine
Come, Send Round the Wine
Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment's a flower too fair and brief
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill'd from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly?
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valour, or love, by a standard like this!
Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment's a flower too fair and brief
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill'd from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly?
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valour, or love, by a standard like this!
179
Thomas Moore
Avenging and Bright
Avenging and Bright
Avenging and bright fall the swift sword of Erin
On him who the brave sons of Usna betray'd! --
For every fond eye he hath waken'd a tear in
A drop from his heart-wounds shall weep o'er her blade.
By the red cloud that hung over Conor's dark dwelling,
When Ulad's three champions lay sleeping in gore --
By the billows of war, which so often, high swelling,,
Have wafted these heroes to victory's shore --
We swear to avenge them! -- no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute, and our fields shall lie wasted,
Till vengeance is wreak'd on the murderer's head.
Yes, monarch! though sweet are our home recollections,
Though sweet are the tears that from tenderness fall;
Though sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
Avenging and bright fall the swift sword of Erin
On him who the brave sons of Usna betray'd! --
For every fond eye he hath waken'd a tear in
A drop from his heart-wounds shall weep o'er her blade.
By the red cloud that hung over Conor's dark dwelling,
When Ulad's three champions lay sleeping in gore --
By the billows of war, which so often, high swelling,,
Have wafted these heroes to victory's shore --
We swear to avenge them! -- no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute, and our fields shall lie wasted,
Till vengeance is wreak'd on the murderer's head.
Yes, monarch! though sweet are our home recollections,
Though sweet are the tears that from tenderness fall;
Though sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
204
Thomas Moore
As a Beam O'er the Face of the Waters May Glow
As a Beam O'er the Face of the Waters May Glow
As a beam o'er the face of the waters may glow
While the tide runs in darkness and coldness below,
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.
One fatal remembrance, one sorrow that throws
Its bleak shade alike o'er our joys and our woes,
To which life nothing darker or brighter can bring,
For which joy has no balm and affliction no sting --
Oh! this thought in the midst of enjoyment will stay,
Like a dead, leafless branch in the summer's bright ray;
The beams of the warm sun play round it in vain;
It may smile in his light, but it blooms not again.
As a beam o'er the face of the waters may glow
While the tide runs in darkness and coldness below,
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.
One fatal remembrance, one sorrow that throws
Its bleak shade alike o'er our joys and our woes,
To which life nothing darker or brighter can bring,
For which joy has no balm and affliction no sting --
Oh! this thought in the midst of enjoyment will stay,
Like a dead, leafless branch in the summer's bright ray;
The beams of the warm sun play round it in vain;
It may smile in his light, but it blooms not again.
194
Thomas Moore
As a Beam O'er the Face of the Waters May Glow
As a Beam O'er the Face of the Waters May Glow
As a beam o'er the face of the waters may glow
While the tide runs in darkness and coldness below,
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.
One fatal remembrance, one sorrow that throws
Its bleak shade alike o'er our joys and our woes,
To which life nothing darker or brighter can bring,
For which joy has no balm and affliction no sting --
Oh! this thought in the midst of enjoyment will stay,
Like a dead, leafless branch in the summer's bright ray;
The beams of the warm sun play round it in vain;
It may smile in his light, but it blooms not again.
As a beam o'er the face of the waters may glow
While the tide runs in darkness and coldness below,
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.
One fatal remembrance, one sorrow that throws
Its bleak shade alike o'er our joys and our woes,
To which life nothing darker or brighter can bring,
For which joy has no balm and affliction no sting --
Oh! this thought in the midst of enjoyment will stay,
Like a dead, leafless branch in the summer's bright ray;
The beams of the warm sun play round it in vain;
It may smile in his light, but it blooms not again.
194
Thomas Moore
As Vanquish'd Erin
As Vanquish'd Erin
As vanquish'd Erin wept beside
The Boyne's ill-fated river,
She saw where Discord, in the tide,
Had dropp'd his loaded quiver.
"Lie hid," she cried, "ye venom'd darts,
Where mortal eye may shun you;
Lie hid -- the stain of manly hearts,
That bled for me, is on you."
But vain her wish, her weeping vain --
As Time too well hath taught her --
Each year the Fiend returns again,
And dives into that water;
And brings, triumphant, from beneath
His shafts of desolation,
And sends them, wing'd with worse than death,
Through all her maddening nation.
Alas for her who sits and mourns,
Even now, beside that river --
Unwearied still the Fiend returns,
And stored is still his quiver.
