Poems in this topic
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James Whitcomb Riley
Grant At Rest-- August 8, 1885
Grant At Rest-- August 8, 1885
Sir Launcelot rode overthwart and endlong in a wide forest, and held no
path but as wild adventure led him... And he returned and came again to his
horse, and took off his saddle and his bridle, and let him pasture; and
unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
his shield before the cross. --Age of Chivalary
_Grant_
What shall we say of the soldier. Grant,
His sword put by and his great soul free?
How shall we cheer him now or chant
His requiem befittingly?
The fields of his conquest now are seen
Ranged no more with his armed men--
But the rank and file of the gold and green
Of the waving grain is there again.
Though his valiant life is a nation's pride,
And his death heroic and half divine,
And our grief as great as the world is wide,
There breaks in speech but a single line--:
We loved him living, revere him dead--!
A silence then on our lips is laid:
We can say no thing that has not been said,
Nor pray one prayer that has not been prayed.
But a spirit within us speaks: and lo,
We lean and listen to wondrous words
That have a sound as of winds that blow,
And the voice of waters and low of herds;
And we hear, as the song flows on serene,
The neigh of horses, and then the beat
Of hooves that skurry o'er pastures green,
And the patter and pad of a boy's bare feet.
A brave lad, wearing a manly brow,
Knit as with problems of grave dispute,
And a face, like the bloom of the orchard bough,
Pink and pallid, but resolute;
And flushed it grows as the clover-bloom,
And fresh it gleams as the morning dew,
As he reins his steed where the quick quails boom
Up from the grasses he races through.
And ho! As he rides what dreams are his?
And what have the breezes to suggest--?
Do they whisper to him of shells that whiz
O'er fields made ruddy with wrongs redressed?
Does the hawk above him an Eagle float?
Does he thrill and his boyish heart beat high,
Hearing the ribbon about his throat
Flap as a Flag as the winds go by?
And does he dream of the Warrior's fame--
This Western boy in his rustic dress?
For in miniature, this is the man that came
Riding out of the Wilderness--!
The selfsame figure-- the knitted brow--
The eyes full steady-- the lips full mute--
And the face, like the bloom of the orchard bough,
Pink and pallid, but resolute.
Ay, this is the man, with features grim
And stoical as the Sphinx's own,
That heard the harsh guns calling him,
As musical as the bugle blown,
When the sweet spring heavens were clouded o'er
With a tempest, glowering and wild,
And our country's flag bowed down before
Its bursting wrath as a stricken child.
Thus, ready mounted and booted and spurred,
He loosed his bridle and dashed away--!
Like a roll of drums were his hoof-beats heard,
Like the shriek of the fife his charger's neigh!
And over his shoulder and backward blown,
We heard his voice, and we saw the sod
Reel, as our wild steeds chased his own
As though hurled on by the hand of God!
And still, in fancy, we see him ride
In the blood-red front of a hundred frays,
His face set stolid, but glorified
As a knight's of the old Arthurian days:
And victor ever as courtly too,
Gently lifting the vanquished foe,
And staying him with a hand as true
As dealt the deadly avenging blow.
So brighter than all of the cluster of stars
Of the flag enshrouding his form to-day,
His face shines forth from the grime of wars
With a glory that shall not pass away:
He rests at last: he has borne his part
Of salutes and salvos and cheers on cheers--
But O the sobs of his country's heart,
And the driving rain of a nations tears!
Sir Launcelot rode overthwart and endlong in a wide forest, and held no
path but as wild adventure led him... And he returned and came again to his
horse, and took off his saddle and his bridle, and let him pasture; and
unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
his shield before the cross. --Age of Chivalary
_Grant_
What shall we say of the soldier. Grant,
His sword put by and his great soul free?
How shall we cheer him now or chant
His requiem befittingly?
The fields of his conquest now are seen
Ranged no more with his armed men--
But the rank and file of the gold and green
Of the waving grain is there again.
Though his valiant life is a nation's pride,
And his death heroic and half divine,
And our grief as great as the world is wide,
There breaks in speech but a single line--:
We loved him living, revere him dead--!
A silence then on our lips is laid:
We can say no thing that has not been said,
Nor pray one prayer that has not been prayed.
But a spirit within us speaks: and lo,
We lean and listen to wondrous words
That have a sound as of winds that blow,
And the voice of waters and low of herds;
And we hear, as the song flows on serene,
The neigh of horses, and then the beat
Of hooves that skurry o'er pastures green,
And the patter and pad of a boy's bare feet.
A brave lad, wearing a manly brow,
Knit as with problems of grave dispute,
And a face, like the bloom of the orchard bough,
Pink and pallid, but resolute;
And flushed it grows as the clover-bloom,
And fresh it gleams as the morning dew,
As he reins his steed where the quick quails boom
Up from the grasses he races through.
And ho! As he rides what dreams are his?
And what have the breezes to suggest--?
Do they whisper to him of shells that whiz
O'er fields made ruddy with wrongs redressed?
Does the hawk above him an Eagle float?
Does he thrill and his boyish heart beat high,
Hearing the ribbon about his throat
Flap as a Flag as the winds go by?
And does he dream of the Warrior's fame--
This Western boy in his rustic dress?
For in miniature, this is the man that came
Riding out of the Wilderness--!
The selfsame figure-- the knitted brow--
The eyes full steady-- the lips full mute--
And the face, like the bloom of the orchard bough,
Pink and pallid, but resolute.
Ay, this is the man, with features grim
And stoical as the Sphinx's own,
That heard the harsh guns calling him,
As musical as the bugle blown,
When the sweet spring heavens were clouded o'er
With a tempest, glowering and wild,
And our country's flag bowed down before
Its bursting wrath as a stricken child.
Thus, ready mounted and booted and spurred,
He loosed his bridle and dashed away--!
Like a roll of drums were his hoof-beats heard,
Like the shriek of the fife his charger's neigh!
And over his shoulder and backward blown,
We heard his voice, and we saw the sod
Reel, as our wild steeds chased his own
As though hurled on by the hand of God!
And still, in fancy, we see him ride
In the blood-red front of a hundred frays,
His face set stolid, but glorified
As a knight's of the old Arthurian days:
And victor ever as courtly too,
Gently lifting the vanquished foe,
And staying him with a hand as true
As dealt the deadly avenging blow.
So brighter than all of the cluster of stars
Of the flag enshrouding his form to-day,
His face shines forth from the grime of wars
With a glory that shall not pass away:
He rests at last: he has borne his part
Of salutes and salvos and cheers on cheers--
But O the sobs of his country's heart,
And the driving rain of a nations tears!
320
James Whitcomb Riley
George Mullen's Confession
George Mullen's Confession
For the sake of guilty conscience, and the heart that ticks the
time
Of the clockworks of my nature, I desire to say that I'm
A weak and sinful creature, as regards my daily walk
The last five years and better. It ain't worth while to talk-
I've been too mean to tell it! I've been so hard, you see,
And full of pride, and--onry--now there's the word for me--
Just onry--and to show you, I'll give my history
With vital points in question, and I think you'll all agree.
I was always stiff and stubborn since I could recollect,
And had an awful temper, and never would reflect;
And always into trouble--I remember once at school
The teacher tried to flog me, and I reversed that rule.
O I was bad I tell you! And it's a funny move
That a fellow wild as I was could ever fall in love;
And it's a funny notion that an animal like me,
Under a girl's weak fingers was as tame as tame could be!
But it's so, and sets me thinking of the easy way she had
Of cooling down my temper--though I'd be fighting mad.
'My Lion Queen' I called her--when a spell of mine occurred
She'd come in a den of feelings and quell them with a word.
I'll tell you how she loved me--and what her people thought:
When I asked to marry Annie they said 'they reckoned not--
That I cut too many didoes and monkey-shines to suit
Their idea of a son-in-law, and I could go, to boot!'
