Poems in this topic
Others
E. E. Cummings
Spring is like a perhaps hand
Spring is like a perhaps hand
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
642
E. E. Cummings
Sometimes I Am Alive Because With
Sometimes I Am Alive Because With
sometimes i am alive because with
me her alert treelike body sleeps
which i will feel slowly sharpening
becoming distinct with love slowly,
who in my shoulder sinks sweetly teeth
until we shall attain the Springsmelling
intense large togethercoloured instant
the moment pleasantly frightful
when, her mouth suddenly rising, wholly
begins with mine fiercely to fool
(and from my thighs which shrug and pant
a murdering rain leapingly reaches the upward singular deepest flower which she
carries in a gesture of her hips)
sometimes i am alive because with
me her alert treelike body sleeps
which i will feel slowly sharpening
becoming distinct with love slowly,
who in my shoulder sinks sweetly teeth
until we shall attain the Springsmelling
intense large togethercoloured instant
the moment pleasantly frightful
when, her mouth suddenly rising, wholly
begins with mine fiercely to fool
(and from my thighs which shrug and pant
a murdering rain leapingly reaches the upward singular deepest flower which she
carries in a gesture of her hips)
572
E. E. Cummings
of Ever-Ever Land i speak
of Ever-Ever Land i speak
(of Ever-Ever Land i speak
sweet morons gather roun'
who does not dare to stand or sit
may take it lying down)
down with the human soul
and anything else uncanned
for everyone carries canopeners
in Ever-Ever Land
(for Ever-Ever Land is a place
that's as simple as simple can be
and was built that way on purpose
by simple people like we)
down with hell and heaven
and all the religious fuss
infinity pleased our parents
one inch looks good to us
(and Ever-Ever Land is a place
that's measured and safe and known
where it's lucky to be unlucky
and the hitler lies down with the cohn)
down above all with love
and everything perverse
or which makes some feel more better
when all ought to feel less worse
(but only sameness is normal
in Ever-Ever Land
for a bad cigar is a woman
but a gland is only a gland)
(of Ever-Ever Land i speak
sweet morons gather roun'
who does not dare to stand or sit
may take it lying down)
down with the human soul
and anything else uncanned
for everyone carries canopeners
in Ever-Ever Land
(for Ever-Ever Land is a place
that's as simple as simple can be
and was built that way on purpose
by simple people like we)
down with hell and heaven
and all the religious fuss
infinity pleased our parents
one inch looks good to us
(and Ever-Ever Land is a place
that's measured and safe and known
where it's lucky to be unlucky
and the hitler lies down with the cohn)
down above all with love
and everything perverse
or which makes some feel more better
when all ought to feel less worse
(but only sameness is normal
in Ever-Ever Land
for a bad cigar is a woman
but a gland is only a gland)
805
E. E. Cummings
my father moved through dooms of love
my father moved through dooms of love
my father moved through dooms of love
through sames of am through haves of give,
singing each morning out of each night
my father moved through depths of height
this motionless forgetful where
turned at his glance to shining here;
that if(so timid air is firm)
under his eyes would stir and squirm
newly as from unburied which
floats the first who, his april touch
drove sleeping selves to swarm their fates
woke dreamers to their ghostly roots
and should some why completely weep
my father's fingers brought her sleep:
vainly no smallest voice might cry
for he could feel the mountains grow.
Lifting the valleys of the sea
my father moved through griefs of joy;
praising a forehead called the moon
singing desire into begin
joy was his song and joy so pure
a heart of star by him could steer
and pure so now and now so yes
the wrists of twilight would rejoice
keen as midsummer's keen beyond
conceiving mind of sun will stand,
so strictly(over utmost him
so hugely)stood my father's dream
his flesh was flesh his blood was blood:
no hungry man but wished him food;
no cripple wouldn't creep one mile
uphill to only see him smile.
Scorning the pomp of must and shall
my father moved through dooms of feel;
his anger was as right as rain
his pity was as green as grain
septembering arms of year extend
less humbly wealth to foe and friend
than he to foolish and to wise
offered immeasurable is
proudly and(by octobering flame
beckoned)as earth will downward climb,
so naked for immortal work
his shoulders marched against the dark
his sorrow was as true as bread:
no liar looked him in the head;
if every friend became his foe
he'd laugh and build a world with snow.