"When will this end, ye Powers of Good?"
She weeping asks for ever;
But only hears, from out that flood,
The Demon answer, "Never!"
As vanquish'd Erin wept beside
The Boyne's ill-fated river,
She saw where Discord, in the tide,
Had dropp'd his loaded quiver.
"Lie hid," she cried, "ye venom'd darts,
Where mortal eye may shun you;
Lie hid -- the stain of manly hearts,
That bled for me, is on you."
But vain her wish, her weeping vain --
As Time too well hath taught her --
Each year the Fiend returns again,
And dives into that water;
And brings, triumphant, from beneath
His shafts of desolation,
And sends them, wing'd with worse than death,
Through all her maddening nation.
Alas for her who sits and mourns,
Even now, beside that river --
Unwearied still the Fiend returns,
And stored is still his quiver.
"When will this end, ye Powers of Good?"
She weeping asks for ever;
But only hears, from out that flood,
The Demon answer, "Never!"
194
Thomas Moore
An Argument
An Argument
I've oft been told by learned friars,
That wishing and the crime are one,
And Heaven punishes desires
As much as if the deed were done.
If wishing damns us, you and I
Are damned to all our heart's content;
Come, then, at least we may enjoy
Some pleasure for our punishment!
I've oft been told by learned friars,
That wishing and the crime are one,
And Heaven punishes desires
As much as if the deed were done.
If wishing damns us, you and I
Are damned to all our heart's content;
Come, then, at least we may enjoy
Some pleasure for our punishment!
189
Thomas Moore
An Argument
An Argument
I've oft been told by learned friars,
That wishing and the crime are one,
And Heaven punishes desires
As much as if the deed were done.
If wishing damns us, you and I
Are damned to all our heart's content;
Come, then, at least we may enjoy
Some pleasure for our punishment!
I've oft been told by learned friars,
That wishing and the crime are one,
And Heaven punishes desires
As much as if the deed were done.
If wishing damns us, you and I
Are damned to all our heart's content;
Come, then, at least we may enjoy
Some pleasure for our punishment!
189
Thomas Moore
An Incantation
An Incantation
Come with me, and we will blow
Lots of bubbles, as we go;
Bubbles bright as ever Hope
Drew from fancy -- or from soap;
Bright as e'er the South Sea sent
from its frothy element!
Come with me, and we will blow
Lots of bubbles, as we go.
Mix the lather, Johnny W--lks,
Thou, who rhym'st so well to bilks;
Mix the lather - who can be
Fitter for such task than thee,
Great M.P. for Sudsbury!
For the frothy charm is ripe,
Puffing Peter bring thy pipe, --
Thou, whom ancient Coventry,
Once so dearly lov'd, that she
Knew not which to her was sweeter,
Peeping Tom or Puffing Peter; --
Puff the bubbles high in air,
Puff thy best to keep them there.
Bravo, bravo, Peter M--re!
Now the rainbow humbugs soar,
Glitt'ring all with golden hues,
Such as haunt the dreams of Jews; --
Some reflecting mines that lie
Under Chili's glowing sky,
Some, those virgin pearls that sleep
Cloister'd in the southern deep;
Others, as if lent a ray
Form the streaming Milky Way,
Glist'ning o'er with curds and whey
From the cows of Alderney.
Now's the moment -- who shall first
Catch the buble, ere they burst?
Run, ye Squires, ye Viscounts, run,
Br-gd-n, T-ynh-m, P-lm-t-n; --
John W--lks junior runs beside ye!
Take the good the knaves provide ye!
See, with upturn'd eyes and hands,
Where the Shareman, Bri-gd-n, stands,
Gaping for the froth to fall
Down his gullet - lye and all.
See!---But hark my time is out --
Now, like some great water-spout,
Scaterr'd by the cannon's thunder,
Burst, ye bubbles, burst asunder!
Come with me, and we will blow
Lots of bubbles, as we go;
Bubbles bright as ever Hope
Drew from fancy -- or from soap;
Bright as e'er the South Sea sent
from its frothy element!
Come with me, and we will blow
Lots of bubbles, as we go.
Mix the lather, Johnny W--lks,
Thou, who rhym'st so well to bilks;
Mix the lather - who can be
Fitter for such task than thee,
Great M.P. for Sudsbury!
For the frothy charm is ripe,
Puffing Peter bring thy pipe, --
Thou, whom ancient Coventry,
Once so dearly lov'd, that she
Knew not which to her was sweeter,
Peeping Tom or Puffing Peter; --
Puff the bubbles high in air,
Puff thy best to keep them there.