I tell you that thing riled me! Why, I felt my face turn white,
And my teeth shut like a steel trap, and the fingers of my right
Hand pained me with their pressure--all the rest's a mystery
Till I heard my Annie saying--'I'm going, too, you see.'
We were coming through the gateway, and she wavered for a spell
When she heard her mother crying and her raving father yell
That she wa'n't no child of his'n--like an actor in a play
We saw at Independence, coming through the other day.
Well! that's the way we started. And for days and weeks and
months
And even years we journeyed on, regretting never once
Of starting out together upon the path of life--
Akind o' sort o' husband, but a mighty loving wife,--
And the cutest little baby--little Grace--I see her now
A-standin' on the pig-pen as her mother milked the cow--
And I can hear her shouting--as I stood unloading straw,-'
I'm ain't as big as papa, but I'm biggerest'n ma.'
Now folks that never married don't seem to understand
That a little baby's language is the sweetest ever planned--
Why, I tell you it's pure music, and I'll just go on to say
That I sometimes have a notion that the angels talk that way!
There's a chapter in this story I'd be happy to destroy;
I could burn it up before you with a mighty sight of joy;
But I'll go ahead and give it--not in detail, no, my friend,
For it takes five years of reading before you find the end.
My Annie's folks relented--at least, in some degree;
They sent one time for Annie, but they didn't send for me.
The old man wrote the message with a heart as hot and dry
As a furnace--'Annie Mullen, come and see your mother die.'
I saw the slur intended--why I fancied I could see
The old man shoot the insult like a poison dart at me;
And in that heat of passion I swore an inward oath
That if Annie pleased her father she could never please us both.
I watched her--dark and sullen--as she hurried on her shawl;
I watched her--calm and cruel, though I saw her tear-drops fall;
I watched her--cold and heartless, though I heard her moaning,
call
For mercy from high Heaven--and I smiled throughout it all.
Why even when she kissed me, and her tears were on my brow,
As she murmured, 'George, forgive me--I must go to mother now!'
Such hate there was within me that I answered not at all,
But calm, and cold and cruel, I smiled throughout it all.
But a shadow in the doorway caught my eye, and then the face
Full of innocence and sunshine of little baby Grace.
And I snatched her up and kissed her, and I softened through and
through
For a minute when she told me 'I must kiss her muvver too.'
I remember, at the starting, how I tried to freeze again
As I watched them slowly driving down the little crooked lane--
When Annie shouted something that ended in a cry,
And how I tried to whistle and it fizzled in a sigh.
I remember running after, with a glimmer in my sight--
Pretending I'd discovered that the traces wasn't right;
And the last that I remember, as they disappeared from view,
Was little Grace a-calling, 'I see papa! Howdy-do!'
And left alone to ponder, I again took up my hate
For the old man who would chuckle that I was desolate;
And I mouthed my wrongs in mutters till my pride called up the
pain
His last insult had given me--until I smiled again
Till the wild beast in my nature was raging in the den--
With no one now to quell it, and I wrote a letter then
Full of hissing things, and heated with so hot a heat of hate
That my pen flashed out black lightning at a most terrific rate.
I wrote that 'she had wronged me when she went away from me--
Though to see her dying mother 'twas her father's victory,
And a woman that could waver when her husband's pride was rent
Was no longer worthy of it.' And I shut the house and went.
To tell of my long exile would be of little good--
Though I couldn't half-way tell it, and I wouldn't if I could!
I could tell of California--of a wild and vicious life;
Of trackless plains, and mountains, and the Indian's
scalping-knife.
I could tell of gloomy forests howling wild with threats of
death;
I could tell of fiery deserts that have scorched me with their
breath;
I could tell of wretched outcasts by the hundreds, great and
small,
And could claim the nasty honor of the greatest of them all.
I could tell of toil and hardship; and of sickness and disease,
And hollow-eyed starvation, but I tell you, friend, that these
Are trifles in comparison with what a fellow feels
With that bloodhound, Remorsefulness, forever at his heels.
I remember--worn and weary of the long, long years of care,
When the frost of time was making early harvest of my hair--
I remember, wrecked and hopeless of a rest beneath the sky,
My resolve to quit the country, and to seek the East, and die.
I remember my long journey, like a dull, oppressive dream,
Across the empty prairies till I caught the distant gleam
Of a city in the beauty of its broad and shining stream
On whose bosom, flocked together, float the mighty swans of
steam.
I remember drifting with them till I found myself again
In the rush and roar and rattle of the engine and the train;
And when from my surroundings something spoke of child and wife,
It seemed the train was rumbling through a tunnel in my life.
Then I remember something--like a sudden burst of light--
That don't exactly tell it, but I couldn't tell it right--
A something clinging to me with its arms around my neck--
A little girl, for instance--or an angel, I expect--
For she kissed me, cried and called me 'her dear papa,' and I
felt
My heart was pure virgin gold, and just about to melt--
And so it did--it melted in a mist of gleaming rain
When she took my hand and whispered, 'My mama's on the train.'
There's some things I can dwell on, and get off pretty well,
But the balance of this story I know I couldn't tell;
So I ain't going to try it, for to tell the reason why-I'm
so chicken-hearted lately I'd be certain 'most to cry.
For the sake of guilty conscience, and the heart that ticks the
time
Of the clockworks of my nature, I desire to say that I'm
A weak and sinful creature, as regards my daily walk
The last five years and better. It ain't worth while to talk-
I've been too mean to tell it! I've been so hard, you see,
And full of pride, and--onry--now there's the word for me--
Just onry--and to show you, I'll give my history
With vital points in question, and I think you'll all agree.
I was always stiff and stubborn since I could recollect,
And had an awful temper, and never would reflect;
And always into trouble--I remember once at school
The teacher tried to flog me, and I reversed that rule.
O I was bad I tell you! And it's a funny move
That a fellow wild as I was could ever fall in love;
And it's a funny notion that an animal like me,
Under a girl's weak fingers was as tame as tame could be!
But it's so, and sets me thinking of the easy way she had
Of cooling down my temper--though I'd be fighting mad.
'My Lion Queen' I called her--when a spell of mine occurred
She'd come in a den of feelings and quell them with a word.
I'll tell you how she loved me--and what her people thought:
When I asked to marry Annie they said 'they reckoned not--
That I cut too many didoes and monkey-shines to suit
Their idea of a son-in-law, and I could go, to boot!'
I tell you that thing riled me! Why, I felt my face turn white,
And my teeth shut like a steel trap, and the fingers of my right
Hand pained me with their pressure--all the rest's a mystery
Till I heard my Annie saying--'I'm going, too, you see.'
We were coming through the gateway, and she wavered for a spell
When she heard her mother crying and her raving father yell
That she wa'n't no child of his'n--like an actor in a play
We saw at Independence, coming through the other day.
Well! that's the way we started. And for days and weeks and
months
And even years we journeyed on, regretting never once
Of starting out together upon the path of life--
Akind o' sort o' husband, but a mighty loving wife,--
And the cutest little baby--little Grace--I see her now
A-standin' on the pig-pen as her mother milked the cow--
And I can hear her shouting--as I stood unloading straw,-'
I'm ain't as big as papa, but I'm biggerest'n ma.'
Now folks that never married don't seem to understand
That a little baby's language is the sweetest ever planned--
Why, I tell you it's pure music, and I'll just go on to say
That I sometimes have a notion that the angels talk that way!
There's a chapter in this story I'd be happy to destroy;
I could burn it up before you with a mighty sight of joy;
But I'll go ahead and give it--not in detail, no, my friend,
For it takes five years of reading before you find the end.
My Annie's folks relented--at least, in some degree;
They sent one time for Annie, but they didn't send for me.
The old man wrote the message with a heart as hot and dry
As a furnace--'Annie Mullen, come and see your mother die.'
I saw the slur intended--why I fancied I could see
The old man shoot the insult like a poison dart at me;
And in that heat of passion I swore an inward oath
That if Annie pleased her father she could never please us both.
