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Consciousness and Self-Knowledge

Ella Wheeler Wilcox

Ella Wheeler Wilcox

Two Sunsets

Two Sunsets

In the fair morning of his life,
When his pure heart lay in his breast,
Panting, with all that wild unrest
To plunge into the great world's strife


That fills young hearts with mad desire,
He saw a sunset. Red and gold
The burning billows surged and rolled,
And upward tossed their caps of fire.


He looked. And as he looked the sight
Sent from his soul through breast and brain
Such intense joy, it hurt like pain.
His heart seemed bursting with delight.


So near the Unknown seemed, so close
He might have grasped it with his hand.
He felt his inmost soul expand,
As sunlight will expand a rose.


One day he heard a singing strain--
A human voice, in bird-like trills.
He paused, and little rapture-rills
Went trickling downward through each vein.


And in his heart the whole day long,
As in a temple veiled and dim,
He kept and bore about with him
The beauty of that singer's song.


And then? But why relate what then?
His smoldering heart flamed into fire--
He had his one supreme desire,
And plunged into the world of men.


For years queen Folly held her sway.
With pleasures of the grosser kind
She fed his flesh and drugged his mind,
Till, shamed, he sated turned away.


He sought his boyhood's home. That hour
Triumphant should have been, in sooth,
Since he went forth an unknown youth,
And came back crowned with wealth and power.


The clouds made day a gorgeous bed;
He saw the splendor of the sky
With unmoved heart and stolid eye;
He knew only West was red.


Then suddenly a fresh young voice
Rose, bird-like, from some hidden place,



He did not even turn his face;
It struck him simply as a noise.


He trod the old paths up and down.
Their ruch-hued leaves by Fall winds whirled--
How dull they were--how dull the world--
Dull even in the pulsing town.


O! worst of punishments, that brings
A blunting of all finer sense,
A loss of feelings keen, intense,
And dulls us to the higher things.


O! penalty most dire, most sure,
Swift following after gross delights,
That we no more see beauteous sights,
Or hear as hear the good and pure.


O! shape more hideous and more dread
Than Vengeance takes in creed-taught minds,
This certain doom that blunts and blinds,
And strikes the holiest feelings dead.
349
Ella Wheeler Wilcox

Ella Wheeler Wilcox

To Men

To Men

Sirs, when you pity us, I say
You waste your pity. Let it stay,
Well corked and stored upon your shelves,
Until you need it for yourselves.


We do appreciate God's thought
In forming you, before He brought
Us into life. His art was crude,
But oh, so virile in its rude


Large elemental strength: and then
He learned His trade in making men;
Learned how to mix and mould the clay
And fashion in a finer way.


How fine that skilful way can be
You need but lift your eyes to see;
And we are glad God placed you there
To lift your eyes and find us fair.


Apprentice labour though you were,
He made you great enough to stir
The best and deepest depths of us,
And we are glad he made you thus.


Ay! we are glad of many things.
God strung our hearts with such fine strings
The least breath movces them, and we hear
Music where silence greets your ear.


We suffer so? but women's souls
Like violet powder dropped on coals,
Give forth their best in anguish. Oh,
The subtle secrets that we know,


Of joy in sorrow, strange delights
Of ecstasy in pain-filled nights,
And mysteries of gain in loss
Known but to Christ upon the Cross!


Our tears are pitiful to you?
Look how the heaven-reflecting dew
Dissolves its life in tears. The sand
Meanwhile lies hard upon the strand.


How could your pity find a place
For us, the mothers of the race?
Men may be fathers unaware,
So poor the title is you wear,


But mothers -? Who that crown adorns
Knows all its mingled blooms and thorns;



And she whose feet that path hath trod
Has walked upon the heights with God.


No, offer us not pity's cup.
There is no looking down or up
Between us: eye looks straight in eye:
Born equals, so we live and die.
409
Ella Wheeler Wilcox

Ella Wheeler Wilcox

High Noon

High Noon

Time’s finger on the dial of my life
Points to high noon! And yet the half-spent day
Leaves less than half remaining, for the dark,
Bleak shadows of the grave engulf the end.


To those who burn the candle to the stick,
The sputtering socket yields but little light.
Long life is sadder than early death.
We cannot count on raveled threads of age
Whereof to weave a fabric. We must use
The warp and woof the ready present yields
And toils while daylight lasts. When I bethink
How brief the past, the future still more brief,
Calls on to action, action! Not for me
Is time for retrospection or for dreams,
Not time for self-laudation or remorse.
Have I done nobly? Then I must not let
Dead yesterday unborn to-morrow shame.
Have I done wrong? Well, let the bitter taste
Of fruit that turned to ashes on my lip
Be my reminder in temptations hour,
And keep me silent when I could condemn.
Sometimes it takes the acid of a sin
To cleanse the clouded windows of our souls
So pity may shine through them.