Bravo, bravo, Peter M--re!
Now the rainbow humbugs soar,
Glitt'ring all with golden hues,
Such as haunt the dreams of Jews; --
Some reflecting mines that lie
Under Chili's glowing sky,
Some, those virgin pearls that sleep
Cloister'd in the southern deep;
Others, as if lent a ray
Form the streaming Milky Way,
Glist'ning o'er with curds and whey
From the cows of Alderney.
Now's the moment -- who shall first
Catch the buble, ere they burst?
Run, ye Squires, ye Viscounts, run,
Br-gd-n, T-ynh-m, P-lm-t-n; --
John W--lks junior runs beside ye!
Take the good the knaves provide ye!
See, with upturn'd eyes and hands,
Where the Shareman, Bri-gd-n, stands,
Gaping for the froth to fall
Down his gullet - lye and all.
See!---But hark my time is out --
Now, like some great water-spout,
Scaterr'd by the cannon's thunder,
Burst, ye bubbles, burst asunder!
242
Thomas Moore
An Incantation
An Incantation
Come with me, and we will blow
Lots of bubbles, as we go;
Bubbles bright as ever Hope
Drew from fancy -- or from soap;
Bright as e'er the South Sea sent
from its frothy element!
Come with me, and we will blow
Lots of bubbles, as we go.
Mix the lather, Johnny W--lks,
Thou, who rhym'st so well to bilks;
Mix the lather - who can be
Fitter for such task than thee,
Great M.P. for Sudsbury!
For the frothy charm is ripe,
Puffing Peter bring thy pipe, --
Thou, whom ancient Coventry,
Once so dearly lov'd, that she
Knew not which to her was sweeter,
Peeping Tom or Puffing Peter; --
Puff the bubbles high in air,
Puff thy best to keep them there.
Bravo, bravo, Peter M--re!
Now the rainbow humbugs soar,
Glitt'ring all with golden hues,
Such as haunt the dreams of Jews; --
Some reflecting mines that lie
Under Chili's glowing sky,
Some, those virgin pearls that sleep
Cloister'd in the southern deep;
Others, as if lent a ray
Form the streaming Milky Way,
Glist'ning o'er with curds and whey
From the cows of Alderney.
Now's the moment -- who shall first
Catch the buble, ere they burst?
Run, ye Squires, ye Viscounts, run,
Br-gd-n, T-ynh-m, P-lm-t-n; --
John W--lks junior runs beside ye!
Take the good the knaves provide ye!
See, with upturn'd eyes and hands,
Where the Shareman, Bri-gd-n, stands,
Gaping for the froth to fall
Down his gullet - lye and all.
See!---But hark my time is out --
Now, like some great water-spout,
Scaterr'd by the cannon's thunder,
Burst, ye bubbles, burst asunder!
Come with me, and we will blow
Lots of bubbles, as we go;
Bubbles bright as ever Hope
Drew from fancy -- or from soap;
Bright as e'er the South Sea sent
from its frothy element!
Come with me, and we will blow
Lots of bubbles, as we go.
Mix the lather, Johnny W--lks,
Thou, who rhym'st so well to bilks;
Mix the lather - who can be
Fitter for such task than thee,
Great M.P. for Sudsbury!
For the frothy charm is ripe,
Puffing Peter bring thy pipe, --
Thou, whom ancient Coventry,
Once so dearly lov'd, that she
Knew not which to her was sweeter,
Peeping Tom or Puffing Peter; --
Puff the bubbles high in air,
Puff thy best to keep them there.
Bravo, bravo, Peter M--re!
Now the rainbow humbugs soar,
Glitt'ring all with golden hues,
Such as haunt the dreams of Jews; --
Some reflecting mines that lie
Under Chili's glowing sky,
Some, those virgin pearls that sleep
Cloister'd in the southern deep;
Others, as if lent a ray
Form the streaming Milky Way,
Glist'ning o'er with curds and whey
From the cows of Alderney.
Now's the moment -- who shall first
Catch the buble, ere they burst?
Run, ye Squires, ye Viscounts, run,
Br-gd-n, T-ynh-m, P-lm-t-n; --
John W--lks junior runs beside ye!
Take the good the knaves provide ye!
See, with upturn'd eyes and hands,
Where the Shareman, Bri-gd-n, stands,
Gaping for the froth to fall
Down his gullet - lye and all.
See!---But hark my time is out --
Now, like some great water-spout,
Scaterr'd by the cannon's thunder,
Burst, ye bubbles, burst asunder!
