Poems in this topic
Society and the World
James Whitcomb Riley
John Alden And Percilly
John Alden And Percilly
We got up a Christmas-doin's
Last Christmas Eve--
Kindo' dimonstration
'At I railly believe
Give more satisfaction--
Take it up and down--
Than ary intertainment
Ever come to town!
Railly was a _theater_-That's
what it was,--
But, bein' in the church, you know,
We had a '_Santy Clause_'--
So 's to git the _old folks_
To patternize, you see,
And _back_ the institootion up
Kindo' _morally_.
Schoolteacher writ the thing-(
Was a friend o' mine),
Got it out o' Longfeller's
Pome 'Evangeline'--
Er some'rs--'bout the _Purituns_--.
_Anyway_, the part
'_John Alden_' fell to _me_--
And learnt it all by heart!
Claircy was '_Percilly_'-(
Schoolteacher 'lowed
Me and her could act them two
Best of all the crowd)-Then--
blame ef he didn't
Git her Pap, i jing!--
To take the part o' '_Santy Clause_,'
To wind up the thing.
Law! the fun o' practisun!--
Was a week er two
Me and Claircy didn't have
Nothin' else to do!--
Kep' us jes a-meetin' round,
Kindo' here and there,
Ever' night rehearsin'-like,
And gaddin' ever'where!
Game was wo'th the candle, though!--
Christmas Eve at last
Rolled around.--And 'tendance jes
Couldn't been surpassed!--
Neighbors from the country
Come from Clay and Rush--
Yes, and 'crost the county-line
Clean from Puckerbrush!
Meetin'-house jes trimbled
As 'Old Santy' went
Round amongst the childern,
With their pepperment
And sassafrac and wintergreen
Candy, and 'a ball
O' popcorn,' the preacher 'nounced,
'Free fer each and all!'
Schoolteacher suddently
Whispered in my ear,-'
Guess I got you:--_Christmas-gift_!-_
Christmas is here_!'
I give _him_ a gold pen,
And case to hold the thing,--
And _Claircy_ whispered '_Christmas-gift_!'
And I give her a _ring_.
'And now,' says I, 'jes watch _me_-Christmas-
gift,' says I,
'_I'm_ a-goin' to git one-'_
Santy's_' comin' by!'--
Then I rech and grabbed him:
And, as you'll infer,
'Course I got the old man's,
And _he_ gimme _her_!
We got up a Christmas-doin's
Last Christmas Eve--
Kindo' dimonstration
'At I railly believe
Give more satisfaction--
Take it up and down--
Than ary intertainment
Ever come to town!
Railly was a _theater_-That's
what it was,--
But, bein' in the church, you know,
We had a '_Santy Clause_'--
So 's to git the _old folks_
To patternize, you see,
And _back_ the institootion up
Kindo' _morally_.
Schoolteacher writ the thing-(
Was a friend o' mine),
Got it out o' Longfeller's
Pome 'Evangeline'--
Er some'rs--'bout the _Purituns_--.
_Anyway_, the part
'_John Alden_' fell to _me_--
And learnt it all by heart!
Claircy was '_Percilly_'-(
Schoolteacher 'lowed
Me and her could act them two
Best of all the crowd)-Then--
blame ef he didn't
Git her Pap, i jing!--
To take the part o' '_Santy Clause_,'
To wind up the thing.
Law! the fun o' practisun!--
Was a week er two
Me and Claircy didn't have
Nothin' else to do!--
Kep' us jes a-meetin' round,
Kindo' here and there,
Ever' night rehearsin'-like,
And gaddin' ever'where!
Game was wo'th the candle, though!--
Christmas Eve at last
Rolled around.--And 'tendance jes
Couldn't been surpassed!--
Neighbors from the country
Come from Clay and Rush--
Yes, and 'crost the county-line
Clean from Puckerbrush!
Meetin'-house jes trimbled
As 'Old Santy' went
Round amongst the childern,
With their pepperment
And sassafrac and wintergreen
Candy, and 'a ball
O' popcorn,' the preacher 'nounced,
'Free fer each and all!'
Schoolteacher suddently
Whispered in my ear,-'
Guess I got you:--_Christmas-gift_!-_
Christmas is here_!'
I give _him_ a gold pen,
And case to hold the thing,--
And _Claircy_ whispered '_Christmas-gift_!'
And I give her a _ring_.
'And now,' says I, 'jes watch _me_-Christmas-
gift,' says I,
'_I'm_ a-goin' to git one-'_
Santy's_' comin' by!'--
Then I rech and grabbed him:
And, as you'll infer,
'Course I got the old man's,
And _he_ gimme _her_!
268
James Whitcomb Riley
Jim
Jim
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
322
James Whitcomb Riley
Jim
Jim
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
322
James Whitcomb Riley
Jim
Jim
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
322
James Whitcomb Riley
Iry And Billy Jo
Iry And Billy Jo
Iry an' Billy an' Jo!--
Iry an' Billy's _the boys_,
An' _Jo's_ their _dog_, you know,--
Their pictures took all in a row.
Bet they kin kick up a noise--
Iry and Billy, the boys,
And that-air little dog Jo!
_Iry's_ the one 'at stands
Up there a-lookin' so mild
An' meek--with his hat in his hands,
Like such a 'bediant child-(_
Sakes-alive_!)--An' _Billy_ he sets
In the cheer an' holds onto Jo an' _sweats_
Hisse'f, a-lookin' so good! Ho-ho!
Iry an' Billy an' Jo!
Yit the way them boys, you know,
Usen to jes turn in
An' fight over that dog Jo
Wuz a burnin'-shame-an'-a-sin !--
Iry _he'd_ argy 'at, by gee-whizz!
That-air little Jo-dog wuz _his_!--
An' Billy _he'd_ claim it wuzn't so-'
Cause the dog wuz _his'n_!--An' at it they'd go,
Nip-an'-tugg, tooth-an'-toenail, you know--
Iry an' Billy an' Jo!
But their Pa--(He wuz the marshal then)
He 'tended-like 'at he _jerked 'em up_;
An' got a jury o' Brickyard men
An' helt a _trial_ about the pup:
An' _he_ says _he_ jes like to a-died
When the rest o' us town-boys _testified_--
Regardin', you know,
Iry an' Billy an' Jo.-
'Cause we all knowed, when _the Gypsies_ they
Camped down here by the crick last Fall,
They brung Jo with 'em, an' give him away
To Iry an' Billy fer nothin' at all!--
So the jury fetched in the _verdick_ so
Jo he ain't _neether_ o' theirn fer _shore_-He's
_both_ their dog, an' jes no more!
An' so
They've quit quarrelin' long ago,
Iry an' Billy an' Jo.
Iry an' Billy an' Jo!--
Iry an' Billy's _the boys_,
An' _Jo's_ their _dog_, you know,--
Their pictures took all in a row.
Bet they kin kick up a noise--
Iry and Billy, the boys,
And that-air little dog Jo!
_Iry's_ the one 'at stands
Up there a-lookin' so mild
An' meek--with his hat in his hands,
Like such a 'bediant child-(_
Sakes-alive_!)--An' _Billy_ he sets
In the cheer an' holds onto Jo an' _sweats_
Hisse'f, a-lookin' so good! Ho-ho!
Iry an' Billy an' Jo!
Yit the way them boys, you know,
Usen to jes turn in
An' fight over that dog Jo
Wuz a burnin'-shame-an'-a-sin !--
Iry _he'd_ argy 'at, by gee-whizz!
That-air little Jo-dog wuz _his_!--
An' Billy _he'd_ claim it wuzn't so-'
Cause the dog wuz _his'n_!--An' at it they'd go,
Nip-an'-tugg, tooth-an'-toenail, you know--
Iry an' Billy an' Jo!
But their Pa--(He wuz the marshal then)
He 'tended-like 'at he _jerked 'em up_;
An' got a jury o' Brickyard men
An' helt a _trial_ about the pup:
An' _he_ says _he_ jes like to a-died
When the rest o' us town-boys _testified_--
Regardin', you know,
Iry an' Billy an' Jo.-
'Cause we all knowed, when _the Gypsies_ they
Camped down here by the crick last Fall,
They brung Jo with 'em, an' give him away
To Iry an' Billy fer nothin' at all!--
So the jury fetched in the _verdick_ so
Jo he ain't _neether_ o' theirn fer _shore_-He's
_both_ their dog, an' jes no more!
An' so
They've quit quarrelin' long ago,
Iry an' Billy an' Jo.
306
James Whitcomb Riley
In Bohemia
In Bohemia
Ha! My dear! I'm back again--
Vendor of Bohemia's wares!
Lordy! How it pants a man
Climbing up those awful stairs!
Well, I've made the dealer say
Your sketch _might_ sell, anyway!
And I've made a publisher
Hear my poem, Kate, my dear.
In Bohemia, Kate, my dear--
Lodgers in a musty flat
On the top floor--living here
Neighborless, and used to that,--
Like a nest beneath the eaves,
So our little home receives
Only guests of chirping cheer-We'll
be happy, Kate, my dear!
Under your north-light there, you
At your easel, with a stain
On your nose of Prussian blue,
Paint your bits of shine and rain;
With my feet thrown up at will
O'er my littered window-sill,
I write rhymes that ring as clear
As your laughter, Kate, my dear.
Puff my pipe, and stroke my hair--
Bite my pencil-tip and gaze
At you, mutely mooning there
O'er your 'Aprils' and your 'Mays!'
Equal inspiration in
Dimples of your cheek and chin,
And the golden atmosphere
Of your paintings, Kate, my dear!
_Trying_! Yes, at times it is,
To clink happy rhymes, and fling
On the canvas scenes of bliss,
When we are half famishing!--
When your 'jersey' rips in spots,
And your hat's 'forget-me-nots'
Have grown tousled, old and sere--
It is trying, Kate, my dear!
But--as sure--_some_ picture sells,
And--sometimes--the poetry--
Bless us! How the parrot yells
His acclaims at you and me!
How we revel then in scenes
Of high banqueting!--sardines-Salads--
olives--and a sheer
Pint of sherry, Kate, my dear!
Even now I cross your palm,
With this great round world of gold!-'
Talking wild?' Perhaps I am--
Then, this little five-year-old!--
Call it anything you will,
So it lifts your face until
I may kiss away that tear
Ere it drowns me, Kate, my dear.
Ha! My dear! I'm back again--
Vendor of Bohemia's wares!
Lordy! How it pants a man
Climbing up those awful stairs!
Well, I've made the dealer say
Your sketch _might_ sell, anyway!
And I've made a publisher
Hear my poem, Kate, my dear.