I watched her--dark and sullen--as she hurried on her shawl;
I watched her--calm and cruel, though I saw her tear-drops fall;
I watched her--cold and heartless, though I heard her moaning,
call
For mercy from high Heaven--and I smiled throughout it all.
Why even when she kissed me, and her tears were on my brow,
As she murmured, 'George, forgive me--I must go to mother now!'
Such hate there was within me that I answered not at all,
But calm, and cold and cruel, I smiled throughout it all.
But a shadow in the doorway caught my eye, and then the face
Full of innocence and sunshine of little baby Grace.
And I snatched her up and kissed her, and I softened through and
through
For a minute when she told me 'I must kiss her muvver too.'
I remember, at the starting, how I tried to freeze again
As I watched them slowly driving down the little crooked lane--
When Annie shouted something that ended in a cry,
And how I tried to whistle and it fizzled in a sigh.
I remember running after, with a glimmer in my sight--
Pretending I'd discovered that the traces wasn't right;
And the last that I remember, as they disappeared from view,
Was little Grace a-calling, 'I see papa! Howdy-do!'
And left alone to ponder, I again took up my hate
For the old man who would chuckle that I was desolate;
And I mouthed my wrongs in mutters till my pride called up the
pain
His last insult had given me--until I smiled again
Till the wild beast in my nature was raging in the den--
With no one now to quell it, and I wrote a letter then
Full of hissing things, and heated with so hot a heat of hate
That my pen flashed out black lightning at a most terrific rate.
I wrote that 'she had wronged me when she went away from me--
Though to see her dying mother 'twas her father's victory,
And a woman that could waver when her husband's pride was rent
Was no longer worthy of it.' And I shut the house and went.
To tell of my long exile would be of little good--
Though I couldn't half-way tell it, and I wouldn't if I could!
I could tell of California--of a wild and vicious life;
Of trackless plains, and mountains, and the Indian's
scalping-knife.
I could tell of gloomy forests howling wild with threats of
death;
I could tell of fiery deserts that have scorched me with their
breath;
I could tell of wretched outcasts by the hundreds, great and
small,
And could claim the nasty honor of the greatest of them all.
I could tell of toil and hardship; and of sickness and disease,
And hollow-eyed starvation, but I tell you, friend, that these
Are trifles in comparison with what a fellow feels
With that bloodhound, Remorsefulness, forever at his heels.
I remember--worn and weary of the long, long years of care,
When the frost of time was making early harvest of my hair--
I remember, wrecked and hopeless of a rest beneath the sky,
My resolve to quit the country, and to seek the East, and die.
I remember my long journey, like a dull, oppressive dream,
Across the empty prairies till I caught the distant gleam
Of a city in the beauty of its broad and shining stream
On whose bosom, flocked together, float the mighty swans of
steam.
I remember drifting with them till I found myself again
In the rush and roar and rattle of the engine and the train;
And when from my surroundings something spoke of child and wife,
It seemed the train was rumbling through a tunnel in my life.
Then I remember something--like a sudden burst of light--
That don't exactly tell it, but I couldn't tell it right--
A something clinging to me with its arms around my neck--
A little girl, for instance--or an angel, I expect--
For she kissed me, cried and called me 'her dear papa,' and I
felt
My heart was pure virgin gold, and just about to melt--
And so it did--it melted in a mist of gleaming rain
When she took my hand and whispered, 'My mama's on the train.'
There's some things I can dwell on, and get off pretty well,
But the balance of this story I know I couldn't tell;
So I ain't going to try it, for to tell the reason why-I'm
so chicken-hearted lately I'd be certain 'most to cry.
333
James Whitcomb Riley
Farmer Whipple--Bachelor
Farmer Whipple--Bachelor
It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more-A-
lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!
I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!
I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.
The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair
Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!-W'y,
even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!
I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--
Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,-'
Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!
I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day-A-
chawin' straws and thinkin', in a lover's lazy way!
And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!
I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'-
But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:-'
SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!
I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed-
Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where
_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.
Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!
And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--
And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.
Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.
Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!
Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land-'
The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--
And then it closed by sayin' that I'd 'better come and see.'-
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.
So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!
Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!
Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!
And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--
IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!
I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.
So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.
It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more-A-
lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!
I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!
I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.
The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair
Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!-W'y,
even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!
I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--
Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,-'
Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!
I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day-A-
chawin' straws and thinkin', in a lover's lazy way!
And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!
I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'-
But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:-'
SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!
I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed-
Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where
_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.
Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!
And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--
And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.
Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.
Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!
Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land-'
The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--
And then it closed by sayin' that I'd 'better come and see.'-
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.
So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!
Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!
Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!
And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--
IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!
I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.
So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.
381
James Whitcomb Riley
Dreamer, Say
Dreamer, Say
Dreamer, say, will you dream for me
A wild sweet dream of a foreign land,
Whose border sips of a foaming sea
With lips of coral and silver sand;
Where warm winds loll on the shady deeps,
Or lave themselves in the tearful mist
The great wild wave of the breaker weeps
O'er crags of opal and amethyst?
Dreamer, say, will you dream a dream
Of tropic shades in the lands of shine,
Where the lily leans o'er an amber stream
That flows like a rill of wasted wine,--
Where the palm-trees, lifting their shields of green,
Parry the shafts of the Indian sun
Whose splintering vengeance falls between
The reeds below where the waters run?
Dreamer, say, will you dream of love
That lives in a land of sweet perfume,
Where the stars drip down from the skies above
In molten spatters of bud and bloom?
Where never the weary eyes are wet,
And never a sob in the balmy air,
And only the laugh of the paroquet
Breaks the sleep of the silence there?
Dreamer, say, will you dream for me
A wild sweet dream of a foreign land,
Whose border sips of a foaming sea
With lips of coral and silver sand;
Where warm winds loll on the shady deeps,
Or lave themselves in the tearful mist
The great wild wave of the breaker weeps
O'er crags of opal and amethyst?
Dreamer, say, will you dream a dream
Of tropic shades in the lands of shine,
Where the lily leans o'er an amber stream
That flows like a rill of wasted wine,--
Where the palm-trees, lifting their shields of green,
Parry the shafts of the Indian sun
Whose splintering vengeance falls between
The reeds below where the waters run?
Dreamer, say, will you dream of love
That lives in a land of sweet perfume,
Where the stars drip down from the skies above
In molten spatters of bud and bloom?
Where never the weary eyes are wet,
And never a sob in the balmy air,
And only the laugh of the paroquet
Breaks the sleep of the silence there?
286
James Whitcomb Riley
Doc Sifers
Doc Sifers
Of all the doctors I could cite you to in this-'ere town
Doc Sifers is my favorite, jes' take him up and down!
Count in the Bethel Neighberhood, and Rollins, and Big Bear,
And Sifers' standin's jes' as good as ary doctor's there!
There's old Doc Wick, and Glenn, and Hall, and Wurgler, and McVeigh,
But I'll buck Sifers 'ginst 'em all and down 'em any day!
Most old Wick ever knowed, I s'pose, was _whisky!_ Wurgler--well,
He et morphine--ef actions shows, and facts' reliable!
But Sifers--though he ain't no sot, he's got his faults; and yit
When you _git_ Sifers one't, you've got _a doctor_, don't fergit!
He ain't much at his office, er his house, er anywhere
You'd natchurly think certain far to ketch the feller there.--
But don't blame Doc: he's got all sorts o' cur'ous notions--as
The feller says; his odd-come-shorts, like smart men mostly has.
He'll more'n like be potter'n 'round the Blacksmith Shop; er in
Some back lot, spadin' up the ground, er gradin' it agin.
Er at the workbench, planin' things; er buildin' little traps
To ketch birds; galvenizin' rings; er graftin' plums, perhaps.
Make anything! good as the best!--a gunstock--er a flute;
He whittled out a set o' chesstmen one't o' laurel root,
Durin' the Army--got his trade o' surgeon there--I own
To-day a finger-ring Doc made out of a Sesesh bone!