My father moved through theys of we,
singing each new leaf out of each tree
(and every child was sure that spring
danced when she heard my father sing)
then let men kill which cannot share,
let blood and flesh be mud and mire,
scheming imagine,passion willed,
freedom a drug that's bought and sold
giving to steal and cruel kind,
a heart to fear,to doubt a mind,
to differ a disease of same,
conform the pinnacle of am
though dull were all we taste as bright,
bitter all utterly things sweet,
maggoty minus and dumb death
all we inherit,all bequeath
and nothing quite so least as truth
-i say though hate were why men breathebecause
my father lived his soul
love is the whole and more than all
my father moved through dooms of love
through sames of am through haves of give,
singing each morning out of each night
my father moved through depths of height
this motionless forgetful where
turned at his glance to shining here;
that if(so timid air is firm)
under his eyes would stir and squirm
newly as from unburied which
floats the first who, his april touch
drove sleeping selves to swarm their fates
woke dreamers to their ghostly roots
and should some why completely weep
my father's fingers brought her sleep:
vainly no smallest voice might cry
for he could feel the mountains grow.
Lifting the valleys of the sea
my father moved through griefs of joy;
praising a forehead called the moon
singing desire into begin
joy was his song and joy so pure
a heart of star by him could steer
and pure so now and now so yes
the wrists of twilight would rejoice
keen as midsummer's keen beyond
conceiving mind of sun will stand,
so strictly(over utmost him
so hugely)stood my father's dream
his flesh was flesh his blood was blood:
no hungry man but wished him food;
no cripple wouldn't creep one mile
uphill to only see him smile.
Scorning the pomp of must and shall
my father moved through dooms of feel;
his anger was as right as rain
his pity was as green as grain
septembering arms of year extend
less humbly wealth to foe and friend
than he to foolish and to wise
offered immeasurable is
proudly and(by octobering flame
beckoned)as earth will downward climb,
so naked for immortal work
his shoulders marched against the dark
his sorrow was as true as bread:
no liar looked him in the head;
if every friend became his foe
he'd laugh and build a world with snow.
My father moved through theys of we,
singing each new leaf out of each tree
(and every child was sure that spring
danced when she heard my father sing)
then let men kill which cannot share,
let blood and flesh be mud and mire,
scheming imagine,passion willed,
freedom a drug that's bought and sold
giving to steal and cruel kind,
a heart to fear,to doubt a mind,
to differ a disease of same,
conform the pinnacle of am
though dull were all we taste as bright,
bitter all utterly things sweet,
maggoty minus and dumb death
all we inherit,all bequeath
and nothing quite so least as truth
-i say though hate were why men breathebecause
my father lived his soul
love is the whole and more than all
614
E. E. Cummings
maggie and milly and molly and may
maggie and milly and molly and may
maggie and milly and molly and may
went down to the beach (to play one day)
and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea
maggie and milly and molly and may
went down to the beach (to play one day)
and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea
922
E. E. Cummings
it may not always be so
it may not always be so
it may not always be so; and i say
that if your lips, which i have loved, should touch
another's, and your dear strong fingers clutch
his heart, as mine in time not far away;
if on another's face your sweet hair lay
in such a silence as i know, or such
great writhing words as, uttering overmuch,
stand helplessly before the spirit at bay;
if this should be, i say if this should be -you
of my heart, send me a little word;
that i may go unto him, and take his hands,
saying, Accept all happiness from me.
Then shall i turn my face, and hear one bird
sing terribly afar in the lost lands.
it may not always be so; and i say
that if your lips, which i have loved, should touch
another's, and your dear strong fingers clutch
his heart, as mine in time not far away;
if on another's face your sweet hair lay
in such a silence as i know, or such
great writhing words as, uttering overmuch,
stand helplessly before the spirit at bay;
if this should be, i say if this should be -you
of my heart, send me a little word;
that i may go unto him, and take his hands,
saying, Accept all happiness from me.
Then shall i turn my face, and hear one bird
sing terribly afar in the lost lands.