242
Thomas Moore
After the Battle
After the Battle
Night closed around the conqueror's way,
And lightnings show'd the distant hill,
Where those who lost that dreadful day
Stood few and faint, but fearless still.
The soldier's hope, the patriot's zeal,
For ever dimm'd, for ever crost --
Oh! who shall say what heroes feel,
When all but life and honour's lost?
The last sad hour of freedom's dream,
And valour's task, moved slowly by,
While mute they watch'd, till morning's beam
Should rise and give them light to die.
There's yet a world, where souls are free,
Where tyrants taint not nature's bliss; --
If death that world's bright opening be,
Oh! who would live a slave in this?
Night closed around the conqueror's way,
And lightnings show'd the distant hill,
Where those who lost that dreadful day
Stood few and faint, but fearless still.
The soldier's hope, the patriot's zeal,
For ever dimm'd, for ever crost --
Oh! who shall say what heroes feel,
When all but life and honour's lost?
The last sad hour of freedom's dream,
And valour's task, moved slowly by,
While mute they watch'd, till morning's beam
Should rise and give them light to die.
There's yet a world, where souls are free,
Where tyrants taint not nature's bliss; --
If death that world's bright opening be,
Oh! who would live a slave in this?
221
Thomas Moore
All In a Family Way
All In a Family Way
My banks are all furnished with rags,
So thick, even Freddy can't thin 'em;
I've torn up my old money-bags,
Having little or nought to put in 'em.
My tradesman are smashing by dozens,
But this is all nothing, they say;
For bankrupts, since Adam, are cousins,
So, it's all in the family way.
My Debt not a penny takes from me,
As sages the matter explain; --
Bob owes it to Tom and then Tommy
Just owes it to Bob back again.
Since all have thus taken to owing,
There's nobody left that can pay;
And this is the way to keep going, --
All quite in the family way.
My senators vote away millions,
To put in Prosperity's budget;
And though it were billions or trillions,
The generous rogues wouldn't grudge it.
'Tis all but a family hop,
'Twas Pitt began dancing the hay;
Hands round! -- why the deuce should we stop?
'Tis all in the family way.
My labourers used to eat mutton,
As any great man of the State does;
And now the poor devils are put on
Small rations of tea and potatoes.
But cheer up John, Sawney and Paddy,
The King is your father, they say;
So ev'n if you starve for your Daddy,
'Tis all in the family way.
My rich manufacturers tumble,
My poor ones have nothing to chew;
And, even if themselves do not grumble,
Their stomachs undoubtedly do.
But coolly to fast en famille,
Is as good for the soul as to pray;
And famine itself is genteel,
When one starves in a family way.
I have found out a secret for Freddy,
A secret for next Budget day;
Though, perhaps he may know it already,
As he, too, 's a sage in his way.
When next for the Treasury scene he
Announces "the Devil to pay",
Let him write on the bills, "Nota bene,
'Tis all in the family way."
My banks are all furnished with rags,
So thick, even Freddy can't thin 'em;
I've torn up my old money-bags,
Having little or nought to put in 'em.
My tradesman are smashing by dozens,
But this is all nothing, they say;
For bankrupts, since Adam, are cousins,
So, it's all in the family way.
My Debt not a penny takes from me,
As sages the matter explain; --
Bob owes it to Tom and then Tommy
Just owes it to Bob back again.
Since all have thus taken to owing,
There's nobody left that can pay;
And this is the way to keep going, --
All quite in the family way.
My senators vote away millions,
To put in Prosperity's budget;
And though it were billions or trillions,
The generous rogues wouldn't grudge it.
'Tis all but a family hop,
'Twas Pitt began dancing the hay;
Hands round! -- why the deuce should we stop?
'Tis all in the family way.
My labourers used to eat mutton,
As any great man of the State does;
And now the poor devils are put on
Small rations of tea and potatoes.
But cheer up John, Sawney and Paddy,
The King is your father, they say;
So ev'n if you starve for your Daddy,
'Tis all in the family way.
My rich manufacturers tumble,
My poor ones have nothing to chew;
And, even if themselves do not grumble,
Their stomachs undoubtedly do.
But coolly to fast en famille,
Is as good for the soul as to pray;
And famine itself is genteel,
When one starves in a family way.
I have found out a secret for Freddy,
A secret for next Budget day;
Though, perhaps he may know it already,
As he, too, 's a sage in his way.
When next for the Treasury scene he
Announces "the Devil to pay",
Let him write on the bills, "Nota bene,
'Tis all in the family way."