An' glued a fiddle one't far me--jes' all so busted you
'D a throwed the thing away, but he fixed her as good as new!
And take Doc, now, in _ager_, say, er _biles_, er _rheumatiz_,
And all afflictions thataway, and he's the best they is!
Er janders--milksick--I don't keer--k-yore anything he tries--
A abscess; getherin' in yer yeer; er granilated eyes!
There was the Widder Daubenspeck they all give up far dead;
A blame cowbuncle on her neck, and clean out of her head!
First had this doctor, what's-his-name, from 'Puddlesburg,' and then
This little red-head, 'Burnin' Shame' they call him--Dr. Glenn.
And they 'consulted' on the case, and claimed she'd haf to die,--
I jes' was joggin' by the place, and heerd her dorter cry,
And stops and calls her to the fence; and I-says-I, 'Let me
Send Sifers--bet you fifteen cents he'll k-yore her!' 'Well,' says
she,
'Light out!' she says: And, lipp-tee-cut! I loped in town, and rid
'Bout two hours more to find him, but I kussed him when I did!
He was down at the Gunsmith Shop a-stuffin' birds! Says he,
'My sulky's broke.' Says I, 'You hop right on and ride with me!'
I got him there.--'Well, Aunty, ten days k-yores you,' Sifers said,
'But what's yer idy livin' when yer jes' as good as dead?'
And there's Dave Banks--jes' back from war without a scratch--one
day
Got ketched up in a sickle-bar, a reaper runaway.--
His shoulders, arms, and hands and legs jes' sawed in strips! And
Jake
Dunn starts far Sifers--feller begs to shoot him far God-sake.
Doc, 'course, was gone, but he had penned the notice, 'At Big Bear--
Be back to-morry; Gone to 'tend the Bee Convention there.'
But Jake, he tracked him--rid and rode the whole endurin' night!
And 'bout the time the roosters crowed they both hove into sight.
Doc had to ampitate, but 'greed to save Dave's arms, and swore
He could a-saved his legs ef he'd ben there the day before.
Like when his wife's own mother died 'fore Sifers could be found,
And all the neighbors far and wide a' all jes' chasin' round;
Tel finally--I had to laugh--it's jes' like Doc, you know,--
Was learnin' far to telegraph, down at the old deepo.
But all they're faultin' Sifers far, there's none of 'em kin say
He's biggoty, er keerless, er not posted anyway;
He ain't built on the common plan of doctors now-a-days,
He's jes' a great, big, brainy man--that's where the trouble lays!
Of all the doctors I could cite you to in this-'ere town
Doc Sifers is my favorite, jes' take him up and down!
Count in the Bethel Neighberhood, and Rollins, and Big Bear,
And Sifers' standin's jes' as good as ary doctor's there!
There's old Doc Wick, and Glenn, and Hall, and Wurgler, and McVeigh,
But I'll buck Sifers 'ginst 'em all and down 'em any day!
Most old Wick ever knowed, I s'pose, was _whisky!_ Wurgler--well,
He et morphine--ef actions shows, and facts' reliable!
But Sifers--though he ain't no sot, he's got his faults; and yit
When you _git_ Sifers one't, you've got _a doctor_, don't fergit!
He ain't much at his office, er his house, er anywhere
You'd natchurly think certain far to ketch the feller there.--
But don't blame Doc: he's got all sorts o' cur'ous notions--as
The feller says; his odd-come-shorts, like smart men mostly has.
He'll more'n like be potter'n 'round the Blacksmith Shop; er in
Some back lot, spadin' up the ground, er gradin' it agin.
Er at the workbench, planin' things; er buildin' little traps
To ketch birds; galvenizin' rings; er graftin' plums, perhaps.
Make anything! good as the best!--a gunstock--er a flute;
He whittled out a set o' chesstmen one't o' laurel root,
Durin' the Army--got his trade o' surgeon there--I own
To-day a finger-ring Doc made out of a Sesesh bone!
An' glued a fiddle one't far me--jes' all so busted you
'D a throwed the thing away, but he fixed her as good as new!
And take Doc, now, in _ager_, say, er _biles_, er _rheumatiz_,
And all afflictions thataway, and he's the best they is!
Er janders--milksick--I don't keer--k-yore anything he tries--
A abscess; getherin' in yer yeer; er granilated eyes!
There was the Widder Daubenspeck they all give up far dead;
A blame cowbuncle on her neck, and clean out of her head!
First had this doctor, what's-his-name, from 'Puddlesburg,' and then
This little red-head, 'Burnin' Shame' they call him--Dr. Glenn.
And they 'consulted' on the case, and claimed she'd haf to die,--
I jes' was joggin' by the place, and heerd her dorter cry,
And stops and calls her to the fence; and I-says-I, 'Let me
Send Sifers--bet you fifteen cents he'll k-yore her!' 'Well,' says
she,
'Light out!' she says: And, lipp-tee-cut! I loped in town, and rid
'Bout two hours more to find him, but I kussed him when I did!
He was down at the Gunsmith Shop a-stuffin' birds! Says he,
'My sulky's broke.' Says I, 'You hop right on and ride with me!'
I got him there.--'Well, Aunty, ten days k-yores you,' Sifers said,
'But what's yer idy livin' when yer jes' as good as dead?'
And there's Dave Banks--jes' back from war without a scratch--one
day
Got ketched up in a sickle-bar, a reaper runaway.--
His shoulders, arms, and hands and legs jes' sawed in strips! And
Jake
Dunn starts far Sifers--feller begs to shoot him far God-sake.
Doc, 'course, was gone, but he had penned the notice, 'At Big Bear--
Be back to-morry; Gone to 'tend the Bee Convention there.'
But Jake, he tracked him--rid and rode the whole endurin' night!
And 'bout the time the roosters crowed they both hove into sight.
Doc had to ampitate, but 'greed to save Dave's arms, and swore
He could a-saved his legs ef he'd ben there the day before.
Like when his wife's own mother died 'fore Sifers could be found,
And all the neighbors far and wide a' all jes' chasin' round;
Tel finally--I had to laugh--it's jes' like Doc, you know,--
Was learnin' far to telegraph, down at the old deepo.
But all they're faultin' Sifers far, there's none of 'em kin say
He's biggoty, er keerless, er not posted anyway;
He ain't built on the common plan of doctors now-a-days,
He's jes' a great, big, brainy man--that's where the trouble lays!
311
James Whitcomb Riley
Dear Hands
Dear Hands
The touches of her hands are like the fall
Of velvet snowflakes; like the touch of down
The peach just brushes 'gainst the garden wall;
The flossy fondlings of the thistle-wisp
Caught in the crinkle of a leaf of brown
The blighting frost hath turned from green to crisp.
Soft as the falling of the dusk at night,
The touches of her hands, and the delight--
The touches of her hands!
The touches of her hands are like the dew
That falls so softly down no one e'er knew
The touch thereof save lovers like to one
Astray in lights where ranged Endymion.
O rarely soft, the touches of her hands,
As drowsy zephyrs in enchanted lands;
Or pulse of dying fay; or fairy sighs,
Or--in between the midnight and the dawn,
When long unrest and tears and fears are gone--
Sleep, smoothing down the lids of weary eyes.
The touches of her hands are like the fall
Of velvet snowflakes; like the touch of down
The peach just brushes 'gainst the garden wall;
The flossy fondlings of the thistle-wisp
Caught in the crinkle of a leaf of brown
The blighting frost hath turned from green to crisp.
Soft as the falling of the dusk at night,
The touches of her hands, and the delight--
The touches of her hands!
The touches of her hands are like the dew
That falls so softly down no one e'er knew
The touch thereof save lovers like to one
Astray in lights where ranged Endymion.
O rarely soft, the touches of her hands,
As drowsy zephyrs in enchanted lands;
Or pulse of dying fay; or fairy sighs,
Or--in between the midnight and the dawn,
When long unrest and tears and fears are gone--
Sleep, smoothing down the lids of weary eyes.