645
E. E. Cummings
in time of daffodils(who know
in time of daffodils(who know
in time of daffodils(who know
the goal of living is to grow)
forgetting why,remember how
in time of lilacs who proclaim
the aim of waking is to dream,
remember so(forgetting seem)
in time of roses(who amaze
our now and here with paradise)
forgetting if,remember yes
in time of all sweet things beyond
whatever mind may comprehend,
remember seek(forgetting find)
and in a mystery to be
(when time from time shall set us free)
forgetting me,remember me
in time of daffodils(who know
the goal of living is to grow)
forgetting why,remember how
in time of lilacs who proclaim
the aim of waking is to dream,
remember so(forgetting seem)
in time of roses(who amaze
our now and here with paradise)
forgetting if,remember yes
in time of all sweet things beyond
whatever mind may comprehend,
remember seek(forgetting find)
and in a mystery to be
(when time from time shall set us free)
forgetting me,remember me
461
E. E. Cummings
If I have made, my lady, intricate
If I have made, my lady, intricate
If I have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body's whitest song
upon my mind - if I have failed to snare
the glance too shy - if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair
-let the world say "his most wise music stole
nothing from death" you
will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came
into the ragged meadow of my soul.
If I have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body's whitest song
upon my mind - if I have failed to snare
the glance too shy - if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair
-let the world say "his most wise music stole
nothing from death" you
will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came
into the ragged meadow of my soul.
584
E. E. Cummings
If I have made, my lady, intricate
If I have made, my lady, intricate
If I have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body's whitest song
upon my mind - if I have failed to snare
the glance too shy - if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair
-let the world say "his most wise music stole
nothing from death" you
will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came
into the ragged meadow of my soul.
If I have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body's whitest song
upon my mind - if I have failed to snare
the glance too shy - if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair
-let the world say "his most wise music stole
nothing from death" you
will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came
into the ragged meadow of my soul.
584
E. E. Cummings
If I have made, my lady, intricate
If I have made, my lady, intricate
If I have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body's whitest song
upon my mind - if I have failed to snare
the glance too shy - if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair
-let the world say "his most wise music stole
nothing from death" you
will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came
into the ragged meadow of my soul.
If I have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body's whitest song
upon my mind - if I have failed to snare
the glance too shy - if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair
-let the world say "his most wise music stole
nothing from death" you
will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came
into the ragged meadow of my soul.
584
E. E. Cummings
if everything happens that can't be done
if everything happens that can't be done
if everything happens that can't be done
(and anything's righter
than books
could plan)
the stupidest teacher will almost guess
(with a run
skip
around we go yes)
there's nothing as something as one
one hasn't a why or because or although
(and buds know better
than books
don't grow)
one's anything old being everything new
(with a what
which
around we come who)
one's everyanything so
so world is a leaf so tree is a bough
(and birds sing sweeter
than books
tell how)
so here is away and so your is a my
(with a down
up
around again fly)
forever was never till now
now i love you and you love me
(and books are shutter
than books
can be)
and deep in the high that does nothing but fall
(with a shout
each
around we go all)
there's somebody calling who's we
we're anything brighter than even the sun
(we're everything greater
than books
might mean)
we're everanything more than believe
(with a spin
leap
alive we're alive)
we're wonderful one times one
if everything happens that can't be done
(and anything's righter
than books
could plan)
the stupidest teacher will almost guess
(with a run
skip
around we go yes)
there's nothing as something as one
one hasn't a why or because or although
(and buds know better
than books
don't grow)
one's anything old being everything new
(with a what
which
around we come who)
one's everyanything so
so world is a leaf so tree is a bough
(and birds sing sweeter
than books
tell how)
so here is away and so your is a my
(with a down
up
around again fly)
forever was never till now
now i love you and you love me
(and books are shutter
than books
can be)
and deep in the high that does nothing but fall
(with a shout
each
around we go all)
there's somebody calling who's we
we're anything brighter than even the sun
(we're everything greater
than books
might mean)
we're everanything more than believe
(with a spin
leap
alive we're alive)
we're wonderful one times one
659
E. E. Cummings
i have found what you are like
i have found what you are like
i have found what you are like
the rain
(Who feathers frightened fields
with the superior dust-of-sleep. wields
easily the pale club of the wind
and swirled justly souls of flower strike
the air in utterable coolness
deeds of gren thrilling light
with thinned
newfragile yellows
lurch and press
--in the woods
which
stutter
and
sing
And the coolness of your smile is
stirringofbirds between my arms;but
i should rather than anything
have(almost when hugeness will shut
quietly)almost,
your kiss
i have found what you are like
the rain
(Who feathers frightened fields
with the superior dust-of-sleep. wields
easily the pale club of the wind
and swirled justly souls of flower strike
the air in utterable coolness
deeds of gren thrilling light
with thinned
newfragile yellows
lurch and press
--in the woods
which
stutter
and
sing
And the coolness of your smile is
stirringofbirds between my arms;but
i should rather than anything
have(almost when hugeness will shut
quietly)almost,
your kiss
550
E. E. Cummings
Fame Speaks
Fame Speaks
Stand forth,John Keats! On earth thou knew'st me not;
Steadfast through all the storms of passion,thou,
True to thy muse,and virgin to thy vow;
Resigned,if name with ashes were forgot,
So thou one arrow in the gold had'st shot!