245
Thomas Moore
All In a Family Way
All In a Family Way
My banks are all furnished with rags,
So thick, even Freddy can't thin 'em;
I've torn up my old money-bags,
Having little or nought to put in 'em.
My tradesman are smashing by dozens,
But this is all nothing, they say;
For bankrupts, since Adam, are cousins,
So, it's all in the family way.
My Debt not a penny takes from me,
As sages the matter explain; --
Bob owes it to Tom and then Tommy
Just owes it to Bob back again.
Since all have thus taken to owing,
There's nobody left that can pay;
And this is the way to keep going, --
All quite in the family way.
My senators vote away millions,
To put in Prosperity's budget;
And though it were billions or trillions,
The generous rogues wouldn't grudge it.
'Tis all but a family hop,
'Twas Pitt began dancing the hay;
Hands round! -- why the deuce should we stop?
'Tis all in the family way.
My labourers used to eat mutton,
As any great man of the State does;
And now the poor devils are put on
Small rations of tea and potatoes.
But cheer up John, Sawney and Paddy,
The King is your father, they say;
So ev'n if you starve for your Daddy,
'Tis all in the family way.
My rich manufacturers tumble,
My poor ones have nothing to chew;
And, even if themselves do not grumble,
Their stomachs undoubtedly do.
But coolly to fast en famille,
Is as good for the soul as to pray;
And famine itself is genteel,
When one starves in a family way.
I have found out a secret for Freddy,
A secret for next Budget day;
Though, perhaps he may know it already,
As he, too, 's a sage in his way.
When next for the Treasury scene he
Announces "the Devil to pay",
Let him write on the bills, "Nota bene,
'Tis all in the family way."
My banks are all furnished with rags,
So thick, even Freddy can't thin 'em;
I've torn up my old money-bags,
Having little or nought to put in 'em.
My tradesman are smashing by dozens,
But this is all nothing, they say;
For bankrupts, since Adam, are cousins,
So, it's all in the family way.
My Debt not a penny takes from me,
As sages the matter explain; --
Bob owes it to Tom and then Tommy
Just owes it to Bob back again.
Since all have thus taken to owing,
There's nobody left that can pay;
And this is the way to keep going, --
All quite in the family way.
My senators vote away millions,
To put in Prosperity's budget;
And though it were billions or trillions,
The generous rogues wouldn't grudge it.
'Tis all but a family hop,
'Twas Pitt began dancing the hay;
Hands round! -- why the deuce should we stop?
'Tis all in the family way.
My labourers used to eat mutton,
As any great man of the State does;
And now the poor devils are put on
Small rations of tea and potatoes.
But cheer up John, Sawney and Paddy,
The King is your father, they say;
So ev'n if you starve for your Daddy,
'Tis all in the family way.
My rich manufacturers tumble,
My poor ones have nothing to chew;
And, even if themselves do not grumble,
Their stomachs undoubtedly do.
But coolly to fast en famille,
Is as good for the soul as to pray;
And famine itself is genteel,
When one starves in a family way.
I have found out a secret for Freddy,
A secret for next Budget day;
Though, perhaps he may know it already,
As he, too, 's a sage in his way.
When next for the Treasury scene he
Announces "the Devil to pay",
Let him write on the bills, "Nota bene,
'Tis all in the family way."
245
Thomas Hardy
Winter in Durnover Field
Winter in Durnover Field
Scene.--A wide stretch of fallow ground recently sown with wheat, and
frozen to iron hardness. Three large birds walking about thereon,
and wistfully eyeing the surface. Wind keen from north-east: sky a
dull grey.
(Triolet)
Rook.--Throughout the field I find no grain;
The cruel frost encrusts the cornland!
Starling.--Aye: patient pecking now is vain
Throughout the field, I find . . .
Rook.--No grain!
Pigeon.--Nor will be, comrade, till it rain,
Or genial thawings loose the lorn land
Throughout the field.
Rook.--I find no grain:
The cruel frost encrusts the cornland!
Scene.--A wide stretch of fallow ground recently sown with wheat, and
frozen to iron hardness. Three large birds walking about thereon,
and wistfully eyeing the surface. Wind keen from north-east: sky a
dull grey.
(Triolet)
Rook.--Throughout the field I find no grain;
The cruel frost encrusts the cornland!
Starling.--Aye: patient pecking now is vain
Throughout the field, I find . . .
Rook.--No grain!