326
James Whitcomb Riley
Dan Paine
Dan Paine
Old friend of mine, whose chiming name
Has been the burthen of a rhyme
Within my heart since first I came
To know thee in thy mellow prime;
With warm emotions in my breast
That can but coldly be expressed,
And hopes and wishes wild and vain,
I reach my hand to thee, Dan Paine.
In fancy, as I sit alone
In gloomy fellowship with care,
I hear again thy cheery tone,
And wheel for thee an easy chair;
And from my hand the pencil falls--
My book upon the carpet sprawls,
As eager soul and heart and brain,
Leap up to welcome thee, Dan Paine.
A something gentle in thy mein,
A something tender in thy voice,
Has made my trouble so serene,
I can but weep, from very choice.
And even then my tears, I guess,
Hold more of sweet than bitterness,
And more of gleaming shine than rain,
Because of thy bright smile, Dan Paine.
The wrinkles that the years have spun
And tangled round thy tawny face,
Are kinked with laughter, every one,
And fashioned in a mirthful grace.
And though the twinkle of thine eyes
Is keen as frost when Summer dies,
It can not long as frost remain
While thy warm soul shines out, Dan Paine.
And so I drain a health to thee;--
May merry Joy and jolly Mirth
Like children clamber on thy knee,
And ride thee round the happy earth!
And when, at last, the hand of Fate
Shall lift the latch of Canaan's gate,
And usher me in thy domain,
Smile on me just as now, Dan Paine.
Old friend of mine, whose chiming name
Has been the burthen of a rhyme
Within my heart since first I came
To know thee in thy mellow prime;
With warm emotions in my breast
That can but coldly be expressed,
And hopes and wishes wild and vain,
I reach my hand to thee, Dan Paine.
In fancy, as I sit alone
In gloomy fellowship with care,
I hear again thy cheery tone,
And wheel for thee an easy chair;
And from my hand the pencil falls--
My book upon the carpet sprawls,
As eager soul and heart and brain,
Leap up to welcome thee, Dan Paine.
A something gentle in thy mein,
A something tender in thy voice,
Has made my trouble so serene,
I can but weep, from very choice.
And even then my tears, I guess,
Hold more of sweet than bitterness,
And more of gleaming shine than rain,
Because of thy bright smile, Dan Paine.
The wrinkles that the years have spun
And tangled round thy tawny face,
Are kinked with laughter, every one,
And fashioned in a mirthful grace.
And though the twinkle of thine eyes
Is keen as frost when Summer dies,
It can not long as frost remain
While thy warm soul shines out, Dan Paine.
And so I drain a health to thee;--
May merry Joy and jolly Mirth
Like children clamber on thy knee,
And ride thee round the happy earth!
And when, at last, the hand of Fate
Shall lift the latch of Canaan's gate,
And usher me in thy domain,
Smile on me just as now, Dan Paine.
268
James Whitcomb Riley
By Her White Bed
By Her White Bed
By her white bed I muse a little space:
She fell asleep--not very long ago,--
And yet the grass was here and not the snow--
The leaf, the bud, the blossom, and--her face!-Midsummer's
heaven above us, and the grace
Of Lovers own day, from dawn to afterglow;
The fireflies' glimmering, and the sweet and low
Plaint of the whip-poor-wills, and every place
In thicker twilight for the roses' scent.
Then _night_.--She slept--in such tranquility,
I walk atiptoe still, nor _dare_ to weep,
Feeling, in all this hush, she rests content--
That though God stood to wake her for me, she
Would mutely plead: 'Nay, Lord! Let _him_ so sleep.'
By her white bed I muse a little space:
She fell asleep--not very long ago,--
And yet the grass was here and not the snow--
The leaf, the bud, the blossom, and--her face!-Midsummer's
heaven above us, and the grace
Of Lovers own day, from dawn to afterglow;
The fireflies' glimmering, and the sweet and low
Plaint of the whip-poor-wills, and every place
In thicker twilight for the roses' scent.
Then _night_.--She slept--in such tranquility,
I walk atiptoe still, nor _dare_ to weep,
Feeling, in all this hush, she rests content--
That though God stood to wake her for me, she
Would mutely plead: 'Nay, Lord! Let _him_ so sleep.'
304
James Whitcomb Riley
Blooms Of May
Blooms Of May
But yesterday!...
O blooms of May,
And summer roses--Where-away?
O stars above,
And lips of love
And all the honeyed sweets thereof!
O lad and lass
And orchard-pass,
And briered lane, and daisied grass!
O gleam and gloom,
And woodland bloom,
And breezy breaths of all perfume!--
No more for me
Or mine shall be
Thy raptures--save in memory,--
No more--no more--
Till through the Door
Of Glory gleam the days of yore.
But yesterday!...
O blooms of May,
And summer roses--Where-away?
O stars above,
And lips of love
And all the honeyed sweets thereof!
O lad and lass
And orchard-pass,
And briered lane, and daisied grass!
O gleam and gloom,
And woodland bloom,
And breezy breaths of all perfume!--
No more for me
Or mine shall be
Thy raptures--save in memory,--
No more--no more--
Till through the Door
Of Glory gleam the days of yore.
297
James Whitcomb Riley
Bedouin
Bedouin
O love is like an untamed steed!--
So hot of heart and wild of speed,
And with fierce freedom so in love,
The desert is not vast enough,
With all its leagues of glimmering sands,
To pasture it! Ah, that my hands
Were more than human in their strength,
That my deft lariat at length
Might safely noose this splendid thing
That so defies all conquering!
Ho! but to see it whirl and reel--
The sands spurt forward--and to feel
The quivering tension of the thong
That throned me high, with shriek and song!
To grapple tufts of tossing mane--
To spurn it to its feet again,
And then, sans saddle, rein or bit,
To lash the mad life out of it!
O love is like an untamed steed!--
So hot of heart and wild of speed,
And with fierce freedom so in love,
The desert is not vast enough,
With all its leagues of glimmering sands,
To pasture it! Ah, that my hands
Were more than human in their strength,
That my deft lariat at length
Might safely noose this splendid thing
That so defies all conquering!
Ho! but to see it whirl and reel--
The sands spurt forward--and to feel
The quivering tension of the thong
That throned me high, with shriek and song!
To grapple tufts of tossing mane--
To spurn it to its feet again,
And then, sans saddle, rein or bit,
To lash the mad life out of it!
311
James Whitcomb Riley
Away
Away
I cannot say, and I will not say
That he is dead--. He is just away!
With a cheery smile, and a wave of the hand
He has wandered into an unknown land,
And left us dreaming how very fair
It needs must be, since he lingers there.
And you-- O you, who the wildest yearn
For the old-time step and the glad return--,
Think of him faring on, as dear
In the love of There as the love of Here;
And loyal still, as he gave the blows
Of his warrior-strength to his country's foes--.
Mild and gentle, as he was brave--,
When the sweetest love of his life he gave
To simple things--: Where the violets grew
Blue as the eyes they were likened to,
The touches of his hands have strayed
As reverently as his lips have prayed:
When the little brown thrush that harshly chirred
Was dear to him as the mocking-bird;
And he pitied as much as a man in pain
A writhing honey-bee wet with rain--.
Think of him still as the same, I say:
He is not dead-- he is just away!
I cannot say, and I will not say
That he is dead--. He is just away!
With a cheery smile, and a wave of the hand
He has wandered into an unknown land,
And left us dreaming how very fair
It needs must be, since he lingers there.
And you-- O you, who the wildest yearn
For the old-time step and the glad return--,
Think of him faring on, as dear
In the love of There as the love of Here;
And loyal still, as he gave the blows
Of his warrior-strength to his country's foes--.