I never placed my laurel on thy brow,
But on thy name I come to lay it now,
When thy bones wither in the earthly plot.
Fame is my name. I dwell among the clouds,
Being immortal,and the wreath I bring
Itself is Immortality. The sweets
Of earth I know not,more the pains,but wing
In mine own ether,with the crownéd crowds
Born of the centuries.-Stand forth,John Keats!
Stand forth,John Keats! On earth thou knew'st me not;
Steadfast through all the storms of passion,thou,
True to thy muse,and virgin to thy vow;
Resigned,if name with ashes were forgot,
So thou one arrow in the gold had'st shot!
I never placed my laurel on thy brow,
But on thy name I come to lay it now,
When thy bones wither in the earthly plot.
Fame is my name. I dwell among the clouds,
Being immortal,and the wreath I bring
Itself is Immortality. The sweets
Of earth I know not,more the pains,but wing
In mine own ether,with the crownéd crowds
Born of the centuries.-Stand forth,John Keats!
577
E. E. Cummings
Fame Speaks
Fame Speaks
Stand forth,John Keats! On earth thou knew'st me not;
Steadfast through all the storms of passion,thou,
True to thy muse,and virgin to thy vow;
Resigned,if name with ashes were forgot,
So thou one arrow in the gold had'st shot!
I never placed my laurel on thy brow,
But on thy name I come to lay it now,
When thy bones wither in the earthly plot.
Fame is my name. I dwell among the clouds,
Being immortal,and the wreath I bring
Itself is Immortality. The sweets
Of earth I know not,more the pains,but wing
In mine own ether,with the crownéd crowds
Born of the centuries.-Stand forth,John Keats!
Stand forth,John Keats! On earth thou knew'st me not;
Steadfast through all the storms of passion,thou,
True to thy muse,and virgin to thy vow;
Resigned,if name with ashes were forgot,
So thou one arrow in the gold had'st shot!
I never placed my laurel on thy brow,
But on thy name I come to lay it now,
When thy bones wither in the earthly plot.
Fame is my name. I dwell among the clouds,
Being immortal,and the wreath I bring
Itself is Immortality. The sweets
Of earth I know not,more the pains,but wing
In mine own ether,with the crownéd crowds
Born of the centuries.-Stand forth,John Keats!
577
E. E. Cummings
Ballad of the Scholar's Lament
Ballad of the Scholar's Lament
When I have struggled through three hundred years
of Roman history, and hastened o'er
Some French play-(though I have my private fears
Of flunking sorely when I take the floor
In class),-when I have steeped my soul in gore
And Greek, and figured over half a ream
With Algebra, which I do (not) adore,
How shall I manage to compose a theme?
It's well enough to talk of poor and peers,
And munch the golden apples' shiny core,
And lay a lot of heroes on their biers;While
the great Alec, knocking down a score,
Takes out his handkerchief, boohoo-ing, "More!"But
harshly I awaken from my dream,
To find a new,-er,-privilege,-in store:
How shall I manage to compose a theme?
