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Regret and Guilt

Ezra Pound

Ezra Pound

Piere Vidal Old

Piere Vidal Old

When I but think upon the great dead days
And turn my mind upon that splendid madness,
Lo! I do curse my strength
And blame the sun his gladness;
For that the one is dead
And the red sun mocks my sadness.


Behold me, Vidal, that was fool of fools!
Swift as the king wolf was I and as strong
When tall stags fled me through the alder brakes,
And every jongleur knew me in his song,
And the hounds fled and the deer fled
And none fled over long.


Even the grey pack knew me and knew fear.
God! how the swiftest hind's blood spurted hot
Over the sharpened teeth and purpling lips!
Hot was that hind's blood yet it scorched me not
As did first scorn, then lips of the Penautier!
Aye ye are fools, if ye think time can blot


From Piere Vidal’s remembrance that blue night.
God! but the purple of the sky was deep!
Clear, deep, translucent, so the stars me seemed
Set deep in crystal; and because my sleep
Rare visitor came not, the Saints I guerdon
For that restlessness Piere set to keep


One more fool's vigil with the hollyhocks.
Swift came the Loba, as a branch that's caught,
Torn, green and silent in the swollen Rhone,
Green was her mantle, close, and wrought
Of some thin silk stuff that's scarce stuff at all,
But like a mist wherethrough her white form fought,


And conquered! Ah God! conquered!
Silent my mate came as the night was still.
Speech? Words? Faugh! Who talks of words and love?!
Hot is such love and silent,
Silent as fate is, and as strong until
It faints in taking and in giving all.


Stark, keen, triumphant, till it plays at death.
God! she was white then, splendid as some tomb
High wrought of marble, and the panting breath
Ceased utterly. Well, then I waited, drew,
Half-sheathed, then naked from its saffron sheath
Drew full this dagger that doth tremble here.


Just then she woke and mocked the less keen blade.
Ah God, the Loba! and my only mate!
Was there such flesh made ever and unmade!



God curse the years that turn such women grey!
Behold here Vidal, that was hunted, flayed,
Shamed and yet bowed not and that won at last.


And yet I curse the sun for his red gladness,
I that have known strath, garth, brake, dale,
And every run-away of the wood through that great
madness,
Behold me shrivelled as an old oak's trunk
And made men's mock'ry in my rotten sadness!


No man hath heard the glory of my days:
No man hath dared and won his dare as I:
One night, one body and one welding flame!
What do ye own, ye niggards! that can buy
Such glory of the earth? Or who will win
Such battle-guerdon with his 'prowesse high' ?


O age gone lax! O stunted followers,
That mask at passions and desire desires,
Behold me shrivelled, and your mock of mocks;
And yet I mock you by the mighty fires
That burnt me to this ash.


Ah! Cabaret! Ah Cabaret, thy hills again!


Take your hands off me! . . . [Sniffing the air.
Ha! this scent is hot!
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Ezra Pound

Ezra Pound

Homage To Sextus Propertius - XII

Homage To Sextus Propertius - XII

Who, who will be the next man to entrust his girl to a friend?
Love interferes with fidelities;
The gods have brought shame on their relatives;
Each man wants the pomegranate for himself;
Amiable and harmonious people are pushed incontinent into duels,
A Trojan and adulterous person came to Menelaus under the rites of hospitium,
And there was a case in Colchis, Jason and that woman in Colchis;
And besides, Lynceus,
you were drunk.


Could you endure such promiscuity?
She was not renowned for fidelity;
But to jab a knife in my vitals, to have passed on a swig of poison,
Preferable, my dear boy, my dear Lynceus,
Comrade, comrade of my life, of my purse, of my person;
But in one bed, in one bed alone, my dear Lynceus
I deprecate your attendance;
I would ask a like boon of Jove.


And you write of Achelous, who contended with Hercules,
You write of Adrastus' horses and the funeral rites of Achenor,
And you will not leave off imitating Aeschylus.
Though you make a hash of Antimachus,
You think you are going to do Homer.
And still a girl scorns the gods,
Of all these young women
not one has enquired the cause of the world,
Nor the modus of lunar eclipses
Nor whether there be any patch left of us
After we cross the infernal ripples,
nor if the thunder fall from predestination;
Nor anything else of importance.


Upon the Actian marshes Virgil is Phoebus' chief of police,
He can tabulate Caesar's great ships.
He thrills to Ilian arms,
He shakes the Trojan weapons of Aeneas,
And casts stores on Lavinian beaches.


Make way, ye Roman authors,
clear the street, ye Greeks,
For a much larger Iliad is on the course of construction
(and to Imperial order)
Clear the streets, O ye Greeks!


And you also follow him 'neath Phrygian pine shade:
Thyrsis and Daphnis upon whittled reeds,
And how ten sins can corrupt young maidens;
Kids for a bribe and pressed udders,
Happy selling poor loves for cheap apples.