Mild and gentle, as he was brave--,
When the sweetest love of his life he gave
To simple things--: Where the violets grew
Blue as the eyes they were likened to,
The touches of his hands have strayed
As reverently as his lips have prayed:
When the little brown thrush that harshly chirred
Was dear to him as the mocking-bird;
And he pitied as much as a man in pain
A writhing honey-bee wet with rain--.
Think of him still as the same, I say:
He is not dead-- he is just away!
325
James Whitcomb Riley
Art And Love
Art And Love
He faced his canvas (as a seer whose ken
Pierces the crust of this existence through)
And smiled beyond on that his genius knew
Ere mated with his being. Conscious then
Of his high theme alone, he smiled again
Straight back upon himself in many a hue
And tint, and light and shade, which slowly grew
Enfeatured of a fair girl's face, as when
First time she smiles for love's sake with no fear.
So wrought he, witless that behind him leant
A woman, with old features, dim and sear,
And glamoured eyes that felt the brimming tear,
And with a voice, like some sad instrument,
That sighing said, 'I'm dead there; love me here!'
He faced his canvas (as a seer whose ken
Pierces the crust of this existence through)
And smiled beyond on that his genius knew
Ere mated with his being. Conscious then
Of his high theme alone, he smiled again
Straight back upon himself in many a hue
And tint, and light and shade, which slowly grew
Enfeatured of a fair girl's face, as when
First time she smiles for love's sake with no fear.
So wrought he, witless that behind him leant
A woman, with old features, dim and sear,
And glamoured eyes that felt the brimming tear,
And with a voice, like some sad instrument,
That sighing said, 'I'm dead there; love me here!'
322
James Whitcomb Riley
As My Uncle Used To Say
As My Uncle Used To Say
I've thought a power on men and things,
As my uncle ust to say,--
And ef folks don't work as they pray, i jings!
W'y, they ain't no use to pray!
Ef you want somepin', and jes dead-set
A-pleadin' fer it with both eyes wet,
And _tears_ won't bring it, w'y, you try _sweat_,
As my uncle ust to say.
They's some don't know their A, B, Cs,
As my uncle ust to say,
And yit don't waste no candle-grease,
Ner whistle their lives away!
But ef they can't write no book, ner rhyme
No ringin' song fer to last all time,
They can blaze the way fer the march sublime,
As my uncle ust to say.
Whoever's Foreman of all things here,
As my uncle ust to say,
He knows each job 'at we 're best fit fer,
And our round-up, night and day:
And a-sizin' _His_ work, east and west,
And north and south, and worst and best
I ain't got nothin' to suggest,
As my uncle ust to say.
I've thought a power on men and things,
As my uncle ust to say,--
And ef folks don't work as they pray, i jings!
W'y, they ain't no use to pray!
Ef you want somepin', and jes dead-set
A-pleadin' fer it with both eyes wet,
And _tears_ won't bring it, w'y, you try _sweat_,
As my uncle ust to say.
They's some don't know their A, B, Cs,
As my uncle ust to say,
And yit don't waste no candle-grease,
Ner whistle their lives away!
But ef they can't write no book, ner rhyme
No ringin' song fer to last all time,
They can blaze the way fer the march sublime,
As my uncle ust to say.
Whoever's Foreman of all things here,
As my uncle ust to say,
He knows each job 'at we 're best fit fer,
And our round-up, night and day:
And a-sizin' _His_ work, east and west,
And north and south, and worst and best
I ain't got nothin' to suggest,
As my uncle ust to say.
298
James Whitcomb Riley
An Autumnal Extravaganza
An Autumnal Extravaganza
With a sweeter voice than birds
Dare to twitter in their sleep,
Pipe for me a tune of words,
Till my dancing fancies leap
Into freedom vaster far
Than the realms of Reason are!
Sing for me with wilder fire
Than the lover ever sung,
From the time he twanged the lyre
When the world was baby-young.
O my maiden Autumn, you--
You have filled me through and through
With a passion so intense,
All of earthly eloquence
Fails, and falls, and swoons away
In your presence. Like as one
Who essays to look the sun
Fairly in the face, I say,
Though my eyes you dazzle blind
Greater dazzled is my mind.
So, my Autumn, let me kneel
At your feet and worship you!
Be my sweetheart; let me feel
Your caress; and tell me too
Why your smiles bewilder me--
Glancing into laughter, then
Trancing into calm again,
Till your meaning drowning lies
In the dim depths of your eyes.
Let me see the things you see
Down the depths of mystery!
Blow aside the hazy veil
From the daylight of your face
With the fragrance-ladened gale
Of your spicy breath and chase
Every dimple to its place.
Lift your gipsy finger-tips
To the roses of your lips,
And fling down to me a bud--
But an unblown kiss--but one--
It shall blossom in my blood,
Even after life is done--
When I dare to touch the brow
Your rare hair is veiling now--
When the rich, red-golden strands
Of the treasure in my hands
Shall be all of worldly worth
Heaven lifted from the earth,
Like a banner to have set
On its highest minaret.
With a sweeter voice than birds
Dare to twitter in their sleep,
Pipe for me a tune of words,
Till my dancing fancies leap
Into freedom vaster far
Than the realms of Reason are!
Sing for me with wilder fire
Than the lover ever sung,
From the time he twanged the lyre
When the world was baby-young.
O my maiden Autumn, you--
You have filled me through and through
With a passion so intense,
All of earthly eloquence
Fails, and falls, and swoons away
In your presence. Like as one
Who essays to look the sun
Fairly in the face, I say,
Though my eyes you dazzle blind
Greater dazzled is my mind.
So, my Autumn, let me kneel
At your feet and worship you!
Be my sweetheart; let me feel
Your caress; and tell me too
Why your smiles bewilder me--
Glancing into laughter, then
Trancing into calm again,
Till your meaning drowning lies
In the dim depths of your eyes.
Let me see the things you see
Down the depths of mystery!
Blow aside the hazy veil
From the daylight of your face
With the fragrance-ladened gale
Of your spicy breath and chase
Every dimple to its place.
Lift your gipsy finger-tips
To the roses of your lips,
And fling down to me a bud--
But an unblown kiss--but one--
It shall blossom in my blood,
Even after life is done--
When I dare to touch the brow
Your rare hair is veiling now--
When the rich, red-golden strands
Of the treasure in my hands
Shall be all of worldly worth
Heaven lifted from the earth,
Like a banner to have set
On its highest minaret.
275
James Whitcomb Riley
A Wrangdillion
A Wrangdillion
Dexery-tethery! down in the dike,
Under the ooze and the slime,
Nestles the wraith of a reticent Gryke,
Blubbering bubbles of rhyme:
Though the reeds touch him and tickle his teeth--
Though the Graigroll and the Cheest
Pluck at the leaves of his laureate-wreath,
Nothing affects him the least.
He sinks to the dregs in the dead o' the night,
And he shuffles the shadows about
As he gathers the stars in a nest of delight
And sets there and hatches them out:
The Zhederrill peers from his watery mine
In scorn with the Will-o'-the-wisp,
As he twinkles his eyes in a whisper of shine
That ends in a luminous lisp.
The Morning is born like a baby of gold,
And it lies in a spasm of pink,
And rallies the Cheest for the horrible cold
He has dragged to the willowy brink,
The Gryke blots his tears with a scrap of his grief,
And growls at the wary Graigroll
As he twunkers a tune on a Tiljicum leaf
And hums like a telegraph pole.
Dexery-tethery! down in the dike,
Under the ooze and the slime,
Nestles the wraith of a reticent Gryke,
Blubbering bubbles of rhyme:
Though the reeds touch him and tickle his teeth--
Though the Graigroll and the Cheest
Pluck at the leaves of his laureate-wreath,
Nothing affects him the least.
He sinks to the dregs in the dead o' the night,
And he shuffles the shadows about
As he gathers the stars in a nest of delight
And sets there and hatches them out:
The Zhederrill peers from his watery mine
In scorn with the Will-o'-the-wisp,
As he twinkles his eyes in a whisper of shine
That ends in a luminous lisp.