In Bohemia, Kate, my dear--
Lodgers in a musty flat
On the top floor--living here
Neighborless, and used to that,--
Like a nest beneath the eaves,
So our little home receives
Only guests of chirping cheer-We'll
be happy, Kate, my dear!
Under your north-light there, you
At your easel, with a stain
On your nose of Prussian blue,
Paint your bits of shine and rain;
With my feet thrown up at will
O'er my littered window-sill,
I write rhymes that ring as clear
As your laughter, Kate, my dear.
Puff my pipe, and stroke my hair--
Bite my pencil-tip and gaze
At you, mutely mooning there
O'er your 'Aprils' and your 'Mays!'
Equal inspiration in
Dimples of your cheek and chin,
And the golden atmosphere
Of your paintings, Kate, my dear!
_Trying_! Yes, at times it is,
To clink happy rhymes, and fling
On the canvas scenes of bliss,
When we are half famishing!--
When your 'jersey' rips in spots,
And your hat's 'forget-me-nots'
Have grown tousled, old and sere--
It is trying, Kate, my dear!
But--as sure--_some_ picture sells,
And--sometimes--the poetry--
Bless us! How the parrot yells
His acclaims at you and me!
How we revel then in scenes
Of high banqueting!--sardines-Salads--
olives--and a sheer
Pint of sherry, Kate, my dear!
Even now I cross your palm,
With this great round world of gold!-'
Talking wild?' Perhaps I am--
Then, this little five-year-old!--
Call it anything you will,
So it lifts your face until
I may kiss away that tear
Ere it drowns me, Kate, my dear.
288
James Whitcomb Riley
Ike Walton's Prayer
Ike Walton's Prayer
I crave, dear Lord,
No boundless hoard
Of gold and gear,
Nor jewels fine,
Nor lands, nor kine,
Nor treasure-heaps of anything.-
Let but a little hut be mine
Where at the hearthstore I may hear
The cricket sing,
And have the shine
Of one glad woman's eyes to make,
For my poor sake,
Our simple home a place divine;-
Just the wee cot-the cricket's chirr-
Love, and the smiling face of her.
I pray not for
Great riches, nor
For vast estates, and castle-halls,-
Give me to hear the bare footfalls
Of children o’er
An oaken floor,
New-risen with sunshine, or bespread
With but the tiny coverlet
And pillow for the baby’s head;
And pray Thou, may
The door stand open and the day
Send ever in a gentle breeze,
With fragrance from the locust-trees,
And drowsy moan of doves, and blur
Of robin-chirps, and drove of bees,
With afterhushes of the stir
Of intermingling sounds, and then
The good-wife and the smile of her
Filling the silences again-
The cricket’s call,
And the wee cot,
Dear Lord of all,
Deny me not!
I pray not that
Men tremble at
My power of place
And lordly sway, -
I only pray for simple grace
To look my neighbor in the face
Full honestly from day to day-
Yield me this horny palm to hold,
And I’ll not pray
For gold;-
The tanned face, garlanded with mirth,
It hath the kingliest smile on earth
The swart brow, diamonded with sweat,
Hath never need of coronet.
And so I reach,
Dear Lord, to Thee,
And do beseech
Thou givest me
The wee cot, and the cricket’s chirr,
Love, and the glad sweet face of her.
I crave, dear Lord,
No boundless hoard
Of gold and gear,
Nor jewels fine,
Nor lands, nor kine,
Nor treasure-heaps of anything.-
Let but a little hut be mine
Where at the hearthstore I may hear
The cricket sing,
And have the shine
Of one glad woman's eyes to make,
For my poor sake,
Our simple home a place divine;-
Just the wee cot-the cricket's chirr-
Love, and the smiling face of her.
I pray not for
Great riches, nor
For vast estates, and castle-halls,-
Give me to hear the bare footfalls
Of children o’er
An oaken floor,
New-risen with sunshine, or bespread
With but the tiny coverlet
And pillow for the baby’s head;
And pray Thou, may
The door stand open and the day
Send ever in a gentle breeze,
With fragrance from the locust-trees,
And drowsy moan of doves, and blur
Of robin-chirps, and drove of bees,
With afterhushes of the stir
Of intermingling sounds, and then
The good-wife and the smile of her
Filling the silences again-
The cricket’s call,
And the wee cot,
Dear Lord of all,
Deny me not!
I pray not that
Men tremble at
My power of place
And lordly sway, -
I only pray for simple grace
To look my neighbor in the face
Full honestly from day to day-
Yield me this horny palm to hold,
And I’ll not pray
For gold;-
The tanned face, garlanded with mirth,
It hath the kingliest smile on earth
The swart brow, diamonded with sweat,
Hath never need of coronet.
And so I reach,
Dear Lord, to Thee,
And do beseech
Thou givest me
The wee cot, and the cricket’s chirr,
Love, and the glad sweet face of her.
345
James Whitcomb Riley
Ike Walton's Prayer
Ike Walton's Prayer
I crave, dear Lord,
No boundless hoard
Of gold and gear,
Nor jewels fine,
Nor lands, nor kine,
Nor treasure-heaps of anything.-
Let but a little hut be mine
Where at the hearthstore I may hear
The cricket sing,
And have the shine
Of one glad woman's eyes to make,
For my poor sake,
Our simple home a place divine;-
Just the wee cot-the cricket's chirr-
Love, and the smiling face of her.
I pray not for
Great riches, nor
For vast estates, and castle-halls,-
Give me to hear the bare footfalls
Of children o’er
An oaken floor,
New-risen with sunshine, or bespread
With but the tiny coverlet
And pillow for the baby’s head;
And pray Thou, may
The door stand open and the day
Send ever in a gentle breeze,
With fragrance from the locust-trees,
And drowsy moan of doves, and blur
Of robin-chirps, and drove of bees,
With afterhushes of the stir
Of intermingling sounds, and then
The good-wife and the smile of her
Filling the silences again-
The cricket’s call,
And the wee cot,
Dear Lord of all,
Deny me not!
I pray not that
Men tremble at
My power of place
And lordly sway, -
I only pray for simple grace
To look my neighbor in the face
Full honestly from day to day-
Yield me this horny palm to hold,
And I’ll not pray
For gold;-
The tanned face, garlanded with mirth,
It hath the kingliest smile on earth
The swart brow, diamonded with sweat,
Hath never need of coronet.
And so I reach,
Dear Lord, to Thee,
And do beseech
Thou givest me
The wee cot, and the cricket’s chirr,
Love, and the glad sweet face of her.
I crave, dear Lord,
No boundless hoard
Of gold and gear,
Nor jewels fine,
Nor lands, nor kine,
Nor treasure-heaps of anything.-
Let but a little hut be mine
Where at the hearthstore I may hear
The cricket sing,
And have the shine
Of one glad woman's eyes to make,
For my poor sake,
Our simple home a place divine;-
Just the wee cot-the cricket's chirr-
Love, and the smiling face of her.
I pray not for
Great riches, nor
For vast estates, and castle-halls,-
Give me to hear the bare footfalls
Of children o’er
An oaken floor,
New-risen with sunshine, or bespread
With but the tiny coverlet
And pillow for the baby’s head;
And pray Thou, may
The door stand open and the day
Send ever in a gentle breeze,
With fragrance from the locust-trees,
And drowsy moan of doves, and blur
Of robin-chirps, and drove of bees,
With afterhushes of the stir
Of intermingling sounds, and then
The good-wife and the smile of her
Filling the silences again-
The cricket’s call,
And the wee cot,
Dear Lord of all,
Deny me not!
I pray not that
Men tremble at
My power of place
And lordly sway, -
I only pray for simple grace
To look my neighbor in the face
Full honestly from day to day-
Yield me this horny palm to hold,
And I’ll not pray
For gold;-
The tanned face, garlanded with mirth,
It hath the kingliest smile on earth
The swart brow, diamonded with sweat,
Hath never need of coronet.
And so I reach,
Dear Lord, to Thee,
And do beseech
Thou givest me
The wee cot, and the cricket’s chirr,
Love, and the glad sweet face of her.
345
James Whitcomb Riley
If I Knew What Poets Know
If I Knew What Poets Know
If I knew what poets know,
Would I write a rhyme
Of the buds that never blow
In the summer-time?
Would I sing of golden seeds
Springing up in ironweeds?
And of rain-drops turned to snow,
If I knew what poets know?
Did I know what poets do,
Would I sing a song
Sadder than the pigeon's coo
When the days are long?
Where I found a heart in pain,
I would make it glad again;
And the false should be the true,
Did I know what poets do.
If I knew what poets know,
I would find a theme
Sweeter than the placid flow
Of the fairest dream:
I would sing of love that lives
On the errors it forgives;
And the world would better grow
If I knew what poets know.
If I knew what poets know,
Would I write a rhyme
Of the buds that never blow
In the summer-time?
Would I sing of golden seeds
Springing up in ironweeds?
And of rain-drops turned to snow,
If I knew what poets know?
Did I know what poets do,
Would I sing a song
Sadder than the pigeon's coo
When the days are long?
Where I found a heart in pain,
I would make it glad again;
And the false should be the true,
Did I know what poets do.
If I knew what poets know,
I would find a theme
Sweeter than the placid flow
Of the fairest dream:
I would sing of love that lives
On the errors it forgives;
And the world would better grow
If I knew what poets know.
289
James Whitcomb Riley
How John Quit The Farm
How John Quit The Farm
Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!
A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.
You see, we tuck sich pride in John--his mother more 'n me-That's
natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.
He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say-'
Jest listen, David!--listen!--Johnny's beat the birds to-day!'
High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!
And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!
At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.
But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.
He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.
And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.
But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;
But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.
'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.-'
This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'
And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!
I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.
And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!
The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.
And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.
And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.
And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.
And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!
And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,
As though she thought that I was thinkin' bad-words unbeknown.
'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,-'
And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.
'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'
'Oh, nothin' much!' says Mother, with a quiet sort o' smile-'
This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.
'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'
* * * * * *
Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!
Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!
A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.
You see, we tuck sich pride in John--his mother more 'n me-That's
natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.
He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say-'
Jest listen, David!--listen!--Johnny's beat the birds to-day!'
High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!
And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!
At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.
But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.
He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.
And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.
But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;
But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.
'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.-'
This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'
And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!
I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.
And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!
The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.
And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.
And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.
And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.
And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!
And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,
As though she thought that I was thinkin' bad-words unbeknown.
'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,-'
And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.
'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'
'Oh, nothin' much!' says Mother, with a quiet sort o' smile-'
This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.
'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'
* * * * * *
Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!
346
James Whitcomb Riley
His Mother
His Mother
DEAD! my wayward boy--_my own_--
Not _the Law's!_ but _mine_--the good
God's free gift to me alone,
Sanctified by motherhood.