After I've swallowed prophecies of seers,
And trailed Aeneas from the Trojan shore,
Learned how Achilles, after many jeers,
On piggy Agamemnon got to sore,
And heard how Hercules, Esq., tore
Around, and swept and dusted with a stream,
There's one last duty,-let's not call it bore,How
shall I manage to compose a theme?
Envoi
Of what avail is all my mighty lore?
I beat my breast, I tear my hair, I scream:
"Behold, I have a Herculean chore.
How shall I manage to compose a theme?"
When I have struggled through three hundred years
of Roman history, and hastened o'er
Some French play-(though I have my private fears
Of flunking sorely when I take the floor
In class),-when I have steeped my soul in gore
And Greek, and figured over half a ream
With Algebra, which I do (not) adore,
How shall I manage to compose a theme?
It's well enough to talk of poor and peers,
And munch the golden apples' shiny core,
And lay a lot of heroes on their biers;While
the great Alec, knocking down a score,
Takes out his handkerchief, boohoo-ing, "More!"But
harshly I awaken from my dream,
To find a new,-er,-privilege,-in store:
How shall I manage to compose a theme?
After I've swallowed prophecies of seers,
And trailed Aeneas from the Trojan shore,
Learned how Achilles, after many jeers,
On piggy Agamemnon got to sore,
And heard how Hercules, Esq., tore
Around, and swept and dusted with a stream,
There's one last duty,-let's not call it bore,How
shall I manage to compose a theme?
Envoi
Of what avail is all my mighty lore?
I beat my breast, I tear my hair, I scream:
"Behold, I have a Herculean chore.
How shall I manage to compose a theme?"
611
E. E. Cummings
Ballad of the Scholar's Lament
Ballad of the Scholar's Lament
When I have struggled through three hundred years
of Roman history, and hastened o'er
Some French play-(though I have my private fears
Of flunking sorely when I take the floor
In class),-when I have steeped my soul in gore
And Greek, and figured over half a ream
With Algebra, which I do (not) adore,
How shall I manage to compose a theme?
It's well enough to talk of poor and peers,
And munch the golden apples' shiny core,
And lay a lot of heroes on their biers;While
the great Alec, knocking down a score,
Takes out his handkerchief, boohoo-ing, "More!"But
harshly I awaken from my dream,
To find a new,-er,-privilege,-in store:
How shall I manage to compose a theme?
After I've swallowed prophecies of seers,
And trailed Aeneas from the Trojan shore,
Learned how Achilles, after many jeers,
On piggy Agamemnon got to sore,
And heard how Hercules, Esq., tore
Around, and swept and dusted with a stream,
There's one last duty,-let's not call it bore,How
shall I manage to compose a theme?
Envoi
Of what avail is all my mighty lore?
I beat my breast, I tear my hair, I scream:
"Behold, I have a Herculean chore.
How shall I manage to compose a theme?"
When I have struggled through three hundred years
of Roman history, and hastened o'er
Some French play-(though I have my private fears
Of flunking sorely when I take the floor
In class),-when I have steeped my soul in gore
And Greek, and figured over half a ream
With Algebra, which I do (not) adore,
How shall I manage to compose a theme?
It's well enough to talk of poor and peers,
And munch the golden apples' shiny core,
And lay a lot of heroes on their biers;While
the great Alec, knocking down a score,
Takes out his handkerchief, boohoo-ing, "More!"But
harshly I awaken from my dream,
To find a new,-er,-privilege,-in store:
How shall I manage to compose a theme?
After I've swallowed prophecies of seers,
And trailed Aeneas from the Trojan shore,
Learned how Achilles, after many jeers,
On piggy Agamemnon got to sore,
And heard how Hercules, Esq., tore
Around, and swept and dusted with a stream,
There's one last duty,-let's not call it bore,How
shall I manage to compose a theme?
Envoi
Of what avail is all my mighty lore?
I beat my breast, I tear my hair, I scream:
"Behold, I have a Herculean chore.
How shall I manage to compose a theme?"