Pigeon.--Nor will be, comrade, till it rain,
Or genial thawings loose the lorn land
Throughout the field.
Rook.--I find no grain:
The cruel frost encrusts the cornland!
221
Thomas Hardy
Unknowing
Unknowing
WHEN, soul in soul reflected,
We breathed an æthered air,
When we neglected
All things elsewhere,
And left the friendly friendless
To keep our love aglow,
We deemed it endless...
--We did not know!
When, by mad passion goaded,
We planned to hie away,
But, unforeboded,
The storm-shafts gray
So heavily down-pattered
That none could forthward go,
Our lives seemed shattered...
--We did not know!
When I found you, helpless lying,
And you waived my deep misprise,
And swore me, dying,
In phantom-guise
To wing to me when grieving,
And touch away my woe,
We kissed, believing...
--We did not know!
But though, your powers outreckoning,
You hold you dead and dumb,
Or scorn my beckoning,
And will not come;
And I say, "'Twere mood ungainly
To store her memory so:"
I say it vainly--
I feel and know!
WHEN, soul in soul reflected,
We breathed an æthered air,
When we neglected
All things elsewhere,
And left the friendly friendless
To keep our love aglow,
We deemed it endless...
--We did not know!
When, by mad passion goaded,
We planned to hie away,
But, unforeboded,
The storm-shafts gray
So heavily down-pattered
That none could forthward go,
Our lives seemed shattered...
--We did not know!
When I found you, helpless lying,
And you waived my deep misprise,
And swore me, dying,
In phantom-guise
To wing to me when grieving,
And touch away my woe,
We kissed, believing...
--We did not know!
But though, your powers outreckoning,
You hold you dead and dumb,
Or scorn my beckoning,
And will not come;
And I say, "'Twere mood ungainly
To store her memory so:"
I say it vainly--
I feel and know!
245
Thomas Hardy
To Lizbie Browne
To Lizbie Browne
I
Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?
II
Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!
III
And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?
IV
When, Lizbie Browne,
You had just begun
To be endeared
By stealth to one,
You disappeared
My Lizbie Browne!
V
Ay, Lizbie Browne,
So swift your life,
And mine so slow,
You were a wife
Ere I could show
Love, Lizbie Browne.
VI
Still, Lizbie Browne,
You won, they said,
The best of men
When you were wed . . .
Where went you then,
O Lizbie Browne?
VII
Dear Lizbie Browne,
I should have thought,
"Girls ripen fast,"
And coaxed and caught
You ere you passed,
Dear Lizbie Browne!
VIII
But, Lizbie Browne,
I let you slip;
Shaped not a sign;
Touched never your lip
With lip of mine,
Lost Lizbie Browne!
IX
So, Lizbie Browne,
When on a day
Men speak of me
As not, you'll say,
"And who was he?" -
Yes, Lizbie Browne!
I
Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?
II
Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!
III
And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?
IV
When, Lizbie Browne,
You had just begun
To be endeared
By stealth to one,
You disappeared
My Lizbie Browne!
V
Ay, Lizbie Browne,
So swift your life,
And mine so slow,
You were a wife
Ere I could show
Love, Lizbie Browne.
VI
Still, Lizbie Browne,
You won, they said,
The best of men
When you were wed . . .
Where went you then,
O Lizbie Browne?
VII
Dear Lizbie Browne,
I should have thought,
"Girls ripen fast,"
And coaxed and caught
You ere you passed,
Dear Lizbie Browne!
VIII
But, Lizbie Browne,
I let you slip;
Shaped not a sign;
Touched never your lip
With lip of mine,
Lost Lizbie Browne!
IX
So, Lizbie Browne,
When on a day
Men speak of me
As not, you'll say,
"And who was he?" -
Yes, Lizbie Browne!
249
Thomas Hardy
To Lizbie Browne
To Lizbie Browne
I
Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?
II
Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!
III
And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?
IV
When, Lizbie Browne,
You had just begun
To be endeared
By stealth to one,
You disappeared
My Lizbie Browne!
V
Ay, Lizbie Browne,
So swift your life,
And mine so slow,
You were a wife
Ere I could show
Love, Lizbie Browne.
VI
Still, Lizbie Browne,
You won, they said,
The best of men
When you were wed . . .
Where went you then,
O Lizbie Browne?
VII
Dear Lizbie Browne,
I should have thought,
"Girls ripen fast,"
And coaxed and caught
You ere you passed,
Dear Lizbie Browne!
VIII
But, Lizbie Browne,
I let you slip;
Shaped not a sign;
Touched never your lip
With lip of mine,
Lost Lizbie Browne!