'Bad,' you say: Well, who is not?
'Brutal'--'with a heart of stone'--
And 'red-handed.'--Ah! the hot
Blood upon your own!
I come not, with downward eyes,
To plead for him shamedly,--
God did not apologize
When He gave the boy to me.
Simply, I make ready now
For _His_ verdict.--_You_ prepare--
You have killed us both--and how
Will you face us There!
DEAD! my wayward boy--_my own_--
Not _the Law's!_ but _mine_--the good
God's free gift to me alone,
Sanctified by motherhood.
'Bad,' you say: Well, who is not?
'Brutal'--'with a heart of stone'--
And 'red-handed.'--Ah! the hot
Blood upon your own!
I come not, with downward eyes,
To plead for him shamedly,--
God did not apologize
When He gave the boy to me.
Simply, I make ready now
For _His_ verdict.--_You_ prepare--
You have killed us both--and how
Will you face us There!
358
James Whitcomb Riley
Heat-Lightning
Heat-Lightning
There was a curious quiet for a space
Directly following: and in the face
Of one rapt listener pulsed the flush and glow
Of the heat-lightning that pent passions throw
Long ere the crash of speech.--He broke the spell--
The host:--The Traveler's story, told so well,
He said, had wakened there within his breast
A yearning, as it were, to know _the rest_--
That all unwritten sequence that the Lord
Of Righteousness must write with flame and sword,
Some awful session of His patient thought--
Just then it was, his good old mother caught
His blazing eye--so that its fire became
But as an ember--though it burned the same.
It seemed to her, she said, that she had heard
It was the _Heavenly_ Parent never erred,
And not the _earthly_ one that had such grace:
'Therefore, my son,' she said, with lifted face
And eyes, 'let no one dare anticipate
The Lord's intent. While _He_ waits, _we_ will wait'
And with a gust of reverence genuine
Then Uncle Mart was aptly ringing in-
''_If the darkened heavens lower,
Wrap thy cloak around thy form;
Though the tempest rise in power,
God is mightier than the storm!_''
Which utterance reached the restive children all
As something humorous. And then a call
For _him_ to tell a story, or to 'say
A funny piece.' His face fell right away:
He knew no story worthy. Then he must
_Declaim_ for them: In that, he could not trust
His memory. And then a happy thought
Struck some one, who reached in his vest and brought
Some scrappy clippings into light and said
There was a poem of Uncle Mart's he read
Last April in '_The Sentinel_.' He had
It there in print, and knew all would be glad
To hear it rendered by the author.
And,
All reasons for declining at command
Exhausted, the now helpless poet rose
And said: 'I am discovered, I suppose.
Though I have taken all precautions not
To sign my name to any verses wrought
By my transcendent genius, yet, you see,
Fame wrests my secret from me bodily;
So I must needs confess I did this deed
Of poetry red-handed, nor can plead
One whit of unintention in my crime--
My guilt of rhythm and my glut of rhyme.-
'Maenides rehearsed a tale of arms,
And Naso told of curious metat_mur_phoses;
Unnumbered pens have pictured woman's charms,
While crazy _I_'ve made poetry _on purposes!_'
In other words, I stand convicted--need
I say--by my own doing, as I read.
There was a curious quiet for a space
Directly following: and in the face
Of one rapt listener pulsed the flush and glow
Of the heat-lightning that pent passions throw
Long ere the crash of speech.--He broke the spell--
The host:--The Traveler's story, told so well,
He said, had wakened there within his breast
A yearning, as it were, to know _the rest_--
That all unwritten sequence that the Lord
Of Righteousness must write with flame and sword,
Some awful session of His patient thought--
Just then it was, his good old mother caught
His blazing eye--so that its fire became
But as an ember--though it burned the same.
It seemed to her, she said, that she had heard
It was the _Heavenly_ Parent never erred,
And not the _earthly_ one that had such grace:
'Therefore, my son,' she said, with lifted face
And eyes, 'let no one dare anticipate
The Lord's intent. While _He_ waits, _we_ will wait'
And with a gust of reverence genuine
Then Uncle Mart was aptly ringing in-
''_If the darkened heavens lower,
Wrap thy cloak around thy form;
Though the tempest rise in power,
God is mightier than the storm!_''
Which utterance reached the restive children all
As something humorous. And then a call
For _him_ to tell a story, or to 'say
A funny piece.' His face fell right away:
He knew no story worthy. Then he must
_Declaim_ for them: In that, he could not trust
His memory. And then a happy thought
Struck some one, who reached in his vest and brought
Some scrappy clippings into light and said
There was a poem of Uncle Mart's he read
Last April in '_The Sentinel_.' He had
It there in print, and knew all would be glad
To hear it rendered by the author.
And,
All reasons for declining at command
Exhausted, the now helpless poet rose
And said: 'I am discovered, I suppose.
Though I have taken all precautions not
To sign my name to any verses wrought
By my transcendent genius, yet, you see,
Fame wrests my secret from me bodily;
So I must needs confess I did this deed
Of poetry red-handed, nor can plead
One whit of unintention in my crime--
My guilt of rhythm and my glut of rhyme.-
'Maenides rehearsed a tale of arms,
And Naso told of curious metat_mur_phoses;
Unnumbered pens have pictured woman's charms,
While crazy _I_'ve made poetry _on purposes!_'
In other words, I stand convicted--need
I say--by my own doing, as I read.
326
James Whitcomb Riley
Green Fields And Running Brooks
Green Fields And Running Brooks
Ho! green fields and running brooks!
Knotted strings and fishing-hooks
Of the truant, stealing down
Weedy backways of the town.
Where the sunshine overlooks,
By green fields and running brooks,
All intruding guests of chance
With a golden tolerance,
Cooing doves, or pensive pair
Of picnickers, straying there--
By green fields and running brooks,
Sylvan shades and mossy nooks!
And--O Dreamer of the Days,
Murmurer of roundelays
All unsung of words or books,
Sing green fields and running brooks!
Ho! green fields and running brooks!
Knotted strings and fishing-hooks
Of the truant, stealing down
Weedy backways of the town.
Where the sunshine overlooks,
By green fields and running brooks,
All intruding guests of chance
With a golden tolerance,
Cooing doves, or pensive pair
Of picnickers, straying there--
By green fields and running brooks,
Sylvan shades and mossy nooks!
And--O Dreamer of the Days,
Murmurer of roundelays
All unsung of words or books,
Sing green fields and running brooks!
274
James Whitcomb Riley
Grant At Rest-- August 8, 1885
Grant At Rest-- August 8, 1885
Sir Launcelot rode overthwart and endlong in a wide forest, and held no
path but as wild adventure led him... And he returned and came again to his
horse, and took off his saddle and his bridle, and let him pasture; and
unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
his shield before the cross. --Age of Chivalary
_Grant_
What shall we say of the soldier. Grant,
His sword put by and his great soul free?
How shall we cheer him now or chant
His requiem befittingly?
The fields of his conquest now are seen
Ranged no more with his armed men--
But the rank and file of the gold and green
Of the waving grain is there again.
Though his valiant life is a nation's pride,
And his death heroic and half divine,
And our grief as great as the world is wide,
There breaks in speech but a single line--:
We loved him living, revere him dead--!
A silence then on our lips is laid:
We can say no thing that has not been said,
Nor pray one prayer that has not been prayed.
But a spirit within us speaks: and lo,
We lean and listen to wondrous words
That have a sound as of winds that blow,
And the voice of waters and low of herds;
And we hear, as the song flows on serene,
The neigh of horses, and then the beat
Of hooves that skurry o'er pastures green,
And the patter and pad of a boy's bare feet.
A brave lad, wearing a manly brow,
Knit as with problems of grave dispute,
And a face, like the bloom of the orchard bough,
Pink and pallid, but resolute;
And flushed it grows as the clover-bloom,
And fresh it gleams as the morning dew,
As he reins his steed where the quick quails boom
Up from the grasses he races through.
And ho! As he rides what dreams are his?
And what have the breezes to suggest--?
Do they whisper to him of shells that whiz
O'er fields made ruddy with wrongs redressed?
Does the hawk above him an Eagle float?
Does he thrill and his boyish heart beat high,
Hearing the ribbon about his throat
Flap as a Flag as the winds go by?
And does he dream of the Warrior's fame--
This Western boy in his rustic dress?
For in miniature, this is the man that came
Riding out of the Wilderness--!
The selfsame figure-- the knitted brow--
The eyes full steady-- the lips full mute--
And the face, like the bloom of the orchard bough,
Pink and pallid, but resolute.
Ay, this is the man, with features grim
And stoical as the Sphinx's own,
That heard the harsh guns calling him,
As musical as the bugle blown,
When the sweet spring heavens were clouded o'er
With a tempest, glowering and wild,
And our country's flag bowed down before
Its bursting wrath as a stricken child.
Thus, ready mounted and booted and spurred,
He loosed his bridle and dashed away--!
Like a roll of drums were his hoof-beats heard,
Like the shriek of the fife his charger's neigh!
And over his shoulder and backward blown,
We heard his voice, and we saw the sod
Reel, as our wild steeds chased his own
As though hurled on by the hand of God!
And still, in fancy, we see him ride
In the blood-red front of a hundred frays,
His face set stolid, but glorified
As a knight's of the old Arthurian days:
And victor ever as courtly too,
Gently lifting the vanquished foe,
And staying him with a hand as true
As dealt the deadly avenging blow.
So brighter than all of the cluster of stars
Of the flag enshrouding his form to-day,
His face shines forth from the grime of wars
With a glory that shall not pass away:
He rests at last: he has borne his part
Of salutes and salvos and cheers on cheers--
But O the sobs of his country's heart,
And the driving rain of a nations tears!
Sir Launcelot rode overthwart and endlong in a wide forest, and held no
path but as wild adventure led him... And he returned and came again to his
horse, and took off his saddle and his bridle, and let him pasture; and
unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
his shield before the cross. --Age of Chivalary
_Grant_
What shall we say of the soldier. Grant,
His sword put by and his great soul free?
How shall we cheer him now or chant
His requiem befittingly?
The fields of his conquest now are seen
Ranged no more with his armed men--
But the rank and file of the gold and green
Of the waving grain is there again.
Though his valiant life is a nation's pride,
And his death heroic and half divine,
And our grief as great as the world is wide,
There breaks in speech but a single line--:
We loved him living, revere him dead--!
A silence then on our lips is laid:
We can say no thing that has not been said,
Nor pray one prayer that has not been prayed.
But a spirit within us speaks: and lo,
We lean and listen to wondrous words
That have a sound as of winds that blow,
And the voice of waters and low of herds;
And we hear, as the song flows on serene,
The neigh of horses, and then the beat
Of hooves that skurry o'er pastures green,
And the patter and pad of a boy's bare feet.