611
E. E. Cummings
(a... (a leaf falls on loneliness)
(a... (a leaf falls on loneliness)
1(a
le
af
fa
ll
s)
one
l
iness
1(a
le
af
fa
ll
s)
one
l
iness
935
Edna St. Vincent Millay
Wild Swans
Wild Swans
I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more:
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!
I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more:
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!
339
Edna St. Vincent Millay
When We Are Old And These Rejoicing Veins
When We Are Old And These Rejoicing Veins
When we are old and these rejoicing veins
Are frosty channels to a muted stream,
And out of all our burning their remains
No feeblest spark to fire us, even in dream,
This be our solace: that it was not said
When we were young and warm and in our prime,
Upon our couch we lay as lie the dead,
Sleeping away the unreturning time.
O sweet, O heavy-lidded, O my love,
When morning strikes her spear upon the land,
And we must rise and arm us and reprove
The insolent daylight with a steady hand,
Be not discountenanced if the knowing know
We rose from rapture but an hour ago.
When we are old and these rejoicing veins
Are frosty channels to a muted stream,
And out of all our burning their remains
No feeblest spark to fire us, even in dream,
This be our solace: that it was not said
When we were young and warm and in our prime,
Upon our couch we lay as lie the dead,
Sleeping away the unreturning time.
O sweet, O heavy-lidded, O my love,
When morning strikes her spear upon the land,
And we must rise and arm us and reprove
The insolent daylight with a steady hand,
Be not discountenanced if the knowing know
We rose from rapture but an hour ago.
419
Edna St. Vincent Millay
When I Too Long Have Looked Upon Your Face
When I Too Long Have Looked Upon Your Face
When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.
When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.
398
Edna St. Vincent Millay
When I Too Long Have Looked Upon Your Face
When I Too Long Have Looked Upon Your Face
When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.
When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.
398
Edna St. Vincent Millay
Two Sonnets In Memory
Two Sonnets In Memory
(Nicola Sacco -- Bartolomeo Vanzetti)
Executed August 23, 1927
I
As men have loved their lovers in times past
And sung their wit, their virtue and their grace,
So have we loved sweet Justice to the last,
That now lies here in an unseemly place.
The child will quit the cradle and grow wise
And stare on beauty till his senses drown;
Yet shall be seen no more by mortal eyes
Such beauty as here walked and here went down.
Like birds that hear the winter crying plain
Her courtiers leave to seek the clement south;
Many have praised her, we alone remain
To break a fist against the lying mouth
Of any man who says this was not so:
Though she be dead now, as indeed we know.
II
Where can the heart be hidden in the ground
And be at peace, and be at peace forever,
Under the world, untroubled by the sound
Of mortal tears, that cease from pouring never?
Well for the heart, by stern compassion harried,
If death be deeper than the churchmen say, --
Gone from this world indeed what's graveward carried,
And laid to rest indeed what's laid away.
Anguish enough while yet the indignant breather
Have blood to spurt upon the oppressor's hand;
Who would eternal be, and hang in ether
A stuffless ghost above his struggling land,
Retching in vain to render up the groan
That is not there, being aching dust's alone?
(Nicola Sacco -- Bartolomeo Vanzetti)
Executed August 23, 1927
I
As men have loved their lovers in times past
And sung their wit, their virtue and their grace,
So have we loved sweet Justice to the last,
That now lies here in an unseemly place.
The child will quit the cradle and grow wise
And stare on beauty till his senses drown;
Yet shall be seen no more by mortal eyes
Such beauty as here walked and here went down.
Like birds that hear the winter crying plain
Her courtiers leave to seek the clement south;
Many have praised her, we alone remain
To break a fist against the lying mouth
Of any man who says this was not so:
Though she be dead now, as indeed we know.
II
Where can the heart be hidden in the ground
And be at peace, and be at peace forever,
Under the world, untroubled by the sound
Of mortal tears, that cease from pouring never?
Well for the heart, by stern compassion harried,
If death be deeper than the churchmen say, --
Gone from this world indeed what's graveward carried,
And laid to rest indeed what's laid away.
Anguish enough while yet the indignant breather
Have blood to spurt upon the oppressor's hand;
Who would eternal be, and hang in ether
A stuffless ghost above his struggling land,
Retching in vain to render up the groan
That is not there, being aching dust's alone?
348