Poems List

’Tis sweet to think, that, where’er we rove, / We are sure to find something blissful and dear, / And that, when we re far from the lips we love, / We’ve but to make love to the lips we are near.
1

Wreath the Bowl

Wreath the Bowl
Wreath the bowl
With flowers of soul,
The brightest Wit can find us,
We'll take a flight
Towards heaven to-night,
And leave dull earth behind us.
Should Love amid
The wreaths be hid
That Joy, the enchanter, brings us,
No danger fear,
While wine is near --
We'll drown him if he stings us.
Then, wreath the bowl
With flowers of soul,
The brightest Wit can find us.
We'll take a flight
Towards heaven to-night,
And leave dull earth behind us.
'Twas nectar fed
Of old, 'tis said,
Their Junos, Joves, Apollos,
And man may brew
His nectar too,
The rich receipt's as follows:
Take wine like this,
Let looks of bliss
Around it well be blended,
Then bring Wit's beam
To warm the stream,
And there's your nectar, splendid!
So, wreath the bowl,
With flowers of soul,
The brightest Wit can find us,
We'll take a flight
Towards heaven to-night,
And leave dull earth behind us.
Say, why did Time
His glass sublime
Fill up with sands unsightly,
When wine, he knew,
Runs brisker through,
And sparkles far more brightly?
Oh, lend it us,
And, smiling thus,
The glass in two we'll sever,
Make pleasure glide
In double tide,
And fill both ends for ever!
Then, wreath the bowl
With flowers of soul


The brightest Wit can find us;
We'll take a flight
Towards heaven to-night,
And leave dull earth behind us.
177

Whene'er I See Those Smiling Eyes

Whene'er I See Those Smiling Eyes
Whene'er I see those smiling eyes,
So full of hope, and joy, and light,
As if no cloud could ever rise,
To dim a heaven so purely bright --
I sigh to think how soon that brow
In grief may lose its every ray,
And that light heart, so joyous now,
Almost forget it once was gay.
For time will come with all its blights,
The ruin'd hope, the friend unkind,
And love, that leaves, where'er it lights,
A chill'd or burning heart behind:
While youth, that now like snow appears,
Ere sullied by the darkening rain,
When once 'tis touch'd by sorrow's tears,
Can never shine so bright again.
187

While Gazing on the Moon's Light

While Gazing on the Moon's Light
While gazing on the moon's light,
A moment from her smile I turn'd,
To look at orbs that, more bright,
In lone and distant glory burn'd.
But too far
Each proud star,
For me to feel its warming flame;
Much more dear
That mild sphere,
Which near our planet smiling came;
Thus, Mary, be but thou my own,
While brighter eyes unheeded play,
I'll love those moonlight looks alone
That bless my home and guide my way.
The day had sunk in dim showers,
But midnight now, with lustre meet,
Illumined all the pale flowers,
Like hope upon a mourner's cheek.
I said (while
The moon's smile
Play'd o'er a stream, in dimpling bliss,)
"The moon looks
On many brooks,
The brook can see no moon but this;"
And thus, I thought, our fortunes run,
For many a lover looks to thee,
While oh! I feel there is but one,
One Mary in the world for me.
174

What the Bee Is To the Floweret

What the Bee Is To the Floweret
What the bee is to the floweret,
When he looks for honey-dew,
Through the leaves that close embower it,
That, my love, I'll be to you.
She. --
What the bank, with verdure glowing,
Is to waves that wander near,
Whispering kisses, while they're going,
That I'll be to you, my dear.
She. --
But they say, the bee's a rover,
Who will fly, when sweets are gone,
And, when once the kiss is over,
Faithless brooks will wander on.
He. --
Nay, if flowers will lose their looks
If sunny banks will wear away,
'Tis but right that bees and brooks
Should sip and kiss them, while they may.
140