A brave lad, wearing a manly brow,
Knit as with problems of grave dispute,
And a face, like the bloom of the orchard bough,
Pink and pallid, but resolute;
And flushed it grows as the clover-bloom,
And fresh it gleams as the morning dew,
As he reins his steed where the quick quails boom
Up from the grasses he races through.
And ho! As he rides what dreams are his?
And what have the breezes to suggest--?
Do they whisper to him of shells that whiz
O'er fields made ruddy with wrongs redressed?
Does the hawk above him an Eagle float?
Does he thrill and his boyish heart beat high,
Hearing the ribbon about his throat
Flap as a Flag as the winds go by?
And does he dream of the Warrior's fame--
This Western boy in his rustic dress?
For in miniature, this is the man that came
Riding out of the Wilderness--!
The selfsame figure-- the knitted brow--
The eyes full steady-- the lips full mute--
And the face, like the bloom of the orchard bough,
Pink and pallid, but resolute.
Ay, this is the man, with features grim
And stoical as the Sphinx's own,
That heard the harsh guns calling him,
As musical as the bugle blown,
When the sweet spring heavens were clouded o'er
With a tempest, glowering and wild,
And our country's flag bowed down before
Its bursting wrath as a stricken child.
Thus, ready mounted and booted and spurred,
He loosed his bridle and dashed away--!
Like a roll of drums were his hoof-beats heard,
Like the shriek of the fife his charger's neigh!
And over his shoulder and backward blown,
We heard his voice, and we saw the sod
Reel, as our wild steeds chased his own
As though hurled on by the hand of God!
And still, in fancy, we see him ride
In the blood-red front of a hundred frays,
His face set stolid, but glorified
As a knight's of the old Arthurian days:
And victor ever as courtly too,
Gently lifting the vanquished foe,
And staying him with a hand as true
As dealt the deadly avenging blow.
So brighter than all of the cluster of stars
Of the flag enshrouding his form to-day,
His face shines forth from the grime of wars
With a glory that shall not pass away:
He rests at last: he has borne his part
Of salutes and salvos and cheers on cheers--
But O the sobs of his country's heart,
And the driving rain of a nations tears!
320
James Whitcomb Riley
George Mullen's Confession
George Mullen's Confession
For the sake of guilty conscience, and the heart that ticks the
time
Of the clockworks of my nature, I desire to say that I'm
A weak and sinful creature, as regards my daily walk
The last five years and better. It ain't worth while to talk-
I've been too mean to tell it! I've been so hard, you see,
And full of pride, and--onry--now there's the word for me--
Just onry--and to show you, I'll give my history
With vital points in question, and I think you'll all agree.
I was always stiff and stubborn since I could recollect,
And had an awful temper, and never would reflect;
And always into trouble--I remember once at school
The teacher tried to flog me, and I reversed that rule.
O I was bad I tell you! And it's a funny move
That a fellow wild as I was could ever fall in love;
And it's a funny notion that an animal like me,
Under a girl's weak fingers was as tame as tame could be!
But it's so, and sets me thinking of the easy way she had
Of cooling down my temper--though I'd be fighting mad.
'My Lion Queen' I called her--when a spell of mine occurred
She'd come in a den of feelings and quell them with a word.
I'll tell you how she loved me--and what her people thought:
When I asked to marry Annie they said 'they reckoned not--
That I cut too many didoes and monkey-shines to suit
Their idea of a son-in-law, and I could go, to boot!'
I tell you that thing riled me! Why, I felt my face turn white,
And my teeth shut like a steel trap, and the fingers of my right
Hand pained me with their pressure--all the rest's a mystery
Till I heard my Annie saying--'I'm going, too, you see.'
We were coming through the gateway, and she wavered for a spell
When she heard her mother crying and her raving father yell
That she wa'n't no child of his'n--like an actor in a play
We saw at Independence, coming through the other day.
Well! that's the way we started. And for days and weeks and
months
And even years we journeyed on, regretting never once
Of starting out together upon the path of life--
Akind o' sort o' husband, but a mighty loving wife,--
And the cutest little baby--little Grace--I see her now
A-standin' on the pig-pen as her mother milked the cow--
And I can hear her shouting--as I stood unloading straw,-'
I'm ain't as big as papa, but I'm biggerest'n ma.'
Now folks that never married don't seem to understand
That a little baby's language is the sweetest ever planned--
Why, I tell you it's pure music, and I'll just go on to say
That I sometimes have a notion that the angels talk that way!
There's a chapter in this story I'd be happy to destroy;
I could burn it up before you with a mighty sight of joy;
But I'll go ahead and give it--not in detail, no, my friend,
For it takes five years of reading before you find the end.
My Annie's folks relented--at least, in some degree;
They sent one time for Annie, but they didn't send for me.
The old man wrote the message with a heart as hot and dry
As a furnace--'Annie Mullen, come and see your mother die.'
I saw the slur intended--why I fancied I could see
The old man shoot the insult like a poison dart at me;
And in that heat of passion I swore an inward oath
That if Annie pleased her father she could never please us both.
I watched her--dark and sullen--as she hurried on her shawl;
I watched her--calm and cruel, though I saw her tear-drops fall;
I watched her--cold and heartless, though I heard her moaning,
call
For mercy from high Heaven--and I smiled throughout it all.
Why even when she kissed me, and her tears were on my brow,
As she murmured, 'George, forgive me--I must go to mother now!'
Such hate there was within me that I answered not at all,
But calm, and cold and cruel, I smiled throughout it all.
But a shadow in the doorway caught my eye, and then the face
Full of innocence and sunshine of little baby Grace.
And I snatched her up and kissed her, and I softened through and
through
For a minute when she told me 'I must kiss her muvver too.'
I remember, at the starting, how I tried to freeze again
As I watched them slowly driving down the little crooked lane--
When Annie shouted something that ended in a cry,
And how I tried to whistle and it fizzled in a sigh.
I remember running after, with a glimmer in my sight--
Pretending I'd discovered that the traces wasn't right;
And the last that I remember, as they disappeared from view,
Was little Grace a-calling, 'I see papa! Howdy-do!'
And left alone to ponder, I again took up my hate
For the old man who would chuckle that I was desolate;
And I mouthed my wrongs in mutters till my pride called up the
pain
His last insult had given me--until I smiled again
Till the wild beast in my nature was raging in the den--
With no one now to quell it, and I wrote a letter then
Full of hissing things, and heated with so hot a heat of hate
That my pen flashed out black lightning at a most terrific rate.
I wrote that 'she had wronged me when she went away from me--
Though to see her dying mother 'twas her father's victory,
And a woman that could waver when her husband's pride was rent
Was no longer worthy of it.' And I shut the house and went.
To tell of my long exile would be of little good--
Though I couldn't half-way tell it, and I wouldn't if I could!
I could tell of California--of a wild and vicious life;
Of trackless plains, and mountains, and the Indian's
scalping-knife.
I could tell of gloomy forests howling wild with threats of
death;
I could tell of fiery deserts that have scorched me with their
breath;
I could tell of wretched outcasts by the hundreds, great and
small,
And could claim the nasty honor of the greatest of them all.
I could tell of toil and hardship; and of sickness and disease,
And hollow-eyed starvation, but I tell you, friend, that these
Are trifles in comparison with what a fellow feels
With that bloodhound, Remorsefulness, forever at his heels.
I remember--worn and weary of the long, long years of care,
When the frost of time was making early harvest of my hair--
I remember, wrecked and hopeless of a rest beneath the sky,
My resolve to quit the country, and to seek the East, and die.
I remember my long journey, like a dull, oppressive dream,
Across the empty prairies till I caught the distant gleam
Of a city in the beauty of its broad and shining stream
On whose bosom, flocked together, float the mighty swans of
steam.
I remember drifting with them till I found myself again
In the rush and roar and rattle of the engine and the train;
And when from my surroundings something spoke of child and wife,
It seemed the train was rumbling through a tunnel in my life.
Then I remember something--like a sudden burst of light--
That don't exactly tell it, but I couldn't tell it right--
A something clinging to me with its arms around my neck--
A little girl, for instance--or an angel, I expect--
For she kissed me, cried and called me 'her dear papa,' and I
felt
My heart was pure virgin gold, and just about to melt--
And so it did--it melted in a mist of gleaming rain
When she took my hand and whispered, 'My mama's on the train.'
There's some things I can dwell on, and get off pretty well,
But the balance of this story I know I couldn't tell;
So I ain't going to try it, for to tell the reason why-I'm
so chicken-hearted lately I'd be certain 'most to cry.
For the sake of guilty conscience, and the heart that ticks the
time
Of the clockworks of my nature, I desire to say that I'm
A weak and sinful creature, as regards my daily walk
The last five years and better. It ain't worth while to talk-
I've been too mean to tell it! I've been so hard, you see,
And full of pride, and--onry--now there's the word for me--
Just onry--and to show you, I'll give my history
With vital points in question, and I think you'll all agree.
I was always stiff and stubborn since I could recollect,
And had an awful temper, and never would reflect;
And always into trouble--I remember once at school
The teacher tried to flog me, and I reversed that rule.
O I was bad I tell you! And it's a funny move
That a fellow wild as I was could ever fall in love;
And it's a funny notion that an animal like me,
Under a girl's weak fingers was as tame as tame could be!
But it's so, and sets me thinking of the easy way she had
Of cooling down my temper--though I'd be fighting mad.
'My Lion Queen' I called her--when a spell of mine occurred
She'd come in a den of feelings and quell them with a word.
I'll tell you how she loved me--and what her people thought:
When I asked to marry Annie they said 'they reckoned not--
That I cut too many didoes and monkey-shines to suit
Their idea of a son-in-law, and I could go, to boot!'
I tell you that thing riled me! Why, I felt my face turn white,
And my teeth shut like a steel trap, and the fingers of my right
Hand pained me with their pressure--all the rest's a mystery
Till I heard my Annie saying--'I'm going, too, you see.'
We were coming through the gateway, and she wavered for a spell
When she heard her mother crying and her raving father yell
That she wa'n't no child of his'n--like an actor in a play
We saw at Independence, coming through the other day.
Well! that's the way we started. And for days and weeks and
months
And even years we journeyed on, regretting never once
Of starting out together upon the path of life--
Akind o' sort o' husband, but a mighty loving wife,--
And the cutest little baby--little Grace--I see her now
A-standin' on the pig-pen as her mother milked the cow--
And I can hear her shouting--as I stood unloading straw,-'
I'm ain't as big as papa, but I'm biggerest'n ma.'