The Morning is born like a baby of gold,
And it lies in a spasm of pink,
And rallies the Cheest for the horrible cold
He has dragged to the willowy brink,
The Gryke blots his tears with a scrap of his grief,
And growls at the wary Graigroll
As he twunkers a tune on a Tiljicum leaf
And hums like a telegraph pole.
263
James Whitcomb Riley
A Worn-Out Pencil
A Worn-Out Pencil
Welladay!
Here I lay
You at rest--all worn away,
O my pencil, to the tip
Of our old companionship!
Memory
Sighs to see
What you are, and used to be,
Looking backward to the time
When you wrote your earliest rhyme!--
When I sat
Filing at
Your first point, and dreaming that
Your initial song should be
Worthy of posterity.
With regret
I forget
If the song be living yet,
Yet remember, vaguely now,
It was honest, anyhow.
You have brought
Me a thought--
Truer yet was never taught,--
That the silent song is best,
And the unsung worthiest.
So if I,
When I die,
May as uncomplainingly
Drop aside as now you do,
Write of me, as I of you:--
Here lies one
Who begun
Life a-singing, heard of none;
And he died, satisfied,
With his dead songs by his side.
Welladay!
Here I lay
You at rest--all worn away,
O my pencil, to the tip
Of our old companionship!
Memory
Sighs to see
What you are, and used to be,
Looking backward to the time
When you wrote your earliest rhyme!--
When I sat
Filing at
Your first point, and dreaming that
Your initial song should be
Worthy of posterity.
With regret
I forget
If the song be living yet,
Yet remember, vaguely now,
It was honest, anyhow.
You have brought
Me a thought--
Truer yet was never taught,--
That the silent song is best,
And the unsung worthiest.
So if I,
When I die,
May as uncomplainingly
Drop aside as now you do,
Write of me, as I of you:--
Here lies one
Who begun
Life a-singing, heard of none;
And he died, satisfied,
With his dead songs by his side.
292
James Whitcomb Riley
A Worn-Out Pencil
A Worn-Out Pencil
Welladay!
Here I lay
You at rest--all worn away,
O my pencil, to the tip
Of our old companionship!
Memory
Sighs to see
What you are, and used to be,
Looking backward to the time
When you wrote your earliest rhyme!--
When I sat
Filing at
Your first point, and dreaming that
Your initial song should be
Worthy of posterity.
With regret
I forget
If the song be living yet,
Yet remember, vaguely now,
It was honest, anyhow.
You have brought
Me a thought--
Truer yet was never taught,--
That the silent song is best,
And the unsung worthiest.
So if I,
When I die,
May as uncomplainingly
Drop aside as now you do,
Write of me, as I of you:--
Here lies one
Who begun
Life a-singing, heard of none;
And he died, satisfied,
With his dead songs by his side.
Welladay!
Here I lay
You at rest--all worn away,
O my pencil, to the tip
Of our old companionship!
Memory
Sighs to see
What you are, and used to be,
Looking backward to the time
When you wrote your earliest rhyme!--
When I sat
Filing at
Your first point, and dreaming that
Your initial song should be
Worthy of posterity.
With regret
I forget
If the song be living yet,
Yet remember, vaguely now,
It was honest, anyhow.
You have brought
Me a thought--
Truer yet was never taught,--
That the silent song is best,
And the unsung worthiest.
So if I,
When I die,
May as uncomplainingly
Drop aside as now you do,
Write of me, as I of you:--
Here lies one
Who begun
Life a-singing, heard of none;
And he died, satisfied,
With his dead songs by his side.
292
James Whitcomb Riley
A Variation
A Variation
I am tired of this!
Nothing else but loving!
Nothing else but kiss and kiss,
Coo, and turtle-doving!
Can't you change the order some?
Hate me just a little--come!
Lay aside your 'dears,'
'Darlings,' 'kings,' and 'princes!'--
Call me knave, and dry your tears--
Nothing in me winces,--
Call me something low and base--
Something that will suit the case!
Wish I had your eyes
And their drooping lashes!
I would dry their teary lies
Up with lightning-flashes--
Make your sobbing lips unsheathe
All the glitter of your teeth!
Can't you lift one word--
With some pang of laughter--
Louder than the drowsy bird
Crooning 'neath the rafter?
Just one bitter word, to shriek
Madly at me as I speak!
How I hate the fair
Beauty of your forehead!
How I hate your fragrant hair!
How I hate the torrid
Touches of your splendid lips,
And the kiss that drips and drips!
Ah, you pale at last!
And your face is lifted
Like a white sail to the blast,
And your hands are shifted
Into fists: and, towering thus,
You are simply glorious!
Now before me looms
Something more than human;
Something more than beauty blooms
In the wrath of Woman--
Something to bow down before
Reverently and adore.
I am tired of this!
Nothing else but loving!
Nothing else but kiss and kiss,
Coo, and turtle-doving!
Can't you change the order some?
Hate me just a little--come!
Lay aside your 'dears,'
'Darlings,' 'kings,' and 'princes!'--
Call me knave, and dry your tears--
Nothing in me winces,--
Call me something low and base--
Something that will suit the case!
Wish I had your eyes
And their drooping lashes!
I would dry their teary lies
Up with lightning-flashes--
Make your sobbing lips unsheathe
All the glitter of your teeth!
Can't you lift one word--
With some pang of laughter--
Louder than the drowsy bird
Crooning 'neath the rafter?
Just one bitter word, to shriek
Madly at me as I speak!
How I hate the fair
Beauty of your forehead!
How I hate your fragrant hair!
How I hate the torrid
Touches of your splendid lips,
And the kiss that drips and drips!
Ah, you pale at last!
And your face is lifted
Like a white sail to the blast,
And your hands are shifted
Into fists: and, towering thus,
You are simply glorious!
Now before me looms
Something more than human;
Something more than beauty blooms
In the wrath of Woman--
Something to bow down before
Reverently and adore.
261
James Whitcomb Riley
A Summer Afternoon
A Summer Afternoon
A languid atmosphere, a lazy breeze,
With labored respiration, moves the wheat
From distant reaches, till the golden seas
Break in crisp whispers at my feet.
My book, neglected of an idle mind,
Hides for a moment from the eyes of men;
Or lightly opened by a critic wind,
Affrightedly reviews itself again.
Off through the haze that dances in the shine
The warm sun showers in the open glade,
The forest lies, a silhouette design
Dimmed through and through with shade.
A dreamy day; and tranquilly I lie
At anchor from all storms of mental strain;
With absent vision, gazing at the sky,
"Like one that hears it rain."
The Katydid, so boisterous last night,
Clinging, inverted, in uneasy poise,
Beneath a wheat-blade, has forgotten quite
If "Katy DID or DIDN'T" make a noise.
The twitter, sometimes, of a wayward bird
That checks the song abruptly at the sound,
And mildly, chiding echoes that have stirred,
Sink into silence, all the more profound.
And drowsily I hear the plaintive strain
Of some poor dove . . . Why, I can scarcely keep
My heavy eyelids--there it is again-"
Coo-coo!"--I mustn't--"Coo-coo!"--fall asleep!
A languid atmosphere, a lazy breeze,
With labored respiration, moves the wheat
From distant reaches, till the golden seas
Break in crisp whispers at my feet.
My book, neglected of an idle mind,
Hides for a moment from the eyes of men;
Or lightly opened by a critic wind,
Affrightedly reviews itself again.
Off through the haze that dances in the shine
The warm sun showers in the open glade,
The forest lies, a silhouette design
Dimmed through and through with shade.
A dreamy day; and tranquilly I lie
At anchor from all storms of mental strain;
With absent vision, gazing at the sky,
"Like one that hears it rain."
The Katydid, so boisterous last night,
Clinging, inverted, in uneasy poise,
Beneath a wheat-blade, has forgotten quite
If "Katy DID or DIDN'T" make a noise.