IX
So, Lizbie Browne,
When on a day
Men speak of me
As not, you'll say,
"And who was he?" -
Yes, Lizbie Browne!
I
Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?
II
Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!
III
And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?
IV
When, Lizbie Browne,
You had just begun
To be endeared
By stealth to one,
You disappeared
My Lizbie Browne!
V
Ay, Lizbie Browne,
So swift your life,
And mine so slow,
You were a wife
Ere I could show
Love, Lizbie Browne.
VI
Still, Lizbie Browne,
You won, they said,
The best of men
When you were wed . . .
Where went you then,
O Lizbie Browne?
VII
Dear Lizbie Browne,
I should have thought,
"Girls ripen fast,"
And coaxed and caught
You ere you passed,
Dear Lizbie Browne!
VIII
But, Lizbie Browne,
I let you slip;
Shaped not a sign;
Touched never your lip
With lip of mine,
Lost Lizbie Browne!
IX
So, Lizbie Browne,
When on a day
Men speak of me
As not, you'll say,
"And who was he?" -
Yes, Lizbie Browne!
249
Thomas Hardy
To Flowers From Italy in Winter
To Flowers From Italy in Winter
Sunned in the South, and here to-day;
--If all organic things
Be sentient, Flowers, as some men say,
What are your ponderings?
How can you stay, nor vanish quite
From this bleak spot of thorn,
And birch, and fir, and frozen white
Expanse of the forlorn?
Frail luckless exiles hither brought!
Your dust will not regain
Old sunny haunts of Classic thought
When you shall waste and wane;
But mix with alien earth, be lit
With frigid Boreal flame,
And not a sign remain in it
To tell men whence you came.
Sunned in the South, and here to-day;
--If all organic things
Be sentient, Flowers, as some men say,
What are your ponderings?
How can you stay, nor vanish quite
From this bleak spot of thorn,
And birch, and fir, and frozen white
Expanse of the forlorn?
Frail luckless exiles hither brought!
Your dust will not regain
Old sunny haunts of Classic thought
When you shall waste and wane;
But mix with alien earth, be lit
With frigid Boreal flame,
And not a sign remain in it
To tell men whence you came.
192
Thomas Hardy
Thoughts of Phena
Thoughts of Phena
at news of her death
Not a line of her writing have I
Not a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there;
And in vain do I urge my unsight
To conceive my lost prize
At her close, whom I knew when her dreams were upbrimming with light
And with laughter her eyes.
What scenes spread around her last days,
Sad, shining, or dim?
Did her gifts and compassions enray and enarch her sweet ways
With an aureate nimb?
Or did life-light decline from her years,
And mischances control
Her full day-star; unease, or regret, or forebodings, or fears
Disennoble her soul?
Thus I do but the phantom retain
Of the maiden of yore
As my relic; yet haply the best of her--fined in my brain
It may be the more
That no line of her writing have I,
Nor a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there.
March .
at news of her death
Not a line of her writing have I
Not a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there;
And in vain do I urge my unsight
To conceive my lost prize
At her close, whom I knew when her dreams were upbrimming with light
And with laughter her eyes.
What scenes spread around her last days,
Sad, shining, or dim?
Did her gifts and compassions enray and enarch her sweet ways
With an aureate nimb?
Or did life-light decline from her years,
And mischances control
Her full day-star; unease, or regret, or forebodings, or fears
Disennoble her soul?
Thus I do but the phantom retain
Of the maiden of yore
As my relic; yet haply the best of her--fined in my brain
It may be the more
That no line of her writing have I,
Nor a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there.
March .
310
Thomas Hardy
The Widow
The Widow
By Mellstock Lodge and Avenue
Towards her door I went,
And sunset on her window-panes
Reflected our intent.
The creeper on the gable nigh
Was fired to more than red
And when I came to halt thereby
"Bright as my joy!" I said.
Of late days it had been her aim
To meet me in the hall;
Now at my footsteps no one came;
And no one to my call.
Again I knocked; and tardily
An inner step was heard,
And I was shown her presence then
With scarce an answering word.
She met me, and but barely took
My proffered warm embrace;
Preoccupation weighed her look,
And hardened her sweet face.
"To-morrow--could you--would you call?
Make brief your present stay?
My child is ill--my one, my all! -
And can't be left to-day."
And then she turns, and gives commands
As I were out of sound,
Or were no more to her and hers
Than any neighbour round . . .
