Society and the World

Departure (Southampton Docks: October, )
While the far farewell music thins and fails,
And the broad bottoms rip the bearing brine -
All smalling slowly to the gray sea line -
And each significant red smoke-shaft pales,
Keen sense of severance everywhere prevails,
Which shapes the late long tramp of mounting men
To seeming words that ask and ask again:
"How long, O striving Teutons, Slavs, and Gaels
Must your wroth reasonings trade on lives like these,
That are as puppets in a playing hand? -
When shall the saner softer polities
Whereof we dream, have play in each proud land,
And patriotism, grown Godlike, scorn to stand
Bondslave to realms, but circle earth and seas?"

Departure (Southampton Docks: October, )
While the far farewell music thins and fails,
And the broad bottoms rip the bearing brine -
All smalling slowly to the gray sea line -
And each significant red smoke-shaft pales,
Keen sense of severance everywhere prevails,
Which shapes the late long tramp of mounting men
To seeming words that ask and ask again:
"How long, O striving Teutons, Slavs, and Gaels
Must your wroth reasonings trade on lives like these,
That are as puppets in a playing hand? -
When shall the saner softer polities
Whereof we dream, have play in each proud land,
And patriotism, grown Godlike, scorn to stand
Bondslave to realms, but circle earth and seas?"

Departure (Southampton Docks: October, )
While the far farewell music thins and fails,
And the broad bottoms rip the bearing brine -
All smalling slowly to the gray sea line -
And each significant red smoke-shaft pales,
Keen sense of severance everywhere prevails,
Which shapes the late long tramp of mounting men
To seeming words that ask and ask again:
"How long, O striving Teutons, Slavs, and Gaels
Must your wroth reasonings trade on lives like these,
That are as puppets in a playing hand? -
When shall the saner softer polities
Whereof we dream, have play in each proud land,
And patriotism, grown Godlike, scorn to stand
Bondslave to realms, but circle earth and seas?"

Cardinal Bembo's Epitaph on Raphael
Here's one in whom Nature feared--faint at such vying -
Eclipse while he lived, and decease at his dying.

At the War Office, London (Affixing the Lists of Killed and Wounded:
December, )
I
Last year I called this world of gain-givings
The darkest thinkable, and questioned sadly
If my own land could heave its pulse less gladly,
So charged it seemed with circumstance whence springs
The tragedy of things.
II
Yet at that censured time no heart was rent
Or feature blanched of parent, wife, or daughter
By hourly blazoned sheets of listed slaughter;
Death waited Nature's wont; Peace smiled unshent
From Ind to Occident.

At the War Office, London (Affixing the Lists of Killed and Wounded:
December, )
I
Last year I called this world of gain-givings
The darkest thinkable, and questioned sadly
If my own land could heave its pulse less gladly,
So charged it seemed with circumstance whence springs
The tragedy of things.
II
Yet at that censured time no heart was rent
Or feature blanched of parent, wife, or daughter
By hourly blazoned sheets of listed slaughter;
Death waited Nature's wont; Peace smiled unshent
From Ind to Occident.

At Lulworth Cove a Century Back
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

At Lulworth Cove a Century Back
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

At A Bridal
WHEN you paced forth, to wait maternity,
A dream of other offspring held my mind,
Compounded of us twain as Love designed;
Rare forms, that corporate now will never be!
Should I, too, wed as slave to Mode's decree,
And each thus found apart, of false desire,
A stolid line, whom no high aims will fire
As had fired ours could ever have mingled we;
And, grieved that lives so matched should miscompose,
Each mourn the double waste; and question dare
To the Great Dame whence incarnation flows,
Why those high-purposed children never were:
What will she answer? That she does not care
If the race all such sovereign types unknows.

At a Lunar Eclipse
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.
How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?
And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?
Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?

At a Lunar Eclipse
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.
How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?
And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?
Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?

At a Lunar Eclipse
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.
How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?
And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?
Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?

An Autumn Rain-Scene
There trudges one to a merry-making
With sturdy swing,
On whom the rain comes down.
To fetch the saving medicament
Is another bent,
On whom the rain comes down.
One slowly drives his herd to the stall
Ere ill befall,
On whom the rain comes down.
This bears his missives of life and death
With quickening breath,
On whom the rain comes down.
One watches for signals of wreck or war
From the hill afar,
On whom the rain comes down.
No care if he gain a shelter or none,
Unhired moves on,
On whom the rain comes down.
And another knows nought of its chilling fall
Upon him aat all,
On whom the rain comes down.
October

After Schiller
Knight, a true sister-love
This heart retains;
Ask me no other love,
That way lie pains!
Calm must I view thee come,
Calm see thee go;
Tale-telling tears of thine
I must not know!

Ah, Are You Digging on My Grave?
"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"
"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"
"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.
"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"
"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"
"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place."

A Wife in London (December, )
I--The Tragedy
She sits in the tawny vapour
That the City lanes have uprolled,
Behind whose webby fold on fold
Like a waning taper
The street-lamp glimmers cold.
A messenger's knock cracks smartly,
Flashed news is in her hand
Of meaning it dazes to understand
Though shaped so shortly:
He--has fallen--in the far South Land . . .
II--The Irony
'Tis the morrow; the fog hangs thicker,
The postman nears and goes:
A letter is brought whose lines disclose
By the firelight flicker
His hand, whom the worm now knows:
Fresh--firm--penned in highest feather -
Page-full of his hoped return,
And of home-planned jaunts by brake and burn
In the summer weather,
And of new love that they would learn.