When First I Met Thee

When First I Met Thee
When first I met thee, warm and young,
There shone such truth about thee,
And on thy lip such promise hung,
I did not dare to doubt thee.
I saw thee change, yet still relied,
Still clung with hope the fonder,
And thought, though false to all beside,
From me thou couldst not wander.
But go, deceiver! go,
The heart, whose hopes could make it
Trust one so false, so low,
Deserves that thou shouldst break it.
When every tongue thy follies named,
I fled the unwelcome story,
Or found, in even the faults they blamed,
Some gleams of future glory.
I still was true, when nearer friends
Conspired to wrong, to slight thee;
The heart that now thy falsehood rends
Would then have bled to right thee.
But go, deceiver! go --
Some day, perhaps, thou'lt waken
From pleasure's dream, to know
The grief of hearts forsaken.
Even now, though youth its bloom has shed,
No lights of age adorn thee;
The few who loved thee once have fled,
And they who flatter scorn thee.
Thy midnight cup is pledged to slaves,
No genial ties enwreath it;
The smiling there, like light on graves,
Has rank cold hearts beneath it.
Go -- go -- though worlds were thine,
I would not now surrender
One taintless tear of mine
For all thy guilty splendour!
And days may come, thou false one! yet,
When even those ties shall sever!
When thou wilt call, with vain regret,
On her thou'st lost for ever;
On her who, in thy fortune's fall,
With smiles had still received thee,
And gladly died to prove thee all
Her fancy first believed thee.
Go -- go -- 'tis vain to curse,
'Tis weakness to upbraid thee;
Hate cannot wish thee worse
Than guilt and shame have made thee.

160

Twas One of Those Dreams

Twas One of Those Dreams
'TWAS one of those dreams, that by music are brought,
Like a bright summer haze, o'er the poet's warm thought --
When, lost in the future, his soul wanders on,
And all of this life, but its sweetness, is gone.
The wild notes he heard o'er the water were those
He had taught to sing Erin's dark bondage and woes,
And the breath of the bugle now wafted them o'er
From Dinis' green isle, to Glena's wooded shore.
He listen'd -- while, high o'er the eagle's rude nest,
The lingering sounds on their way loved to rest;
And the echoes sung back from their full mountain quire,
As if loath to let song to enchanting expire.
It seem'd as if every sweet note that died here
Was again brought to life in some airier sphere,
Some heaven in those hills, where the soul of the strain
That had ceased upon earth was awaking again!
Oh forgive, if, while listening to music, whose breath
Seem'd to circle his name with a charm against death,
He should feel a proud spirit within him proclaim,
"Even so shalt thou live in the echoes of Fame:
"Even so, though thy memory should now die away,
'Twill be caught up again in some happier day,
And the hearts and the voices of Erin prolong,
Through the answering Future, thy name and thy song."
170

We May Roam Through This World

We May Roam Through This World
We may roam through this world, like a child at a feast,
Who but sips of a sweet, and then flies to the rest;
And, when pleasure begins to grow dull in the east,
We may order our wings and be off to the west:
But if hearts that feel, and eyes that smile,
Are the dearest gifts that heaven supplies,
We never need leave our own green isle,
For sensitive hearts, and for sun-bright eyes.
Then, remember, wherever your goblet is crown'd,
Through this world, whether eastward or westward you roam,
When a cup to the smile of dear woman goes round,
Oh! remember the smile which adorns her at home.
In England, the garden of Beauty is kept
By a dragon of prudery placed within call;
But so oft this unamiable dragon has slept,
That the garden's but carelessly watch'd after all.
Oh! they want the wild sweet-briery fence
Which round the flowers of Erin dwells;
Which warns the touch, while winning the sense,
Nor charms us least when it most repels.
Then remember, wherever your goblet is crown'd,
Through this world, whether eastward or westward you roam,
When a cup to the smile of dear woman goes round,
Oh! remember the smile that adorns her at home.
In France, when the heart of a woman sets sail,
On the ocean of wedlock its fortune to try,
Love seldom goes far in a vessel so frail,
But just pilots her off, and then bids her good-bye.
While the daughters of Erin keep the boy,
Ever smiling beside his faithful oar,
Through billows of woe, and beams of joy,
The same as he look's when he left the shore.
Then remember, wherever your goblet is crown'd,
Through this world, whether eastward or westward you roam,
When a cup to the smile of dear woman goes round,
Oh! remember the smile that adorns her at home.
175

Tis Sweet to Think

Tis Sweet to Think
Tis sweet to think that, where'er we rove,
We are sure to find something blissful and dear,
And that, when we're far from the lips that we love,
We've but to make love to the lips we are near.
The heart, like a tendril, accustom'd to cling,
Let it grow where it will, cannot flourish alone,
But will lean to the nearest and loveliest thing
It can twine with itself, and make closely its own.
Then oh! what pleasure, where'er we rove,
To be sure to find something, still, that is dear,
And to know, when far from the lips we love,
We've but to make love to the lips we are near.
'Twere a shame, when flowers around us rise,
To make light of the rest, if the rose isn't there,
And the world's so rich in resplendent eyes,
'Twere a pity to limit one's love to a pair.
Love's wing and the peacock's are nearly alike,
They are both of them bright, but the're changeable too,
And wherever a new beam of beauty can strike,
It will tincture Love's plume with a different hue.
Then oh! what pleasure, where'er we rove,
To be sure to find something, still, that is dear,
And to know, when far from the lips we love,
We've but to make love to the lips we are near.
155