Now folks that never married don't seem to understand
That a little baby's language is the sweetest ever planned--
Why, I tell you it's pure music, and I'll just go on to say
That I sometimes have a notion that the angels talk that way!
There's a chapter in this story I'd be happy to destroy;
I could burn it up before you with a mighty sight of joy;
But I'll go ahead and give it--not in detail, no, my friend,
For it takes five years of reading before you find the end.
My Annie's folks relented--at least, in some degree;
They sent one time for Annie, but they didn't send for me.
The old man wrote the message with a heart as hot and dry
As a furnace--'Annie Mullen, come and see your mother die.'
I saw the slur intended--why I fancied I could see
The old man shoot the insult like a poison dart at me;
And in that heat of passion I swore an inward oath
That if Annie pleased her father she could never please us both.
I watched her--dark and sullen--as she hurried on her shawl;
I watched her--calm and cruel, though I saw her tear-drops fall;
I watched her--cold and heartless, though I heard her moaning,
call
For mercy from high Heaven--and I smiled throughout it all.
Why even when she kissed me, and her tears were on my brow,
As she murmured, 'George, forgive me--I must go to mother now!'
Such hate there was within me that I answered not at all,
But calm, and cold and cruel, I smiled throughout it all.
But a shadow in the doorway caught my eye, and then the face
Full of innocence and sunshine of little baby Grace.
And I snatched her up and kissed her, and I softened through and
through
For a minute when she told me 'I must kiss her muvver too.'
I remember, at the starting, how I tried to freeze again
As I watched them slowly driving down the little crooked lane--
When Annie shouted something that ended in a cry,
And how I tried to whistle and it fizzled in a sigh.
I remember running after, with a glimmer in my sight--
Pretending I'd discovered that the traces wasn't right;
And the last that I remember, as they disappeared from view,
Was little Grace a-calling, 'I see papa! Howdy-do!'
And left alone to ponder, I again took up my hate
For the old man who would chuckle that I was desolate;
And I mouthed my wrongs in mutters till my pride called up the
pain
His last insult had given me--until I smiled again
Till the wild beast in my nature was raging in the den--
With no one now to quell it, and I wrote a letter then
Full of hissing things, and heated with so hot a heat of hate
That my pen flashed out black lightning at a most terrific rate.
I wrote that 'she had wronged me when she went away from me--
Though to see her dying mother 'twas her father's victory,
And a woman that could waver when her husband's pride was rent
Was no longer worthy of it.' And I shut the house and went.
To tell of my long exile would be of little good--
Though I couldn't half-way tell it, and I wouldn't if I could!
I could tell of California--of a wild and vicious life;
Of trackless plains, and mountains, and the Indian's
scalping-knife.
I could tell of gloomy forests howling wild with threats of
death;
I could tell of fiery deserts that have scorched me with their
breath;
I could tell of wretched outcasts by the hundreds, great and
small,
And could claim the nasty honor of the greatest of them all.
I could tell of toil and hardship; and of sickness and disease,
And hollow-eyed starvation, but I tell you, friend, that these
Are trifles in comparison with what a fellow feels
With that bloodhound, Remorsefulness, forever at his heels.
I remember--worn and weary of the long, long years of care,
When the frost of time was making early harvest of my hair--
I remember, wrecked and hopeless of a rest beneath the sky,
My resolve to quit the country, and to seek the East, and die.
I remember my long journey, like a dull, oppressive dream,
Across the empty prairies till I caught the distant gleam
Of a city in the beauty of its broad and shining stream
On whose bosom, flocked together, float the mighty swans of
steam.
I remember drifting with them till I found myself again
In the rush and roar and rattle of the engine and the train;
And when from my surroundings something spoke of child and wife,
It seemed the train was rumbling through a tunnel in my life.
Then I remember something--like a sudden burst of light--
That don't exactly tell it, but I couldn't tell it right--
A something clinging to me with its arms around my neck--
A little girl, for instance--or an angel, I expect--
For she kissed me, cried and called me 'her dear papa,' and I
felt
My heart was pure virgin gold, and just about to melt--
And so it did--it melted in a mist of gleaming rain
When she took my hand and whispered, 'My mama's on the train.'
There's some things I can dwell on, and get off pretty well,
But the balance of this story I know I couldn't tell;
So I ain't going to try it, for to tell the reason why-I'm
so chicken-hearted lately I'd be certain 'most to cry.
333
James Whitcomb Riley
Friday Afternoon
Friday Afternoon
To William Morris Pierson
[1868-1870]
Of the wealth of facts and fancies
That our memories may recall,
The old school-day romances
Are the dearest, after all!--.
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises'
On 'Friday Afternoon.'
We seem to hear the clicking
Of the pencil and the pen,
And the solemn, ceaseless ticking
Of the timepiece ticking then;
And we note the watchful master,
As he waves the warning rod,
With our own heart beating faster
Than the boy's who threw the wad.
Some little hand uplifted,
And the creaking of a shoe:--
A problem left unsifted
For the teacher's hand to do:
The murmured hum of learning--
And the flutter of a book;
The smell of something burning,
And the school's inquiring look.
The bashful boy in blushes;
And the girl, with glancing eyes,
Who hides her smiles, and hushes
The laugh about to rise,--
Then, with a quick invention,
Assumes a serious face,
To meet the words, 'Attention!
Every scholar in his place!'
The opening song, page 20.--
Ah! dear old 'Golden Wreath,'
You willed your sweets in plenty;
And some who look beneath
The leaves of Time will linger,
And loving tears will start,
As Fancy trails her finger
O'er the index of the heart.
'Good News from Home'--We hear it
Welling tremulous, yet clear
And holy as the spirit
Of the song we used to hear-
'Good news for me' (A throbbing
And an aching melody)-'
Has come across the'--(sobbing,
Yea, and salty) 'dark blue sea!'
Or the paean 'Scotland's burning!'
With its mighty surge and swell
Of chorus, still returning
To its universal yell--
Till we're almost glad to drop to
Something sad and full of pain--
And 'Skip verse three,' and stop, too,
Ere our hearts are broke again.
Then 'the big girls'' compositions,
With their doubt, and hope, and glow
Of heart and face,--conditions
Of 'the big boys'--even so,--
When themes of 'Spring,' and 'Summer'
And of 'Fall,' and 'Winter-time'
Droop our heads and hold us dumber
Than the sleigh-bell's fancied chime.
Elocutionary science-(
Still in changeless infancy!)--
With its 'Cataline's Defiance,'
And 'The Banner of the Free':
Or, lured from Grandma's attic,
A ramshackle 'rocker' there,
Adds a skreek of the dramatic
To the poet's 'Old Arm-Chair.'
Or the 'Speech of Logan' shifts us
From the pathos, to the fire;
And Tell (with Gessler) lifts us
Many noble notches higher.--
Till a youngster, far from sunny,
With sad eyes of watery blue,
Winds up with something 'funny,'
Like 'Cock-a-doodle-do!'
Then a dialogue--selected
For its realistic worth:--
The Cruel Boy detected
With a turtle turned to earth
Back downward; and, in pleading,
The Good Boy--strangely gay
At such a sad proceeding--
Says, 'Turn him over, pray!'
So the exercises taper
Through gradations of delight
To the reading of 'The Paper,'
Which is entertaining--quite!
For it goes ahead and mentions
'If a certain Mr. O.
Has serious intentions
That he ought to tell her so.'
It also 'Asks permission
To intimate to 'John'
The dubious condition
Of the ground he's standing on';
And, dropping the suggestion
To 'mind what he's about,'
It stuns him with the question:
'Does his mother know he's out?'
And among the contributions
To this 'Academic Press'
Are 'Versified Effusions'
By--'Our lady editress'--
Which fact is proudly stated
By the CHIEF of the concern,-'
Though the verse communicated
Bears the pen-name 'Fanny Fern.' '
. . . . . .
When all has been recited,
And the teacher's bell is heard,
And visitors, invited,
Have dropped a kindly word,
A hush of holy feeling
Falls down upon us there,
As though the day were kneeling,
With the twilight for the prayer.
. . . . . .
Midst the wealth of facts and fancies
That our memories may recall,
Thus the old school-day romances
Are the dearest, after all!--
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises,'
On 'Friday Afternoon.'
To William Morris Pierson
[1868-1870]
Of the wealth of facts and fancies
That our memories may recall,
The old school-day romances
Are the dearest, after all!--.
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises'
On 'Friday Afternoon.'
We seem to hear the clicking
Of the pencil and the pen,
And the solemn, ceaseless ticking
Of the timepiece ticking then;
And we note the watchful master,
As he waves the warning rod,
With our own heart beating faster
Than the boy's who threw the wad.
Some little hand uplifted,
And the creaking of a shoe:--
A problem left unsifted
For the teacher's hand to do:
The murmured hum of learning--
And the flutter of a book;
The smell of something burning,
And the school's inquiring look.
The bashful boy in blushes;
And the girl, with glancing eyes,
Who hides her smiles, and hushes
The laugh about to rise,--
Then, with a quick invention,
Assumes a serious face,
To meet the words, 'Attention!
Every scholar in his place!'
The opening song, page 20.--
Ah! dear old 'Golden Wreath,'
You willed your sweets in plenty;
And some who look beneath
The leaves of Time will linger,
And loving tears will start,
As Fancy trails her finger
O'er the index of the heart.
'Good News from Home'--We hear it
Welling tremulous, yet clear
And holy as the spirit
Of the song we used to hear-
'Good news for me' (A throbbing
And an aching melody)-'
Has come across the'--(sobbing,
Yea, and salty) 'dark blue sea!'
Or the paean 'Scotland's burning!'
With its mighty surge and swell
Of chorus, still returning
To its universal yell--
Till we're almost glad to drop to
Something sad and full of pain--
And 'Skip verse three,' and stop, too,
Ere our hearts are broke again.
Then 'the big girls'' compositions,
With their doubt, and hope, and glow
Of heart and face,--conditions
Of 'the big boys'--even so,--
When themes of 'Spring,' and 'Summer'
And of 'Fall,' and 'Winter-time'
Droop our heads and hold us dumber
Than the sleigh-bell's fancied chime.
Elocutionary science-(
Still in changeless infancy!)--
With its 'Cataline's Defiance,'
And 'The Banner of the Free':
Or, lured from Grandma's attic,
A ramshackle 'rocker' there,
Adds a skreek of the dramatic
To the poet's 'Old Arm-Chair.'
Or the 'Speech of Logan' shifts us
From the pathos, to the fire;
And Tell (with Gessler) lifts us
Many noble notches higher.--
Till a youngster, far from sunny,
With sad eyes of watery blue,
Winds up with something 'funny,'
Like 'Cock-a-doodle-do!'
