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Memories and Recollections

Ella Wheeler Wilcox

Ella Wheeler Wilcox

The Yellow-Covered Almanac

The Yellow-Covered Almanac

I left the farm when mother died and changed my place of dwelling
To daughter Susie’s stylish house right on the city street:
And there was them before I came that sort of scared me, telling
How I would find the town folks’ ways so difficult to meet;
They said I’d have no comfort in the rustling, fixed-up throng,
And I’d have to wear stiff collars every weekday, right along.

I find I take to city ways just like a duck to water;
I like the racket and the noise and never tire of shows;
And there’s no end of comfort in the mansion of my daughter,
And everything is right at hand and money freely flows;
And hired help is all about, just listenin’ to my call –
But I miss the yellow almanac off my old kitchen wall.

The house is full of calendars from the attic to the cellar,
They’re painted in all colours and are fancy like to see,
But in this one in particular I’m not a modern feller,
And the yellow-covered almanac is good enough for me.
I’m used to it, I’ve seen it round from boyhood to old age,
And I rather like the jokin’ at the bottom of the page.

I like the way its ‘S’ stood out to show the week’s beginning,
(In these new-fangled calendars the days seem sort of mixed) ,
And the man upon the cover, though he wa’n’t exactly winnin’,
With lungs and liver all exposed, still showed how we are fixed;
And the letters and credentials hat was writ to Mr. Ayer
I’ve often on a rainy day found readin’ pretty fair.

I tried to buy one recently; there wa’n’t none in the city!
They toted out great calendars, in every shape and style.
I looked at them in cold disdain, and answered ‘em in pity –
‘I’d rather have my almanac than all that costly pile.’
And though I take to city life, I’m lonesome after all
For that old yellow almanac upon my kitchen wall.
354
Ella Wheeler Wilcox

Ella Wheeler Wilcox

The Duet

The Duet

I was smoking a cigarette;
Maud, my wife, and the tenor McKey
Were singing together a blithe duet,
And days it were better I should forget


Came suddenly back to me,
Days when life seemed a gay masque ball
And to love and be loved as the sum of it all.

As they sang together the whole scene fled,
The room’s rich hangings, the sweet home air,
Stately Maud, with her proud blonde head,
And I seemed to see in her place instead

A wealth of blue-black hair,
And a face, ah! your face, - yours, Lisette,
A face it were wiser I should forget.

We were back – well, no matter when or where,
But you remember, I know, Lisette,
I saw you, dainty, and debonnaire,
With the very same look you used to wear


In the days I should forget.
And your lips, as red as the vintage we quaffed,
Were pearl-edged bumpers of wine when you laughed.

Two small slippers with big rosettes
Peeped out under your kilt-skirt there,
While we sat smoking our cigarettes
(Oh, I shall be dust when my heart forgets!)


And singing that selfsame air;
And between the verses for interlude,
I kissed your throat, and your shoulders nude.

You were so full of a subtle fire,
You were so warm and so sweet, Lisette;
You were everything men admire,
And there were no fetters to make us tire;


For you were – a pretty grisette.
But you loved, as only such natures can,
With a love that makes heaven of hell for a man.

****
They have ceased singing that old duet,
Stately Maud and the tenor McKey.
‘You are burning your coat with your cigarette,
And qu’avez-vous, dearest, your lids are wet, ’

Maud says, as she leans o’er me.
And I smile, and lie to her, husband-wise,
‘Oh, it is nothing but smoke in my eyes.’
448
Ella Wheeler Wilcox

Ella Wheeler Wilcox

The Camp Fire

The Camp Fire

When night hung low and dew fell damp,
There fell athwart the shadows
The gleaming watchfires of the camp,
Like glow-worms on the meadows.
The sentinel his measured beat
With measured tread was keeping,
While like bronze statues at his feet
Lay tired soldiers, sleeping.


On some worn faces of the men
There crept a homesick yearning,
Which made it almost seem again,
The child-look was returning.
While on full many a youthful brow,
Till now to care a stranger,
The premature grave lines told how
They had grown old through danger.


One, in his slumber, laughed with joy,
The laughing echoes mocked him,
He thought beside his baby boy
He sat and gaily rocked him.
O pitying angels! Thou wert kind
To end this brief elysian,
He found what he no more could find
Save in a dreamer's vision.


The clear note of a mocking bird-
That star of sound-came falling
Down thro' the night; one, wakeful, heard
And answered to the calling,
And then upon the ear there broke
That sweet, pathetic measure,
That song that wakes-as then it woke,
Such mingled pain and pleasure.


One voice at first, and then the sound
Pulsed like a great bell's swinging,
'Tenting to-night on the old camp ground,'
The whole roused camp was singing.
The sense of warfare's discontent
Gave place to warfare's glory;
Right merrily the swift hours went
With song, and jest, and story.


They sang the song of Old John Brown,
Whose march goes on forever;



It made them thirsty for renown,
It fired them with endeavor.
So much of that great heart lives still,
So much of that great spirit-
His very name shoots like a thrill
Through all men when they hear it.


They found in tales of march and fight
New courage as they listened,
And while they watched the weird camp-light,
And while the still stars glistened,
Like some stern comrade's voice, there broke
And swept from hill to valley
'Til all the sleeping echoes woke,-
The bugle's call to rally!


'To arms! to arms! the foe is near!'
Ah, brave hearts were ye equal
To hearing through without one fear
The whole tale's bloody sequel?
The laurel wreath, the victor's cry,
These are not all of glory;
The gaping wound, the glazing eye,
They, too, are in the story.


And when again their tents were spread,
And by campfires they slumbered,
The missing faces of the dead
The living ones outnumbered.
And yet, their memories animate
The hearts that still survive them,
And holy seems the task, and great,
For one hour to revive them.
332
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Queries

Queries


Well, how has it been with you since we met
That last strange time of a hundred times?
When we met to swear that we could forget—
I your caresses, and you my rhymes—
The rhyme of my lays that rang like a bell,
And the rhyme of my heart with yours, as well?
How has it been since we drank that last kiss,
That was bitter with lees of the wasted wine,
When the tattered remains of a threadbare bliss,
And the worn-out shreds of a joy divine,
With a year's best dreams and hopes, were cast
Into the rag-bag of the Past?
Since Time, the rag-buyer, hurried away,


With a chuckle of glee at a bargain made,
Did you discover, like me, one day,
That, hid in the folds of those garments frayed,
Were priceless jewels and diadems—
The soul's best treasures, the heart's best gems?
Have you, too, found that you could not supply
The place of those jewels so rare and chaste?
Do all that you borrow or beg or buy
Prove to be nothing but skilful paste?
Have you found pleasure, as I found art,
Not all-sufficient to fill your heart?
Do you sometimes sigh for the tattered shreds
Of the old delight that we cast away,
And find no worth in the silken threads
Of newer fabrics we wear to-day?
Have you thought the bitter of that last kiss
Better than sweets of a later bliss?
What idle queries!—or yes or no—
Whatever your answer, I understand
That there is no pathway by which we can go
Back to the dead past's wonderland;
And the gems he purchased from me, from you,
There is no rebuying from Time, the Jew
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