To Ladies' Eyes

To Ladies' Eyes
To Ladies' eyes a round, boy,
We can't refuse, we can't refuse;
Though bright eyes so abound, boy,
'Tis hard to choose, 'tis hard to choose.
For thick as stars that lighten
Yon airy bowers, yon airy bowers,
The countless eyes that brighten
This earth of ours, this earth of ours.
But fill the cup -- where'er, boy,
Our choice may fall, our choice may fall,
We're sure to find Love there, boy,
So drink them all! so drink them all!
Some looks there are so holy,
They seem but given, they seem but given,
As shining beacons, solely,
To light to heaven, to light to heaven,
While some -- oh! ne'er believe them --
With tempting ray, with tempting ray,
Would lead us (God forgive them!)
The other way, the other way.
But fill the cup -- where'er, boy,
Our choice may fall, our choice may fall,
We're sure to find Love there, boy;
So drink them all! so drink them all!
In some, as in a mirror,
Love seems pourtray'd, Love seems pourtray'd,
But shun the flattering error,
'Tis but his shade, 'tis but his shade.
Himself has fix'd his dwelling
In eyes we know, in eyes we know,
And lips -- but this is telling --
So here they go! so here they go!
Fill up, fill up -- where'er, boy,
Our choice may fall, our choice may fall,
We're sure to find Love there, boy;
So drink them all ! so drink them all!
177

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Thomas Moore was an Irish poet, lyricist, composer, and political satirist. He is widely regarded as Ireland's national poet.

Childhood and education

Born in Dublin, Moore came from a Catholic background during a time of significant Protestant Ascendancy. He received a good education, attending Trinity College, Dublin, where he studied law. This period exposed him to the political currents of Ireland and fostered his literary talents.

Literary trajectory

Moore's literary career began with translations and satires. His breakthrough came with the "Irish Melodies," a collection of songs that he set to existing Irish folk tunes, imbued with new lyrics. These became immensely popular, establishing him as a leading lyrical poet. He also wrote longer narrative poems, political satires, and a biography of Lord Byron.

Works, style, and literary characteristics

Moore's most significant contribution is the "Irish Melodies," which include famous songs like "The Minstrel Boy" and "Oft, in the Stilly Night." His poetry is characterized by its lyrical flow, romantic sensibility, and exploration of themes such as love, loss, patriotism, and exile. He often employed simple, evocative language and a graceful, musical rhythm, making his verses highly singable. His "Lalla Rookh" was a long, exotic Oriental romance poem that also achieved great success.

Cultural and historical context

Moore wrote during a period of intense political and cultural ferment in Ireland and Europe. He was a staunch advocate for Irish rights and a supporter of Catholic Emancipation, often expressing his sentiments through his writings, sometimes subtly and sometimes through direct political satire. His work tapped into a growing sense of Irish national identity.

Personal life

Moore had a long and successful literary career. He married Bessy Dyke, an actress, and they had several children. He maintained friendships with many prominent literary and political figures of his day, including Lord Byron, whose life and works he later chronicled.

Recognition and reception

Moore was immensely popular during his lifetime, both in Ireland and Britain. His "Irish Melodies" were translated into numerous languages and became a staple of drawing-room music. He was widely celebrated for his wit, charm, and poetic talent, though later critics sometimes found his sentimentality excessive.

Influences and legacy

Moore was influenced by classical poets and the burgeoning Romantic movement. His "Irish Melodies" played a crucial role in preserving and popularizing Irish folk music and in fostering a sense of national pride among the Irish diaspora. He is considered a key figure in the Romantic era of Irish literature.

Interpretation and critical analysis

Moore's work is often interpreted as a romantic expression of Irish identity and longing. His patriotic sentiments, while celebrated, are sometimes seen through the lens of a nationalist romanticism that can be both empowering and potentially simplistic. His ability to blend music and poetry was a significant achievement.

Curiosities and lesser-known aspects

Beyond his poetry, Moore was known for his social life and his ability to entertain. He was also a composer, though his primary fame rests on his lyrics. His extensive travels and correspondence reveal a keen observer of society and politics.

Death and memory

Thomas Moore died on February 25, 1852. He is remembered as Ireland's most beloved poet and songwriter, whose "Irish Melodies" continue to resonate and evoke a deep connection to Irish culture and history.