The twitter, sometimes, of a wayward bird
That checks the song abruptly at the sound,
And mildly, chiding echoes that have stirred,
Sink into silence, all the more profound.
And drowsily I hear the plaintive strain
Of some poor dove . . . Why, I can scarcely keep
My heavy eyelids--there it is again-"
Coo-coo!"--I mustn't--"Coo-coo!"--fall asleep!
359
James Whitcomb Riley
A Spring Song And A Later
A Spring Song And A Later
She sang a song of May for me,
Wherein once more I heard
The mirth of my glad infancy--
The orchard's earliest bird--
The joyous breeze among the trees
New-clad in leaf and bloom,
And there the happy honey-bees
In dewy gleam and gloom.
So purely, sweetly on the sense
Of heart and spirit fell
Her song of Spring, its influence--
Still irresistible,--
Commands me here--with eyes ablur--
To mate her bright refrain.
Though I but shed a rhyme for her
As dim as Autumn rain.
She sang a song of May for me,
Wherein once more I heard
The mirth of my glad infancy--
The orchard's earliest bird--
The joyous breeze among the trees
New-clad in leaf and bloom,
And there the happy honey-bees
In dewy gleam and gloom.
So purely, sweetly on the sense
Of heart and spirit fell
Her song of Spring, its influence--
Still irresistible,--
Commands me here--with eyes ablur--
To mate her bright refrain.
Though I but shed a rhyme for her
As dim as Autumn rain.
277
James Whitcomb Riley
A Passing Hail
A Passing Hail
Let us rest ourselves a bit!
Worry?-- wave your hand to it --
Kiss your finger-tips and smile
It farewell a little while.
Weary of the weary way
We have come from Yesterday,
Let us fret not, instead,
Of the wary way ahead.
Let us pause and catch our breath
On the hither side of death,
While we see the tender shoots
Of the grasses -- not the roots,--
While we yet look down -- not up --
To seek out the buttercup
And the daisy where they wave
O'er the green home of the grave.
Let us launch us smoothly on
The soft billows of the lawn,
And drift out across the main
Of our childish dreams again:
Voyage off, beneath the trees,
O'er the field's enchanted seas,
Where the lilies are our sails,
And our sea-gulls, nightingales:
Where no wilder storm shall beat
Than the wind that waves the wheat,
And no tempest-burst above
The old laughs we used to love:
Lose all troubles -- gain release,
Languor, and exceeding peace,
Cruising idly o'er the vast,
Calm mid-ocean of the Past.
Let us rest ourselves a bit!
Worry? -- Wave your hand to it --
Kiss your finger-tips and smile
It fare well a little while.
Let us rest ourselves a bit!
Worry?-- wave your hand to it --
Kiss your finger-tips and smile
It farewell a little while.
Weary of the weary way
We have come from Yesterday,
Let us fret not, instead,
Of the wary way ahead.
Let us pause and catch our breath
On the hither side of death,
While we see the tender shoots
Of the grasses -- not the roots,--
While we yet look down -- not up --
To seek out the buttercup
And the daisy where they wave
O'er the green home of the grave.
Let us launch us smoothly on
The soft billows of the lawn,
And drift out across the main
Of our childish dreams again:
Voyage off, beneath the trees,
O'er the field's enchanted seas,
Where the lilies are our sails,
And our sea-gulls, nightingales:
Where no wilder storm shall beat
Than the wind that waves the wheat,
And no tempest-burst above
The old laughs we used to love:
Lose all troubles -- gain release,
Languor, and exceeding peace,
Cruising idly o'er the vast,
Calm mid-ocean of the Past.
Let us rest ourselves a bit!
Worry? -- Wave your hand to it --
Kiss your finger-tips and smile
It fare well a little while.
328
James Whitcomb Riley
A Man Of Many Parts
A Man Of Many Parts
It was a man of many parts,
Who in his coffer mind
Had stored the Classics and the Arts
And Sciences combined;
The purest gems of poesy
Came flashing from his pen--
The wholesome truths of History
He gave his fellow men.
He knew the stars from 'Dog' to Mars;
And he could tell you, too,
Their distances--as though the cars
Had often checked him through--
And time 'twould take to reach the sun,
Or by the 'Milky Way,'
Drop in upon the moon, or run
The homeward trip, or stay.
With Logic at his fingers' ends,
Theology in mind,
He often entertained his friends
Until they died resigned;
And with inquiring mind intent
Upon Alchemic arts
A dynamite experiment-.
. . . . . .
A man of many parts!
It was a man of many parts,
Who in his coffer mind
Had stored the Classics and the Arts
And Sciences combined;
The purest gems of poesy
Came flashing from his pen--
The wholesome truths of History
He gave his fellow men.
He knew the stars from 'Dog' to Mars;
And he could tell you, too,
Their distances--as though the cars
Had often checked him through--
And time 'twould take to reach the sun,
Or by the 'Milky Way,'
Drop in upon the moon, or run
The homeward trip, or stay.
With Logic at his fingers' ends,
Theology in mind,
He often entertained his friends
Until they died resigned;
And with inquiring mind intent
Upon Alchemic arts
A dynamite experiment-.
. . . . . .
A man of many parts!
306
James Whitcomb Riley
A Letter To A Friend
A Letter To A Friend
The past is like a story
I have listened to in dreams
That vanished in the glory
Of the Morning's early gleams;
And--at my shadow glancing--
I feel a loss of strength,
As the Day of Life advancing
Leaves it shorn of half its length.
But it's all in vain to worry
At the rapid race of Time--
And he flies in such a flurry
When I trip him with a rhyme,
I'll bother him no longer
Than to thank you for the thought
That 'my fame is growing stronger
As you really think it ought.'
And though I fall below it,
I might know as much of mirth
To live and die a poet
Of unacknowledged worth;
For Fame is but a vagrant--
Though a loyal one and brave,
And his laurels ne'er so fragrant
As when scattered o'er the grave.
The past is like a story
I have listened to in dreams
That vanished in the glory
Of the Morning's early gleams;
And--at my shadow glancing--
I feel a loss of strength,
As the Day of Life advancing
Leaves it shorn of half its length.
But it's all in vain to worry
At the rapid race of Time--
And he flies in such a flurry
When I trip him with a rhyme,
I'll bother him no longer
Than to thank you for the thought
That 'my fame is growing stronger
As you really think it ought.'
And though I fall below it,
I might know as much of mirth
To live and die a poet
Of unacknowledged worth;
For Fame is but a vagrant--
Though a loyal one and brave,
And his laurels ne'er so fragrant
As when scattered o'er the grave.
257
James Whitcomb Riley
A Letter To A Friend
A Letter To A Friend
The past is like a story
I have listened to in dreams
That vanished in the glory
Of the Morning's early gleams;
And--at my shadow glancing--
I feel a loss of strength,
As the Day of Life advancing
Leaves it shorn of half its length.
But it's all in vain to worry
At the rapid race of Time--
And he flies in such a flurry
When I trip him with a rhyme,
I'll bother him no longer
Than to thank you for the thought
That 'my fame is growing stronger
As you really think it ought.'
And though I fall below it,
I might know as much of mirth
To live and die a poet
Of unacknowledged worth;
For Fame is but a vagrant--
Though a loyal one and brave,
And his laurels ne'er so fragrant
As when scattered o'er the grave.
The past is like a story
I have listened to in dreams
That vanished in the glory
Of the Morning's early gleams;
And--at my shadow glancing--
I feel a loss of strength,
As the Day of Life advancing
Leaves it shorn of half its length.
But it's all in vain to worry
At the rapid race of Time--
And he flies in such a flurry
When I trip him with a rhyme,
I'll bother him no longer
Than to thank you for the thought
That 'my fame is growing stronger
As you really think it ought.'
And though I fall below it,
I might know as much of mirth
To live and die a poet
Of unacknowledged worth;
For Fame is but a vagrant--
Though a loyal one and brave,
And his laurels ne'er so fragrant
As when scattered o'er the grave.
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