Then a dialogue--selected
For its realistic worth:--
The Cruel Boy detected
With a turtle turned to earth
Back downward; and, in pleading,
The Good Boy--strangely gay
At such a sad proceeding--
Says, 'Turn him over, pray!'
So the exercises taper
Through gradations of delight
To the reading of 'The Paper,'
Which is entertaining--quite!
For it goes ahead and mentions
'If a certain Mr. O.
Has serious intentions
That he ought to tell her so.'
It also 'Asks permission
To intimate to 'John'
The dubious condition
Of the ground he's standing on';
And, dropping the suggestion
To 'mind what he's about,'
It stuns him with the question:
'Does his mother know he's out?'
And among the contributions
To this 'Academic Press'
Are 'Versified Effusions'
By--'Our lady editress'--
Which fact is proudly stated
By the CHIEF of the concern,-'
Though the verse communicated
Bears the pen-name 'Fanny Fern.' '
. . . . . .
When all has been recited,
And the teacher's bell is heard,
And visitors, invited,
Have dropped a kindly word,
A hush of holy feeling
Falls down upon us there,
As though the day were kneeling,
With the twilight for the prayer.
. . . . . .
Midst the wealth of facts and fancies
That our memories may recall,
Thus the old school-day romances
Are the dearest, after all!--
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises,'
On 'Friday Afternoon.'
356
James Whitcomb Riley
Farmer Whipple--Bachelor
Farmer Whipple--Bachelor
It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more-A-
lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!
I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!
I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.
The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair
Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!-W'y,
even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!
I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--
Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,-'
Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!
I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day-A-
chawin' straws and thinkin', in a lover's lazy way!
And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!
I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'-
But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:-'
SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!
I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed-
Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where
_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.
Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!
And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--
And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.
Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.
Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!
Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land-'
The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--
And then it closed by sayin' that I'd 'better come and see.'-
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.
So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!
Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!
Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!
And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--
IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!
I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.
So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.
It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more-A-
lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!
I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!
I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.
The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair
Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!-W'y,
even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!
I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--
Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,-'
Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!
I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day-A-
chawin' straws and thinkin', in a lover's lazy way!
And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!
I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'-
But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:-'
SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!
I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed-
Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where
_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.
Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!
And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--
And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.
Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.
Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!
Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land-'
The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--
And then it closed by sayin' that I'd 'better come and see.'-
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.
So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!
Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!
Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!
And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--
IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!
I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.
So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.
381
James Whitcomb Riley
Down On Wriggle Crick
Down On Wriggle Crick
'Best time to kill a hog's when he's fat.' --Old Saw.
Mostly folks is law-abidin'
Down on Wriggle Crick--,
Seein' they's no Squire residin'
In our bailywick;
No grand juries, no suppeenies,
Ner no vested rights to pick
Out yer man, jerk up and jail ef
He's outragin' Wriggle Crick!
Wriggle Crick hain't got no lawin',
Ner no suits to beat;
Ner no court-house gee-and-hawin'
Like a County-seat;
Hain't no waitin' round fer verdick,
Ner non-gittin' witness-fees;
Ner no thiefs 'at gits 'new heain's,'
By some lawyer slick as grease!
Wriggle Cricks's leadin' spirit
Is old Johnts Culwell--,
Keeps post-office, and right near it
Owns what's called 'The Grand Hotel--'
(Warehouse now--) buys wheat and ships it;
Gits out ties, and trades in stock,
And knows all the high-toned drummers
'Twixt South Bend and Mishawauk'
Last year comes along a feller--
Sharper 'an a lance-Stovepipe-
hat and silk umbreller,
And a boughten all-wool pants--,
Tinkerin of clocks and watches:
Says a trial's all he wants--
And rents out the tavern-office
Next to Uncle Johnts.
Well--. He tacked up his k'dentials,
And got down to biz--.
Captured Johnts by cuttin' stenchils
Fer them old wheat-sacks o' his--.
Fixed his clock, in the post-office--
Painted fer him, clean and slick,
'Crost his safe, in gold-leaf letters,
'J. Culwells's Wriggle Crick.'
Any kindo' job you keered to
Resk him with, and bring,
He'd fix fer you-- jest appeared to
Turn his hand to anything--!
Rings, er earbobs, er umbrellers--
Glue a cheer er chany doll--,
W'y, of all the beatin' fellers,
He Jest beat 'em all!
Made his friends, but wouldn't stop there--,
One mistake he learnt,
That was, sleepin' in his shop there--.
And one Sund'y night it burnt!
Come in one o' jest a-sweepin'
All the whole town high and dry--
And that feller, when they waked him,
Suffocatin', mighty nigh!
Johnts he drug him from the buildin',
He'pless-- 'peared to be--,
And the women and the childern
Drenchin' him with sympathy!
But I noticed Johnts helt on him
With a' extry lovin' grip,
And the men-folks gethered round him
In most warmest pardership!
That's the whole mess, grease-and-dopin'!
Johnt's safe was saved--,
But the lock was found sprung open,
And the inside caved.
Was no trial-- ner no jury--
Ner no jedge ner court-house-click--.
Circumstances alters cases
Down on Wriggle Crick!
'Best time to kill a hog's when he's fat.' --Old Saw.
Mostly folks is law-abidin'
Down on Wriggle Crick--,
Seein' they's no Squire residin'
In our bailywick;
No grand juries, no suppeenies,
Ner no vested rights to pick
Out yer man, jerk up and jail ef
He's outragin' Wriggle Crick!
Wriggle Crick hain't got no lawin',
Ner no suits to beat;
Ner no court-house gee-and-hawin'
Like a County-seat;
Hain't no waitin' round fer verdick,
Ner non-gittin' witness-fees;
Ner no thiefs 'at gits 'new heain's,'
By some lawyer slick as grease!
Wriggle Cricks's leadin' spirit
Is old Johnts Culwell--,
Keeps post-office, and right near it
Owns what's called 'The Grand Hotel--'
(Warehouse now--) buys wheat and ships it;
Gits out ties, and trades in stock,
And knows all the high-toned drummers
'Twixt South Bend and Mishawauk'
Last year comes along a feller--
Sharper 'an a lance-Stovepipe-
hat and silk umbreller,
And a boughten all-wool pants--,
Tinkerin of clocks and watches:
Says a trial's all he wants--
And rents out the tavern-office
Next to Uncle Johnts.
Well--. He tacked up his k'dentials,
And got down to biz--.
Captured Johnts by cuttin' stenchils
Fer them old wheat-sacks o' his--.
Fixed his clock, in the post-office--
Painted fer him, clean and slick,
'Crost his safe, in gold-leaf letters,
'J. Culwells's Wriggle Crick.'
Any kindo' job you keered to
Resk him with, and bring,
He'd fix fer you-- jest appeared to
Turn his hand to anything--!
Rings, er earbobs, er umbrellers--
Glue a cheer er chany doll--,
W'y, of all the beatin' fellers,
He Jest beat 'em all!
Made his friends, but wouldn't stop there--,
One mistake he learnt,
That was, sleepin' in his shop there--.
And one Sund'y night it burnt!
Come in one o' jest a-sweepin'
All the whole town high and dry--
And that feller, when they waked him,
Suffocatin', mighty nigh!
Johnts he drug him from the buildin',
He'pless-- 'peared to be--,
And the women and the childern
Drenchin' him with sympathy!
But I noticed Johnts helt on him
With a' extry lovin' grip,
And the men-folks gethered round him
In most warmest pardership!
That's the whole mess, grease-and-dopin'!
Johnt's safe was saved--,
But the lock was found sprung open,
And the inside caved.
Was no trial-- ner no jury--
Ner no jedge ner court-house-click--.
Circumstances alters cases
Down on Wriggle Crick!
314
James Whitcomb Riley
Down On Wriggle Crick
Down On Wriggle Crick
'Best time to kill a hog's when he's fat.' --Old Saw.
Mostly folks is law-abidin'
Down on Wriggle Crick--,
Seein' they's no Squire residin'
In our bailywick;
No grand juries, no suppeenies,
Ner no vested rights to pick
Out yer man, jerk up and jail ef
He's outragin' Wriggle Crick!
Wriggle Crick hain't got no lawin',
Ner no suits to beat;
Ner no court-house gee-and-hawin'
Like a County-seat;
Hain't no waitin' round fer verdick,
Ner non-gittin' witness-fees;
Ner no thiefs 'at gits 'new heain's,'
By some lawyer slick as grease!
Wriggle Cricks's leadin' spirit
Is old Johnts Culwell--,
Keeps post-office, and right near it
Owns what's called 'The Grand Hotel--'
(Warehouse now--) buys wheat and ships it;
Gits out ties, and trades in stock,
And knows all the high-toned drummers
'Twixt South Bend and Mishawauk'
Last year comes along a feller--
Sharper 'an a lance-Stovepipe-
hat and silk umbreller,
And a boughten all-wool pants--,
Tinkerin of clocks and watches:
Says a trial's all he wants--
And rents out the tavern-office
Next to Uncle Johnts.
Well--. He tacked up his k'dentials,
And got down to biz--.
Captured Johnts by cuttin' stenchils
Fer them old wheat-sacks o' his--.
Fixed his clock, in the post-office--
Painted fer him, clean and slick,
'Crost his safe, in gold-leaf letters,
'J. Culwells's Wriggle Crick.'
Any kindo' job you keered to
Resk him with, and bring,
He'd fix fer you-- jest appeared to
Turn his hand to anything--!
Rings, er earbobs, er umbrellers--
Glue a cheer er chany doll--,
W'y, of all the beatin' fellers,
He Jest beat 'em all!
Made his friends, but wouldn't stop there--,
One mistake he learnt,
That was, sleepin' in his shop there--.
And one Sund'y night it burnt!
Come in one o' jest a-sweepin'
All the whole town high and dry--
And that feller, when they waked him,
Suffocatin', mighty nigh!
Johnts he drug him from the buildin',
He'pless-- 'peared to be--,
And the women and the childern
Drenchin' him with sympathy!
But I noticed Johnts helt on him
With a' extry lovin' grip,
And the men-folks gethered round him
In most warmest pardership!
That's the whole mess, grease-and-dopin'!
Johnt's safe was saved--,
But the lock was found sprung open,
And the inside caved.
Was no trial-- ner no jury--
Ner no jedge ner court-house-click--.
Circumstances alters cases
Down on Wriggle Crick!
'Best time to kill a hog's when he's fat.' --Old Saw.
Mostly folks is law-abidin'
Down on Wriggle Crick--,
Seein' they's no Squire residin'
In our bailywick;
No grand juries, no suppeenies,
Ner no vested rights to pick
Out yer man, jerk up and jail ef
He's outragin' Wriggle Crick!