Looking back,
My faults and errors seem like stepping-stones
That led the way to knowledge of the truth
And made me value virtue: sorrows shine
In rainbow colours o’er the gulf of years,
Where lie forgotten pleasures.

Looking forth,
Out to the westers sky still bright with noon,
I feel well spurred and booted for the strife
That ends not till Nirvana is attained.

Battling with fate, with men and with myself,
Up the steep summit of my life’s forenoon,
Three things I learned, three things of precious worth
To guide and help me down the western slope.
I have learned how to pray, and toil, and save.
To pray for courage to receive what comes,
Knowing what comes to be divinely sent.
To toil for universal good, since thus
And only thus can good come unto me.
To save, by giving whatsoe’er I have
To those who have not, this alone is gain.
399
Elizabeth Bishop

Elizabeth Bishop

Visits to St Elizabeths

Visits to St Elizabeths

This is the house of Bedlam.


This is the man
that lies in the house of Bedlam.


This is the time
of the tragic man
that lies in the house of Bedlam.


This is a wristwatch
telling the time
of the talkative man
that lies in the house of Bedlam.


This is a sailor
wearing the watch
that tells the time
of the honored man
that lies in the house of Bedlam.


This is the roadstead all of board
reached by the sailor
wearing the watch
that tells the time
of the old, brave man
that lies in the house of Bedlam.


These are the years and the walls of the ward,
the winds and clouds of the sea of board
sailed by the sailor
wearing the watch
that tells the time
of the cranky man
that lies in the house of Bedlam.


This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
beyond the sailor
winding his watch
that tells the time
of the cruel man
that lies in the house of Bedlam.


This is a world of books gone flat.
This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
of the batty sailor
that winds his watch
that tells the time
of the busy man



that lies in the house of Bedlam.


This is a boy that pats the floor
to see if the world is there, is flat,
for the widowed Jew in the newspaper hat
that dances weeping down the ward
waltzing the length of a weaving board
by the silent sailor
that hears his watch
that ticks the time
of the tedious man
that lies in the house of Bedlam.


These are the years and the walls and the door
that shut on a boy that pats the floor
to feel if the world is there and flat.
This is a Jew in a newspaper hat
that dances joyfully down the ward
into the parting seas of board
past the staring sailor
that shakes his watch
that tells the time
of the poet, the man
that lies in the house of Bedlam.


This is the soldier home from the war.
These are the years and the walls and the door
that shut on a boy that pats the floor
to see if the world is round or flat.
This is a Jew in a newspaper hat
that dances carefully down the ward,
walking the plank of a coffin board
with the crazy sailor
that shows his watch
that tells the time
of the wretched man
that lies in the house of Bedlam.
566
Elizabeth Bishop

Elizabeth Bishop

The Weed

The Weed

I dreamed that dead, and meditating,
I lay upon a grave, or bed,
(at least, some cold and close-built bower).
In the cold heart, its final thought
stood frozen, drawn immense and clear,
stiff and idle as I was there;
and we remained unchanged together
for a year, a minute, an hour.
Suddenly there was a motion,
as startling, there, to every sense
as an explosion. Then it dropped
to insistent, cautious creeping
in the region of the heart,
prodding me from desperate sleep.
I raised my head. A slight young weed
had pushed up through the heart and its
green head was nodding on the breast.
(All this was in the dark.)
It grew an inch like a blade of grass;
next, one leaf shot out of its side
a twisting, waving flag, and then
two leaves moved like a semaphore.
The stem grew thick. The nervous roots
reached to each side; the graceful head
changed its position mysteriously,
since there was neither sun nor moon
to catch its young attention.
The rooted heart began to change
(not beat) and then it split apart
and from it broke a flood of water.
Two rivers glanced off from the sides,
one to the right, one to the left,
two rushing, half-clear streams,
(the ribs made of them two cascades)
which assuredly, smooth as glass,
went off through the fine black grains of earth.
The weed was almost swept away;
it struggled with its leaves,
lifting them fringed with heavy drops.
A few drops fell upon my face
and in my eyes, so I could see
(or, in that black place, thought I saw)
that each drop contained a light,
a small, illuminated scene;
the weed-deflected stream was made
itself of racing images.
(As if a river should carry all
the scenes that it had once reflected
shut in its waters, and not floating
on momentary surfaces.)
The weed stood in the severed heart.
"What are you doing there?" I asked.



It lifted its head all dripping wet
(with my own thoughts?)
and answered then: "I grow," it said,
"but to divide your heart again."
602