A Meeting With Despair
AS evening shaped I found me on a moor
Which sight could scarce sustain:
The black lean land, of featureless contour,
Was like a tract in pain.
"This scene, like my own life," I said, "is one
Where many glooms abide;
Toned by its fortune to a deadly dun--
Lightless on every side.
I glanced aloft and halted, pleasure-caught
To see the contrast there:
The ray-lit clouds gleamed glory; and I thought,
"There's solace everywhere!"
Then bitter self-reproaches as I stood
I dealt me silently
As one perverse--misrepresenting Good
In graceless mutiny.
Against the horizon's dim-descernèd wheel
A form rose, strange of mould:
That he was hideous, hopeless, I could feel
Rather than could behold.
"'Tis a dead spot, where even the light lies spent
To darkness!" croaked the Thing.
"Not if you look aloft!" said I, intent
On my new reasoning.
"Yea--but await awhile!" he cried. "Ho-ho!--
Look now aloft and see!"
I looked. There, too, sat night: Heaven's radiant show
Had gone. Then chuckled he.

A Confession To A Friend in Trouble
YOUR troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles--with listlessness--
Yet smiles they are, not ghastly mockeries mere.
A thought too strange to house within my brain
Haunting its outer precincts I discern:
--That I will not show zeal again to learn
Your griefs, and, sharing them, renew my pain....
It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!

A Christmas Ghost Story.
South of the Line, inland from far Durban,
A mouldering soldier lies--your countryman.
Awry and doubled up are his gray bones,
And on the breeze his puzzled phantom moans
Nightly to clear Canopus: "I would know
By whom and when the All-Earth-gladdening Law
Of Peace, brought in by that Man Crucified,
Was ruled to be inept, and set aside?
And what of logic or of truth appears
In tacking 'Anno Domini' to the years?
Near twenty-hundred livened thus have hied,
But tarries yet the Cause for which He died."

A Christmas Ghost Story.
South of the Line, inland from far Durban,
A mouldering soldier lies--your countryman.
Awry and doubled up are his gray bones,
And on the breeze his puzzled phantom moans
Nightly to clear Canopus: "I would know
By whom and when the All-Earth-gladdening Law
Of Peace, brought in by that Man Crucified,
Was ruled to be inept, and set aside?
And what of logic or of truth appears
In tacking 'Anno Domini' to the years?
Near twenty-hundred livened thus have hied,
But tarries yet the Cause for which He died."

A Christmas Ghost Story.
South of the Line, inland from far Durban,
A mouldering soldier lies--your countryman.
Awry and doubled up are his gray bones,
And on the breeze his puzzled phantom moans
Nightly to clear Canopus: "I would know
By whom and when the All-Earth-gladdening Law
Of Peace, brought in by that Man Crucified,
Was ruled to be inept, and set aside?
And what of logic or of truth appears
In tacking 'Anno Domini' to the years?
Near twenty-hundred livened thus have hied,
But tarries yet the Cause for which He died."

[Greek Title]
Long have I framed weak phantasies of Thee,
O Willer masked and dumb!
Who makest Life become, -
As though by labouring all-unknowingly,
Like one whom reveries numb.
How much of consciousness informs Thy will
Thy biddings, as if blind,
Of death-inducing kind,
Nought shows to us ephemeral ones who fill
But moments in Thy mind.
Perhaps Thy ancient rote-restricted ways
Thy ripening rule transcends;
That listless effort tends
To grow percipient with advance of days,
And with percipience mends.
For, in unwonted purlieus, far and nigh,
At whiles or short or long,
May be discerned a wrong
Dying as of self-slaughter; whereat I
Would raise my voice in song.

Work and Play

The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.


But the serpent of cars that crawls through the dust

In shimmering exhaust

Searching to slake

Its fever in ocean

Will play and be idle or else it will bust.


The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.

But the serpent of cars that collapsed on the beach

Disgorges its organs

A scamper of colours

Which roll like tomatoes

Nude as tomatoes

With sand in their creases

To cringe in the sparkle of rollers and screech.


The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.


But the holiday people

Are laid out like wounded

Flat as in ovens

Roasting and basting

With faces of torment as space burns them blue

Their heads are transistors

Their teeth grit on sand grains

Their lost kids are squalling

While man-eating flies

Jab electric shock needles but what can they do?


They can climb in their cars with raw bodies, raw faces

And start up the serpent

And headache it homeward

A car full of squabbles

And sobbing and stickiness

With sand in their crannies

Inhaling petroleum

That pours from the foxgloves

While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.

Work and Play

The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.


But the serpent of cars that crawls through the dust

In shimmering exhaust

Searching to slake

Its fever in ocean

Will play and be idle or else it will bust.


The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.

But the serpent of cars that collapsed on the beach

Disgorges its organs

A scamper of colours

Which roll like tomatoes

Nude as tomatoes

With sand in their creases

To cringe in the sparkle of rollers and screech.


The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.


But the holiday people

Are laid out like wounded

Flat as in ovens

Roasting and basting

With faces of torment as space burns them blue

Their heads are transistors

Their teeth grit on sand grains

Their lost kids are squalling

While man-eating flies

Jab electric shock needles but what can they do?


They can climb in their cars with raw bodies, raw faces

And start up the serpent

And headache it homeward

A car full of squabbles

And sobbing and stickiness

With sand in their crannies

Inhaling petroleum

That pours from the foxgloves

While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.