Wriggle Crick hain't got no lawin',
Ner no suits to beat;
Ner no court-house gee-and-hawin'
Like a County-seat;
Hain't no waitin' round fer verdick,
Ner non-gittin' witness-fees;
Ner no thiefs 'at gits 'new heain's,'
By some lawyer slick as grease!
Wriggle Cricks's leadin' spirit
Is old Johnts Culwell--,
Keeps post-office, and right near it
Owns what's called 'The Grand Hotel--'
(Warehouse now--) buys wheat and ships it;
Gits out ties, and trades in stock,
And knows all the high-toned drummers
'Twixt South Bend and Mishawauk'
Last year comes along a feller--
Sharper 'an a lance-Stovepipe-
hat and silk umbreller,
And a boughten all-wool pants--,
Tinkerin of clocks and watches:
Says a trial's all he wants--
And rents out the tavern-office
Next to Uncle Johnts.
Well--. He tacked up his k'dentials,
And got down to biz--.
Captured Johnts by cuttin' stenchils
Fer them old wheat-sacks o' his--.
Fixed his clock, in the post-office--
Painted fer him, clean and slick,
'Crost his safe, in gold-leaf letters,
'J. Culwells's Wriggle Crick.'
Any kindo' job you keered to
Resk him with, and bring,
He'd fix fer you-- jest appeared to
Turn his hand to anything--!
Rings, er earbobs, er umbrellers--
Glue a cheer er chany doll--,
W'y, of all the beatin' fellers,
He Jest beat 'em all!
Made his friends, but wouldn't stop there--,
One mistake he learnt,
That was, sleepin' in his shop there--.
And one Sund'y night it burnt!
Come in one o' jest a-sweepin'
All the whole town high and dry--
And that feller, when they waked him,
Suffocatin', mighty nigh!
Johnts he drug him from the buildin',
He'pless-- 'peared to be--,
And the women and the childern
Drenchin' him with sympathy!
But I noticed Johnts helt on him
With a' extry lovin' grip,
And the men-folks gethered round him
In most warmest pardership!
That's the whole mess, grease-and-dopin'!
Johnt's safe was saved--,
But the lock was found sprung open,
And the inside caved.
Was no trial-- ner no jury--
Ner no jedge ner court-house-click--.
Circumstances alters cases
Down on Wriggle Crick!
314
James Whitcomb Riley
Down On Wriggle Crick
Down On Wriggle Crick
'Best time to kill a hog's when he's fat.' --Old Saw.
Mostly folks is law-abidin'
Down on Wriggle Crick--,
Seein' they's no Squire residin'
In our bailywick;
No grand juries, no suppeenies,
Ner no vested rights to pick
Out yer man, jerk up and jail ef
He's outragin' Wriggle Crick!
Wriggle Crick hain't got no lawin',
Ner no suits to beat;
Ner no court-house gee-and-hawin'
Like a County-seat;
Hain't no waitin' round fer verdick,
Ner non-gittin' witness-fees;
Ner no thiefs 'at gits 'new heain's,'
By some lawyer slick as grease!
Wriggle Cricks's leadin' spirit
Is old Johnts Culwell--,
Keeps post-office, and right near it
Owns what's called 'The Grand Hotel--'
(Warehouse now--) buys wheat and ships it;
Gits out ties, and trades in stock,
And knows all the high-toned drummers
'Twixt South Bend and Mishawauk'
Last year comes along a feller--
Sharper 'an a lance-Stovepipe-
hat and silk umbreller,
And a boughten all-wool pants--,
Tinkerin of clocks and watches:
Says a trial's all he wants--
And rents out the tavern-office
Next to Uncle Johnts.
Well--. He tacked up his k'dentials,
And got down to biz--.
Captured Johnts by cuttin' stenchils
Fer them old wheat-sacks o' his--.
Fixed his clock, in the post-office--
Painted fer him, clean and slick,
'Crost his safe, in gold-leaf letters,
'J. Culwells's Wriggle Crick.'
Any kindo' job you keered to
Resk him with, and bring,
He'd fix fer you-- jest appeared to
Turn his hand to anything--!
Rings, er earbobs, er umbrellers--
Glue a cheer er chany doll--,
W'y, of all the beatin' fellers,
He Jest beat 'em all!
Made his friends, but wouldn't stop there--,
One mistake he learnt,
That was, sleepin' in his shop there--.
And one Sund'y night it burnt!
Come in one o' jest a-sweepin'
All the whole town high and dry--
And that feller, when they waked him,
Suffocatin', mighty nigh!
Johnts he drug him from the buildin',
He'pless-- 'peared to be--,
And the women and the childern
Drenchin' him with sympathy!
But I noticed Johnts helt on him
With a' extry lovin' grip,
And the men-folks gethered round him
In most warmest pardership!
That's the whole mess, grease-and-dopin'!
Johnt's safe was saved--,
But the lock was found sprung open,
And the inside caved.
Was no trial-- ner no jury--
Ner no jedge ner court-house-click--.
Circumstances alters cases
Down on Wriggle Crick!
'Best time to kill a hog's when he's fat.' --Old Saw.
Mostly folks is law-abidin'
Down on Wriggle Crick--,
Seein' they's no Squire residin'
In our bailywick;
No grand juries, no suppeenies,
Ner no vested rights to pick
Out yer man, jerk up and jail ef
He's outragin' Wriggle Crick!
Wriggle Crick hain't got no lawin',
Ner no suits to beat;
Ner no court-house gee-and-hawin'
Like a County-seat;
Hain't no waitin' round fer verdick,
Ner non-gittin' witness-fees;
Ner no thiefs 'at gits 'new heain's,'
By some lawyer slick as grease!
Wriggle Cricks's leadin' spirit
Is old Johnts Culwell--,
Keeps post-office, and right near it
Owns what's called 'The Grand Hotel--'
(Warehouse now--) buys wheat and ships it;
Gits out ties, and trades in stock,
And knows all the high-toned drummers
'Twixt South Bend and Mishawauk'
Last year comes along a feller--
Sharper 'an a lance-Stovepipe-
hat and silk umbreller,
And a boughten all-wool pants--,
Tinkerin of clocks and watches:
Says a trial's all he wants--
And rents out the tavern-office
Next to Uncle Johnts.
Well--. He tacked up his k'dentials,
And got down to biz--.
Captured Johnts by cuttin' stenchils
Fer them old wheat-sacks o' his--.
Fixed his clock, in the post-office--
Painted fer him, clean and slick,
'Crost his safe, in gold-leaf letters,
'J. Culwells's Wriggle Crick.'
Any kindo' job you keered to
Resk him with, and bring,
He'd fix fer you-- jest appeared to
Turn his hand to anything--!
Rings, er earbobs, er umbrellers--
Glue a cheer er chany doll--,
W'y, of all the beatin' fellers,
He Jest beat 'em all!
Made his friends, but wouldn't stop there--,
One mistake he learnt,
That was, sleepin' in his shop there--.
And one Sund'y night it burnt!
Come in one o' jest a-sweepin'
All the whole town high and dry--
And that feller, when they waked him,
Suffocatin', mighty nigh!
Johnts he drug him from the buildin',
He'pless-- 'peared to be--,
And the women and the childern
Drenchin' him with sympathy!
But I noticed Johnts helt on him
With a' extry lovin' grip,
And the men-folks gethered round him
In most warmest pardership!
That's the whole mess, grease-and-dopin'!
Johnt's safe was saved--,
But the lock was found sprung open,
And the inside caved.
Was no trial-- ner no jury--
Ner no jedge ner court-house-click--.
Circumstances alters cases
Down on Wriggle Crick!
314
James Whitcomb Riley
Doc Sifers
Doc Sifers
Of all the doctors I could cite you to in this-'ere town
Doc Sifers is my favorite, jes' take him up and down!
Count in the Bethel Neighberhood, and Rollins, and Big Bear,
And Sifers' standin's jes' as good as ary doctor's there!
There's old Doc Wick, and Glenn, and Hall, and Wurgler, and McVeigh,
But I'll buck Sifers 'ginst 'em all and down 'em any day!
Most old Wick ever knowed, I s'pose, was _whisky!_ Wurgler--well,
He et morphine--ef actions shows, and facts' reliable!
But Sifers--though he ain't no sot, he's got his faults; and yit
When you _git_ Sifers one't, you've got _a doctor_, don't fergit!
He ain't much at his office, er his house, er anywhere
You'd natchurly think certain far to ketch the feller there.--
But don't blame Doc: he's got all sorts o' cur'ous notions--as
The feller says; his odd-come-shorts, like smart men mostly has.
He'll more'n like be potter'n 'round the Blacksmith Shop; er in
Some back lot, spadin' up the ground, er gradin' it agin.
Er at the workbench, planin' things; er buildin' little traps
To ketch birds; galvenizin' rings; er graftin' plums, perhaps.
Make anything! good as the best!--a gunstock--er a flute;
He whittled out a set o' chesstmen one't o' laurel root,
Durin' the Army--got his trade o' surgeon there--I own
To-day a finger-ring Doc made out of a Sesesh bone!
An' glued a fiddle one't far me--jes' all so busted you
'D a throwed the thing away, but he fixed her as good as new!
And take Doc, now, in _ager_, say, er _biles_, er _rheumatiz_,
And all afflictions thataway, and he's the best they is!
Er janders--milksick--I don't keer--k-yore anything he tries--
A abscess; getherin' in yer yeer; er granilated eyes!
There was the Widder Daubenspeck they all give up far dead;
A blame cowbuncle on her neck, and clean out of her head!
First had this doctor, what's-his-name, from 'Puddlesburg,' and then
This little red-head, 'Burnin' Shame' they call him--Dr. Glenn.
And they 'consulted' on the case, and claimed she'd haf to die,--
I jes' was joggin' by the place, and heerd her dorter cry,
And stops and calls her to the fence; and I-says-I, 'Let me
Send Sifers--bet you fifteen cents he'll k-yore her!' 'Well,' says
she,
'Light out!' she says: And, lipp-tee-cut! I loped in town, and rid
'Bout two hours more to find him, but I kussed him when I did!
He was down at the Gunsmith Shop a-stuffin' birds! Says he,
'My sulky's broke.' Says I, 'You hop right on and ride with me!'
I got him there.--'Well, Aunty, ten days k-yores you,' Sifers said,
'But what's yer idy livin' when yer jes' as good as dead?'
And there's Dave Banks--jes' back from war without a scratch--one
day
Got ketched up in a sickle-bar, a reaper runaway.--
His shoulders, arms, and hands and legs jes' sawed in strips! And
Jake
Dunn starts far Sifers--feller begs to shoot him far God-sake.