Tityrus might have sung the same vixen;



Corydon tempted Alexis,
Head farmers do likewise, and lying weary amid their oats
They get praise from tolerant Hamadryads.'
Go on, to Ascraeus' prescription, the ancient, respected, Wordsworthian:
‘A flat field for rushes, grapes grow on the slope.'
And behold me, small fortune left in my house.
Me, who had no general for a grandfather!
I shall triumph among young ladies of indeterminate character,
My talent acclaimed in their banquets,
I shall be honoured with yesterday's wreaths.
And the god strikes to the marrow.


Like a trained and performing tortoise,
I would make verse in your fashion, if she should command it,
With her husband asking a remission of sentence,
And even this infamy would not attract numerous readers
Were there an erudite or violent passion,
For the nobleness of the populace brooks nothing below its own altitude.
One must have resonance, resonance and sonority . . .
like a goose.


Varro sang Jason's expedition,
Varro, of his great passion Leucadia,
There is song in the parchment; Catullus the highly indecorous,
Of Lesbia, known above Helen;
And in the dyed pages of Calvus,
Calvus mourning Quintilia,
And but now Gallus had sung of Lycoris.
Fair, fairest Lycoris
The waters of Styx poured over the wound:
And now Propertius of Cynthia, taking his stand among these.
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Ella Wheeler Wilcox

Ella Wheeler Wilcox

Haunted

Haunted


What are these nameless mysteries,
These subtleties of life and death,
That bring before our spirit eyes
The loved and lost; or, like a breath
Of lightest air, will touch the cheek,
And yet a wordless language speak?


In every breeze that blows, to-day,
One voice seems speaking unto me;
And north or south, whichever way
I turn my gaze, one face I see,
And closely, closely at my side
A mystic shadow seems to glide.


A motley crowd we move among,
We surge on with the mighty mass,
And yet no one in all the throng
Looks strangely on us as we pass.
No eye but mine own seems to see
The nameless thing that walks by me.


I cannot touch a proffered hand
But this strange shadow glides between.
Why came he from the spirit land?
What brought him from the world unseen?
Why am I troubled and oppressed
By the vague presence of my guest?


He was my friend! I should rejoice!
I loved him once! Why do I fear?
And yet I shudder as his voice
Speaks in the wind. I feel him near,
This restless spirit of the dead,
And shiver with a nameless dread.


I loved him once; he was my friend;
He held the first place in my heart,
And might have held it to the end.
But our two ways spread wide apart:
I kept the path upon the hill,
And he went down and down, until


He reached the depths of sin and shame,
And died as sots and drunkards die.
I ceased to even speak his name.
God knows I never thought that I,



Who blamed his lack of moral strength,
Might answer for his fall, at length!


O restless dead, lost friend of mine!
I might have saved you, had I tried.
I saw you lift the glass of wine,
And, seeing, had I warned you, cried,
'Touch not, taste not the drink accursed!'
I might have saved you from the thirst


That swallowed up your brain and soul.
But nay! I scorned you when you fell,
And, looking upward to my goal,
Left you to stagger down to hell.
Accusing spirit of the dead,
Your presence fills my heart with dread!
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Ella Wheeler Wilcox

Ella Wheeler Wilcox

A Man's Repentance

A Man's Repentance

To-night when I came from the club at eleven,
Under the gaslight I saw a face-
A woman's face! and I swear to heaven
It looked like the ghastly ghost of-Grace!


And Grace? why, Grace was fair; and I tarried,
And loved her a season as we men do.
And then-but pshaw! why, of course, she is married,
Has a husband, and doubtless, a babe or two.


She was perfectly calm on the day we parted;
She spared me a scene, to my great surprise.
She wasn't the kind to be broken-hearted,
I remember she said, with a spark in her eyes.


I was tempted, I know, by her proud defiance,
To make good my promises there and then.
But the world would have called it a mésalliance!
I dreaded the comments and sneers of men.


So I left her to grieve for a faithless lover,
And to hide her heart from the cold world's sight
As women do hide them, the wide earth over;
My God! was it Grace that I saw to-night?


I thought of her married, and often with pity,
A poor man's wife in some dull place.
And now to know she is here in the city,
Under the gaslight, and with that face!


Yet I knew it at once, in spite of the daubing
Of paint and powder, and she knew me;
She drew a quick breath that was almost sobbing,
And shrank in the shade so I should not see.


There was hell in her eyes! She was worn and jaded;
Her soul is at war with the life she has led.
As I looked on that face so strangely faded,
I wonder God did not strike me dead.


While I have been happy and gay and jolly,
Received by the very best people in town,
That girl whom I led in the way to folly,
Has gone on recklessly down and down.



Two o'clock, and no sleep has found me.
That face I saw in the street-lamp's light
Peers everywhere out from the shadows around me-
I know how a murderer feels to-night!
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