- As maid I wooed her; but one came
And coaxed her heart away,
And when in time he wedded her
I deemed her gone for aye.
He won, I lost her; and my loss
I bore I know not how;
But I do think I suffered then
Less wretchedness than now.
For Time, in taking him, had oped
An unexpected door
Of bliss for me, which grew to seem
Far surer than before . . .
Her word is steadfast, and I know
That plighted firm are we:
But she has caught new love-calls since
She smiled as maid on me!
By Mellstock Lodge and Avenue
Towards her door I went,
And sunset on her window-panes
Reflected our intent.
The creeper on the gable nigh
Was fired to more than red
And when I came to halt thereby
"Bright as my joy!" I said.
Of late days it had been her aim
To meet me in the hall;
Now at my footsteps no one came;
And no one to my call.
Again I knocked; and tardily
An inner step was heard,
And I was shown her presence then
With scarce an answering word.
She met me, and but barely took
My proffered warm embrace;
Preoccupation weighed her look,
And hardened her sweet face.
"To-morrow--could you--would you call?
Make brief your present stay?
My child is ill--my one, my all! -
And can't be left to-day."
And then she turns, and gives commands
As I were out of sound,
Or were no more to her and hers
Than any neighbour round . . .
- As maid I wooed her; but one came
And coaxed her heart away,
And when in time he wedded her
I deemed her gone for aye.
He won, I lost her; and my loss
I bore I know not how;
But I do think I suffered then
Less wretchedness than now.
For Time, in taking him, had oped
An unexpected door
Of bliss for me, which grew to seem
Far surer than before . . .
Her word is steadfast, and I know
That plighted firm are we:
But she has caught new love-calls since
She smiled as maid on me!
260
Thomas Hardy
The Widow
The Widow
By Mellstock Lodge and Avenue
Towards her door I went,
And sunset on her window-panes
Reflected our intent.
The creeper on the gable nigh
Was fired to more than red
And when I came to halt thereby
"Bright as my joy!" I said.
Of late days it had been her aim
To meet me in the hall;
Now at my footsteps no one came;
And no one to my call.
Again I knocked; and tardily
An inner step was heard,
And I was shown her presence then
With scarce an answering word.
She met me, and but barely took
My proffered warm embrace;
Preoccupation weighed her look,
And hardened her sweet face.
"To-morrow--could you--would you call?
Make brief your present stay?
My child is ill--my one, my all! -
And can't be left to-day."
And then she turns, and gives commands
As I were out of sound,
Or were no more to her and hers
Than any neighbour round . . .
- As maid I wooed her; but one came
And coaxed her heart away,
And when in time he wedded her
I deemed her gone for aye.
He won, I lost her; and my loss
I bore I know not how;
But I do think I suffered then
Less wretchedness than now.
For Time, in taking him, had oped
An unexpected door
Of bliss for me, which grew to seem
Far surer than before . . .
Her word is steadfast, and I know
That plighted firm are we:
But she has caught new love-calls since
She smiled as maid on me!
By Mellstock Lodge and Avenue
Towards her door I went,
And sunset on her window-panes
Reflected our intent.
The creeper on the gable nigh
Was fired to more than red
And when I came to halt thereby
"Bright as my joy!" I said.
Of late days it had been her aim
To meet me in the hall;
Now at my footsteps no one came;
And no one to my call.
Again I knocked; and tardily
An inner step was heard,
And I was shown her presence then
With scarce an answering word.
She met me, and but barely took
My proffered warm embrace;
Preoccupation weighed her look,
And hardened her sweet face.
"To-morrow--could you--would you call?
Make brief your present stay?
My child is ill--my one, my all! -
And can't be left to-day."
And then she turns, and gives commands
As I were out of sound,
Or were no more to her and hers
Than any neighbour round . . .
- As maid I wooed her; but one came
And coaxed her heart away,
And when in time he wedded her
I deemed her gone for aye.
He won, I lost her; and my loss
I bore I know not how;
But I do think I suffered then
Less wretchedness than now.
For Time, in taking him, had oped
An unexpected door
Of bliss for me, which grew to seem
Far surer than before . . .
Her word is steadfast, and I know
That plighted firm are we:
But she has caught new love-calls since
She smiled as maid on me!
260
Thomas Hardy
The Voice
The Voice
Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.
Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!
Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?
Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward,
And the woman calling.
Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.
Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!
Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?
Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward,
And the woman calling.
349
Thomas Hardy
The Voice
The Voice
Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.
Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!
Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?
Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward,
And the woman calling.
Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.
Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!
Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?
Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward,
And the woman calling.
349