Doc, 'course, was gone, but he had penned the notice, 'At Big Bear--
Be back to-morry; Gone to 'tend the Bee Convention there.'
But Jake, he tracked him--rid and rode the whole endurin' night!
And 'bout the time the roosters crowed they both hove into sight.
Doc had to ampitate, but 'greed to save Dave's arms, and swore
He could a-saved his legs ef he'd ben there the day before.
Like when his wife's own mother died 'fore Sifers could be found,
And all the neighbors far and wide a' all jes' chasin' round;
Tel finally--I had to laugh--it's jes' like Doc, you know,--
Was learnin' far to telegraph, down at the old deepo.
But all they're faultin' Sifers far, there's none of 'em kin say
He's biggoty, er keerless, er not posted anyway;
He ain't built on the common plan of doctors now-a-days,
He's jes' a great, big, brainy man--that's where the trouble lays!
Of all the doctors I could cite you to in this-'ere town
Doc Sifers is my favorite, jes' take him up and down!
Count in the Bethel Neighberhood, and Rollins, and Big Bear,
And Sifers' standin's jes' as good as ary doctor's there!
There's old Doc Wick, and Glenn, and Hall, and Wurgler, and McVeigh,
But I'll buck Sifers 'ginst 'em all and down 'em any day!
Most old Wick ever knowed, I s'pose, was _whisky!_ Wurgler--well,
He et morphine--ef actions shows, and facts' reliable!
But Sifers--though he ain't no sot, he's got his faults; and yit
When you _git_ Sifers one't, you've got _a doctor_, don't fergit!
He ain't much at his office, er his house, er anywhere
You'd natchurly think certain far to ketch the feller there.--
But don't blame Doc: he's got all sorts o' cur'ous notions--as
The feller says; his odd-come-shorts, like smart men mostly has.
He'll more'n like be potter'n 'round the Blacksmith Shop; er in
Some back lot, spadin' up the ground, er gradin' it agin.
Er at the workbench, planin' things; er buildin' little traps
To ketch birds; galvenizin' rings; er graftin' plums, perhaps.
Make anything! good as the best!--a gunstock--er a flute;
He whittled out a set o' chesstmen one't o' laurel root,
Durin' the Army--got his trade o' surgeon there--I own
To-day a finger-ring Doc made out of a Sesesh bone!
An' glued a fiddle one't far me--jes' all so busted you
'D a throwed the thing away, but he fixed her as good as new!
And take Doc, now, in _ager_, say, er _biles_, er _rheumatiz_,
And all afflictions thataway, and he's the best they is!
Er janders--milksick--I don't keer--k-yore anything he tries--
A abscess; getherin' in yer yeer; er granilated eyes!
There was the Widder Daubenspeck they all give up far dead;
A blame cowbuncle on her neck, and clean out of her head!
First had this doctor, what's-his-name, from 'Puddlesburg,' and then
This little red-head, 'Burnin' Shame' they call him--Dr. Glenn.
And they 'consulted' on the case, and claimed she'd haf to die,--
I jes' was joggin' by the place, and heerd her dorter cry,
And stops and calls her to the fence; and I-says-I, 'Let me
Send Sifers--bet you fifteen cents he'll k-yore her!' 'Well,' says
she,
'Light out!' she says: And, lipp-tee-cut! I loped in town, and rid
'Bout two hours more to find him, but I kussed him when I did!
He was down at the Gunsmith Shop a-stuffin' birds! Says he,
'My sulky's broke.' Says I, 'You hop right on and ride with me!'
I got him there.--'Well, Aunty, ten days k-yores you,' Sifers said,
'But what's yer idy livin' when yer jes' as good as dead?'
And there's Dave Banks--jes' back from war without a scratch--one
day
Got ketched up in a sickle-bar, a reaper runaway.--
His shoulders, arms, and hands and legs jes' sawed in strips! And
Jake
Dunn starts far Sifers--feller begs to shoot him far God-sake.
Doc, 'course, was gone, but he had penned the notice, 'At Big Bear--
Be back to-morry; Gone to 'tend the Bee Convention there.'
But Jake, he tracked him--rid and rode the whole endurin' night!
And 'bout the time the roosters crowed they both hove into sight.
Doc had to ampitate, but 'greed to save Dave's arms, and swore
He could a-saved his legs ef he'd ben there the day before.
Like when his wife's own mother died 'fore Sifers could be found,
And all the neighbors far and wide a' all jes' chasin' round;
Tel finally--I had to laugh--it's jes' like Doc, you know,--
Was learnin' far to telegraph, down at the old deepo.
But all they're faultin' Sifers far, there's none of 'em kin say
He's biggoty, er keerless, er not posted anyway;
He ain't built on the common plan of doctors now-a-days,
He's jes' a great, big, brainy man--that's where the trouble lays!
311
James Whitcomb Riley
Away
Away
I cannot say, and I will not say
That he is dead--. He is just away!
With a cheery smile, and a wave of the hand
He has wandered into an unknown land,
And left us dreaming how very fair
It needs must be, since he lingers there.
And you-- O you, who the wildest yearn
For the old-time step and the glad return--,
Think of him faring on, as dear
In the love of There as the love of Here;
And loyal still, as he gave the blows
Of his warrior-strength to his country's foes--.
Mild and gentle, as he was brave--,
When the sweetest love of his life he gave
To simple things--: Where the violets grew
Blue as the eyes they were likened to,
The touches of his hands have strayed
As reverently as his lips have prayed:
When the little brown thrush that harshly chirred
Was dear to him as the mocking-bird;
And he pitied as much as a man in pain
A writhing honey-bee wet with rain--.
Think of him still as the same, I say:
He is not dead-- he is just away!
I cannot say, and I will not say
That he is dead--. He is just away!
With a cheery smile, and a wave of the hand
He has wandered into an unknown land,
And left us dreaming how very fair
It needs must be, since he lingers there.
And you-- O you, who the wildest yearn
For the old-time step and the glad return--,
Think of him faring on, as dear
In the love of There as the love of Here;
And loyal still, as he gave the blows
Of his warrior-strength to his country's foes--.
Mild and gentle, as he was brave--,
When the sweetest love of his life he gave
To simple things--: Where the violets grew
Blue as the eyes they were likened to,
The touches of his hands have strayed
As reverently as his lips have prayed:
When the little brown thrush that harshly chirred
Was dear to him as the mocking-bird;
And he pitied as much as a man in pain
A writhing honey-bee wet with rain--.
Think of him still as the same, I say:
He is not dead-- he is just away!
325
James Whitcomb Riley
As My Uncle Used To Say
As My Uncle Used To Say
I've thought a power on men and things,
As my uncle ust to say,--
And ef folks don't work as they pray, i jings!
W'y, they ain't no use to pray!
Ef you want somepin', and jes dead-set
A-pleadin' fer it with both eyes wet,
And _tears_ won't bring it, w'y, you try _sweat_,
As my uncle ust to say.
They's some don't know their A, B, Cs,
As my uncle ust to say,
And yit don't waste no candle-grease,
Ner whistle their lives away!
But ef they can't write no book, ner rhyme
No ringin' song fer to last all time,
They can blaze the way fer the march sublime,
As my uncle ust to say.
Whoever's Foreman of all things here,
As my uncle ust to say,
He knows each job 'at we 're best fit fer,
And our round-up, night and day:
And a-sizin' _His_ work, east and west,
And north and south, and worst and best
I ain't got nothin' to suggest,
As my uncle ust to say.
I've thought a power on men and things,
As my uncle ust to say,--
And ef folks don't work as they pray, i jings!
W'y, they ain't no use to pray!
Ef you want somepin', and jes dead-set
A-pleadin' fer it with both eyes wet,
And _tears_ won't bring it, w'y, you try _sweat_,
As my uncle ust to say.
They's some don't know their A, B, Cs,
As my uncle ust to say,
And yit don't waste no candle-grease,
Ner whistle their lives away!
But ef they can't write no book, ner rhyme
No ringin' song fer to last all time,
They can blaze the way fer the march sublime,
As my uncle ust to say.
Whoever's Foreman of all things here,
As my uncle ust to say,
He knows each job 'at we 're best fit fer,
And our round-up, night and day:
And a-sizin' _His_ work, east and west,
And north and south, and worst and best
I ain't got nothin' to suggest,
As my uncle ust to say.
298
James Whitcomb Riley
A Tale Of The Airly Days
A Tale Of The Airly Days
Oh! tell me a tale of the airly days--
Of the times as they ust to be;
'Piller of Fi-er' and 'Shakespeare's Plays'
Is a' most too deep fer me!
I want plane facts, and I want plane words,
Of the good old-fashioned ways,
When speech run free as the songs of birds
'Way back in the airly days.
Tell me a tale of the timber-lands--
Of the old-time pioneers;
Somepin' a pore man understands
With his feelins's well as ears.
Tell of the old log house,--about
The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
And the latch-string thrugh the door.
Tell of the things jest as they was--
They don't need no excuse!-Don't
tech 'em up like the poets does,
Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
Two beds, and the chist, below,
And the trundle-beds that each helt three,
And the clock and the old bureau.
Then blow the horn at the old back-door
Tel the echoes all halloo,
And the childern gethers home onc't more,
Jest as they ust to do:
Blow fer Pap tel he hears and comes,
With Tomps and Elias, too,
A-marchin' home, with the fife and drums
And the old Red White and Blue!
Blow and blow tel the sound draps low
As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
All sleepin' at Bethel Hill:
Blow and call tel the faces all
Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
As they did in the airly days.
Oh! tell me a tale of the airly days--
Of the times as they ust to be;
'Piller of Fi-er' and 'Shakespeare's Plays'
Is a' most too deep fer me!
I want plane facts, and I want plane words,
Of the good old-fashioned ways,
When speech run free as the songs of birds
'Way back in the airly days.
Tell me a tale of the timber-lands--
Of the old-time pioneers;
Somepin' a pore man understands
With his feelins's well as ears.
Tell of the old log house,--about
The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
And the latch-string thrugh the door.
Tell of the things jest as they was--
They don't need no excuse!-Don't
tech 'em up like the poets does,
Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
Two beds, and the chist, below,
And the trundle-beds that each helt three,
And the clock and the old bureau.
Then blow the horn at the old back-door
Tel the echoes all halloo,
And the childern gethers home onc't more,
Jest as they ust to do:
Blow fer Pap tel he hears and comes,
With Tomps and Elias, too,
A-marchin' home, with the fife and drums
And the old Red White and Blue!
Blow and blow tel the sound draps low
As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
All sleepin' at Bethel Hill:
Blow and call tel the faces all
Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
As they did in the airly days.
304